Supply Lists (Alphabetically by Instructor)

Following is a Basic Tool Kit recommended by most instructors. Please see individual course and instructor listings for additional specific supply requirements and expected materials fees.

BASIC TOOL KIT FOR MOST CLASSES Quality layout paper 11” x 14” to14” x 17” or A3 (Recommended: Canson Pro-Marker Layout, Bienfang semi-transparent marker, Boris Riley marker); cork-backed steel ruler (12”–18”); X-acto knife (with #10 and #11 blades) or snap-off knife; cutting mat; white vinyl eraser; scissors; favorite writing nibs (Mitchell, Brause, ); holders; assorted gouache/watercolors; black (recommended: Higgins Eternal, bottled sumi ink e.g., Moon Palace, stick ink and grinding stone); mixing palettes (plastic, six well); inexpensive mixing/loading brushes; water containers; paper towels or rags; slant board for writing (at least 18”x24”); and sharpeners; notebook; drafting tape; glue stick (UHU); T-square (18”– 24”) and triangle or rolling ruler for ruling lines; quotes or texts that are meaningful to you.

Georgia Angelopoulous SUPPLIES FOR BOTH CLASSES: Basic Tool Kit; glassine paper (18”x24”); HB and 2H pencils; gouaches: permanent white, primary yellow, primary blue or ultramarine; gum arabic; gold size (Jerry Tresser’s is good); brushes: smaller rounds for painting and applying size (000, 00, 1); a larger, soft brush for gold; burnisher; magnifier. OPTIONAL: Gold transfer leaf. Instructor will have a variety for purchase. B1 Metamorphosis of a Manuscript Page NEED TO BRING: Basic supply kit listed above; ruling pen; black Pigma markers (005 and 05); one sheet good HP paper (140# Fabriano Artistico or Arches, 22”x30” may cut in half); additional gouaches: jet black, primary red. C1 A Passage on Parchment NEED TO BRING: Basic supply kit listed above; gum arabic; dust mask. MATERIALS FEE: Kit for each student will include: sanding block; sandpaper in various grades; ; gum sandarac; swatch of silk; piece of mat board; piece of parchment and a few off cuts. Cost for the kit will be nominal and contingent on the number of students in the class.

Patricia Blair C22 From Pen to Paper to Print NEED TO BRING: Basic Tool Kit; rubber cement; rubber cement pick-up. OPTIONAL: If you are familiar with Photoshop and would like to use it for layout, you are welcome to bring your laptop. MATERIALS FEE: Various papers for printing will be supplied by the instructor for a nominal charge. be given as part of the class. If you already have a domain name and web-hosting package, make sure to bring all access passwords and account info; 3) Those able to bring their own laptop/portable computer (PC or MAC) are advised to do so. A PC with all required software will be available to each participant, but your own laptop will be a more familiar work environment than lab computers on campus. If you bring a laptop, also bring an ethernet cable for broadband Internet access, or ensure you have wireless Internet capability. The entire campus has wireless broadband access. Minimum laptop computer specification should be as listed below, and software installed should include Adobe Photoshop version CS2 or CS3 and Adobe Dreamweaver version CS2 or CS3. For smooth flow in class, it is essential that all students have these versions of software. (If you do not own the most recent version, you can download a free 30-day trial from www.adobe. Timothy Botts com. Note: Do NOT install the trial software until a week before SUPPLIES FOR BOTH CLASSES: Basic Tool Kit; Winsor Newton conference or it will expire too early for you to explore it fully in gouache in tubes (primary colors plus white); broad-edged pen and after class! If in doubt, wait until conference—the software can nibs (Speedball C-0, C-1, C-2 and Brause set of nine—esp. ¾ mm be installed on your laptop in class.) through 3 mm); 2 or 3 broad-edged brushes: ¼”–½” widths; white For those who wish to bring their own laptop computer: please go bond paper (11”x14” or 11”x17”); several sheets of paper to www.adobe.com and view system requirements needed to run in various colors of your choice (11”x14”); HB ; kneadable Adobe software. eraser; masking tape. C3 The Glory of Flourishes Cari Buziak NEED TO BRING: Basic supply kit listed above; assorted colored B20 The Art of Celtic Design pencils and pointed water based markers for practice; 2 sheets NEED TO BRING: Good white vinyl eraser (we will be erasing in cold press watercolor paper (Fabriano Artistico, 11”x14”). a lot of small spaces, so a knife to cut down a larger eraser into OPTIONAL: A twirled glass-blown pen. smaller pieces will be helpful); pencil (HB); artist’s sketch paper (not printer or photocopier paper), and a notebook and a compass (or Denis Brown a circle template). OPTIONAL: Watercolors; Pigma or A1 Outstanding Websites pigmented (.3, .5 and .7 are handy tip sizes); pearlescent or NEED TO BRING: Basic Tool Kit (you may need to prepare or metallic /acrylics; brush tip felt pens; colored pencils; water- re-do artwork during the week); a USB flash drive at least 1GB soluble colored pencils; other papers or boards, colored or white. (1000 MB) OR a portable hard drive with cable for connection via MATERIALS FEE: $20 [for gilding supplies kit]. USB2 or Firewire 400. (Note: an I-pod can be used as a portable hard drive OR if you bring a digital camera with compact flash or Annie Cicale similar card storage, a spare card of at least 1GB could be used to B4 Value Contrast: Exploring the Gray Areas take home your files. Be sure the cable can connect via USB2 or NEED TO BRING: Basic Tool Kit; pencils (4B, 2B, HB, 2H, etc.); Firewire400. Campus PCs are CD read only; they do not have CD sponge (for sticky fingers); rubber cement pickup. Bring if you burn ability.) have them: a ruling pen; large brass pens (Coit or other, approx. ¼”– ½ ”); brushes, flat and/or pointed; your favorite mark-making Bring some pre-prepared artwork and have a general idea of what tools; tracing paper for rough drafts OR non-repro graph paper; you want to present in your website—these will give you a head one sheet of cover-weight colored paper, such as Canson or start. (Please be open to objective criticism that could possibly Strathmore Charcoal or a decorative paper (you may want to involve a rethink of your site plan and replacement of the artwork.) purchase this on site); gouache in assorted colors (red, yellow, blue, You may wish to bring finished pieces of your work to scan: letter- burnt sienna, green, orange, purple) plus Ivory Black; Pro White size or smaller can be done in one pass, but larger is also possible by scanning in sections and ‘stitching’ to reassemble the complete image. (You will be shown how to do this.) Alternatively, you may prefer to bring digital files you have already scanned. Tip: scan at minimum 300dpi full size; bring raw files in uncompressed TIFF or Photoshop PSD format; do NOT process the scans using scanner sharpening or color correction facilities OR post processing in Photoshop. Store the digital files on CD or on a USB flash drive. (If you do not understand any of this, just bring your original art to scan in class.) OPTIONAL: 1) If you have a digital camera, bring it with the cable needed to connect it to a PC; 2) You may want to purchase a unique domain name and professional web-hosting package online. In this case you will need a credit card. Instruction and advice will and/or white gouache; some better brushes for applying gouache Georgia Deaver (you’ll need at least one pointed brush about #10 and a ½ ” flat, A3 and Painting such as WN 995; gum arabic. MATERIALS FEE: approximately $20 NEED TO BRING: Basic Tool Kit; : A box of SOFT [includes packet of good paper and other materials supplied for pastels (not oil or chalk pastels). Good brands are Rembrandt, the class and a group printing project that instructor completes , Schmincke or . Half sticks are fine, a after the conference]. minimum of 12 colors. (Note: If you find a box of pastels dirt C4 Watercolor Techniques for Calligraphers cheap, they’re probably chalk. Only bring if you already have: NEED TO BRING: Basic Tool Kit; 2–3 sheets good watercolor paper oil pastels or pastel pencils.) Black or white corners made out (e.g., Arches 140# CP, Fabriano, or Lanaquarelle, 16x23”); drawing of poster or mat board for cropping; artwork; black or brown board; a couple of bulldog clips; aquarelle brush (e.g., Winsor Conte for sketching (HB, single sticks or 2 in a pack); a few Newton 995, ½” wide); round sable or sabeline brushes, these sticks of charcoal; tools for smudging—any or all of the following: range from sizes 2 to 20, you’ll need 1–3 good quality brushes in Q-tip, cotton balls, chamois, kneadable eraser, stumps or tortillons this range; a BIG brush of some sort (e.g., squirrel mop or Chinese (rolled paper cylinders), old soft brushes; one pad of tracing paper, hake brush, or Chinese pipe brush); any other watercolor brushes 14”x17” or 19”x 24” (you won’t use the whole pad); 5–10 sheets you may have for mixing gouache or large puddles of paint; clean of inexpensive but good paper in any colors (Canson, Fabriano watercolor palette, one with flat areas for mixing, or an old white Ingres or Strathmore charcoal paper are good choices); black felt china or Corelle plate; two water containers; liquid frisket (Pébéo pen (medium tip, not chiseled). OPTIONAL: Palette knife with a brand is best); cloth paint rags; sponges; Q-tips; ® fine round end; no-odor spray fixative for pastels, if desired. MATERIAL point ; words (quotes, poems, etc.) with colorful FEE: $10–$20 [includes various paper samples, etc.]. implications; watercolor and gouache (we will share paint, but you Kristen Doty may have some unusual colors you want to bring.) OPTIONAL/ B19 Drawing for Calligraphers (And Those Who Think They CAN BE SHARED: Hair dryer; plant mister. MATERIALS FEE: $30, Can’t Draw) depending on the color cartel’s current international schemes NEED TO BRING: Basic Tool Kit; woodless pencils: HB, 2B, [includes palette, watercolor and gouache]. 4B, 6B (Pentalic Graphite 8911); other graphite drawing pencils you Ewan Clayton have: 2H, HB, 2B, etc.; white charcoal pencil; colored pencils: artist B5 The Cursive Capital: Early Roman Uncials quality - (set of 12 or more—at least one blue, red C5 The Cursive Capital—Early Roman Rustics NEED TO BRING: and yellow); Clic eraser; folded ruling pen and holder and/ Basic Tool Kit; Rexel, Brause or Speedball square cut nibs, at times or other ruling pens you have; flexible pointed and holder (not we will be using 3/4 mm or No. 4 nibs (e.g., small sizes); some too sharp—Brause Steno Pen No. 361); drawing pad: Strathmore gouache colors (if in doubt bring Venetian Red, it flows well from Series 400 (regular surface, not smooth, 11”x14”); sketchbook: the pen); a brush for the gouache; two sheets of tracing paper spiral bound (paper with a little tooth is nice, 11” x 14”); (notepaper size). papers: one black and one medium colored (e.g., Canson Mi- Teintes); or embossing tool. OPTIONAL: Walnut ink; Pigma Nancy Culmone Micron markers; Speedball “B”nibs; : .5mm HB or SUPPLIES FOR BOTH CLASSES: Basic Tool Kit; favorite words B; watercolor colored pencils. MATERIALS FEE: $15-17 [includes and texts; Speedball nibs C0, C1, B0, B2, B3; copperplate pen fresh fruit and flower models, drawing kit, and miscellaneous items]. points (e.g., Rexel); broad nibs (Mitchell, Rexel or Brause) for smaller writing; red, yellow and blue) gouache/watercolor (Winsor Lisa Engelbrecht Newton, Turner, Holbein or Schmincke). OPTIONAL: Bone folder, B18 The Fine Hand-Lettered Art Quilt large cutting mat. NEED TO BRING: One yard or more of smooth unprimed canvas: 7 ounces or whatever you can find, 100% cotton (check Daniel B6 Uncial for Dessert Smith.com or local art store); one yard cotton muslin; fabric paints NEED TO BRING: Basic Tool Kit; supplies listed above; one full you already have; inks: FW, Speedball Super Pigmented Acrylic and/ sheet of Canson Mi-Tientes (any color) OR a cover paper of your or Pearlescent Acrylics in a couple of colors; old brushes: hairy, flat, choice 22”x26”; a sheet of your favorite paper; 3-5 Prismacolor pointed, watercolor, house painting; pens: Pigma Micron markers, colored pencils. MATERIAL FEE: $15 [includes materials provided Pitt pens, Sharpies, and/or gel pens; pencils: regular and colored; for you, e.g., most papers, gouache, some tools, etc.]. toothbrush; small spray bottle; small container of PVA or YES! C6 Contemporary Decorated Letter Quest NEED TO BRING: Basic Tool Kit; supplies listed above; an oriental brush; a small pointed brush (#1); any other brushes you use; 8 sheets of Arches Velin (text wove, 20”x12”—halves of four 20”x26”sheets); one sheet black Canson; a cover paper of your choice (24”x18”); a selection of Prismacolor colored pencils (12–15 or more); scrap paper for gluing; tweezers; small cutting mat; white mat board (8”x10”). OPTIONAL: Watercolor pencils, reed, music pen, ruling pen, any wide pens e.g., ½–5.8” (Coit or Automatic). MATERIAL FEE: $15 [includes materials provided for you, e.g., papers, gouache, frisket film, some tools, etc.]. Linda Hancock B23 So Where Do I Put The Lettering? Basic Layout and Design for Calligraphers NEED TO BRING: Basic Tool Kit (no fountain pens); paint brushes (large wash brushes and smaller watercolor brushes); gouache and watercolors (bring what you already use for lettering or at least have alizarin crimson, ultramarine, lemon yellow and Chinese or zinc white gouache); colored pencils or watercolor pencils; liquid frisket; kneadable eraser; interesting scraps of paper for collage; rubber cement pick-up; Arches watercolor paper (140#, hot press and cold press, two sheets each, full sheets if you can manage it OR cut into fourths for ease of transport). OPTIONAL: A piece of your completed calligraphic art or something that you’re working glue; favorite calligraphy pen nibs and holders; Zig markers; purple on/struggling with. You and I can discuss it privately or, with your disappearing ink pen (available in quilt section of Jo-Ann Fabrics); permission, we can use it in the class setting to get more input as plastic palette (6 wells); fabric scissors; fabric and various paper to the design direction you might choose to go. MATERIALS FEE: scraps; trim; miscellaneous fabric stuff; metallic thread; embroidery $10. floss (various textures)—don’t buy, we’ll share. Your theme should be “you-based,” so bring photos, smaller mementos, symbols, Sharon Hanse charms, quotes and words (dig really deep for meaningful-to-you SUPPLIES FOR BOTH CLASSES: Basic Tool Kit; tracing paper; words and quotes); beads and amulets that speak to a certain Mitchell Rexel pens sizes 3 and 4. memory and/or your secret art self. OPTIONAL: An iron, if you B8 Dimensional Calligraphy live nearby. MATERIALS FEE: $5 [includes acrylic inks, metallic NEED TO BRING: Basic supply kit listed above; rubber mat or powders, gesso, YES! glue, play fabric and much more]. old telephone book; stylus (double ended wooden or plastic Jean Formo handle); bone folder; wax paper; paper for embossing and paper B7 Organically Yours—Drawn Letters from Art Nouveau cutting (e.g., Rives BFK, Arches Text, handmade papers); pad of NEED TO BRING: Basic Tool Kit; HB and 2H drawing pencils; bristol board (inexpensive—for cutting stencils). OPTIONAL: The Pentel Clic eraser; Speedball B-3 nib; broad edged nibs (1.5mm, instructor will have some of these available for use: soft pastels; 2mm, 2.5mm); tracing paper; colored ink; gouache (permanent pastel brushes; colored pencils; acrylic mat medium or acrylic white, indigo, oxide of chromium, golden yellow, alizarin crimson, varnish. Helpful: light box (table) or a slant board made of Plexiglas burnt umber); fine monoline pens such as Pigma or Uniball; six which can be used with a light source (some will be available for half-sheets of 90# hot press watercolor paper; colored pencils. use). MATERIALS FEE: $10. OPTIONAL: Watercolors. MATERIALS FEE: $6. C8 Carolingian C7 French Lace: A Painted Journal NEED TO BRING: Basic supply kit listed above; some good papers NEED TO BRING: A “mop” brush (#3), 2”–3” wash brush or kid’s on which to experiment. “chunky” brush; several foam stamps or rubberstamps; stamp pads; Eliza Holliday metallic ink or metallic watercolors; Frankfurt White paper (8 B9 Neuland Garden sheets, 19 ½” x 25 ½”); cutting mat; bone folder; large plastic trash NEED TO BRING: Three hard (H) and two soft (B) pencils of your bag; masking tape; colored pencils; Pigma pens or other disposable choice (instructor likes DerWent); one extra 2B and 3H pencil (for tech pens; colored or metallic gel pens; small plastic spray bottle; chiseling); flat graphite stick (General has them, not square stick— OPTIONAL: Acrylic inks, pointed brush markers, prose or poetry harder to find, but makes better calligraphic tool); carpenter’s written by you! MATERIALS FEE: $20. pencil (soft, 2B works); Papermate Sharpwriter yellow automatic Jed Gibbons #2 (available in class); kneadable eraser; white plastic eraser; small A5 Crafting the Illuminated Miniature chamois; small blending stump; sandpaper block; ½ sheet Arches NEED TO BRING: Grinding dish; glass rod; stylus/scribe tool; hot press; ½ sheet Arches cold press; #11 X-acto or small snap Instacol (up to 5-6 students can go in on a small bottle); two blade; bone folder. small six-well palettes; palette knife; Cheap Joe’s PR3050M-20/0 C9 3-D Calligraphy Monogram Princeton Brush, Series 3050 (bring two if possible— NEED TO BRING: Basic tool kit; brushes and/or markers for recommended for doing fine detail work); slant well palette lettering on soft fibrous papers or any oriental paper that have with 5–6 wells; masking tape; water bowl; small scissors; small texture or writing on them. (You don’t need to have non-water inexpensive mixing brush; paper towels; 1/8 tsp. measure if soluble paint – acrylics – but in some cases it may help. Collage is you have one. OPTIONAL: Magnifier (visor or desk top style) a wet medium and may smear gouache or watercolor, no matter recommended; arm brace (if you use one) MATERIALS FEE: $45 how much you spray. It depends on the degree of legibility you [includes pigments, paper, worksheets and some supplies]. want).MATERIALS FEE: $10 [covers rice papers; balsa wood; foam board; wood glue; sandpaper; acrylic medium mix; glue brushes; and spray fix].

Mike Kecseg B11 Copperplate: Beyond the Basics NEED TO BRING: Basic Tool Kit; pointed pen nibs (e.g., Hunt #101, Gillott #303, Hiro #41, Nikko “G,” Leonardt EF Principal or your favorite pointed nib); oblique pen holder; McCaffery’s ink; layout or Carrie Imai grid paper (with 1/8” squares); 1-2 sheets of quality art paper (e.g., C24 Big Bad Bone Arches HP, Canson Mi-Teintes, Diploma Parchment); at least one NEED TO BRING: Basic Tool Kit; one #4 (5/16”) and/or #5 (½”) sheet of black or dark colored paper of your choice; protractor Automatic pen; 4001 ink (any color) or other water-based or adjustable triangle; gouache (white or Dr. Martin’s Bleedproof ink; watercolor palette (prefer Prang); grid paper pad (at least White, black and 3–4 colors of your choice). 11” x 14”); some better papers, (e.g., Fabriano Ingres, Arches hot press, Frankfurt)—scraps are fine—the more paper you have, the C11 Contemporary Pointed Pen more possibility for experimentation; C-Thru ruler; a few sheets of NEED TO BRING: All of the above; straight pen holder. tracing paper. MATERIALS FEE: $8 [for bound handout book and Rosie Kelly experimental tool kit, practice paper, gum arabic container, water B21 Pastepaper Books pots and name plates]. NEED TO BRING: Basic Tool Kit; three or more colors of acrylic Martin Jackson paint (preferably tubes); awl; embossing tool; bone folder; needle; A6 Exciting Techniques for Calligraphers thread; several sponges. These items will be available for use: NEED TO BRING: Basic Tool Kit; nibs, Speedball C2 and C3 are water containers; chalk pastels; mark-making tools for paste useful sizes; ink: if you have any colored acrylic inks such as Magic paper; acetate templates; embossing templates; handmade book Color or [no longer being made, but you may have some exemplars. OPTIONAL: Large size brushes for painting papers old stock], please bring them; a few sheets of cheap tracing paper; (alternative to sponges); brush cleaner; watercolor pencils; tracing a half sheet each (or more) of any good quality 90# cold press and paper. MATERIALS FEE: $8 [includes 2 full sheets of Arches Text rough watercolor paper (Arches or Waterford are good brands Wove paper, 25”x40;” Elmer’s Art Paste; acrylic matte medium; and these can be cut into quarters for easy carrying); a couple of plastic cups; mixing spoons]. sheets of black Canson Mi-Teintes (8 ½ ‘’ x 11’’ or larger); a couple Yves Leterme (or more) small portable light boxes for the class to share would A7 Gestural Writing be useful. MATERIALS FEE: $3 [for gold leaf, etc.]. NEED TO BRING: Mechanical pencil (with refills, HB lead at Michael Jacobs 0.5 mm); Speedball nibs C5, C4, and C3; Black non-waterproof SUPPLIES FOR BOTH CLASSES: Basic Tool Kit; 0.5 mm mechanical ink (Quink is a good choice); lots of inexpensive, smooth paper pencil with 2-H lead; utility knife; extra blades for knife and X-acto; (e.g., photocopier paper, A3 or11”x17” that will allow sharp lines stapler; bookbinder’s awl OR push pin; bone folder; needle and without feathering); a few sheets of quality paper, not too big (e.g., one spool (or more) strong thread (waxed linen, carpet, etc.); BFK Rives); black pigment markers (0, 05, 0.1, and 0.2 mm—e.g., scrap papers to protect work surface; 2 pieces mat board 5 ½” Pigma Micron); white correction fluid (for tiny retouchings, e.g., Dr. square; 3 pieces thin cardboard or chipboard 4” square; 10 text Martin’s Bleedproof White); scissors (or scalpel or X-acto with a weight decorated papers 8½”x11”or larger (paste, marbled, cutting mat). OPTIONAL: Pointed brush; Pentel pointed brush; sponged, wrapping, etc.); 30 text weight papers for pages, 8½” x watercolors and/or gouache; water pots, one with a dropper; ruling 11” (assorted colors, textures); misc. beads, strings, yarns, feathers, pen; cola can pen. MATERIALS FEE: $15 [includes a syllabus booklet trinkets, etc., to use as collage elements on finished projects; plastic bag containing more than 40 pages of theory, exercise descriptions, and for trash. OPTIONAL: Three-sided architect’s ruler with 1/16” scale. a gallery of examples]. B10 Creative Correspondence Betty Locke NEED TO BRING: Basic supply kit listed above; one roll ½” wide A8 The Artistry of the Edged Brush and Beyond double-stick tape (with protective peel-off backing); 30 sheets NEED TO BRING: Basic Tool Kit; half-inch flat brush with hairs 65-80 lb cardstock, 8½” x 11” (assorted colors, textures); small just a little longer than an inch (the one I recommend has a clear, decorative papers. acrylic handle); palette of colors—watercolor and/or gouache C10 Offbeat Books hardened into the palette; black monoline or Zig pen (smaller NEED TO BRING: Basic supply kit listed above; 25 sheets 65-80 point rather than larger); small quantity of better paper. NOTE: lb cardstock, 8½”x11” (assorted colors, textures); 10 sheets plain, There is no materials fee; at the end of the class colored exemplars white computer paper, 8½”x11.” will be for sale.

OPTIONAL: Prismacolor pencils; pens; watercolor pencils; favorite Judy Melvin and funky writing tools. MATERIALS FEE: $25-$30 [for special B17 Improv Studio papers; thread; heat transfers; acetate; transfer fluids and material NEED TO BRING: Basic Tool Kit; Paper: Arches Text Wove, 2–3 and other miscellaneous necessary supplies]. sheets (24”x40”); Arches black cover, one sheet (22”x30”); watercolor paper 90#, one sheet (inexpensive okay). Brushes: Charles Pearce pointed for writing and flat; synthetic mixing and work brushes; A11 Twiddling the Pen to the Best Effect inexpensive flat oriental wash brush. Media: zinc white gouache or NEED TO BRING: Lots of ink or watercolor, layout paper and large Chinese white watercolor; Dr. Martin’s Bleed Proof White or Pro pens (Coit, Hiro, Automatic Lettering, etc., not smaller than 1/4” White; erasers to carve; containers to store mixed colors (e.g., film and preferably larger than that). Pen manipulation of the type that canisters, jars w/ lids); white glue (PVA or Elmer’s School Glue). we shall be doing is extremely difficult if the sizes are too small, so OPTIONAL: Unusual tools; ruling pens; stamps; gel pens; markers; PLEASE bring large pens. You may also bring a selection of good gold leaf, Instacol (PVA will do); chalk pastels; colored pencils and quality flat brushes, either sable or acrylic. They should be fairly soft untested supplies or tools; collage papers: scraps, old pieces of with a certain amount of “snap” to them. DO NOT bring bristle lettering, napkins (thin papers work best, such as white tissue or brushes; they’re useless for our purposes. You should bring some thin sumi papers); colored papers (at least 8” wide). MATERIALS if you’re intending to try your hand with brushes. FEE: $10 [includes sumi ink; gesso; dyes; Plaka; frisket; bleach; chalk pastels to be shared by the class]. Friedrich G. Peter A12 Letter Play—Lettering and Calligraphy for Joy‑Like Art NEED TO BRING ON FIRST DAY: Basic Tool Kit; 20 sheets of heavy weight white bond paper (approx. 24 lb., 8.5” x 11”). Additional materials will be available from a supply store on site and can be purchased according to individual project choices and Cherryl Moote A9 Copied, Bound and Numbered—Creating preferences. Limited Edition Books NEED TO BRING: Basic Tool Kit; For calligraphers: few sheets of Jill Quillian non-repro layout paper; gouache: at least your favorite black, oxide B22 A Touch of Silk “Silk Painting” of chromium and your favorite red or stick inks. For all: scissors NEED TO BRING: Apron; rubber gloves; hair dryer; paper towels, (regular and fine); ruler and/or Omnigrid© Quilter’s Ruler (6” x 12” clean palette with deeper reservoirs (if possible, or very small size highly recommended); pencil which keeps a fine point; bone plastic cups); eye droppers or pipettes; stainless steel push ins or folder; bookbinding awl; bookbinding or chenille needle; a little silk pins; several water containers; favorite watercolor brushes bookbinding thread; 2 fresh glue sticks; several texts or quotes that (large #12 and smaller #6) or sumi brushes and/or foam brushes; are meaningful to you; paper purchases at the conference after you clear plastic package tape (to cover the stretchers); old foam core have chosen a project on Day 3. OPTIONAL: CD or DVD of scans board 12” x 12” (to stretch small silks). HELPFUL TO HAVE: Local of imagery and artwork (detailed information will be given in June); folks please bring irons and extension cords to share. few full sheets or several part sheets of art paper such as Canson, MATERIAL FEE: $30 [includes silks, dyes, resist, applicators with tips, Ingres or Vivaldi; colored pencils or other coloring tools such as and stretchers]. water-soluble ; basic rubber stamping kit; a few Staedtler Ieuan Rees erasers for carving stamps; collage materials like oriental papers, A13 Drawn Roman Letters and Letter Carving old postage stamps, sheet music, buttons, beads, photos and copies NEED TO BRING: Basic Tool Kit; Layout paper or pad (minimum of photos, clip art pictures, ribbon, decorative threads, fine leather size 14” x 17”); drawing board bigger than the paper size; hard and thong; gel pens; fine markers; brush pens. MATERIALS FEE: $20 [to soft pencils; crayons (not too soft); a few elastic or cover a kit of precut papers, cover stock, basic copier paper, glue, rubber bands; medium and large nibs; large ; masking ribbons, inclusions and fine papers to be used in making samples tape; goggles; strong shoes (in case you drop the slate); smock and prototypes]. or any suitable clothing for carving; samples of your work; lots of Brody Neuenschwander patience. MATERIALS FEE: TBD A10 Developing Meaning Carl Rohrs NEED TO BRING: Basic Tool Kit; a variety of pens, including any BASIC SUPPLY KIT FOR BOTH CLASSES: Basic Tool Kit; arge favorite, unorthodox, experimental instruments you wish to folded brass FLAT pen (1/4”, 5/16” or 3/8” Horizon is ideal; Coit, bring; three texts (between 50 and 150 words each) on a related Hiro or similar are okay; Automatic is a little sharp, but also okay); theme; three or more examples of non-calligraphic text-based art plus any other pens you like to use; 1/2” W/N Series 995 flat photocopied from any source, as well as a few thoughts on these brush or similar (clear handle, gold bristles); Pentel Color Brush or works (pro, con or puzzled). similar; plus any pointed brushes you like to use: Lebenzon, Series Pamela Paulsrud and Linda Barrett 7, Chinese; large paper (11”x17” or larger) with a bit of tooth C21 The Spontaneous Mark and Alternative Image Workshop (Strathmore Charcoal Pad is good for pen, flat brush AND pointed NEED TO BRING: Basic Tool Kit; 20 or so images (photos or brush); any fancier papers you might want to work on (e.g., Canson magazine pictures—they won’t be harmed) for use in transfers; Ingres or Mi-Teintes, watercolor, etc.); gouache (W/N Indigo has favorite quotes, poems, text; walnut ink; PVA; bone folders; glue excellent texture and power. All colors are not created equal!); brush; Chart Pak Blender Pen. Bring to share: irons; extension cords. colored pencils; Pro White or Dr. Martin’s Bleedproof White and/or tube of light or bright gouache and black or colored paper if you wish to write in reverse. Peter Thornton B12 Moves, Modern and Influence, Historic Contemporary B15 Written, Drawn and Decorated Letters Calligraphy NEED TO BRING: Basic Tool Kit; good quality watercolors: 2 MATERIALS FEE: $16. reds, 2 blues and 2 yellows: one red biased toward orange and one biased toward violet; one blue biased toward violet and one C12 Capital Ideas biased toward green; one yellow biased toward green and one MATERIALS FEE: $13. biased toward orange (e.g., cad. red and quin. violet or magenta; Myrna Rosen ultramarine blue and cerulean blue; hansa yellow and cad. yellow); C23 Introduction to Secretary Handwriting good medium weight watercolor paper (Arches MBM is excellent, NEED TO BRING: Basic Tool Kit; Speedball nibs: small, medium, and the heavier of the two); fine pointed brushes, sizes 2 and 4; any large; Hunt Crowquill the flexible tapered one (#107/108). We’ll natural object or photo of same (e.g., flower, stone, leaf, bark or cut this one to act as a . Some dark paper: 1 sheet, favorite fruit). colors of gouache, and white. C15 “White on White”—Whispered Words NEED TO BRING: Basic Tool Kit; Dr. Martins Bleed Proof White OR small bottle of Pro White; Rexel nib size 3.5 mm or similar; one sheet of black paper (8 ½ “ x 11” minimum). OPTIONAL: 2” broad paint brush; 1/2” or 3/4” or 1” chisel edged brush; small twig (approx. 8” long) to hang finished wall-hangings. MATERIALS FEE: $4.50 [for one sheet of Unryu, a Japanese paper]. Michael Sull B14 Spencerian Script for Beginners Diane von Arx Anderson NEED TO BRING: One bottle McCaffery’s Penman’s Ink; lined A16 When in Rome paper tablet (not recycled!); one quality oblique penholder; at least NEED TO BRING: Basic Tool Kit; 14”x17” layout pad; kneadable and 6 of any of the following pen points: Nikko “G,” Gillott #303, Hunt vinyl erasers; one each of HB, F and B pencils; sandpaper pad for #22; white ink (e.g., Dr. Martin’s Bleed-Proof White or McCaffery’s sharpening pencils; fine point brush; and 2 sheets of 90# or 140# Ivory ink); #1 or #2 artists brush (synthetic or sable); 12” straight Arches hot press paper (10”x12” each). edge; paper and pen to take notes. Julian Waters C13 Advanced Spencerian Script A17 Roman Minuscules NEED TO BRING: All of the above; red, blue and green colored NEED TO BRING: Basic Tool Kit; very small nibs, such as 5 and 6 pencil; 9” x 12” pad of tracing paper; gouache (2 colors—student’s Mitchell or equivalent in Brause or Tape, largest sizes of Speedball; choice); 3 sheets of 9” x 12” smooth dark paper; drafting tape; ruling pens; “good” smooth and handmade papers for finished pencil eraser; 9” x 12” tablet graph paper (1/8” or 1/4” grid). work; small tweezers for reservoirs, magnifying glass, adhesive tape.

Jacqueline Sullivan Sheila Waters B14 Experimental Water Media Collage B16 Color—In Practice, Not Just Theory NEED TO BRING: Basic Tool Kit; 2 sheets hot or cold press 140# NEED TO BRING: Basic Tool Kit; 3/8” wide flat brush; palettes watercolor paper cut into fourths (preferably Lanaquarelle or with many hollows; two water pots; and other papers, tools, Winsor Newton, Arches is fine); flat watercolor brush (one inch and materials with which you wish to experiment. TUBES wide—synthetic is fine); old cookie sheet or tray for catching OF GOUACHE: Black (avoid jet black as it dries up quickly); drips (this is a MUST); 2 large water containers the size of a one Chinese (zinc) white; Two reds: bluish-red such as permanent lb. cottage cheese container; tracing paper. OPTIONAL: If driving, rose, quinacridone magenta, or permanent alizarin crimson; and bring a can of No-Odor Workable Matte Fixative (not allowed “orangey-red” such as flame, scarlet or vermilion; Two blues: on plane). Most paints will be provided and instructor will have purplish-blue such as ultramarine; and greenish-blue, such as cyan, palettes to share. phthalo blue, or cerulean. Two yellows: greenish-yellow such as MATERIALS FEE: $20 [for paints and other supplies]. lemon or cadmium light; orangey-yellow such as golden yellow, C14 Put the Letter to the Metal gamboges, or cadmium medium (if not available, bring spectrum NEED TO BRING: Your favorite rubber stamps that will fit inside or primary yellow). Note: although primary yellow is okay, primary a 2” square (deeply etched stamps with somewhat simple designs or spectrum red and blue will NOT work in this system. Contrary work best); your favorite pointed pen or ruling pen for lettering; bone folder; scissors; X-acto knife; black Sharpie markers in various sizes; packing tape; water container the size of a one lb. cottage cheese container; rubber gloves; apron. MATERIALS FEE: $25 [for metals and other supplies]. to belief, we will make “primaries.” Additional colors you bring will NOTES only be used for the purpose of seeing where they fit. MATERIALS FEE: $20 [includes twelve color prints of instructor’s color charts and explanatory sheets; ten 8 ½ ”x11” sheets of watercolor paper; one leaf of instructor’s “patent” gold and adhesive; use of instructor tools and materials]. C16 Gothicized Italic—A New “Twist” NEED TO BRING: Basic Tool Kit; your favorite “good” paper; Speedball C1 and C2 nibs; straight-barreled penholders.

Dave Wood A18 Discovering New Dimensions NEED TO BRING: Hobby knife with new blades (e.g., X-acto – round handle and pointed blade; scalpel knife with round handle and new No. 15 curved blade, to be supplied by instructor at cost); tracing paper; two sheets BFK Rives watercolor paper (weight between 190gsm – 250 gsm); pencil; steel ruler; spoon burnisher (metal 9 Letraset burnisher is fine); 12” (3mm) square foam core; cutting mat; PVA glue – acid free (non staining); low-tack tape (masking tape); embossing stylus; paper punch; a few paper clips.