DÜNYASINA DALMAK ... Pierre Loti
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Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
5282-2-Yonetmenler-Filmler-Olkeler-2-Atilla Dorsay-1989-344S.Pdf
ATILLA DORSA Y * YÖNETMENLER, FILMLER, OLKELER- 2 Bilgi Dizisi : 20 Varlık Yayınları, Sayı : 27 İlk basım : 1988 ISBN 975 - 434- 009 - 9 VARLIK YAYlNLARI A.Ş. Cağaloğlu Yokuşu 40/2, İstanbul ATILLA OORSAY YÖNETMENLER, FİLMLER, ÜLKELER- 2 •v.��ınlan SUNUŞ cYönetmenler, Filmler, Ülkeler» adlı kitabım oldukça ilgi görmüş ve kısa zamandır tükenmişti. (Yeni basımı önümüzdeki yayım yılında çıkacak). O kitabın önsözünde de bir tür cvaad» olarak ikinci ciltten söz etmiş ve ilk cildin içerdiği ülkelerin dışında kalan sinemalara ·ve yönetmeni ere, bir ikinci cil tt e yer verileceğini duyurmuştum. İşte başka çalışmaların ön plana geç mesi yüzünden geciken bu ikinci cilt, şimdi elinizde... İlk cildin önsözünde değinmiş olduğum gibi, sinemada önem li, yaratıcı yönetmen, cauteur» kavramı bir olgu... Ancak ne denli kişisellik taşıyan bir sanatçı olsa da, yönetmenin de belli bir toplumdan, o toplumun kendine özgü koşullarından süzülüp geldiği de bir diğer gerçek ... Bu iki olgunun ışığında, bu kitap da, ilki gibi, öncelikle ülkelere ve ulusal sinemalara göre, ama onların içinde yer alan önemli yönetmeniere inerek düzenlendi. Bu ikinci ciltte önce Fransız sineması yer alıyor ve önemi oranında geniş bir yer k.a.plıyor. Bundan sonra 1960 sonlarından itibaren filizlenen Genç Alman Sineması, iki yönetmeniyle bir likte tanıtılıyor. Üçüncü bölüm, özellikle günümüzde yeniden önem kazanan ve sinema dünyasının ön planına geçen Sovyetler sineması. .. Son bölüm ise, Avrupa Sosyalist Ülkeler Sinemaları üzerine ... Bu bölümde, Çek, Polanya, Macar, Romen ve Yugos lav sinemaları ve ünlü yönetmenleri tanıtılıyor. Her bölümün kendi içindeki bölümlenmesi, bölüm başların da ve nedenleriyle birlikte açıklanıyor. Önemli akımlara (Yeni Dalga, Genç Alman Sineması, Sovyetler sinemasında yeni çıkış lar gibi) ve ulusal sinemalara (Macar, Polanya, Yugoslavya si nemaları vs.) değinen yazılar ya zamanında ya da bu kitap için günümüzde yazılmış.. -
CLASSICAL MUSIC in CINEMA the Purpose of the Course Will Be To
CLASSICAL MUSIC IN CINEMA The purpose of the course will be to explore and understand the use of classical music in art movies starting with The Birth of a Nation in 1915 up until today. Films will be screened partially, and musical extracts will discussed. The 12 week lectures start with a historical introduction into the utilisation of classical music in the early era of cinema. Diegetic and non-diegetic music and their particular use will then be discussed. A discussion on the effect of leitmotivs and classical music as a device supporting the narrative will follow. After this three-week introduction, we will explore classical music used as leitmotiv and supporting narrative, then films on opera and opera in films, and the use of classical music in period movies. We will then examine the way how specific pieces of music have added to some of the greatest dramas and films of the past. Finally, the course will conclude with a discussion of auteur cinema and cover how seven essential directors have used music in their films; Bunuel, Bresson, Bergman, Pasolini, Kubrick, Godard, Tarkovsky and Fassbinder. Extracts from almost 100 films are intended to be shown and discussed. There will be no requirement for pre-lecture reading, screening or preparation. However, attendance will be obligatory, since grades will only be based on attendance, performance in class and homework in the form of essays. Screenings of assignments will be made in class. Week 1 (9 February 2015): General introduction Features D.W. Griffith’s The Birth of a Nation [1915] Sergei Eisenstein’s Battleship Potemkin [1925] Fritz Lang’s Metropolis [1927] David Lean’s Brief Encounter [1945] Giuseppe Tornatore’s Cinema Paradiso [1988] Luc Besson’s Leon [1994] Readings [None. -
Half a Century with the Swedish Film Institute
Swedish #2 2013 • A magazine from the Swedish Film Institute Film 50Half a century with the Swedish Film Institute CDirector Lisah Langsethe exploresc identityk issuesi nin Hotel g in www.sfi.se scp reklambyrå Photo: Simon Bordier Repro: F&B Repro: Factory. Bordier Simon Photo: reklambyrå scp One million reasons to join us in Göteborg. DRAGON AWARD BEST NORDIC FILM OF ONE MILLION SEK IS ONE OF THE LARGEST FILM AWARD PRIZES IN THE WORLD. GÖTEBORG INTERNATIONAL FILM FESTIVAL IS ALSO THE MAIN INDUSTRY WINDOW FOR NEW NORDIC FILM AND TALENT, FEATURING NORDIC FILM MARKET AND NORDIC FILM LAB. 1,000 SCREENINGS • 500 FILMS • 23 VENUES • 160,000 VISITS • WWW.GIFF.SE WELCOME Director, International Department Pia Lundberg Fifty and counting Phone +46 70 692 79 80 [email protected] 2013 marks the Swedish Film Institute’s various points in time. The films we support 50th anniversary. This gives us cause to look today are gradually added to history, giving back to 1963 and reflect on how society and that history a deeper understanding of the Festivals, features the world at large have changed since then. world we currently live in. Gunnar Almér Phone +46 70 640 46 56 Europe is in crisis, and in many quarters [email protected] arts funding is being cut to balance national IN THIS CONTEXT, international film festivals budgets. At the same time, film has a more have an important part to play. It is here that important role to play than ever before, we can learn both from and about each other. -
Climates a Film by Nuri Bilge Ceylan
WINNER FIPRESCI PRIZE IN COMPETITION 2006 Cannes Film Festival climates a film by Nuri Bilge Ceylan A Zeitgeist Films Release climates a film by Nuri Bilge Ceylan Winner of the prestigious Fipresci Award at the 2006 Cannes Film Festival, CLIMATES is internationally acclaimed writer-director Nuri Bilge Ceylan’s sublime follow-up to his Cannes multi-award winner DISTANT. Beautifully drawn and meticulously observed, the film vividly recalls the cinema of Italian master Michelangelo Antonioni with its poetic use of landscape and the incisive, exquisitely visual rendering of loneliness, loss and the often-elusive nature of happiness. During a sweltering summer vacation on the Aegean coast, the relationship between middle-aged professor Isa (played by Ceylan himself ) and his younger, television producer girlfriend Bahar (the luminous Ebru Ceylan, Ceylan’s real-life wife) brutally implodes. Back in Istanbul that fall, Isa rekindles a torrid affair with a previous lover. But when he learns that Bahar has left the city for a job in the snowy East, he follows her there to win her back. Boasting subtly powerful performances, heart-stoppingly stunning cinematography (Ceylan’s first work in high definition) and densely textured sound design, CLIMATES is the Turkish filmmaker’s most gorgeous rumination yet on the fragility and complexity of human relationships. BIOGRAPHIES Nuri Bilge Ceylan (Isa / Director-Screenwriter) Since winning the Grand Prize at Cannes in 2003 for DISTANT (Uzak), Nuri Bilge Ceylan, the ‘Lone Wolf ’ of Turkish cinema, has been critically acclaimed for his spare and unaffected style of filmmaking, inviting comparisons to Tarkovsky, Bresson and Kiarostami. Humorous and masterful, his is a cinema that spans the modern experi- ence: examining rural life, relationships, masculinity, and urban alienation. -
Monkees to Do Tv Spect Aculars
MUSICTI~[~\!l~~~rn[(]R AOlo Week Ending March 30th. 1968 . CENTS E. TAYLOR CAMPBELL APPOINTED VICE PRESIDENT MARKETING CAPITOL RECORDS (CANADA) LTD. MONKEES TO DO TV Toronto: Mr. G. Edward Leetham, presi dent of Capitol Records (Canada) Ltd. , has announced the appointment of E. Taylor Campbell to the newly created position of vice-presiden t Marketin g, SPECT ACULARS effective March 1st. 1968. In his new post Mr. Campbell will be record sales are well over 20 million. Th ... s could be the first real opportunity responsible for the implementation of Although there has been speculation How are the Monkees doing? They're of top groups to appear on a national Capitol's new marketing concept that the Monkees will be dropped from their doing very well, and they probably have TVer with the Monkees since the days providing total co-ordination in adver weekly series on NBC, it has just seen the downfalls of TV overexposure of Hullabaloo and Shindig. Other than the tiSing, promotion, selling, distribution, recently been reported that three specials and have picked the route that will occasional guest spots here and there, warehousing and procurement. are to be produced for the upcoming guarantee them exposure through the pop music gr~ups have been relatively Mr. Campbell joined Capitol in 1954 television season. spectaculars and additional time to tour, igpored by the networks. The Monkees as sales representative and quickly The Monkees were sky rocketted into record, and make motion pictures. will probably feature many of the climbed the executive ladder. His first fame and fortune as television stars and Presently they are negotiating a Far chart topping groups and their own zany appointment was in 1960 as Ontario today their popularity on records outdoes East tour and making their first full antics in one hour specials will probably sales manager. -
80Ndatest on Space” (1995) Arendati Aga Välja Seriaal „Courage the Chirac, Ameerika Pensionärid Jne
animafilmide festival 10. Animation Film Festival 19.-23.11.2008 Kataloog Catalogue 2 Animafestivali ja PÖFFi toetavad / Animated Dreams and PÖFF are supported by: 4 Kava / kino Sõprus − Programme / cinema Sõprus KOLMAPÄEV 19.11 WEDNESDAY 19.00 Festivali avamine – animeeritud dokumentaalfi lm „Putukatreener” Opening of the festival – animated documentary „The Bug Trainer” 21.00 Rahvusvahelise tudengianima paremik I / Best of International Student Animation I NELJAPÄEV 20.11 THURSDAY 16.00 Võistlusprogramm I / Competition programme I 18.00 Võistlusprogramm II / Competition programme II 20.00 Täispikk animafi lm „Reis Saturnile” / Animated feature „Journey to Saturn” 22.00 Uus Eesti tudengianima ja muusikavideod / New Estonian Student Animation and Music Videos REEDE 21.11 FRIDAY 14.00 Animeeritud dokumentaalfi lm „Aja meistrid” / Animated documentary „The Kings of Time” 16.00 Kaasaegne Türgi animatsioon fookuses / Focus on Contemporary Turkish Animation 18.00 Võistlusprogramm III / Competition programme III 20.00 Võistlusprogramm IV / Competition programme IV 22.00 Kafka animatsioonis / Kafka in Animation LAUPÄEV 22.11 SATURDAY 14.00 Uus ja uhke Eesti anima! / New and Fancy Estonian Animation! 16.00 Gianluigi Toccafondo retrospektiiv / Gianluigi Toccafondo’s retrospective 18.00 Rahvusvahelise tudengianima paremik II / Best of International Student Animation II 20.00 Animafestivali lõputseremoonia / Closing ceremony of Animated Dreams 22.00 Täispikk animafi lm „Idioodid ja inglid” / Animated feature „Idiots and Angels” PÜHAPÄEV 23.11 SUNDAY -
Orléans - Les Carmes Semaine Du 22 Au 28 Juillet 2020
Le Cinéma Orléans - Les Carmes Semaine du 22 au 28 juillet 2020 Les Mal-aimés EN AVANT-PREMIÈRE Durée : 0:40 Tous publics Genre : Animation Réalisé par Hélène Ducrocq MERCREDI JEUDI VENDREDI SAMEDI DIMANCHE LUNDI MARDI 22 juil 23 juil 24 juil 25 juil 26 juil 27 juil 28 juil 10h15 - VF 10h15 - VF Ip Man 4 : Le dernier combat Durée : 1:45 Genre : Action, Biopic, drame, Arts Martiaux Réalisé par Wilson Yip Avec Donnie Yen, Scott Adkins, Danny Kwok-Kwan Chan, Vanness Wu, Yue Wu MERCREDI JEUDI VENDREDI SAMEDI DIMANCHE LUNDI MARDI 22 juil 23 juil 24 juil 25 juil 26 juil 27 juil 28 juil 16h35 - VO 16h30 - VO 16h30 - VO 16h10 - VO 17h45 - VO 14h10 - VO 19h20 - VO 20h35 - VO 18h45 - VO 21h30 - VO 20h00 - VO 21h25 - VO 21h25 - VO Les Fleurs de Shanghai Durée : 1:54 Genre : Drame Réalisé par Hsiao-hsien Hou Avec Tony Leung Chiu Wai, Carina Lau, MICHELE REIS, Jack Kao, Michiko Hada MERCREDI JEUDI VENDREDI SAMEDI DIMANCHE LUNDI MARDI 22 juil 23 juil 24 juil 25 juil 26 juil 27 juil 28 juil 14h00 - VO 12h10 - VO 13h40 - VO 14h10 - VO 18h40 - VO 11h50 - VO Madre Durée : 2:09 Genre : Drame, thriller Réalisé par Rodrigo Sorogoyen Avec Marta Nieto, Jules Porier, Alex Brendemühl, Anne Consigny, Frédéric Pierrot MERCREDI JEUDI VENDREDI SAMEDI DIMANCHE LUNDI MARDI 22 juil 23 juil 24 juil 25 juil 26 juil 27 juil 28 juil 18h50 - VO 16h05 - VO 19h00 - VO 16h50 - VO 13h20 - VO 13h50 - VO 16h40 - VO 19h00 - VO 21h00 - VO 18h35 - VO 16h25 - VO 18h45 - VO Les horaires sont susceptibles de changer, n'hésitez pas à venir vérifier sur le site avant votre séance. -
Nîmes - Le Sémaphore Semaine Du 12 Au 18 Août 2020
Le Cinéma Nîmes - Le Sémaphore Semaine du 12 au 18 août 2020 Arizona Junior Durée : 1:34 Genre : Comédie, film noir-policier Réalisé par Joel Coen, Ethan Coen Avec Nicolas Cage, Holly Hunter, TREY WILSON, John Goodman, William Forsythe MERCREDI JEUDI VENDREDI SAMEDI DIMANCHE LUNDI MARDI 12 août 13 août 14 août 15 août 16 août 17 août 18 août 18h10 - VO 16h10 - VO 20h15 - VO 16h10 - VO 18h10 - VO 20h15 - VO 16h00 - VO Light of my Life Durée : 1:59 Genre : Drame, science-fiction Réalisé par Casey Affleck Avec Casey Affleck, Anna Pniowsky, Elisabeth Moss, Tom Bower, Timothy Webber MERCREDI JEUDI VENDREDI SAMEDI DIMANCHE LUNDI MARDI 12 août 13 août 14 août 15 août 16 août 17 août 18 août 15h45 - VO 15h45 - VO 15h45 - VO 15h45 - VO 15h45 - VO 15h45 - VO 15h45 - VO 20h00 - VO 20h00 - VO 20h00 - VO 20h00 - VO 20h00 - VO 18h00 - VO 20h00 - VO The Perfect Candidate Durée : 1:45 Genre : Drame Réalisé par Haifaa Al Mansour Avec Mila Alzahrani, Dae Al Hilali, Khalid Abdulrhim, Shafi Al Harthy, Nourah Al Awad MERCREDI JEUDI VENDREDI SAMEDI DIMANCHE LUNDI MARDI 12 août 13 août 14 août 15 août 16 août 17 août 18 août 16h00 - VO 16h00 - VO 16h00 - VO 16h00 - VO 16h00 - VO 16h00 - VO 18h00 - VO 20h00 - VO 20h15 - VO 20h00 - VO 18h00 - VO 20h00 - VO 18h00 - VO Voir le jour Durée : 1:31 Genre : Comédie dramatique Réalisé par Marion Laine Avec Sandrine Bonnaire, Brigitte Rouan, Aure Atika, Sarah Stern, Kenza Fortas MERCREDI JEUDI VENDREDI SAMEDI DIMANCHE LUNDI MARDI 12 août 13 août 14 août 15 août 16 août 17 août 18 août 16h00 - VF 16h00 - VF 16h00 - VF 16h00 - VF 16h00 - VF 16h00 - VF 16h00 - VF 20h15 - VF 20h15 - VF 18h00 - VF 20h15 - VF 20h15 - VF 20h15 - VF 18h00 - VF Les horaires sont susceptibles de changer, n'hésitez pas à venir vérifier sur le site avant votre séance. -
Catalogue-Compressé.Pdf
1 SOMMAIRESOMMAIRE Éditorial/Un nouveau lieu d’accueil p. 3 Cinéma scandinave p. 4 Hommage à Bo Widerberg Invités scandinaves et intervenants Leçon de cinéma Conférence Films scandinaves Borgen Compétition documentaires p. 26 Jurés Prix Séances délocalisées Programmation Ce catalogue est publié Compétition courts-métrages p. 29 par l’association Cinécran, Jurés organisatrice des Rencontres Prix du Cinéma Européen de Séances délocalisées Vannes. Programmation Au Château de l’Hermine p. 33 Tous les films présentés Tables rondes dans ce catalogue sont Exposition photos Jean Hervoche en version originale Librairie nordique sous-titrée en français. Films hors sélection Les projections se déroulent Ateliers jeune public/Séances scolaires p. 37 au Cinéville Garenne, sauf mention contraire. Stages cinéma p. 38 Association Cinécran Informations pratiques p. 39 Les lieux du festival Château de l’Hermine Tarifs 6, rue de la Porte Poterne Contacts 56 000 VANNES [email protected] Actions de Cinécran p. 40 www.cinecran.org Remerciements p. 41 02.97.63.67.73 L’équipe Nos partenaires Index Films p. 43 2 EDITORIALEDITORIAL Découvertes, plaisir et convivialité sont les idées clés de la programmation de cette nouvelle édition des Rencontres du cinéma européen de Vannes. Construites comme chaque année par une équipe réunissant bénévoles, volontaires et professionnels, ces 14èmes Rencontres mettent le cap au nord, vers un cinéma venu du froid. En programmant des films (pas ou peu vus) rares sur les écrans français (6 inédits ou avant-premières), Cinécran a souhaité rendre accessibles au plus grand nombre des œuvres fortes et méconnues. Comme chaque année nous aurons le plaisir d’accueillir des créateurs (cinéastes, scénaristes, auteurs et journalistes) qui viendront parler de leur travail et échanger avec le public sur ce qui les touche, ce qui les fait avancer et les enthousiasme dans le cinéma scandinave. -
Andrey Tarkovski
agorakitapllğ1 239 JOHN GIANVITO Emerson College'da görsel ve medya araştırmaları böltimünde yardımcı profesör; aynı zamanda yönetmen ve sinema küratörü. Çektiği filmler arasında The Flower of Pain, Address Unknown ve The Mad Songs of Femanda Hussein sayılabilir. 200l'de Fransız Kültür Bakanlığı tarafından Sanatlar ve Edebiyat Nişanı'na layık görülüp Şö valye unvanı almıştır. EBRU KILIÇ 1971, Milas doğumlu. l994'te Ankara Siyasal Bilgiler Fakültesi Uluslararası Ilişkiler bölümünü bitirdi. Özgür ülke, SiyahBeyaz, Liberal Bakış ve Radikal gazetelerinde dış haberler muhabiri olarak çalıştı. 2003'ten beri serbest çevirmen olarak yaşıyor. Derleyen: ] ohn Gianvito ŞİİRSEL SİNEMA - ANDREY TARKOVSKİ Türkçesi: Ebru Kılıç .a agorakitapllğ1 Sinema 32 Şiirsel Sinema- Andrey Tarkovski Derleyen: John Gianvito Kitabın özgün adı: Andrey Tarhovshi - Interviews University Press of Mississipi, jackson, 2006 Ingilizce'den çeviren: Ebru Kılıç Kapak tasarım: Mithat Çınar Mizanpaj: Handan Özden Kar © 2006, University Press of Mississipi © 2007; bu kitabın Türkçe yayın hakları Agora Kitaplıgı'na aittir. Birinci Basım: Mayıs 2009 ISBN: 978-605-103-036-4 Baskı ve Cilt: Idi! Matbaacılık Tel: (0212) 674 66 78 AGORA KlTAPLIGI Gümüşsuyu Mahallesi Osmanlı Yokuşu, Muhtar Kamil Sokak No: 5/l Taksim/lSTANBUL Tel: (0212) 243 96 26-27 Fax: (0212) 243 96 28 İÇİNDEKİLER Sunuş ..................................................vi "Ben Şiirsel Sinemadan Yanayım" (Patrich Bureau) ........................................ı Andrey Tarkovski'yle Karşılaşma (Gideon Bachmann) ......................................6 -
Borderlines Film Festival 2013
Friday 1 to Sunday 17 March BORDERLINES FILM FESTIVAL 2013 borderlinesfilmfestival.org @borderlines #borderlines2013 2 / 3 A – Z Film Index Central Box Office 01432 340555 / #borderlines2013 / www.borderlinesfilmfestival.org film ProGrammer david sin PuTs a dozen films in The sPoTliGhT BeasTs of The souThern Wild (12a) p.15 Blackmail (PG) p.16 The conformisT (15) p.19 hiTchcock (12a) p.21 Showy, bold and richly imaginative, this debut Hitchcock’s final silent film with haunting Simply one of the most influential films Anthony Hopkins and Helen Mirren feature, set in a semi-mythical Deep South, London locations and live accompaniment of the 20th century and one of Festival in a wonderful behind-the-scenes drama is hard to resist from the accomplished Stephen Horne Patron Chris Menges’ favourites about the making of Psycho in The house (15) p.24 i Wish (PG) p.25 a laTe QuarTeT (15) p.27 mccullin (15) p.31 Kristin Scott Thomas in sparkling comedic From the director of Still Walking, a marvellous A nuanced affirmation of the power of music If you grew up in the ‘60s or ‘70s this form features in this sly, teasing conundrum evocation of childhood against the growing as inner and outer tensions threaten the honest and riveting documentary will stir of a movie with a strong backbite cloud of volcanic ash dynamics of a New York chamber quartet up strong memories no (15) p.34 rusT & Bone (15) p.39 sTarBuck (15) p.46 Wadjda (12a) p.50 Chilean director Larraín and lead Gael García Muscular and tender, this unlikely love story Warm, witty comedy