Nostalgic Reaction and the Canadian Prairie Landscape
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C H R I S C R a N R C a Born 1949, Ocean Falls, British Columbia Lives
C H R I S C R A N R C A Born 1949, Ocean Falls, British Columbia Lives and works in Calgary, Alberta, Canada E D U C A T I O N 1979 Alberta College of Art and Design, Graduate with Honours, Calgary, Alberta 1976 Kootenay School of Art, Nelson, British Columbia S E L E C T E D E X H I B I T I O N S Solo 2015 That's an Excellent Question!, Wilding Cran Gallery, Los Angeles, CA 2011 Reading Room, Trepanier Baer Gallery, Calgary, AB 2010 “if something appears to be photographic, it is” Trepanier Baer Gallery, Calgary, AB 2009 Bright Spiral Standard, Clint Roenisch Gallery, Toronto Ont. Chris Cran: Diversions, Trépanier Baer Gallery, Calgary, Alberta 2008 The Secret Ecstasy of the Whole World, 809 Gallery, Calgary, Alberta 2006 Novel, TrépanierBaer, Calgary, Alberta Chris Cran: The Return of the Beautiful Hayseed, Clint Roenisch Gallery, Toronto, Ontario 2005 Camera Obscura, Theatre, One Yellow Rabbit’s High Performance Rodeo, Calgary, Alberta Chris Cran: Camera Obscura Theatre, Calgary Science Centre, Calgary, Alberta 2004 Inspirational Themes and Sublime Sales, TrépanierBaer, Calgary, Alberta Camera Obscura Theatre, One Yellow Rabbit’s High Performance Rodeo, Calgary, Alberta 2003 Big Opening!!!, Sable-Castelli Gallery, Toronto, Ontario And Now It’s Personal, Owens Art Gallery, Sackville, New Brunswick Camera Obscura Theatre, One Yellow Rabbit’s High Performance Rodeo, Calgary 2001 Fully Visible, Harcourt House, Edmonton Art Gallery, Edmonton, Alberta 2000 The Second Hundred Years, TrépanierBaer, Calgary, Alberta Surveying the Damage, 1977-1997, -
CURTIS CUTSHAW Born in Edmonton, Alberta 1967 Lives in Calgary, Alberta
CURTIS CUTSHAW Born in Edmonton, Alberta 1967 Lives in Calgary, Alberta Artist Statement Curtis Cutshaw’s paintings show us how a painting is made. Each step of the Artist’s process can be seen. Each choice is there for the viewer to unravel, as if stopped in time. Each piece shows a choice, a step forward to the final realization of the complete painting. Fractured and deconstructed images on individual birch wood tiles create a sense of removal of meaning. Scratched, rubbed, marked, erased and distressed images hint at repurposing and the multiple pieces appear to have had a history, where in fact the artist creates them. The viewers’ mind wants to reassemble the pieces and use what is there to create what is not there. Cutshaw does not allow for the accidental. The works may appear spontaneous, yet every piece, every mark; whether it is painted, drawn or scratched, is intentional and created by the artist. The artists’ touch, his hand and his construction are at the center of each work. Cutshaw has an ongoing dialogue with the picture plane. Depending on what the artist does with each piece in the painting, he either adds to or denies spatial reference. A mark scratched into the surface flattens the picture plane, denying illusionistic space, bringing the viewers’ eye to the surface; where half of a circle implies the whole, creating illusionistic space. Through Cutshaw’s paintings, the viewer can experience this dichotomy and the viewer is able to see one choice and a thousand choices through assemblage. Each shape is a record of a moment that can be seen, experienced, and arrived. -
Fine Canadian Art
HEFFEL FINE ART AUCTION HOUSE HEFFEL FINE ART FINE CANADIAN ART FINE CANADIAN ART FINE CANADIAN ART MAY 27, 2015 MAY HEFFEL FINE ART AUCTION HOUSE VANCOUVER • CALGARY • TORONTO • OTTAWA • MONTREAL HEFFEL FINE ART AUCTION HOUSE ISBN 978~1~927031~17~9 SALE WEDNESDAY, MAY 27, 2015, VANCOUVER FINE CANADIAN ART AUCTION WEDNESDAY, MAY 27, 2015 4 PM, CANADIAN POST~WAR & CONTEMPORARY ART 7 PM, FINE CANADIAN ART VANCOUVER CONVENTION CENTRE WEST BURRARD ENTRANCE, ROOM 211 1055 CANADA PLACE, VANCOUVER PREVIEW AT GALERIE HEFFEL, MONTREAL 1840 RUE SHERBROOKE OUEST THURSDAY, MAY 7 THROUGH SATURDAY, MAY 9, 11 AM TO 6 PM PREVIEW AT HEFFEL GALLERY, TORONTO 13 & 15 HAZELTON AVENUE THURSDAY, MAY 14 THROUGH SATURDAY, MAY 16, 11 AM TO 6 PM PREVIEW AT HEFFEL GALLERY, VANCOUVER SATURDAY, MAY 23 THROUGH TUESDAY, MAY 26, 11 AM TO 6 PM WEDNESDAY, MAY 27, 10 AM TO 12 PM HEFFEL GALLERY, VANCOUVER 2247 GRANVILLE STREET, VANCOUVER BRITISH COLUMBIA, CANADA V6H 3G1 TELEPHONE 604 732~6505, FAX 604 732~4245 TOLL FREE 1 800 528~9608 WWW.HEFFEL.COM HEFFEL FINE ART AUCTION HOUSE VANCOUVER • CALGARY • TORONTO • OTTAWA • MONTREAL HEFFEL FINE ART AUCTION HOUSE CATALOGUE SUBSCRIPTIONS A Division of Heffel Gallery Limited Heffel Fine Art Auction House and Heffel Gallery Limited regularly publish a variety of materials beneficial to the art collector. An VANCOUVER Annual Subscription entitles you to receive our Auction Catalogues 2247 Granville Street and Auction Result Sheets. Our Annual Subscription Form can be Vancouver, BC V6H 3G1 found on page 112 of this catalogue. Telephone -
Ecoregions of the Mississippi Alluvial Plain
92° 91° 90° 89° 88° Ecoregions of the Mississippi Alluvial Plain Cape Girardeau 73cc 72 io Ri Ecoregions denote areas of general similarity in ecosystems and in the type, quality, and quantity of This level III and IV ecoregion map was compiled at a scale of 1:250,000 and depicts revisions and Literature Cited: PRINCIPAL AUTHORS: Shannen S. Chapman (Dynamac Corporation), Oh ver environmental resources; they are designed to serve as a spatial framework for the research, subdivisions of earlier level III ecoregions that were originally compiled at a smaller scale (USEPA Bailey, R.G., Avers, P.E., King, T., and McNab, W.H., eds., 1994, Omernik, J.M., 1987, Ecoregions of the conterminous United States (map Barbara A. Kleiss (USACE, ERDC -Waterways Experiment Station), James M. ILLINOIS assessment, management, and monitoring of ecosystems and ecosystem components. By recognizing 2003, Omernik, 1987). This poster is part of a collaborative effort primarily between USEPA Region Ecoregions and subregions of the United States (map) (supplementary supplement): Annals of the Association of American Geographers, v. 77, no. 1, Omernik, (USEPA, retired), Thomas L. Foti (Arkansas Natural Heritage p. 118-125, scale 1:7,500,000. 71 the spatial differences in the capacities and potentials of ecosystems, ecoregions stratify the VII, USEPA National Health and Environmental Effects Research Laboratory (Corvallis, Oregon), table of map unit descriptions compiled and edited by McNab, W.H., and Commission), and Elizabeth O. Murray (Arkansas Multi-Agency Wetland Bailey, R.G.): Washington, D.C., U.S. Department of Agriculture - Forest Planning Team). 37° environment by its probable response to disturbance (Bryce and others, 1999). -
Status of the Eastern Imperial Eagle (Aquila Heliaca) in the European Part of Turkey
ACTA ZOOLOGICA BULGARICA Acta zool. bulg., Suppl. 3, 2011: 87-93 Status of the Eastern Imperial Eagle (Aquila heliaca) in the European part of Turkey Dimitar A. Demerdzhiev1, Stoycho A. Stoychev2, Nikolay G. Terziev2, and Ivaylo D. Angelov2 1 31 Bulgaria Blv�., 4230 Asenovgra�, Bulgaria; E�mails: �emer�jiev@yahoo.�om; �_�emer�[email protected]; w��.bspb.org 2 Haskovo 6300, P.O.Box 130, Bulgaria; E�mails: stoy�hev.s@gmail.�om; w��.bspb.org; [email protected]; ivailoange� [email protected]; w��.bspb.org Abstract: This arti�le presents the results of the �rst more �etaile� stu�ying on the �istribution an� numbers of the Eastern Imperial Eagle (Аquila heliaca SA V I G NY 1809) population in the European part of Turkey. T�enty territories o��upie� by Imperial Eagle pairs, �istribute� in three �ifferent regions �ere �is�overe� �uring the perio� 2008�2009. The bree�ing population was estimate� at 30�50 pairs. The stu�y i�enti�e� t�o main habitat types typi�al of the Imperial Eagles in European Turkey – open hilly areas an� lo� mountain areas (up to 450 m a.s.l.) an� lo� relief plain areas (50�150 m a.s.l.). Poplar trees (Populus sp. L) were i�enti�e� as the most preferre� nesting substratum (44%), follo�e� by Oaks (Quercus sp. L) (40%). Bree�ing �ensity �as 1 pair/100 km2 in both habitat types. The shortest �istan�e bet�een t�o bree�ing pairs �as 5.8 km re�or�e� in plain areas in the Thra�e region. -
Indian Head Saskatchewan
2018 - 2019 Indian Head Saskatchewan 1 This book was compiled by the Communities in Bloom Committee to provide an accumulative history of Indian Head Communities in Bloom and to promote the community of Indian Head. Mission Statement Indian Head Communities in Bloom Mission Statement is adopted from the National Organization, “People, plants and pride…growing together”. Table of Contents Communities in Bloom Committee 3 Facts and Statistics about Indian Head 3 Mayor Steven Cole’s Message 4 Town of Indian Head Council and Employees 4 Rural Municipality of Indian Head #156 Council and Employees 4 Communities in Bloom Participation History 6 Our Town 7 Evaluation Information 9 Tidiness 9 Environmental Action 11 Heritage Conservation 16 Urban Forestry 30 Landscape 34 Floral Displays 40 Other Community in Bloom Projects 43 Other Community Projects 44 Chart of Projects in Indian Head 47 Community in Bloom Municipal Information 51 Appendices 51 1. Bylaw (No. 9 -2015) to provide for the abatement of nuisances 51 2. Indian Head’s Urban Forest Plan 55 3. Recycling in Indian Head 57 New initiatives since last profile book will be in italics and underlined. Communities in Bloom is abbreviated to CiB throughout this document and Indian Head is abbreviated to IH in places. Town website: http://www.townofindianhead.com/ 2 Communities in Bloom Committee Back: Karen Dickie, Kim Blanchard, Darlene Toews, Gord Howe, Gwen Johner (Town Council rep) Front: Ruth Anne Rudack, Donna Thompson, Carol Belanger Facts and Statistics about Indian Head Land area: 3.17 km ² Elevation: 588 m (1949 ft.) Land location: Section 24Township 18 Range 13 West of the 2nd Meridian (50 degrees 32 N 103 degrees 40 W) Population in 1915: 1,200 Population in 2016: 1,910 Total private dwellings: 900 Population density per square kilometre: 602 Indian Head’s flag Hanging baskets have hung along Grand Ave. -
Status of the Eastern Imperial Eagle Aquila Heliaca in Bulgaria Between
Chancellor, R. D. & B.-U. Meyburg eds. 2004 Raptors Worldwide WWGBP/MME Status of the Eastern Imperial Eagle Aquila heliaca in Bulgaria between 1994 and 2002 Stoycho Stoychev, Ivelin Ivanov, Tzeno Petrov, Simeon Marin5Dimitar Demerdzhiev, Gradimir Gradev and Dobromir Domuschiev ABSTRACT In Bulgaria between the years 1994 to 2002, research, monitoring and conservation activities on the Eastern Imperial Eagle significantly increased. The total Bulgarian population is estimated to be between 20 to 25 pairs. Fifteen nest sites were discovered. Most of the areas important for breeding are located along the border with Turkey in the Sakar Mountains (7 nests) and Strandja mountains -Dervent Heights (5 nests). The majority of the territories (86%) are located in areas of elevation between 150 and 400m. Seventy-six percent of the nests discovered were in poplar trees. During the nine years of study, almost 65% of the breeding attempts surveyed were successful. The mean breeding success was one young per occupied nest and 1.54 chicks per successful nest. However, during the years 1998-2000, which coincided with an increase in the number of monitored nests, the breeding success was between 0.83 and 0.91 fledglings per occupied nest. The adult birds were mainly sedentary, spending the winter in the breeding territories. Three wintering and temporary settlement areas important for immature birds were identified. The main threats to Imperial Eagles in Bulgaria are: disturbance, cutting of poplar trees and abandonment of pastures INTRODUCTION At the end of the 19th century, Imperial Eagles Aquila heliaca were widespread throughout Bulgaria. Leverkuhn (after Boev 1978) reported 1,824 nests. -
Ted Godwin: Last of the Regina Five
TED GODWIN: LAST OF THE REGINA FIVE FOLDFORMING: OF LIGHT AND LUSTRE Fall 2012 ANACHRONISMS IN CLAY BEES IN BERLIN ACAD IN ACTION FALL.2012 | ACAD Publisher External Relations Statements, opinions and Account Director Stephanie Hutchinson viewpoints expressed by the Managing Editor Miles Durrie writers of this publication do Creative Director Anders Knudsen not necessarily represent the (Diploma in Visual Communications, 1988) views of the publisher. Art Director Venessa Brewer (Bachelor of Design, 2002) Alberta College of Art + Design Contributors Kelley Abbey, Shelley Arnusch, in partnership with RedPoint Carol Beecher, Miles Durrie, Kim Alison Media & Marketing Solutions. Fraser, Mackenzie Frère, Kevin Kurytnik, Alison Miyauchi, Jared Sych, Lori Van Copyright 2012 by RedPoint Rooijen, Colin Way Media Group Inc. No part of this Project Manager Kelly Trinh publication may be reproduced Production Manager Mike Matovich without the express written consent of the publisher. Cover Illustration Karen Klassen BFA Print Media, 2005 To view more of Karen’s work go to www. karenklassen.com 100, 1900 – 11th Street SE Alberta College of Art + Design Calgary, Alberta T2G 3G2 1407 – 14th Avenue NW Phone: 403.240.9055 Calgary, Alberta T2N 4R3 Media & Marketing Solutions redpointmedia.ca Phone: 403.284.7600 TRAVEL TO THE ANCIENT STONE VILLAGE OF LARAOS, PERU AND ITS SPECTACULAR STONE TERRACES. 14 DAYS OF ESCORTED DAY TRIPS INTO THE SURROUNDING NATIONAL PARK WILL CONCLUDE OVERNIGHT AT A HISTORIC PLANTATION, NOW RENOWNED AS A FINE DINING DESTINATION. -
Canadian Prairie Watercolour Landscapes
This material may be copied for personal use. Photocopying or reproduction by any means for classroom or commercial use is subject to approval by the author, phone 306 242-4350, e-mail [email protected] All copies must contain this heading. (c) 1997 Terry Fenton CANADIAN PRAIRIE WATERCOLOUR LANDSCAPES I VISITORS WEST FOR THE PURPOSES OF watercolour landscape painting in prairie Canada (with the exception of Paul Kane and Lewis Hine who traveled overland earlier in the century and were concerned primarily with documentation) our history begins in 1887 when William Van Horne, then general manager and subsequently president of the Canadian Pacific Railway. Van Horne issued railroad passes to artists, encouraging them to paint scenery from the interior of the new country — especially what were to become the mountain parks. He shrewdly judged that the images would attract both tourists and settlers both of whom would be obliged to use the railway. In a sense, this use repeated the conditions of the Grand Tour as well as Turner’s visits to the Alps and Italy in search of the picturesque and the sublime: both the purpose and character of the trip and the scenery pursued were English in spirit — one can imagine the artists perusing and applying the principles of Ruskin’s Modern Painters throughout the journey. Equally English were the means chosen — the artists worked from nature in watercolour as often as not, and produced large “exhibition watercolours” based upon them. They also painted oils, but like so many of their British counterparts of the day, their oils tended to be still and pedestrian. -
Une Bibliographie Commentée En Temps Réel : L'art De La Performance
Une bibliographie commentée en temps réel : l’art de la performance au Québec et au Canada An Annotated Bibliography in Real Time : Performance Art in Quebec and Canada 2019 3e édition | 3rd Edition Barbara Clausen, Jade Boivin, Emmanuelle Choquette Éditions Artexte Dépôt légal, novembre 2019 Bibliothèque et Archives nationales du Québec Bibliothèque et Archives du Canada. ISBN : 978-2-923045-36-8 i Résumé | Abstract 2017 I. UNE BIBLIOGraPHIE COMMENTÉE 351 Volet III 1.11– 15.12. 2017 I. AN ANNOTATED BIBLIOGraPHY Lire la performance. Une exposition (1914-2019) de recherche et une série de discussions et de projections A B C D E F G H I Part III 1.11– 15.12. 2017 Reading Performance. A Research J K L M N O P Q R Exhibition and a Series of Discussions and Screenings S T U V W X Y Z Artexte, Montréal 321 Sites Web | Websites Geneviève Marcil 368 Des écrits sur la performance à la II. DOCUMENTATION 2015 | 2017 | 2019 performativité de l’écrit 369 From Writings on Performance to 2015 Writing as Performance Barbara Clausen. Emmanuelle Choquette 325 Discours en mouvement 370 Lieux et espaces de la recherche 328 Discourse in Motion 371 Research: Sites and Spaces 331 Volet I 30.4. – 20.6.2015 | Volet II 3.9 – Jade Boivin 24.10.201 372 La vidéo comme lieu Une bibliographie commentée en d’une mise en récit de soi temps réel : l’art de la performance au 374 Narrative of the Self in Video Art Québec et au Canada. Une exposition et une série de 2019 conférences Part I 30.4. -
Memo Provided By: Globaledge.Msu.Edu and EXPORT.GOV
Cyprus Introduction Key Economic Facts Risk Assessment (Provided by Coface) Cyprus is an island country in the Middle East in the Eastern Income Level (by per capita High Income Country rating: A4 - A somewhat shaky political and Mediterranean Sea. Nearby countries include Turkey, Syria, GNI): economic outlook and a relatively volatile business and Lebanon. Geographically, Cyprus is a central plain with Level of Development: Developed environment can affect corporate payment behavior. mountains to the north and south. The GDP, PPP (current international $36.95 billion (2019) government system is a republic; the chief $): Corporate default probability is still acceptable on average. of state and head of government is the GDP growth (annual %): 3.08% (2019) Business Climate rating: A3 - The business environment president. Cyprus has a market economy GDP per capita, PPP (current $41,254.40 (2019) is relatively good. Although not always available, corporate system in which the prices of goods and international $): financial information is usually reliable. Debt collection and services are determined in a free price system. Cyprus is a Manufacturing, value added (% 5.38% (2019) the institutional framework may have some shortcomings. member of the European Union (EU). of GDP): Current account balance (BoP, -$1.65 billion (2019) Intercompany transactions may run into occasional current US$): difficulties in the otherwise secure environments rated A3. Inflation, consumer prices 0.25% (2019) Strengths (annual %): • Central geographical location -
Coastal Grasslands
LONG ISLAND SOUND HABITAT RESTORATION INITIATIVE SECTION 4: COASTAL GRASSLANDS Technical Support for Coastal Habitat Restoration SECTION 4 TABLE OF CONTENTS COASTAL GRASSLANDS ..........................................................4-1 DESCRIPTION ............................................................................................. 4-1 Maritime Grasses..............................................................................................4-1 Sand Plains ......................................................................................................4-1 Hempstead Plains ............................................................................................4-2 Old Field Grasslands ........................................................................................4-3 VALUES AND FUNCTIONS ........................................................................... 4-3 STATUS AND TRENDS ................................................................................. 4-4 DEGRADED GRASSLANDS AND RESTORATION METHODS.............................. 4-6 SPECIFIC RESTORATION OBJECTIVES ........................................................... 4-7 RESTORATION SUCCESS AND MONITORING................................................. 4-8 LITERATURE CITED ..................................................................................... 4-9 LIST OF FIGURES SECTION 4 FIGURE 4-1. Newly Seeded Little Bluestem .......................................................4-1 FIGURE 4-2. Farm Field with Common Reed, Shrubs, and Invasive