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John O'connor
Jimmy, Sinclair, and Jim:... 31 JIMMY, SINCLAIR, AND JIM: ON THE BIOGRAPHICAL TRAIL OF JAMES SINCLAIR ROSS John J. O’Connor University of Toronto The deaths of Earle Birney and Robertson Davies late in 1995 reminded readers of Canadian literature that the old order—those writers born before the First World War—was quickly passing. Of the major figures born in the early years of this century (Birney, Davies, Callaghan, MacLennan, Ross), only Ross was still living at the beginning of 1996, albeit in very poor health in a nursing home in Vancouver. Sadly, he too has since died—on February 29, at the age of 88. Each of his contemporaries named above has been the subject of either a full- scale biography or at least a substantial monograph in the Canadian Biography Series (ECW Press). The 1990s have been a period of active interest in the subject of literary biography in Canada, and the time for such studies, long overdue, seems to be very much at hand now. The growing popularity of the Biography Series at the annual International Festival of Authors in Toronto strongly suggests readers’ keen appetite for still more biographical fare. Some members of the English Department at the University of Toronto have been actively at work in the field of literary biography for many years: in addition to Elspeth Cameron’s extensive investigations of the lives of Hugh MacLennan, Irving Layton, and Earle Birney, there Ilha do Desterro Florianópolis nº 45 p.031-043 jul./dez. 2003 32 John J. O'Connor is the celebrated work of Phyllis Grosskurth (studies of J. -
Indian Head Saskatchewan
Indian Head Saskatchewan 2017 - 2018 1 This book was compiled by the Communities in Bloom Committee to provide an accumulative history of Indian Head Communities in Bloom and to promote the community of Indian Head. Mission Statement Indian Head Communities in Bloom Mission Statement is adopted from the National Organization, “People, plants and pride…growing together”. Table of Contents Communities in Bloom Committee 3 Facts and Statistics about Indian Head 3 Mayor Steven Cole’s Message 4 Town of Indian Head Council and Employees 4 Rural Municipality of Indian Head #156 Council and Employees 4 Communities in Bloom Participation History 5 Our Town 7 Itinerary 9 Evaluation Information 11 Tidiness 11 Environmental Action 13 Heritage Conservation 17 Urban Forestry 32 Landscape 35 Floral Displays 42 Other Community in Bloom Projects 46 Other Community Projects 48 Chart of Projects in Indian Head 50 Community in Bloom Municipal Information 55 Appendices 55 1. Bylaw (No. 9 -2015) to provide for the abatement of nuisances 55 2. Indian Head’s Urban Forest Plan 59 3. Recycling in Indian Head 61 New initiatives since last profile book will be in italics and underlined. Communities in Bloom is abbreviated to CiB throughout this document and Indian Head is abbreviated to IH in places. Town website: http://www.townofindianhead.com/ 2 Communities in Bloom Committee Back: Karen Dickie, Kim Blanchard, Darlene Toews, Gord Howe, Gwen Johner (Town Council rep) Front: Ruth Anne Rudack, Donna Thompson, Carol Belanger Facts and Statistics about Indian Head Land area: 3.17 km ² Elevation: 588 m (1949 ft.) Land location: Section 24Township 18 Range 13 West of the 2nd Meridian (50 degrees 32N 103 degrees 40 W) Population in 1915: 1,200 Population in 2016: 1,910 Total private dwellings: 900 Population density per square kilometre: 602 Hanging baskets have hung along Grand Ave. -
Crossing Tiie Medicine Line: the Cov/Boy in Canai-'Ian Prairie Fiction
CROSSING TIIE MEDICINE LINE: THE COV/BOY IN CANAI-'IAN PRAIRIE FICTION by Reginald G D Wiebe A Thesis submitted to the Facultv of Graduate Studies of The University of Manitoba in partial fulfilment of the requirements of the degree of MASTER OF ARTS Department of English University of Manitoba Winnipeg Copynght O 2008 by Reginald G D Wiebe THE IINTVERSITY OF MAN"ITOBA FACI]LTY OF GRADUATE STT]DIES ' **¡k*¡t COPYRIGHT PERMISSION CROSSING TIIE MEDICII\E LI}[E: TTIE COWBOY IN CANADIAN PRAIRM FICTION BY Reginald G. D. Wiebe A Thesis/Practicum submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulfillment of the requirement of the degree MASTER OF ARTS Reginald G. D. Wiebe @ 2008 Permission has been granted to the University of Manitoba Libraries to lend a copy of this thesis/practicum, to Library and Archives Canada (LAC) to lend a copy of this thesis/practicum, and to LAC's agent (UMlÆroQuest) to microfilm, sell copies and to pubtish an abstract of this thesis/practicum. This reproduction or cqpy of this thesis has been made available by authority of the copyright owner solely for the purpose of private study and research, and may only be reproduced and copied as permitted by copyright laws or with express written authorization from the copyright owner. ABSTRACT Following Jane Tompkins' proposalinWest of Everything that the cowboy generates his sense of self by opposing eastern centres as well as migrating across prairie landscape, and Dick Harrison's suggestion in Unnamed Country that Canadian prairie writing has developed no such figure, I choose to examine the impact of the (predominantly) American cowboy on Canadian prairie fiction. -
The Play of Desire: Sinclair Ross's Gay Fiction
Université de Montréal The Play of Desire: Sinclair Ross's Gay Fiction Andrew Lesk Département d'études anglaises Faculté des arts et des sciences Thèse présentée à la Faculté des études supérieures en vue de l'obtention du grade de Philosphiæ Doctor (Ph. D.) en Études anglaises juin 2000 8 Andrew Lesk, 2000 National Libmry Bibiiithèque nationale 1*1 of Canada du Canada Acquisitions and Acquisitions et Bibliographie Services setvices bibliographiques The author has granteci a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Libmy of Canada to Bibliothèque nationale du Canada de reproduce, loan, distriiute or sel reproduire, prêter, distribuer ou copies of this thesis in rnicroform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/filrn, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts kom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Université de Montréal Faculté des études supérieures Cette thèse intitulée: The Play of Desire: Sinclair Ross's Gay Fiction présentée par: Andrew Lesk a été évaluée par un jury composé des personnes suivantes: Thèse acceptée le ....................../3 mAP, The tradition of an identifiable homosexual writing in Canada has long been suppressed in order that a virile heterosexuality might continue to be inscribed upon the national consciousness, especially in the process of building a national literature, in either Engiish or French. -
Ernest Buckler's the Mountain and the Valley and Sinclair Ross
Ernest Buckler’s The Mountain and the Valley and Sinclair Ross’s As For Me and My House: Two Cases of Canadian Canon Making A Thesis Submitted to the College of Graduate Studies and Research In Partial Fulfillment of the Requirements For the Degree of Master of Arts In the Department of English University of Saskatchewan Saskatoon By Bonnie Kathleen Hughes Copyright Bonnie Kathleen Hughes, August, 2005. All rights reserved. PERMISSION TO USE In presenting this thesis in partial fulfilment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Head of the Department of English University of Saskatchewan Saskatoon, Saskatchewan S7N 5A5 i ABSTRACT This is an examination of the critical reception and canonical status of Ernest Buckler’s The Mountain and the Valley and Sinclair Ross’s As For Me and My House. -
Image, Symbol, and the Life of the Imaginaton in the Works of Sinclair Ross
Lakehead University Knowledge Commons,http://knowledgecommons.lakeheadu.ca Electronic Theses and Dissertations Retrospective theses Image, symbol, and the life of the imaginaton in the works of Sinclair Ross Burns, Karen http://knowledgecommons.lakeheadu.ca/handle/2453/2346 Downloaded from Lakehead University, KnowledgeCommons Image, Symbol, and the Life of the Imagination in the Works of Sinclair Ross A Thesis presented to the Department of English Lakehead University In partial fulfillment of the requirements for the degree of Master of Arts by Karen Burns May 1982 ProQuest Number: 10611248 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Pro ProQuest 10611248 Published by ProQuest LLC (2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106 - 1346 Table of Contents Page Dedication iv Acknowledgements v Abstract vi Introduction 1 Chapter 1 "the dash and spirit of the horses" 22 Chapter 2 "And always the wind" 62 Chapter 3 "this mystery of beginning" 115 Conclusion 196 Select Bibliography 225 '4. iii Dedication To my grandfathers, one for playing horse, the other for liking books. iv Acknowledgements Thanks, mum, dad and the kids, for appreciating my work. -
Crossing Tiie Medicine Line: the Cov/Boy in Canai-'Ian Prairie Fiction
CROSSING TIIE MEDICINE LINE: THE COV/BOY IN CANAI-'IAN PRAIRIE FICTION by Reginald G D Wiebe A Thesis submitted to the Facultv of Graduate Studies of The University of Manitoba in partial fulfilment of the requirements of the degree of MASTER OF ARTS Department of English University of Manitoba Winnipeg Copynght O 2008 by Reginald G D Wiebe THE IINTVERSITY OF MAN"ITOBA FACI]LTY OF GRADUATE STT]DIES ' **¡k*¡t COPYRIGHT PERMISSION CROSSING TIIE MEDICII\E LI}[E: TTIE COWBOY IN CANADIAN PRAIRM FICTION BY Reginald G. D. Wiebe A Thesis/Practicum submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulfillment of the requirement of the degree MASTER OF ARTS Reginald G. D. Wiebe @ 2008 Permission has been granted to the University of Manitoba Libraries to lend a copy of this thesis/practicum, to Library and Archives Canada (LAC) to lend a copy of this thesis/practicum, and to LAC's agent (UMlÆroQuest) to microfilm, sell copies and to pubtish an abstract of this thesis/practicum. This reproduction or cqpy of this thesis has been made available by authority of the copyright owner solely for the purpose of private study and research, and may only be reproduced and copied as permitted by copyright laws or with express written authorization from the copyright owner. ABSTRACT Following Jane Tompkins' proposalinWest of Everything that the cowboy generates his sense of self by opposing eastern centres as well as migrating across prairie landscape, and Dick Harrison's suggestion in Unnamed Country that Canadian prairie writing has developed no such figure, I choose to examine the impact of the (predominantly) American cowboy on Canadian prairie fiction. -
Hagiwara, CV 20
Curriculum Vitae TAKAO HAGIWARA July 2020 (* indicates new item since Spring 2019) PRESENT POSITION Associate Prof. of Japanese, Case Western Reserve University. EDUCATION -- Ph. D. in Modern Japanese Literature, University of British Columbia, Canada, 1986. Dissertation: "The Theme of Innocence in Miyazawa Kenji's Tales." -- M. A. in Comparative Literature, University of British Columbia, Canada, 1979. Chuang-tzu and Ralph Waldo Emerson. -- B. A. in English and American Literature, Sophia University, Tokyo, Japan, 1971. HONORS AND AWARDS -- Recipient, Library Opportunity Grant, Case Western Reserve University, 2008, 2007, 2006, 2004, 2003. -- Recipient, W. P. Jones Presidential Faculty Development Award, Case Western Reserve University, 1998. -- Recipient, "Top Prof" Award, Mortar Board, Case Western Reserve University, April 1998. -- Recipient, Research Grant Awards, University of Florida, 1988-89. -- Recipient, Post-Doctoral Fellowship, Institute of Asian Studies, University of British Columbia, 1986-87. -- Recipient, Alcan Fellowship, Aluminum Canada, Ltd., 1984-85. -- Recipient, Okamatsu Family Fellowship, University of British Columbia, 1984, 1983, 1981. -- Recipient, Graduate Fellowship, University of British Columbia, 1982-84, 1978-79. EXPERIENCE -- Associate Professor of Japanese, Department of Modern Languages and Literatures, Case Western Reserve University, 2001-. -- Assistant Professor of Japanese and Comparative Literature, Department of Modern Languages and Literatures, Case Western Reserve University, 1996-2001. -- Assistant Professor of Japanese Language and Literature, Department of East Asian Languages and Literatures, Smith College, MA, 1989-96. -- Assistant Professor of Japanese Language and Literature, Department of African and Asian Languages and Literatures, University of Florida, Gainesville, 1987-89. -- Visiting Assistant Professor, University of British Columbia, Summers: 1989-96. 2 of 18 -- Adjunct Assistant Professor, Department of Asian Studies, University of British Columbia, 1985-86. -
Nostalgic Reaction and the Canadian Prairie Landscape
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for Summer 1982 Nostalgic Reaction And The Canadian Prairie Landscape Ronald Rees University of Saskatchewan Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Rees, Ronald, "Nostalgic Reaction And The Canadian Prairie Landscape" (1982). Great Plains Quarterly. 1665. https://digitalcommons.unl.edu/greatplainsquarterly/1665 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. NOSTALGIC REACTION AND THE CANADIAN PRAIRIE LANDSCAPE RONALDREES A man is, of all sorts of baggage, the most dif fanciful; to enrich their understanding of the ficult to be transported. problems of adjustment to an alien environ Adam Smith, 1776 ment, American astronauts were required to read Walter Prescott Webb's classic study of In psychology and psychoanalysis, nostalgic the Great Plains.)3 Even settlers accustomed to reaction refers to the behavior of people continental conditions were overwhelmed by separated from familiar places and familiar the enormities of the region. German Catholics pasts.1 Used professionally, the expression from the Ukraine and Ukrainians from Poland encompasses the entire range of behavior ex were dumbfounded by the emptiness of the hibited by the uprooted. It is used here in a plains and by the length and severity of the limited sense to describe the efforts, both winters.