Matrix Revolutions Commentary
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BEFORE the PHILOSOPHY There Are Several Ways That We Might Explain the Location of the Matrix
ONE BEFORE THE 7 PHILOSOPHY UNDERSTANDING THE FILMS BEFORE THE PHILOSOPHY I’m really struggling here. I’m trying to keep up, but I’m losing the plot. There is way too much weird shit going on around here and nothing is going the way it is supposed to go. I mean, doors that go nowhere and everywhere, programs acting like humans, multiplying agents . Oh when, when will it end? – SparksE The Matrix films often left audiences more confused than they had bargained for. Some say that their confusion began with the very first film, and was compounded with each sequel. Others understood the big picture, but found themselves a bit perplexed concerning the details. It’s safe to say that no one understands the films completely – there are always deeper levels to consider. So before we explore the more philosophical aspects of the films, I hope to clarify some of the common points of confusion. But first, I strongly encourage you to watch all three films. There are spoilers ahead. The Matrix Dreamworld You mean this isn’t real? – Neo† The Matrix is essentially a computer-generated dreamworld. It is the illusion of a world that no longer exists – a world of human technology and culture as it was at the end of the twentieth century. This illusion is pumped into the brains of millions of people who, in reality, are lying fast asleep in slime-filled cocoons. To them this virtual world seems like real life. They go to work, watch their televisions, and pay their taxes, fully believing that they are physically doing these things, when in fact they are doing them “virtually” – within their own minds. -
Facing the Absurd Existentialism for Humans and Programs
TWELVE 150 FACING THE ABSURD EXISTENTIALISM FOR HUMANS AND PROGRAMS The Matrix cannot tell you who you are. – Trinity†† Man is nothing else but what he makes of himself. Such is the first principle of existentialism. – Jean-Paul Sartre FACING THE ABSURD Of Gods and Architects Søren Kierkegaard, whose existentialist philosophy of faith was discussed in the previous chapter, requested that just two words be engraved on his tombstone at his death: THE INDIVIDUAL. This gesture nicely summarizes the main thrust of the existentialist movement in philosophy – which both begins and ends with the individual. Existentialism focuses on the issues that arise for us as separate and distinct persons who are, in a very profound sense, alone in the world. Its emphasis is on personal responsibility – on taking responsibility for who you are, what you do, and the meanings that you give to the world around you. While Kierkegaard’s existentialism was largely inspired by his religious commit- ments, atheism was the guiding assumption for many existentialist writers, includ- ing Martin Heidegger, Albert Camus, and Jean-Paul Sartre. In Existentialism as a Humanism, the French existentialist Jean-Paul Sartre explained how his philo- sophy was intimately tied to his atheism through the example of a paper-cutter. [H]ere is an object which has been made by an artisan whose inspiration came from a concept. He referred to the concept of what a paper-cutter is and likewise to a known method of production, which is part of the concept, something which by and large is a routine. Thus, the paper-cutter is at once an object produced in a certain way and, on the other hand, one having a specific use . -
Matrix Reloaded Explained
Matrix Reloaded Explained Matrix Reloaded Explained The Matrix Explained 1 The Matrix: Reloaded Explained.........................................................................................................................1 1.1 Contents...................................................................................................................................................1 2 Forward on disobedience.......................................................................................................................................3 3 Foundation of criticism..........................................................................................................................................5 4 The Architect..........................................................................................................................................................7 5 The rave scene......................................................................................................................................................11 6 The Oracle.............................................................................................................................................................13 7 Agent Smith..........................................................................................................................................................15 8 Story arc................................................................................................................................................................19 -
The Matrix Explained
The Matrix Explained http://www.idph.net 9 de fevereiro de 2004 2 IDPH The Matrix Esta é uma coletânea de diversos artigos publicados na Internet sobre a trilogia Matrix. Como os links na Internet desaparecem muito rapidamente, achei que seria in- teressante colocar, em um mesmo documento, as especulações mais provocati- vas sobre a trilogia. Cada um dos artigos contém o link onde o artigo original foi encontrado. Estas referências, em sua maior parte, foram obtidas no Google (http://www. google.com), buscando por documentos que contivessem, em seu título, as palavras “matrix explained”; intitle:"matrix explained" Infelizmente, estão todos em inglês. Em português existem dois livros muito bons sobre os filmes: • MATRIX – Bem-vindo ao Deserto do Real Coletânea de William Irwin Editora Madras • A Pílula Vermelha Questões de Ciência, Fiilosofia e Religião em Matrix Editora Publifolha Quem sabe vivemos mesmo em uma Matrix. Ao menos é o que diz um dos artigos do do livro “A Pílula Vermelha”. Espero que gostem ... http://www.idph.net IDPH 3 Matrix – Explained by Reshmi Posted on November 12, 2003 14:39 PM EST To understand “The Matrix Revolutions” we’re gonna have to go all the way back to the beginning. A time that was shown in the superior Animatrix shorts “The Second Renaissance Parts I & II. In the beginning there was man. Then man created machines. Designed in man’s likeness the machines served man well, but man’s jealous nature ruined that relationship. When a worker robot killed one of its own abusive masters it was placed on trial for murder and sentenced for destruction. -
The Matrix: Unloaded Revelations
CHRISTIAN RESEARCH INSTITUTE P.O. Box 8500, Charlotte, NC 28271 Feature Article: DM820 THE MATRIX: UNLOADED REVELATIONS by Brian Godawa This article first appeared in the Christian Research Journal, volume 27, number 1 (2004). For further information or to subscribe to the Christian Research Journal go to: http://www.equip.org SYNOPSIS Everyone who has seen The Matrix trilogy knows that it presents a religious/philosophical worldview; what that worldview is, however, is a matter of debate. Some have argued it is Christian; some, Platonic (the philosophy of Plato); others, Gnostic (a Christian heresy); and still others, Buddhist. The films seem to use a combination of all of the above as metaphors for a postmodern worldview that deconstructs universal “savior” mythology into a Nietzschean “superman” philosophy in which one creates one’s own truth in a universe without God. In Nietzsche’s philosophy, our perceptions of reality are illusory (the theme in The Matrix) because they are part of the mechanistic determinism of nature (the theme in The Matrix: Reloaded). We must, therefore, create our own “new truth” through our human choices and beliefs (the theme in The Matrix: Revolutions). This worldview, however, is diametrically opposed to Christianity; hence, any similarities between themes or characters in The Matrix trilogy and orthodox Christianity are merely superficial. “To be truthful means using the customary metaphor — in moral terms: the obligation to lie according to a fixed convention, to lie herdlike in a style obligatory for all.”1 — Friedrich Nietzsche Mythologist Joseph Campbell sought to bring to light what he called the “monomyth,” the universal heroic journey common to all religions, which resides in the collective unconscious of humanity. -
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Displayed at over 500 points from the station to Headington and Folly Bridge to Summertown - all colleges, departments and language schools. Queries: 553377 (Mon-Fri 9-5) /423433 Adverts: 554444 Fax: 559298 or via our Oxford’s website: www.dailyinfo.co.uk Snail mail: 10 Kingston Road, Oxford OX2 6EF WHAT’S ON * JOBS * ACCOMMODATION Email: [email protected] Line ads@40p/wd. (min.10) + VAT JOBS OFFERED DAILY Display boxes@£8/cm. (min 3) + VAT Daily Information: daily issues Wed-Sat in INFORMATION Oxford University term, Fridays in the vacation GOOD WRITERS SOUGHT FOR PART-TIME POSITION HOUSES/FLATS TO LET www.dailyinfo.co.uk Next issue: Thursday 29th May Are you in science? Do you enjoy writing? Deadline: 10am, Friday 30th May Issue No. 7398 Do you obsess about grammar and have an eye for detail? HUTTON PARKER STUDENT LIST Wednesday 28th MAY 2003 (5th Week) We have a position available immediately A few remaining, conveniently located and well PROPERTY MANAGEMENT presented properties, mainly for four persons in our Cornmarket Street office. Selection of professional & student sharing, over the 2003-04 academic year. COMING BUSINESS FOR SALE accommodation Please call for further details: For further details, or to arrange viewing, contact Pearce Alder & Co, 01865 246502 COMPANY FOR SALE! Life Style Recruitment Services RECEPTIONIST REQUIRED for busy international (01865) 728999 Meet the Monkey ! Language School Company based in Oxford from King’s School Oxford Furnished 1 bed flat, Botley Road: £595pcm [email protected] Do the Deer ! Be the Bear ! (www.lsrs.co.uk). Move abroad forces sale. -
HEROISM in the MATRIX: an Interpretation of Neo’S Heroism Through the Philosophies of Nietzsche and Chesterton
HEROISM IN THE MATRIX: An interpretation of Neo’s heroism through the philosophies of Nietzsche and Chesterton By DUNCAN BRUCE REYBURN A dissertation submitted in fulfillment of the requirements for the degree Magister Artium (Visual Studies) in the FACULTY OF HUMANITIES UNIVERSITY OF PRETORIA PRETORIA Supervisor: Prof. J van Eeden Co-supervisor: Ms S Viljoen April 2007 DECLARATION Student number: 20149060 I declare that Heroism in the Matrix: An interpretation of Neo’s heroism through the philosophies of Nietzsche and Chesterton is my own work and that all the sources that I have used or quoted have been indicated and acknowledged by means of complete references. ________________________ Duncan Reyburn 25 April 2007 iii “If there had been no real heroes imaginary ones would have been created, for men cannot live without them.” – Hamilton Wright Mabie (1903:1) iv SUMMARY AND KEY TERMS This study explores the representation of the hero in Lawrence and Andrew Wachowski’s Matrix film trilogy, which comprises The Matrix (Wachowski, Wachowski & Silver 1999), Matrix Reloaded (Wachowski, Wachowski & Silver 2003a) and The Matrix Revolutions (Wachowski, Wachowski & Silver 2003b). Special reference is made to how Neo embodies a postmodern view of heroism. This implies an exploration into the relationship between Neo, the protagonist and hero in the Matrix trilogy, and his mythological predecessors, as well as the relationship between the representation of Neo and ideas concerning heroism. In order to further understand the nature of heroism in the Matrix trilogy, the ideas of two philosophers, namely Friedrich Nietzsche (1844-1900) and Gilbert Keith Chesterton (1874-1936), are explored and compared. -
Sean Chamberlain Is a Queer Artist Currently Living in Portland, OR
sean chamberlain is a queer artist currently living in Portland, OR. Their practice largely focuses on identity production, the ethics of the second self, and the construction of our IRL/URL worlds. This work predominantly manifests through video, installation, publication, and performance, as well as being engaged through curatorial work, event production, and writing. chamberlain has exhibited at Portland Institute for Contemporary Art, b10, Composition, GAK Space, First Brick, One Grand Gallery, and has performed in various nightclubs, both above and below ground. the democratization of celebrity is a mutable installation. Formally, the democratization of celebrity is comprised of three performances, a clothing rack, wiring, red lighting, a power tower, and a fog machine. All of these objects operate together and autonomously, even as they lend their energy and support to the performance works, setting the stage for the performances to continue on a loop of production. This form of production is via the avatar, a vessel of transcendence and transference. Using the avatar as a means of creating a boundary between a central body and audience through that of the simulated or malleable. The artificial space releasing the confines of my central body, facilitating the ability to chameleonize, shift, edit, and morph. A new body, a new mind, an update, a reboot. The body, simulated or not, being used as material from which a varied matrix may emerge. The objects, as a collection, illustrate a sketch of locale, in varying forms of completion and detection. A nightclub, a stage, a retail environment, playing the characters of each of these spaces loosely and with ease. -
Being the One Is Like Being in Love: Breaking the Bonds of Patriarchy
BEING THE ONE IS LIKE BEING IN LOVE: BREAKING THE BONDS OF PATRIARCHY Rachel Reed1 The Matrix Trilogy is in many ways a bold comment on the state of modern society. After Neo chooses the red pill, his journey into reality begins, revealing a very different world. Within Zion, it is difficult to overlook the prominence of people of color. However, throughout the course of the three films, there is no dialogue drawing attention to this fact. Indeed, the unplugged population of Zion appears to have reached a state of unquestioned racial equality. The same cannot necessarily be said about gender. From the very beginning, it is clear that these films reveal something about the perception of women in modern society—even when it has become “enlightened.” Though women are shown frequently in various positions of power, 1 Rachel Reed received her BA in Sociology in 2013 from the University of Tennessee, Knoxville, where she focused on issues of social and economic inequality from a feminist perspective. Since graduation, Rachel has pursued a career as a photographer and writer while also designing and developing video games for Hero Game Co, an independent studio. The studio's first game, Anagrams, is set to be published soon. 1 significant amounts of dialogue are laced with sexism in and out of the Matrix. The Matrix Trilogy exposes the pervasive and persistent existence of patriarchal ideology in modern society as well as proposes a way to fight against it. The Matrix Trilogy is undoubtedly a love story. Reminiscent of fairytales in many ways, Neo’s journey is as much about saving the world as it is about the power of true love. -
THE MATRIX RELOADED Larry and Andy Wachowski October 27, 2001
THE MATRIX RELOADED Larry and Andy Wachowski October 27, 2001 l. 1 INT. THE !-'lATRIX 1 * Passing through :che two-dimens"i_:,r:211 sheet of code th21t formed tie main title, we enter a tr.ree--dirnensional wcrld cf code. Drifting through a universe built ent.i"rely c:>f p;1ospl!o1ebce11t characters, we begin to sense shapes. The enormous teeth of slow grinding gears drive a vast green scintillant kaleidoscope cf churning cogs and ratcheting springs co:rnected to-- Two immense armat•-1res Jutting :::rorn a central shaft that, as we glide away from coalesce, becoming the hands of-- A punch clock. 2 I'.'lT. REM OF REROUTING FACILITY - SECURITY BUNKER - NIGHT 2 * Just as the minute hand clicks over to rnidniqht, a man's hand sweeps in, forcing a :.ime card into the clock's gullet. Ka-chunk. !-'IAN See you tomorrow. A group of security guards have punched out, their shift over. 3 EX'.:'. REM OF REROUTING FACILITY - NIGHT 3 * The city power grid maintenance and routing faci::.ity. The off ::l.uty guards exit into a main courtyard in front of the seventy-story b"-1il::l.ing that is smeared with yellow-green security klieg ::.ight. The four men head for a ramp that leads down into an underground parking structure as a motorcycle revs with a scream of rubber in the distance. One guar::l. pauses, looking up over his shoulder and beyon::l. the eight-foot cinderblock perimeter wal::., at the uppermost level of the parking garage across the street as he hears-- The sound of the sl:rieking engine rise, amplified in the concrete canyon, escalating toward the inevitable. -
Matrix Jon Stratton 27
7KH0DWUL[LQ7KHRU\ &ULWLFDO6WXGLHV 9RO *HQHUDO(GLWRU 0\ULDP'LRFDUHW] (XURSHDQ&HQWUHIRU'LJLWDO&RPPXQLFDWLRQ,QIRQRPLFV (GLWRULDO%RDUG $QQH(%HUJHU&RUQHOO8QLYHUVLW\ ,YDQ&DOOXV8QLYHUVLW\RI0DOWD 6WHIDQ+HUEUHFKWHU7ULQLW\DQG$OO6DLQWV8QLYHUVLW\RI/HHGV 0DUWD6HJDUUD8QLYHUVLWDWGH%DUFHORQD $PVWHUGDP1HZ<RUN1< 7KH0DWUL[LQ7KHRU\ (GLWHGE\ 0\ULDP'LRFDUHW]DQG 6WHIDQ+HUEUHFKWHU &RYHULOOXVWUDWLRQ0LFNDHO$FNHUPDQV PLFNDHOEORHPNRRO#KRWPDLOFRP &RYHUGHVLJQ3LHU3RVW 7KHSDSHURQZKLFKWKLVERRNLVSULQWHGPHHWVWKHUHTXLUHPHQWVRI³,62 ,QIRUPDWLRQDQGGRFXPHQWDWLRQ3DSHUIRUGRFXPHQWV 5HTXLUHPHQWVIRUSHUPDQHQFH´ ,6%1 (GLWLRQV5RGRSL%9$PVWHUGDP1HZ<RUN1< 3ULQWHGLQWKH1HWKHUODQGV TABLE OF CONTENTS Introduction Stefan Herbrechter 7 Section One: Cultural Phenomenon 25 “So Tonight I’m Gonna Party Like It’s 1999”: Looking Forward to The Matrix Jon Stratton 27 Revolution in The Matrix: A Cue Call for Reflexive Sociology Kimberly Barton 53 Enter the Matrix: Interactivity and the Logic of Digital Capitalism Christian Krug and Joachim Frenk 73 Section Two: Virtualities 95 Philosophy and The Matrix Chris Falzon 97 Simulacra, Simulation and The Matrix Sven Lutzka 113 Is There an Exit from “Virtual Reality?” Grid and Network – From Tron to The Matrix Elie During 131 Section Three: Embodiment 151 Technofantasies and Embodiment Don Ihde 153 Queering The Matrix: Hacking the Digital Divide and Slashing into the Future Aimee Bahng 167 Sexing The Matrix: Gender and Sexuality in/as Cyberfiction Rainer Emig 193 Section Four: Theory 209 Matrix – The New Constitution Between Hardware, Software and Wetware Denisa Kera 211 The Matrix Trilogy and the Triumph of Virtual Reason – Territorialized Topoi, Nomadic Lines Salah el Moncef bin Khalifa 227 The Posthuman Subject in The Matrix Stefan Herbrechter 249 “New Theory?” The Posthumanist Academy and the Beguilements of the Matrix Trilogy Ivan Callus 291 Contributors 311 INTRODUCTION THEORY IN THE MATRIX STEFAN HERBRECHTER The Matrix trilogy continues to split opinions widely, polarising the downright dismissive and the wildly enthusiastic. -
The Matrix Decoded
The Matrix Decoded The matrix trilogy is one of the finest creations of the modern era. It tries to give anwers to the most pertinent questions man has been searching for since his evolution. I like to compare this creation with the great sanctified books like Bible, Geeta and Kuran. All these books have a purpose, purpose to enlighten human beings and show them the path to follow. Matrix Trilogy is an attempt to bridge the gap between Religion and Science and to unite them and lead them in one direction. The trilogy is much more than an intellectual Scifi movie. Everybody can relate his faith with the trilogy. Trilogy has used Excerpts from almost all faiths known to man. But most of us find the trilogy to be very complex and hard to understand. The purpose of this book is to solve the complexities of the Trilogy based on simple Equations which anybody can understand. The views mentioned are of the author and has no semblance with the creators of the Matrix Trilogy. I would like to explain the Trilogy in the form of Questions and Answers since many of us are so obsessed with these questions that we have propounded our own theories on it, based on our perceptions and faiths. I presume that the readers have watched all the three Movies and are quite familiar with all the characters of the Trilogy. What is the Matrix? Ans. Matrix is an artificial world created by The Architect to control all humans connected with the Matrix and use them as a power source for Machines.