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Discovering Florence in the Footsteps of Dante Alighieri: “Must-Sees”
1 JUNE 2021 MICHELLE 324 DISCOVERING FLORENCE IN THE FOOTSTEPS OF DANTE ALIGHIERI: “MUST-SEES” In 1265, one of the greatest poets of all time was born in Florence, Italy. Dante Alighieri has an incomparable legacy… After Dante, no other poet has ever reached the same level of respect, recognition, and fame. Not only did he transform the Italian language, but he also forever altered European literature. Among his works, “Divine Comedy,” is the most famous epic poem, continuing to inspire readers and writers to this day. So, how did Dante Alighieri become the father of the Italian language? Well, Dante’s writing was different from other prose at the time. Dante used “common” vernacular in his poetry, making it more simple for common people to understand. Moreover, Dante was deeply in love. When he was only nine years old, Dante experienced love at first sight, when he saw a young woman named “Beatrice.” His passion, devotion, and search for Beatrice formed a language understood by all - love. For centuries, Dante’s romanticism has not only lasted, but also grown. For those interested in discovering more about the mysteries of Dante Alighieri and his life in Florence , there are a handful of places you can visit. As you walk through the same streets Dante once walked, imagine the emotion he felt in his everlasting search of Beatrice. Put yourself in his shoes, as you explore the life of Dante in Florence, Italy. Consider visiting the following places: Casa di Dante Where it all began… Dante’s childhood home. Located right in the center of Florence, you can find the location of Dante’s birth and where he spent many years growing up. -
Stepping out of Brunelleschi's Shadow
STEPPING OUT OF BRUNELLESCHI’S SHADOW. THE CONSECRATION OF SANTA MARIA DEL FIORE AS INTERNATIONAL STATECRAFT IN MEDICEAN FLORENCE Roger J. Crum In his De pictura of 1435 (translated by the author into Italian as Della pittura in 1436) Leon Battista Alberti praised Brunelleschi’s dome of Florence cathedral, Santa Maria del Fiore [Fig. 1], as ‘such a large struc- ture’ that it rose ‘above the skies, ample to cover with its shadow all the Tuscan people’.1 Alberti was writing metaphorically, but he might as easily have written literally in prediction of the shadowing effect that Brunelleschi’s dome, dedicated on 30 August 1436, would eventually cast over the Florentine cultural and historical landscape of the next several centuries.2 So ever-present has Brunelleschi’s structure been in the historical perspective of scholars – not to mention in the more popular conception of Florence – that its stately coming into being in the Quattrocento has almost fully overshadowed in memory and sense of importance another significant moment in the history of the cathedral and city of Florence that immediately preceded the dome’s dedication in 1436: the consecration of Santa Maria del Fiore itself on 25 March of that same year.3 The cathedral was consecrated by Pope Eugenius IV (r. 1431–1447), and the ceremony witnessed the unification in purpose of high eccle- siastical, foreign, and Florentine dignitaries. The event brought to a close a history that had begun 140 years earlier when the first stones of the church were laid in 1296; in 1436, the actual date of the con- secration was particularly auspicious, for not only is 25 March the feast of the Annunciation, but in the Renaissance that day was also the start of the Florentine calendar year. -
Prato and Montemurlo Tuscany That Points to the Future
Prato Area Prato and Montemurlo Tuscany that points to the future www.pratoturismo.it ENG Prato and Montemurlo Prato and Montemurlo one after discover treasures of the Etruscan the other, lying on a teeming and era, passing through the Middle busy plain, surrounded by moun- Ages and reaching the contempo- tains and hills in the heart of Tu- rary age. Their geographical posi- scany, united by a common destiny tion is strategic for visiting a large that has made them famous wor- part of Tuscany; a few kilometers ldwide for the production of pre- away you can find Unesco heritage cious and innovative fabrics, offer sites (the two Medici Villas of Pog- historical, artistic and landscape gio a Caiano and Artimino), pro- attractions of great importance. tected areas and cities of art among Going to these territories means the most famous in the world, such making a real journey through as Florence, Lucca, Pisa and Siena. time, through artistic itineraries to 2 3 Prato contemporary city between tradition and innovation PRATO CONTEMPORARY CITY BETWEEN TRADITION AND INNOVATION t is the second city in combination is in two highly repre- Tuscany and the third in sentative museums of the city: the central Italy for number Textile Museum and the Luigi Pec- of inhabitants, it is a ci Center for Contemporary Art. The contemporary city ca- city has written its history on the art pable of combining tradition and in- of reuse, wool regenerated from rags novation in a synthesis that is always has produced wealth, style, fashion; at the forefront, it is a real open-air the art of reuse has entered its DNA laboratory. -
Ferdinando Tacca
Ferdinando Tacca (Florence, 1619-1686) Moor with his arms behind his back and one knee resting on a barrel Terracotta 33 cm high Expertise by Sandro Bellesi In a perfect state of conservation, this work of outstanding stylistic merit offers a notably realist interpretation of a powerful male figure with Middle-Eastern features, his right knee resting on a barrel and his hands crossed behind his back. The almost nude figure, leaning forward in a forced position, is characterised by its extreme naturalism deriving from careful preparatory study. This is evident in the impeccable definition of the anatomy, which rigorously emphasises the figure’s vitality through the dynamic muscles, contracted tendons and nerves that palpitate beneath the skin. The energy transmitted by this figure, its face characterised by regular features framed by exotic “Turkish” whiskers, is also splendidly emphasised through the vitality of the gaze or rather through the profound, eloquent eyes. The figure’s anatomical characteristics and in particular the position of the body clearly recall the famous Quattro Mori executed in bronze by Pietro Tacca between 1623 and 1626 for the base of Giovanni Bandini’s Monument to Ferdinand I installed in 1599 on the quayside of Livorno harbour (for the monument and the figures on its base, see A. Brook, Pietro Tacca a Livorno. Il Monumento a Ferdinando I de Medici, Livorno, 2008). As archival and early sources reveal, for the execution of those figures (and the similar ones commissioned for the Monument to Henri IV of France for the Pont Neuf in Paris, subsequently executed by Pietro Francavilla) Tacca made various visits to prisons in Livorno in order to study some of the Saracen pirates captured by the Medici fleet during raids on the Tuscan coastline. -
The Best of Renaissance Florence April 28 – May 6, 2019
Alumni Travel Study From Galleries to Gardens The Best of Renaissance Florence April 28 – May 6, 2019 Featuring Study Leader Molly Bourne ’87, Professor of Art History and Coordinator of the Master’s Program in Renaissance Art at Syracuse University Florence Immerse yourself in the tranquil, elegant beauty of Italy’s grandest gardens and noble estates. Discover the beauty, drama, and creativity of the Italian Renaissance by spending a week in Florence—the “Cradle of the Renaissance”—with fellow Williams College alumni. In addition to a dazzling array of special openings, invitations into private homes, and splendid feasts of Tuscan cuisine, this tour offers the academic leadership of Molly Bourne (Williams Class of ’87), art history professor at Syracuse University Florence. From the early innovations of Giotto, Brunelleschi, and Masaccio to the grand accomplishments of Michelangelo, our itinerary will uncover the very best of Florence’s Renaissance treasury. Outside of Florence, excursions to delightful Siena and along the Piero della Francesca trail will provide perspectives on the rise of the Renaissance in Tuscany. But the program is not merely an art seminar—interactions with local food and wine experts, lunches inside beautiful private homes, meanders through stunning private gardens, and meetings with traditional artisans will complement this unforgettable journey. Study Leader MOLLY BOURNE (BA Williams ’87; PhD Harvard ’98) has taught art history at Syracuse University Florence since 1999, where she is also Coordinator of their Master’s Program in Renaissance Art History. A member of the Accademia Nazionale Virgiliana, she has also served as project researcher for the Medici Archive Project and held a fellowship at Villa I Tatti, the Harvard Center for Renaissance Studies. -
Gardens of Genoa, the Italian Riviera & Florence
American Horticultural Society Travel Study Program GARDENS OF GENOA, THE ITALIAN RIVIERA & FLORENCE September 5 – 14, 2017 WITH AHS HOST KATY MOSS WARNER AND TOUR LEADER SUSIE ORSO OF SPECIALTOURS American Horticultural Society Announcing an 7931 East Boulevard Drive Alexandria, VA 22308 American Horticultural www.ahsgardening.org/travel Society Travel Study Program GARDENS OF GENOA, THE ITALIAN RIVIERA & FLORENCE September 5 – 14, 2017 WITH AHS HOST KATY MOSS WARNER AND TOUR LEADER SUSIE ORSO OF SPECIALTOURS Designed with the connoisseur of garden travel in mind, GARDENS OF GENOA, THE ITALIAN RIVIERA & FLORENCE the American Horticultural Society Travel Study Program Join us for unforgettable experiences including: offers exceptional itineraries that include many exclusive • Boboli Gardens, created by Cosimo I de’ Medici experiences and unique insights. Your participation benefits the work of the American Horticultural Society • Museum of the Park – the International Centre and furthers our vision of “Making America a Nation of of Open-Air Sculpture, an open air “botanical art Gardeners, a Land of Gardens.” gallery” • Uffizi Gallery, with work by masters including Botticelli, Michelangelo, da Vinci and Raphael • Villa Gamberaia and many other villas and palaces with wonderfully designed and tended gardens • The Italian city of Genoa, with its restored waterfront; Santa Margherita and Portofino, with their colorful charm; and Florence, the beloved Renaissance city Look inside for more details about this remarkable program… Please refer to the enclosed reservation form for pricing and instructions to reserve your place on this AHS Travel Study Program tour. For more information about AHS Travel Study Program tours, please contact development@ahsgardening. -
Florence Florence Can Boast Many Histories – Artistic, Financial, Religious, the Central Point of the City’S Political and Cultural Development
AGENZIA PER IL TURISMO FIRENZE florence Florence can boast many histories – artistic, financial, religious, the central point of the city’s political and cultural development. cultural, political. These are so rich that it is impossible to sum By virtue of its geographic position and social climate, Florence them up in a few short lines. One word, however, has always dis- exercised a function of equilibrium in the history and art of the pe- tinguished the city in the eyes of the world: the Renaissance. riod known as the Renaissance. After various vicissitudes involving the Florentine Republic and history Medici restorations, another historic era started for Florence in a brief 1530 with the establishment of the Grand Duchy of Tuscany. The The early Etruscan settlements sprang up on the hill of Fiesole, power of the city grew, reaching a peak with the defeat of arch-ri- while the Romans established themselves (in 59 BC) on the plain val Siena in 1555. The House of the Medici died out in the 18th around the Arno. The Forum of Roman Florentia was situated where century, giving way to the rule of the Habsburg-Lorraine, under Piazza della Republica stands today, and the inner circle of walls whom Florence also conquered Lucca (1847). Finally, the Duchy ran along today’s Via Tornabuoni, Via Cerretani and Via del Pro- entered the Kingdom of Italy in 1859 following a plebiscite. consolo. Florence was the capital of unified Italy from 1865 to 1870, dur- Miniato and Reparata were the first patron saints of Florence, ing which time Giuseppe Poggi produced an urban planning proj- which became an episcopal see in the 4th century. -
TREASURES from the Uffizi Gallery Overview
Offering of the Angels: Treasures from the Uffizi Gallery Overview Oering of the Angels: Treasures from the Uzi Gallery is a traveling exhibition from the famed Uzi Gallery in Florence, Italy. The exhibition features 45 works – two large tapestries and 43 paintings by Renaissance artists from the 15th to 17th century. This exhibition, along with related programming, will be presented at the James A. Michener Art Museum from April 21, 2012 – August 10, 2012. Curated by Antonio Natali, the Director of the Uzi, the exhibition examines classical sacred art as the visual representation of the path to redemption and the life of Christ, and also presents the broad diversity and stylistic evolution of art from Northern Italy during the seminal Renaissance period. The exhibition includes works by masters such as Botticelli, Tintoretto, Parmigianino, Lorenzo Monaco, Guercino, Cristofano and Alessandro Allori. A recently restored painting attributed to Tiziano has just been added to the exhibition, and will be on public display for the rst time in recent history. This tour is the only time these masterworks will be seen in the United States, and the Michener Art Museum is the only venue to host this exhibition in the Northeast region. www.MichenerArtMuseum.org A Night at the Uffizi A night of firsts To celebrate the première of the exhibition Oering of the Angels: Treasures from the Uzi Gallery, the James A. Michener Art Museum is hosting a black tie gala event, A Night at the Uzi. Oering of the Angels is the rst American tour of these works by Italian Renaissance masters and features 15th-17th century paintings and tapestries from the renowned Uzi Gallery in Florence, Italy. -
Italy: Florence Outline Itineraries for Tours to Italy
Outline itineraries for tours to Italy Italy: Florence Florence We use several hotels in Florence, depending on individual availability. The hotel that we use most frequently is the three star Hotel Byron. The central location is extremely convenient for all of the excursions in Florence, with the Duomo and Ponte Vechio only fi fteen minutes walk away. The beautiful River Arno lies only ten minutes away and is crossed frequently to get to and from our restaurant. The hotel itself is modern and clean, with accommodation in 2,3 and 4 bedded rooms. Each room has en-suite Michelangelo’s - “David” Boboli Gardens facilities, a TV, hairdryer and telephone. They are all serviced daily and security is provided by the 24 hour concierge at reception. There is a pleasant lounge and bar area where participants can meet in the Day 2 evening, as well as an excellent choice of cafes and restaurants nearby for After breakfast we will transfer to the The Uffi zi Museum. This museum participants to sample the local ciabatta sandwiches with an espresso. contains the fi nest collection of art in Italy, and ranks with the Prado and The staff are extremely warm and helpful and we have found this hotel to the Louvre as one of the greatest art galleries in the world. The Uffi zi has provide a very comfortable and convenient base for our group study visits been arranged into periods or schools in order to show the development to Florence. and progress of the Italian art movement. Later parts of the collection include works by European masters in general. -
I Medici E La Toscana Bibliografia
I Medici e la Toscana Bibliografia Febbraio 2018 Biblioteca della Toscana Pietro Leopoldo Introduzione La bibliografia che qui proponiamo raccoglie i libri che la biblioteca possiede sulla famiglia de’ Medici, nota per aver retto le sorti della città di Firenze prima e della Toscana poi, dal 1434 fino al 1737. I volumi sono presentati in ordine alfabetico. I libri proposti in questa bibliografia, come quelli presenti nel catalogo della biblioteca, possono essere presi in prestito direttamente presso la sede della Biblioteca della Toscana Pietro Leopoldo oppure presso le biblioteche che fanno servizio di prestito interbibliotecario. Così come copie cartacee e digitali di articoli qui citati possono essere richieste presso biblioteche che effettuano il servizio di document delivery (servizio di fornitura documenti). Bibliografia I Medici e la Toscana febbraio 2018 2 Biblioteca della Toscana Pietro Leopoldo 1536-1541 : Mediceo del Principato, filze 329-353 / a cura di Anna Bellinazzi e Claudio Lamioni ; con un saggio di Giuseppe Pansini. - Firenze : Giunta regionale toscana ; [Scandicci] : La nuova Italia, 1982. - LXXXV, 357 p., 28 p. di tav. ; 30 cm 1541-1546 : Mediceo del Principato, filze 354-372 / a cura di Anna Bellinazzi e Claudio Lamioni. - Firenze : Giunta regionale toscana ; Scandicci : La nuova Italia, 1986. - 446 p., [20] c. di tav. : ill. ; 30 cm 1544-1549 : Mediceo del Principato, filze 373-391 A / a cura di Anna Bellinazzi, Claudio Lamioni, Marcella Morviducci. - Firenze : Regione Toscana ; Ospedaletto, Pisa : Pacini, 2013. - 271 p. ; 30 cm 1549-1551 : Mediceo del Principato, filze 392-403 A / a cura di Vanna Arrighi. - [Firenze] : Giunta regionale toscana ; Milano : Bibliografica, 1992. - VIII, 411 p., 16 p. -
Welcome Pitcher & Flaccomio Picks for August
WELCOME During July the streets of Florence have been scorching and August promises more of the same. So stay inside the museums and churches, drink lots of water, and in the evening head out for dinner under the stars. With best summer wishes from SUZANNE, CORSO, BEI, LESLIE, VANNI, ANNA PIA, RAFFAELLA, AND MARISA. PITCHER & FLACCOMIO PICKS FOR AUGUST BEST EVENT FOR AUGUST: SUMMER SEASON OF PERFORMANCES AT THE BARGELLO Text by Mary Gray from The Florentine Magazine “Estate al Bargello returns: Plays, dance performances and concerts in museum courtyard. Estate al Bargello is the umbrella title for 21 shows staged by the theatre group Compagnia Lombardi- Tiezzi, the Florence Dance Festival and the Orchestra da Camera Fiorentina. Festival organizers are the Ministero dei beni e delle attività, the Bargello Museum, the Tuscan Region, and the City of Florence's Estate Fiorentina committee, with sponsorship by the Fondazione Cassa di Risparmio di Firenze and additional support from the Banca CR Firenze. Start times and ticket prices vary, and both the Orchestra da Camera Fiorentina (tel. 055.783374; [email protected]) and Florence Dance Festival (tel. 055.289276; [email protected]) have special offers available for those interested in attending multiple shows. View additional information and showtimes on the Compagnia Lombardi-Tiezzi, Florence Dance Festival, and Orchestra da Camera Fiorentina websites.” P&F RENTAL PICK FOR AUGUST: A HILLSIDE HOME WITH A POOL SURROUNDED BY OLIVE TREES The hillside home is surrounded by olive trees, 4 km from the town of Bagno a Ripoli and 6 km to Viale Europa in Florence, where supermarkets, banking, general shopping, dry cleaners, post office, etc. -
1 Santo Spirito in Florence: Brunelleschi, the Opera, the Quartiere and the Cantiere Submitted by Rocky Ruggiero to the Universi
Santo Spirito in Florence: Brunelleschi, the Opera, the Quartiere and the Cantiere Submitted by Rocky Ruggiero to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Art History and Visual Culture In March 2017. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (Signature)…………………………………………………………………………….. 1 Abstract The church of Santo Spirito in Florence is universally accepted as one of the architectural works of Filippo Brunelleschi (1377-1446). It is nevertheless surprising that contrary to such buildings as San Lorenzo or the Old Sacristy, the church has received relatively little scholarly attention. Most scholarship continues to rely upon the testimony of Brunelleschi’s earliest biographer, Antonio di Tuccio Manetti, to establish an administrative and artistic initiation date for the project in the middle of Brunelleschi’s career, around 1428. Through an exhaustive analysis of the biographer’s account, and subsequent comparison to the extant documentary evidence from the period, I have been able to establish that construction actually began at a considerably later date, around 1440. It is specifically during the two and half decades after Brunelleschi’s death in 1446 that very little is known about the proceedings of the project. A largely unpublished archival source which records the machinations of the Opera (works committee) of Santo Spirito from 1446-1461, sheds considerable light on the progress of construction during this period, as well as on the role of the Opera in the realization of the church.