The Daily Gamecock, Monday, January 26, 2015
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Download Futuro Anteriore
Numero XVII Estate 2017 futuro anteriore Sommario L'Editorial L’Editorial 3 InSistenze 4 Gusci vuoti alla dervia di Simone Scaloni 5 Nella sottrazione utile... di Anna Laura Longo 9 SETTEMBRE 2017 - N.17- ANNO 5 La cristallomanzia delle vite interrotte di Gioele Marchis 13 L’attimo al fulmicotone di Lucio Costantini 17 www.rivistadiwali.it InVerso 21 «No, non è detto che il passato sia già accaduto, così alla perfezione piattamente presente del digitale, che an- Gianluigi Miani 22 come non è detto che il futuro non lo sia ancora. È cer- nulla ogni profondità dimensionale. O come le visioni vo- Valentina Ciurleo 23 to questo il modo in cui spontaneamente pensiamo il lutamente caricaturali del futuro nella fantascienza, che Direttore Editoriale tempo, ma...Lo spazio di questo ma raccoglie le infinite sappiamo non si produrranno mai come le immaginiamo, Roberto Marzano 24 Maria Carla Trapani possibilità della rappresentazione artistica del futuro an- ma che hanno proprio nel loro essere improbabili la forza Martina Millefiorini 26 teriore, questo tempo strano che già sui banchi di scuola di una protesta, di una resistenza. A volte l’anticato e il Direttore Responsabile Dona Amati 28 ci appariva misterioso. Ma è tutto lì il senso del tempo: futuristico si fondono in una sola immagine doppiamente Flavio Scaloni nella possibilità di pensare adesso qualcosa che oggi o anacronistica, come nello Steampunk, in cui le due dire- Focus Haiku 30 domani sarà passata… zioni convergono in una sola immagine, in un solo suo- Redazione InStante 35 Sarà passata, eccolo un esempio del nostro tempo, no, in una sola parola di resistenza. -
2015 Year in Review
Ar#st Album Record Label !!! As If Warp 11th Dream Day Beet Atlan5c The 4onthefloor All In Self-Released 7 Seconds New Wind BYO A Place To Bury StranGers Transfixia5on Dead Oceans A.F.I. A Fire Inside EP Adeline A.F.I. A.F.I. Nitro A.F.I. Sing The Sorrow Dreamworks The Acid Liminal Infec5ous Music ACTN My Flesh is Weakness/So God Damn Cold Self-Released Tarmac Adam In Place Onesize Records Ryan Adams 1989 Pax AM Adler & Hearne Second Nature SprinG Hollow Aesop Rock & Homeboy Sandman Lice Stones Throw AL 35510 Presence In Absence BC Alabama Shakes Sound & Colour ATO Alberta Cross Alberta Cross Dine Alone Alex G Beach Music Domino Recording Jim Alfredson's Dirty FinGers A Tribute to Big John Pa^on Big O Algiers Algiers Matador Alison Wonderland Run Astralwerks All Them Witches DyinG Surfer Meets His Maker New West All We Are Self Titled Domino Jackie Allen My Favorite Color Hans Strum Music AM & Shawn Lee Celes5al Electric ESL Music The AmazinG Picture You Par5san American Scarecrows Yesteryear Self Released American Wrestlers American Wrestlers Fat Possum Ancient River Keeper of the Dawn Self-Released Edward David Anderson The Loxley Sessions The Roayl Potato Family Animal Hours Do Over Self-Released Animal Magne5sm Black River Rainbow Self Released Aphex Twin Computer Controlled Acous5c Instruments Part 2 Warp The Aquadolls Stoked On You BurGer Aqueduct Wild KniGhts Wichita RecordinGs Aquilo CallinG Me B3SCI Arca Mutant Mute Architecture In Helsinki Now And 4EVA Casual Workout The Arcs Yours, Dreamily Nonesuch Arise Roots Love & War Self-Released Astrobeard S/T Self-Relesed Atlas Genius Inanimate Objects Warner Bros. -
Vide O Clipe: Forças E Sensações No Caos
UNIVERSIDADE ESTADUAL DE CAMPINAS FACULDADE DE EDUCAÇÃO DISSERTAÇÃO DE MESTRADO Vide o clipe: forças e sensações no caos Autor: Pamela Zacharias Sanches Oda Orientador: Prof. Dr. Antonio Carlos Rodrigues de Amorim Este exemplar corresponde à redação final da Dissertação defendida por Pamela Zacharias Sanches Oda e aprovada pela Comissão Julgadora. Data: 15 / 02 / 2011 2011 ii iii Ao Lucas, Meu amor, amigo e companheiro, que possibilitou através de seu incentivo, de seu olhar crítico e de sua imensa paciência a concretização deste trabalho. iv AGRADECIMENTOS Agradecer é estar em estado de graça. Assim me sinto ao traçar as últimas linhas dessa dissertação. Nesse momento, rememoro todo o trajeto do mestrado e percebo que o que me trouxe aqui se iniciou bem antes da escrita do projeto, bem antes de fazer minha inscrição para o processo seletivo. O início de tudo está em um tempo não situável e deve-se a tantos corpos que não haveria espaço para agradecê-los nestas páginas. Por isso o estado de graça, a gratidão ampla e imensurável por estar onde estou e poder deixar um registro de um pedacinho de minha vida no mundo, mesmo que perdido entre as estantes de uma biblioteca acadêmica. Isso porque este texto é apenas a materialidade simbólica de tudo o que este trabalho me trouxe e vai além, muito além do que ele apresenta. Agradeço, portanto, ao prof. dr. Antônio Carlos de Amorim, por ter se interessado em me orientar e ter me possibilitado tantos encontros teóricos e principalmente humanos; ao grupo de pesquisa OLHO e, em especial ,ao Humor -
The Social Significance of Modern Trademarks: Authorizing the Appropriation of Marks As Source Identifiers for Expressive Works*
YAQUINTO.TOPRINTER (DO NOT DELETE) 2/8/2017 11:25 AM The Social Significance of Modern Trademarks: Authorizing the Appropriation of Marks as Source Identifiers for * Expressive Works Dieuson Octave is a nineteen-year-old rapper from Florida that recently signed a deal with Atlantic Records. His YouTube videos have millions of views. He releases his music under the name Kodak Black. Some graffiti writers use stickers in addition to spray paint. In San Francisco, a writer named Ther had stickers appropriating the The North Face logo. Instead of reading The North Face in stacked type, Ther’s stickers read “Ther Norco Face.” Norco is a brand of prescription painkiller. Vaporwave is an obscure genre of music. Largely sample-based, it is characterized by an obsession with retro aesthetics, new technology, and consumerism. Songs range from upbeat to hypnogogic. They sometimes incorporate sound marks. Vaporwave musicians have monikers like Saint Pepsi and Macintosh Plus. Gucci Mane is a rap star and actor from Atlanta. All nine of his studio albums have placed on the Billboard Top 200. In 2013, he starred alongside James Franco and Selena Gomez in Spring Breakers, which competed for the Golden Lion award at the sixty-ninth Venice International Film Festival. Stuart Helm is an artist who formerly used the moniker King VelVeeda. Until the early 2000s, he operated cheeseygraphics.com, a website that sold his bawdy-themed art and advertised commercial art services. Horst Simco is a recording artist from Houston who goes by Riff Raff. His collection of tattoos includes the NBA logo, the MTV logo, and the BET logo. -
Racial Gatekeeping in Country & Hip-Hop Music
Portland State University PDXScholar University Honors Theses University Honors College 12-14-2020 Racial Gatekeeping in Country & Hip-Hop Music Cervanté Pope Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Part of the Mass Communication Commons, Race and Ethnicity Commons, Social Psychology and Interaction Commons, and the Sociology of Culture Commons Let us know how access to this document benefits ou.y Recommended Citation Pope, Cervanté, "Racial Gatekeeping in Country & Hip-Hop Music" (2020). University Honors Theses. Paper 957. https://doi.org/10.15760/honors.980 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Racial Gatekeeping in Country & Hip-Hop Music By Cervanté Pope Student ID #: 947767021 Portland State University Pope 2 Introduction In mass communication, gatekeeping refers to how information is edited, shaped and controlled in efforts to construct a “social reality” (Shoemaker, Eichholz, Kim, & Wrigley, 2001). Gatekeeping has expanded into other fields throughout the years, with its concepts growing more and more easily applicable in many other aspects of life. One way it presents itself is in regard to racial inclusion and equality, and despite the headway we’ve seemingly made as a society, we are still lightyears away from where we need to be. Because of this, the concept of cultural property has become even more paramount, as a means for keeping one’s cultural history and identity preserved. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Bjork Vessel Mp3, Flac, Wma
Bjork Vessel mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Vessel Country: Europe Released: 1994 Style: Experimental MP3 version RAR size: 1306 mb FLAC version RAR size: 1717 mb WMA version RAR size: 1102 mb Rating: 4.8 Votes: 834 Other Formats: WAV DXD AA AUD MP3 MIDI FLAC Tracklist 1 Human Behaviour 4:33 2 Atlantic 3:23 3 One Day 7:15 4 Venus As A Boy 6:05 5 Come To Me 4:21 6 Anchor Song 4:11 7 Aeroplane 5:23 8 Big Time Sensuality 3:20 9 There's More To Life Than This 4:11 10 Violently Happy 5:13 11 Crying 6:07 Companies, etc. Record Company – One Little Indian US – OLI505 Distributed By – Navarre Corporation Phonographic Copyright (p) – Wellhart Ltd Phonographic Copyright (p) – One Little Indian Ltd. Copyright (c) – Wellhart Ltd Copyright (c) – One Little Indian Ltd. Credits Bass – Ike Leo Design [Sleeve] – M/M (Paris) Drums – Tansay Omar Featuring [Incidental Music] – Björk, Graham Massey Film Director – Stephane Sednaoui* Keyboards – Leila Arab* Keyboards, Programmed By – Guy Sigsworth Mixed By – Al Stone Saxophone, Flute, Tambourine – Dan Lipman Tabla, Percussion – Talvin Singh Typography [Film Titles] – Me Company Vocals – Björk Notes Björk - The Live DVD series NTSC format only one-sided DVD version Video aspect ratio: 4:3 Tracks recorded live in 1994. Clips of Björk speaking are included at the end of some songs. Other versions Category Artist Title (Format) Label Category Country Year UK & 632 256 3 Björk Vessel (VHS, PAL) PolyGram Video 632 256 3 1994 Europe 40188 - 3 Björk Vessel (VHS) Elektra 40188 - 3 US 1994 Polygram Russia, none Björk Vessel (VHS) Техновидео, One none Russia 1997 Little Indian Vessel (Laserdisc, POLP-1030 Björk PolyGram Video POLP-1030 Japan 1994 12", S/Sided, NTSC) Vessel (DVD-V, 04400655859 Björk Polydor 04400655859 Brazil 2003 NTSC) Related Music albums to Vessel by Bjork Björk - Debut Live Björk - Volumen Björk - Live At Shepherds Bush Empire Björk - Homogenic Live Björk - Biophilia Remixes | Part Four Björk - Volumen Plus Björk - Black Lake (Bloom Remix) Björk - Biophilia Remixes | Part Seven. -
Contortions to Match Your Confusion: Digital Disfigurement and the Music of Arca
Review: Literature and Arts of the Americas ISSN: 0890-5762 (Print) 1743-0666 (Online) Journal homepage: http://www.tandfonline.com/loi/rrev20 Contortions to Match Your Confusion: Digital Disfigurement and the Music of Arca Wayne Marshall To cite this article: Wayne Marshall (2015) Contortions to Match Your Confusion: Digital Disfigurement and the Music of Arca, Review: Literature and Arts of the Americas, 48:1, 118-122, DOI: 10.1080/08905762.2015.1021112 To link to this article: http://dx.doi.org/10.1080/08905762.2015.1021112 Published online: 30 Apr 2015. Submit your article to this journal Article views: 175 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rrev20 Download by: [Berklee College of Music] Date: 03 November 2015, At: 07:17 Review: Literature and Arts of the Americas, Issue 90, Vol. 48, No. 1, 2015, 118–122 Contortions to Match Your Confusion: Digital Disfigurement and the Music of Arca Wayne Marshall An assistant professor at Berklee College of Music, Wayne Marshall is an ethnomusicologist who studies the interplay between Caribbean and American music, sound reproduction technologies, and musical publics. He co-edited Reggaeton (2009) and has published in such journals as Popular Music, Callaloo, and The Wire, as well as his critically acclaimed blog, wayneandwax.com. “Día de los Muertos,” a mix released in late October 2014 by Houston’s Svntv Mverte (aka Santa Muerte), a DJ duo with a name invoking “Mexico’s cult of Holy Death, a reference to the worship of an underground goddess of death and the dead,”1 opens with an ominous, 1 Marty Preciado, “Meet arresting take on reggaeton. -
Alba Doesn't Care About Fantastic Four Role
37 TUESDAY, MARCH 11, 2014 LIFESTYLE Gossip Webb recalls offer to first helm Spider-Man arc Webb thought it was “crazy” when he was first offered the chance to direct ‘The Amazing Spider- MMan’. The 39-year-old filmmaker - who was recently confirmed to helm Andrew Garfield in the third installment of the superhero franchise - was initially surprised when he was approached by Sony boss, Amy Pascal, to make a remake of Sam Raimi’s 2002 film ‘Spider-Man’. Talking at the South by Southwest (SXSW) festival, in Austin, Texas, he told the audience: “I thought it was crazy.” Pascal responded to his hesita- tions by saying: “Honey, you can’t turn down Spider-Man.” Webb wants the film franchise to be “fantastic” and “big”, in keeping with how children feel when they read about the Marvel superhero, who was first created by writer-editor Stan Lee and writer-artist Steve Ditko. He added: “I’m going to embrace the spectacle. There was a moment deep in the [first film’s] post-production process where a giant lizard smashed through a wall chas- ing a boy-man in a unitard and I said, ‘This is not grounded. I’m not going to be beholden to smallness. I want it to be fantastic, to be big, to command and express that feeling when you’re a kid and reading the comics.’ I didn’t want to hide or shy away from that.” Lily Allen to release Sheezus in May Smith to produce Harlem Hellfighters ill Smith has signed on to produce a film Wadaptation of the graphic novel ‘Harlem Hellfighters’. -
2019 Tcc Jfteixeira.Pdf
UNIVERSIDADE FEDERAL DO CEARÁ INSTITUTO DE CULTURA E ARTE CURSO DESIGN-MODA JOHANN FREITAS TEIXEIRA BJÖRK E SEU CORAÇÃO PARTIDO: UMA ANÁLISE DAS RELAÇÕES ENTRE FIGURINO E DESIGN GRÁFICO A PARTIR DO ENCARTE DO ÁLBUM VULNICURA FORTALEZA 2019 JOHANN FREITAS TEIXEIRA BJÖRK E SEU CORAÇÃO PARTIDO: UMA ANÁLISE DAS RELAÇÕES ENTRE FIGURINO E DESIGN GRÁFICO A PARTIR DO ENCARTE DO ÁLBUM VULNICURA MonografiA ApresEntAda como conclusão de Curso Em DEsign-Moda do Instituto de Cultura E ArtE – ICA da Universidade FEderal do CeArá – UFC, como requisito parciAl para obtEnção de Título de Bacharel em DEsign-Moda. OriEntAdora: Profa. Esp. PAtriciA MontEnegro MAtos Albuquerque. FORTALEZA 2019 Dados Internacionais de Catalogação na Publicação Universidade Federal do Ceará Biblioteca Universitária Gerada automaticamente pelo módulo Catalog, mediante os dados fornecidos pelo(a) autor(a) T266b Teixeira, Johann Freitas. Björk e seu coração partido : uma analise das relações entre figurino e design gráfico a partir do encarte do álbum vulnicura / Johann Freitas Teixeira. – 2019. 60 f. : il. color. Trabalho de Conclusão de Curso (graduação) – Universidade Federal do Ceará, Instituto de cultura e Arte, Curso de Design de Moda, Fortaleza, 2019. Orientação: Profa. Esp. Patricia Montenegro Matos Albuquerque. 1. Figurino . 2. Design gráfico. 3. Encarte. 4. Björk. I. Título. CDD 391 JOHANN FREITAS TEIXEIRA BJÖRK E SEU CORAÇÃO PARTIDO: UMA ANÁLISE DAS RELAÇÕES ENTRE FIGURINO E DESIGN GRÁFICO A PARTIR DO ENCARTE DO ÁLBUM VULNICURA MonografiA ApresEntAda como conclusão de Curso Em DEsign-Moda do Instituto de Cultura E ArtE – ICA da Universidade FEderal do CeArá – UFC, como requisito parciAl para obtEnção de Título de Bacharel em DEsign-Moda. -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat.