Andriana Chuchman: a New Diva and “Star of Tomorrow” by Orysia Paszczak Tracz Chuchman and Countertenor David Trudgen
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“The Soul of Ukraine” International Support Foundation for Ukrainian Nation
“THE SOUL OF UKRAINE” INTERNATIONAL SUPPORT FOUNDATION FOR UKRAINIAN NATION Press release 3 June 2014 An International Foundation for the support of Ukrainian people, under the official patronage of His Holiness Patriarch of Kyiv and All Rus'-Ukraine Filaret, was organized by world celebrities. June 3, 2014 Ministry of Justice of Ukraine registered “The Soul of Ukraine” Foundation. The Chairman of the foundation's Board of Trustees is Borys Paton – Hero of Ukraine (first), President of the National Academy of Science of Ukraine. At the same time Academician Paton is the President of the International Association of Academies of Science. The Co-Chairmans of the foundation's Board of Trustees are Reverend Agapit – Bishop of Vyshgorod, Kyivan Patriarchate Administrator and Vicar of St. Michael's Monastery, and People's Artist of Ukraine Myroslav Vantuh – world legend of dance art, Hero of Ukraine, Academician, People's Artist of Ukraine and Russia, General Manager and Artistic Director of Pavlo Virsky Ukrainian National Folk Dance Ensemble. The Members of the foundation's Board of Trustees from Ukraine are known figures of Ukrainian culture. Hero of Ukraine and Academician Anatoliy Andrievskiy – is Manager and Artistic Director of H.Veryovka Ukrainian National Folk Chorus and President of the Ukrainian National Music Committee of UNESCO International Music Council. Academician Borys Olijnyk – Hero of Ukraine, Ukrainian Culture Fund Chairman. Hero of Ukraine, People's Artist of Ukraine, Corresponding Member of Ukrainian National Academy of Arts Evgen Savchuk – Artistic Director of National Academic Choir of Ukraine “Dumka”. Academician, Hero of Ukraine, People's Artist of Ukraine Eugene Stankovych – is Department Head of Tchaikovsky National Music Academy of Ukraine. -
The Polish-Lithuanian Commonwealth As a Political Space: Its Unity and Complexity*
Chapter 8 The Polish-Lithuanian Commonwealth as a Political Space: Its Unity and Complexity* Satoshi Koyama Introduction The Polish-Lithuanian Commonwealth (Rzeczpospolita) was one of the largest states in early modern Europe. In the second half of the sixteenth century, after the union of Lublin (1569), the Polish-Lithuanian state covered an area of 815,000 square kilometres. It attained its greatest extent (990,000 square kilometres) in the first half of the seventeenth century. On the European continent there were only two larger countries than Poland-Lithuania: the Grand Duchy of Moscow (c.5,400,000 square kilometres) and the European territories of the Ottoman Empire (840,000 square kilometres). Therefore the Polish-Lithuanian Commonwealth was the largest country in Latin-Christian Europe in the early modern period (Wyczański 1973: 17–8). In this paper I discuss the internal diversity of the Commonwealth in the sixteenth and seventeenth centuries and consider how such a huge territorial complex was politically organised and integrated. * This paper is a part of the results of the research which is grant-aided by the ‘Grants-in-Aid for Scientific Research’ program of the Japan Society for the Promotion of Science in 2005–2007. - 137 - SATOSHI KOYAMA 1. The Internal Diversity of the Polish-Lithuanian Commonwealth Poland-Lithuania before the union of Lublin was a typical example of a composite monarchy in early modern Europe. ‘Composite state’ is the term used by H. G. Koenigsberger, who argued that most states in early modern Europe had been ‘composite states, including more than one country under the sovereignty of one ruler’ (Koenigsberger, 1978: 202). -
A Short History of Poland and Lithuania
A Short History of Poland and Lithuania Chapter 1. The Origin of the Polish Nation.................................3 Chapter 2. The Piast Dynasty...................................................4 Chapter 3. Lithuania until the Union with Poland.........................7 Chapter 4. The Personal Union of Poland and Lithuania under the Jagiellon Dynasty. ..................................................8 Chapter 5. The Full Union of Poland and Lithuania. ................... 11 Chapter 6. The Decline of Poland-Lithuania.............................. 13 Chapter 7. The Partitions of Poland-Lithuania : The Napoleonic Interlude............................................................. 16 Chapter 8. Divided Poland-Lithuania in the 19th Century. .......... 18 Chapter 9. The Early 20th Century : The First World War and The Revival of Poland and Lithuania. ............................. 21 Chapter 10. Independent Poland and Lithuania between the bTwo World Wars.......................................................... 25 Chapter 11. The Second World War. ......................................... 28 Appendix. Some Population Statistics..................................... 33 Map 1: Early Times ......................................................... 35 Map 2: Poland Lithuania in the 15th Century........................ 36 Map 3: The Partitions of Poland-Lithuania ........................... 38 Map 4: Modern North-east Europe ..................................... 40 1 Foreword. Poland and Lithuania have been linked together in this history because -
2020-Commencement-Program.Pdf
THE JOHNS HOPKINS UNIVERSITY COMMENCEMENT 2020 Conferring of degrees at the close of the 144th academic year MAY 21, 2020 1 CONTENTS Degrees for Conferral .......................................................................... 3 University Motto and Ode ................................................................... 8 Awards ................................................................................................. 9 Honor Societies ................................................................................. 20 Student Honors ................................................................................. 25 Candidates for Degrees ..................................................................... 35 2 ConferringDegrees of Degrees for Conferral on Candidates CAREY BUSINESS SCHOOL Masters of Science Masters of Business Administration Graduate Certificates SCHOOL OF EDUCATION Doctors of Education Doctors of Philosophy Post-Master’s Certificates Masters of Science Masters of Education in the Health Professions Masters of Arts in Teaching Graduate Certificates Bachelors of Science PEABODY CONSERVATORY Doctors of Musical Arts Masters of Arts Masters of Audio Sciences Masters of Music Artist Diplomas Graduate Performance Diplomas Bachelors of Music SCHOOL OF NURSING Doctors of Nursing Practice Doctors of Philosophy Masters of Science in Nursing/Advanced Practice Masters of Science in Nursing/Entry into Nursing Practice SCHOOL OF NURSING AND BLOOMBERG SCHOOL OF PUBLIC HEALTH Masters of Science in Nursing/Masters of Public -
Ukraine in World War II
Ukraine in World War II. — Kyiv, Ukrainian Institute of National Remembrance, 2015. — 28 p., ill. Ukrainians in the World War II. Facts, figures, persons. A complex pattern of world confrontation in our land and Ukrainians on the all fronts of the global conflict. Ukrainian Institute of National Remembrance Address: 16, Lypska str., Kyiv, 01021, Ukraine. Phone: +38 (044) 253-15-63 Fax: +38 (044) 254-05-85 Е-mail: [email protected] www.memory.gov.ua Printed by ПП «Друк щоденно» 251 Zelena str. Lviv Order N30-04-2015/2в 30.04.2015 © UINR, texts and design, 2015. UKRAINIAN INSTITUTE OF NATIONAL REMEMBRANCE www.memory.gov.ua UKRAINE IN WORLD WAR II Reference book The 70th anniversary of victory over Nazism in World War II Kyiv, 2015 Victims and heroes VICTIMS AND HEROES Ukrainians – the Heroes of Second World War During the Second World War, Ukraine lost more people than the combined losses Ivan Kozhedub Peter Dmytruk Nicholas Oresko of Great Britain, Canada, Poland, the USA and France. The total Ukrainian losses during the war is an estimated 8-10 million lives. The number of Ukrainian victims Soviet fighter pilot. The most Canadian military pilot. Master Sergeant U.S. Army. effective Allied ace. Had 64 air He was shot down and For a daring attack on the can be compared to the modern population of Austria. victories. Awarded the Hero joined the French enemy’s fortified position of the Soviet Union three Resistance. Saved civilians in Germany, he was awarded times. from German repression. the highest American The Ukrainians in the Transcarpathia were the first during the interwar period, who Awarded the Cross of War. -
White Eagle Spring/Summer 2007
WHITEWHITE EAGLEEAGLE Journal OF THE POLISH NOBILITY ASSOCIATION Foundation Published semi-annually, provided to libraries in over 30 countries worldwide Spring/Summer 2007 Website: pnaf.us/ MILWAUKEE’S BAL MOSKOWY RECALLS POLAND’S GLORIOUS PAST AND A CELEBRATION OF ITS COLORFUL TRADITIONS The Polish Bal Moskowy, a formal costume dinner-ball and one of the highlights of Milwaukee’s social calendar took place February 3, 2007. As usual it was held at the elegant Wisconsin Club in downtown Milwaukee with monies raised going to support the Syrena Polish Dancers of Milwaukee. Attending the ball was Dr. Felix W. V.L. Holewinski, President of the Polish Nobility Association Foundation who has represented the Foundation at this event for several years. The highlight of the ball was the performance of the Syrena Dancers who danced the very popular Lancers Suit. Wearing the colorful uniforms of Napoleon’s Polish Lancers of the Imperial Guard, the dancers reenacted a typical formal ball held in Poland during the Napoleonic Wars. The dance medley consisted mostly of various mazurs (a dance popular with the Polish nobility) and ended with the sound of a bugle that signaled the Lancers to mount their horses and go to battle. As the Lancers march off with their sabers drawn, their elegantly gowned ladies bid them farewell. A sumptuous dinner was served before the dancing commenced and later during the ball the Grand Polonaise was danced, with everyone invited to join in, as pictured above. The colorful costumes and feathered masks were reminiscent of such balls which were popular with the Polish nobility during the 18th century and while a variety of period costumes were worn, a number of individuals wore period costumes of the Polish Nobility. -
The Grand Duchy of Lithuania As a Successor of Rome in the Early
Open Political Science, 2018; 1: 170–181 Research Article Joanna Orzeł* From imagination to political reality? The Grand Duchy of Lithuania as a successor of Rome in the early modern historiography (15th–18th centuries)# https://doi.org/10.1515/openps-2018-0015 received December 17, 2018; accepted December 31, 2018. Abstract: At the beginning of the Renaissance Lithuanians understood that to join the civilization of Western Europe, it was necessary to have an appropriate (it means: very long) tradition. Like other countries, they had to create their own myth of origin. The most prestigious tradition was Greek-Roman antiquity, so the country’s origin story was invented, claiming its people descended directly from Rome. According to subsequent chronicles, the founder of the new state was Palemon (Publius Libon, initially Vilia). Using the theory of cultural memory of Jan and Aleida Assmann, the article presents how and why the Lithuanian myth of origin was transformed from 15th to the end of the 18th century. Particular attention was paid to the current needs of the state and the powerful noble families of the Grand Duchy of Lithuania, which also found their origins in the state myth. During the early modern period, the changes in the story were made (including the date of Palemon’s arrival in the Lithuanian lands). Nonetheless, the myth was not questioned for a long time. Even once it had already been established that it was no more than a fairy tale, the story was revived again, performing other functions in the 19th century. Keywords: cultural memory; foundation myth; mythical genealogy; Palemon; the Grand Duchy of Lithuania; Polish- Lithuanian historiography; Greco-Roman antiquity in early modern period. -
Ideological Conflict Between Soviet Partisans, the German Military, and Ukrainian Nationalists in Nazi-Occupied Ukraine David L
Student Publications Student Scholarship Spring 2016 Battle for the eople:P Ideological Conflict between Soviet Partisans, the German Military, and Ukrainian Nationalists in Nazi-Occupied Ukraine David L. Heim Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the Ethnic Studies Commons, European History Commons, Military History Commons, Political History Commons, and the Soviet and Post-Soviet Studies Commons Share feedback about the accessibility of this item. Heim, David L., "Battle for the eP ople: Ideological Conflict between Soviet Partisans, the German Military, and Ukrainian Nationalists in Nazi-Occupied Ukraine" (2016). Student Publications. 440. https://cupola.gettysburg.edu/student_scholarship/440 This is the author's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/student_scholarship/ 440 This open access student research paper is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Battle for the eople:P Ideological Conflict between Soviet Partisans, the German Military, and Ukrainian Nationalists in Nazi-Occupied Ukraine Abstract Soviet historiography discusses the People’s War during the Second World War, the idea that all of the Soviet people rallied to the cause and fought off the aN zi invaders, but this is far from the truth. Within the western borderlands of the Soviet Union multiple conflicting groups fought for control of and support from the people. -
Neonazis & Euromaidan
Stanislav Byshok Alexey Kochetkov NEONAZIS & EUROMAIDAN From democracy to dictatorship [Second edition] 2014 Stanislav Byshok, Alexey Kochetkov NEONAZIS & EUROMAIDAN. From democracy to dictator- ship. [Second edi on]. “Whoever is not jumping is a Moskal” is a chant that women and men of diff erent ages who took to Kiev Independence Square in win- ter 2013-2014 repeated trying to get warm. They kept jumping and laughing, for nobody in the ‘brave new world’ of the Ukrainian revo- lu on under Stepan Bandera’s banner fancied gaining the character of a staunch enemy of Ukrainian statehood. Mass demonstra ons of “angry ci zens” in Ukraine had objec ve reasons. This was a protest against ineff ec ve and corrupt govern- ment, against police and bureaucra c abuse of power, against unclear and dead-end policies of the President and the Government. All na onal libera on movements use the popular ideas and po- li cal sen ments that dominate the society as their posi ve mani- festo. Thus, exclusively le -wing ideologies were mainstream in the Russian Empire in 1917, radical Islamism was most popular in Arab countries during the Arab spring of 2012, whereas na onalism, also radical, turned mainstream in the Ukraine of 2013-2014. The book describes the development of Ukraine’s na onal- ist groups since 1991 un l present day. It focuses on the history of the parliamentary right-wing radical Svoboda party and the non- parliamentary Right Sector movement. The authors study the ideol- ogy, psychology and methods of poli cal struggle of these structures. -
Giving Voice Bro 09 2
International Festival of the Voice 2009 18 - 26 April, Wroclaw, Poland HARMONIC ACCORD: ENCOUNTERS THROUGH SONG SPOTKANIE W PIESNI´ 2 Giving Voice 11 stanowi specjaln edycję festiwalu; Giving Voice International Festival of the Voice współorganizuj go Center for Performance Research Contents z Walii oraz Instytut im. Jerzego Grotowskiego we Harmonic Accord Wrocławiu.Tegoroczny festiwal odbywa się w ramach Venues & Access - 2 obchodów Roku Grotowskiego 2009. Encounters through Song Przez 7 dni Wrocław będzie go´scił niespotykan ró˙znorodno´s´c tradycji Giving Voice 11: A festival of extraordinary voices from around the world including those from: Armenia, Austria, głosowych całego swiata:´ Armenii, Austrii, Korsyki, Gruzji, Gwinei, Iranu,Włoch, Harmonic Accord - 3 Corsica, Georgia, Guinea, Iran, Italy, Kurdistan, Mongolia, North America, Palestine, Poland, Kurdystanu, Mongolii, Ameryki Północnej, Palestyny, Polski, Sardynii, Serbii, Sardinia, Serbia, Spain, the Ukraine and Wales. Hiszpanii, Ukrainy oraz Walii. Calendar - 4 Poprzez dzielenie się ideami oraz praktyk w ramach ró˙znych warsztatów, How to Create Giving Voice springs from a strong events programmed for the Year of our questions embrace: aesthetics; pokazów i dyskusji, festiwal gromadzi praktyków, nauczycieli, teoretyków, belief in the voice’s ability to Grotowski 2009 in addition to this technique; the culturally specific; uzdrowicieli zainteresowanych prac z głosem, którzy niekoniecznie mieli Your Own Experience - 4 communicate beyond language and special edition of Giving Voice, matters of repertoire; archaism and the okazję do spotkania na drodze swej praktyki. Workshops - 5 - 14 cultural difference, and that working information of which may be found on relationship of tradition to innovation with the voice can allow people, from www.grotowski-institute.art.pl. -
The University of Arizona
Erskine Caldwell, Margaret Bourke- White, and the Popular Front (Moscow 1941) Item Type text; Electronic Dissertation Authors Caldwell, Jay E. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 05/10/2021 10:56:28 Link to Item http://hdl.handle.net/10150/316913 ERSKINE CALDWELL, MARGARET BOURKE-WHITE, AND THE POPULAR FRONT (MOSCOW 1941) by Jay E. Caldwell __________________________ Copyright © Jay E. Caldwell 2014 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2014 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Jay E. Caldwell, titled “Erskine Caldwell, Margaret Bourke-White, and the Popular Front (Moscow 1941),” and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. ________________________________________________ Date: 11 February 2014 Dissertation Director: Jerrold E. Hogle _______________________________________________________________________ Date: 11 February 2014 Daniel F. Cooper Alarcon _______________________________________________________________________ Date: 11 February 2014 Jennifer L. Jenkins _______________________________________________________________________ Date: 11 February 2014 Robert L. McDonald _______________________________________________________________________ Date: 11 February 2014 Charles W. Scruggs Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. -
Singing in ‘The Peg’: the Dynamics of Winnipeg Singing Cultures During the 20Th Century
Singing in ‘The Peg’: The Dynamics of Winnipeg Singing Cultures During the 20th Century Muriel Louise Smith Doctor of Philosophy University of York Music September 2015 This thesis is dedicated to my parents, William Moore (1910-1982) Ann Moore (1916-2011) who inspired, demanded excellence, and loved me. 2 Abstract The research begins by establishing Winnipeg, as a city comprised of many different European immigrant communities where the dominant British-Canadian culture reflected the Canadian national consciousness of the early 20th century. After an outline of early musical life in the city, four case studies demonstrate how the solo vocal and choral culture in Winnipeg represents a realization of the constitutive, continuously forming and mutable relationships between peoples of differing identities. In all of these case studies, I investigate how this culture has been shaped by social and political actions through transnational connections over the 20th century. The first two case studies are underpinned by the theories of cultural capital and gender. The first focuses on the Women’s Musical Club of Winnipeg (1900-1920s), an elite group of Brito-Canadian women who shaped the reception of high art singing among their peers primarily through their American connections. The second investigates the Men’s Musical Club of Winnipeg (1920s-1950s), a dynamic group of businessmen and musicians who sought to reinforce Brito-Canadian cultural supremacy by developing a choral culture and establishing a music competition festival based on British models and enforced by British musical associations. The third and fourth case studies are examined through the lens of diaspora and identity, underpinned by social capital.