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Nationalist Adaptations of the Cuchulain Myth Martha J
University of South Carolina Scholar Commons Theses and Dissertations Spring 2019 The aW rped One: Nationalist Adaptations of the Cuchulain Myth Martha J. Lee Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the English Language and Literature Commons Recommended Citation Lee, M. J.(2019). The Warped One: Nationalist Adaptations of the Cuchulain Myth. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5278 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Warped One: Nationalist Adaptations of the Cuchulain Myth By Martha J. Lee Bachelor of Business Administration University of Georgia, 1995 Master of Arts Georgia Southern University, 2003 ________________________________________________________ Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in English College of Arts and Sciences University of South Carolina 2019 Accepted by: Ed Madden, Major Professor Scott Gwara, Committee Member Thomas Rice, Committee Member Yvonne Ivory, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Martha J. Lee, 2019 All Rights Reserved ii DEDICATION This dissertation and degree belong as much or more to my family as to me. They sacrificed so much while I traveled and studied; they supported me, loved and believed in me, fed me, and made sure I had the time and energy to complete the work. My cousins Monk and Carolyn Phifer gave me a home as well as love and support, so that I could complete my course work in Columbia. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title The Supernatural and the Limits of Materiality in Medieval Histories, Travelogues, and Romances From William of Malmesbury to Geoffrey Chaucer Permalink https://escholarship.org/uc/item/9ck303t5 Author McGraw, Matthew Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE The Supernatural and the Limits of Materiality in Medieval Histories, Travelogues, and Romances From William of Malmesbury to Geoffrey Chaucer A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Matthew Theismann McGraw December 2013 Dissertation Committee: Dr. John M. Ganim, Chairperson Dr. Deborah Willis Dr. Andrea Denny-Brown Copyright by Matthew Theismann McGraw 2013 The Dissertation of Matthew Theismann McGraw is approved: Committee Chairperson University of California, Riverside ABSTRACT OF THE DISSERTATION The Supernatural and the Limits of Materiality in Medieval Histories, Travelogues, and Romances From William of Malmesbury to Geoffrey Chaucer by Matthew Theismann McGraw Doctor of Philosophy, Graduate Program in English University of California, Riverside, December 2013 Dr. John M. Ganim, Chairperson The supernatural, broadly defined as magic, marvels, wonders, and miracles, might at first seem to be wholly separate from material goods and the cultural practices surrounding material objects; miracles occur solely through divine grace, and magic would logically seem to involve making things happen without using physical force. Yet, in the depiction of the supernatural in medieval texts, miracles, marvels, wonders, and magic all depend in some way or another upon material goods. At the same time, the supernatural has a recursive effect upon materiality in the texts in this study; it functions as an amplifier of signification. -
Irish Landscape Names
Irish Landscape Names Preface to 2010 edition Stradbally on its own denotes a parish and village); there is usually no equivalent word in the Irish form, such as sliabh or cnoc; and the Ordnance The following document is extracted from the database used to prepare the list Survey forms have not gained currency locally or amongst hill-walkers. The of peaks included on the „Summits‟ section and other sections at second group of exceptions concerns hills for which there was substantial www.mountainviews.ie The document comprises the name data and key evidence from alternative authoritative sources for a name other than the one geographical data for each peak listed on the website as of May 2010, with shown on OS maps, e.g. Croaghonagh / Cruach Eoghanach in Co. Donegal, some minor changes and omissions. The geographical data on the website is marked on the Discovery map as Barnesmore, or Slievetrue in Co. Antrim, more comprehensive. marked on the Discoverer map as Carn Hill. In some of these cases, the evidence for overriding the map forms comes from other Ordnance Survey The data was collated over a number of years by a team of volunteer sources, such as the Ordnance Survey Memoirs. It should be emphasised that contributors to the website. The list in use started with the 2000ft list of Rev. these exceptions represent only a very small percentage of the names listed Vandeleur (1950s), the 600m list based on this by Joss Lynam (1970s) and the and that the forms used by the Placenames Branch and/or OSI/OSNI are 400 and 500m lists of Michael Dewey and Myrddyn Phillips. -
To the Baum Bugle Supplement for Volumes 46-49 (2002-2005)
Index to the Baum Bugle Supplement for Volumes 46-49 (2002-2005) Adams, Ryan Author "Return to The Marvelous Land of Oz Producer In Search of Dorothy (review): One Hundred Years Later": "Answering Bell" (Music Video): 2005:49:1:32-33 2004:48:3:26-36 2002:46:1:3 Apocrypha Baum, Dr. Henry "Harry" Clay (brother Adventures in Oz (2006) (see Oz apocrypha): 2003:47:1:8-21 of LFB) Collection of Shanower's five graphic Apollo Victoria Theater Photograph: 2002:46:1:6 Oz novels.: 2005:49:2:5 Production of Wicked (September Baum, Lyman Frank Albanian Editions of Oz Books (see 2006): 2005:49:3:4 Astrological chart: 2002:46:2:15 Foreign Editions of Oz Books) "Are You a Good Ruler or a Bad Author Albright, Jane Ruler?": 2004:48:1:24-28 Aunt Jane's Nieces (IWOC Edition "Three Faces of Oz: Interviews" Arlen, Harold 2003) (review): 2003:47:3:27-30 (Robert Sabuda, "Prince of Pop- National Public Radio centennial Carodej Ze Zeme Oz (The ups"): 2002:46:1:18-24 program. Wonderful Wizard of Oz - Czech) Tribute to Fred M. Meyer: "Come Rain or Come Shine" (review): 2005:49:2:32-33 2004:48:3:16 Musical Celebration of Harold Carodejna Zeme Oz (The All Things Oz: 2002:46:2:4 Arlen: 2005:49:1:5 Marvelous Land of Oz - Czech) All Things Oz: The Wonder, Wit, and Arne Nixon Center for Study of (review): 2005:49:2:32-33 Wisdom of The Wizard of Oz Children's Literature (Fresno, CA): Charobnak Iz Oza (The Wizard of (review): 2004:48:1:29-30 2002:46:3:3 Oz - Serbian) (review): Allen, Zachary Ashanti 2005:49:2:33 Convention Report: Chesterton Actress The Complete Life and -
Myths and Legends of the Celtic Race by Thomas William Rolleston
The Project Gutenberg EBook of Myths and Legends of the Celtic Race by Thomas William Rolleston This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: Myths and Legends of the Celtic Race Author: Thomas William Rolleston Release Date: October 16, 2010 [Ebook 34081] Language: English ***START OF THE PROJECT GUTENBERG EBOOK MYTHS AND LEGENDS OF THE CELTIC RACE*** MYTHS & LEGENDS OF THE CELTIC RACE Queen Maev T. W. ROLLESTON MYTHS & LEGENDS OF THE CELTIC RACE CONSTABLE - LONDON [8] British edition published by Constable and Company Limited, London First published 1911 by George G. Harrap & Co., London [9] PREFACE The Past may be forgotten, but it never dies. The elements which in the most remote times have entered into a nation's composition endure through all its history, and help to mould that history, and to stamp the character and genius of the people. The examination, therefore, of these elements, and the recognition, as far as possible, of the part they have actually contributed to the warp and weft of a nation's life, must be a matter of no small interest and importance to those who realise that the present is the child of the past, and the future of the present; who will not regard themselves, their kinsfolk, and their fellow-citizens as mere transitory phantoms, hurrying from darkness into darkness, but who know that, in them, a vast historic stream of national life is passing from its distant and mysterious origin towards a future which is largely conditioned by all the past wanderings of that human stream, but which is also, in no small degree, what they, by their courage, their patriotism, their knowledge, and their understanding, choose to make it. -
THE WOOING of CHOICE: Prosimetric Reconstruction of the Female Journey in Irish Mythology
THE WOOING OF CHOICE: Prosimetric Reconstruction of the Female Journey in Irish mythology by Roxanne Bodsworth 2020 This thesis is submitted in fulfilment of the requirements for the degree of Doctor of Philosophy, Institute of Sustainable Industries and Liveable Cities, Victoria University. i Abstract: In “The Wooing of Choice: prosimetric reconstruction of the female journey in Irish mythology”, I examine the representation of female characters in Irish mythological tales where the woman chooses her lover in contravention of social expectations. In the traditional versions, the woman recedes into the background as the narrative develops around the male hero. I ask what happens to the discourse of the narrative when it is subverted so that the focus is placed upon the female experience. This is explored through a creative component, called ‘Meet Me in My World’, a prosimetric reconstruction of three Irish tales in which the woman chooses her lover and compels him to follow her. The three tales are: Aislinge Óengusso (The Dream of Óengus); Tóruigheacht Dhiarmada agus Ghráinne (The Pursuit of Diarmaid and Gráinne); and Longes mac nUislenn (The Exile of the Sons of Uisliu). The exegetical component, comprising 50% of the thesis, is composed of two sections. In the first, I examine theories of feminist writing and remythologizing, and develop a new model for feminist reconstruction, which I apply to the creative product. In the second section, I explore the relationship between narrative and poetry, from medieval prosimetric translations to contemporary hybrid texts, and consider which form provides the best framework for my female-centred narrative and the verse. -
1401882258184.Pdf
The Witch A New Class for Basic Era Games by Timothy S. Brannan Copyright © 2012 Proofreading and editing by and Jeffrey Allen and James G Holloway, DBA Dark Spire. Artists: Daniel Brannan Brian Brinlee Gary Dupuis Larry Elmore Toby Gregory Aitor Gonzalez William McAusland Bradley K McDevitt Bree Orlock and Stardust Publications Howard Pyle Artwork copyright by the original artist and used with permission. Some artwork is in the public domain. Cover art by John William Waterhouse 1 Table of Contents Table of Contents ................................................................. 2 Athamé .................................................................................78 Forward ................................................................................ 3 Broom ..................................................................................78 PART 1: INTRODUCTION ................................................... 5 Cauldron ...............................................................................78 PART 2: THE WITCH CLASS ............................................ 7 Censer ..................................................................................79 Special Restrictions (Optional) ............................................. 8 Chalice .................................................................................79 Witch ................................................................................. 9 Pentacle ................................................................................79 PART 3: TRADITIONS -
The Art of the Graphic Novel
Eric Shanower The Art of the Graphic Novel Adapted from an address delivered at the 2004 ALAN Workshop. Mr. Shanower accompanied his talk with a beautiful slide show and refers to the slides in this address. raphic novel” is an and, for better or for worse, it awkward term. The seems we’re stuck with it. “G “graphic” part is I’m here to speak to you okay, graphic novels always have about the art of the graphic novel. graphics. It’s the “novel” part When you hear the phrase, the that’s a problem, because graphic art of the graphic novel, you likely novels aren’t always novels told think of the drawings, rather than with drawings. They can be the story. But I bet most of you works of non-fiction or collec will agree that writing is an art tions of short stories or, really, just as drawing is. I’m going to anything you can think of that talk about both. consists of drawings that convey Let’s forget about graphic narrative between two substan novels for a moment and think tial covers. about what I call cartooning. Or The term “graphic novel” you can call it “comic art” or isn’t much better or more “sequential art.” Cartooning is the accurate a description than the art of telling a story in pictures, term “comic book.” But “comic often using written words as in book” has pejorative connota integral part of the drawing. The tions, and many people seem history of cartooning starts a bit either embarrassed or dismissive nebulously. -
The Princess Is in Another Castle: Multi-Linear Stories in Oral Epic and Video Games
THE PRINCESS IS IN ANOTHER CASTLE: MULTI-LINEAR STORIES IN ORAL EPIC AND VIDEO GAMES by Emily Joy Bembeneck A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Studies) in The University of Michigan 2013 Doctoral Committee: Professor Ruth S. Scodel, Chair Associate Professor Gordon Calleja, University of Malta Associate Professor Basil J. Dufallo Associate Professor J. Mira Seo, Yale-NUS © Emily Joy Bembeneck 2013 DEDICATION For Vanessa ii ACKNOWLEDGMENTS I owe my utmost gratitude and respect to my chair, Ruth Scodel, who has continually challenged and encouraged me to pursue my ideas and interests. Even in my least lucid moments, she found meaning in the possibilities of my studies and was a constant presence of stability throughout my graduate career. Without Mira Seo, the writing you read within these pages would be far from comprehensible and the ideas within it too muddled to understand. Her help and advice has been invaluable. I am so grateful to Basil Dufallo who has always prompted me to be doubly sure of my decisions. He has taught me to only follow those goals and ideas that I believe are truly profitable for study, regardless of the traditional expectations and fears I may encounter. With the help of Gordon Calleja's encouragement and feedback, I have been able to more easily bridge the gap between the fields of Classics and Game Studies to, I hope, the benefit of all my readers. His ideas on storytelling and narrative within games have vastly influenced my own understanding of the player's narrative experience and are a constant source of inspiration. -
PROGRAM GUIDE Friday, October 4
PROGRAM GUIDE Friday, October 4 GARDEN ROOM 1 GARDEN ROOM 2 BRITTANY ROOM CRESCENT ROOM EATON ROOM INFO ABOUT AUTOGRAPH 11AM 11AM-12PM Ask Don Glut Anything SIGNING AND CHILDREN’S 12PM Noon-1:00PM I Like My Books Noon-1:00PM Comic Issues Live Noon-1:00PM It’s All Happening PROGRAMS: SEE PAGE 10 12:15-1:15 Early Origins of Early 12:15-1:15 Star Trek: Deep With Pictures—Comics in Aca- podcast on the Web demic Libraries, the SDSU Way American Comic Strip Books Space Nine and the American COMIC FEST FILM PROGRAM Experience Comic Fest again is showing 1PM night-time films, most of them 1:15-2:15 Comics You Should 1:15-2:15 Tarzan: Myth, Culture, in the time-honored 16 mm format. Come join us in the 1:30-2:30 One-on-One With 1:30-2:30 Creation of a lan- Be Reading Comics and Fandom Eaton Room for the movies! Eric Shanower guage for Game of Thrones The schedule will be posted 2PM outside the room for both days. COMIC FEST AUCTION 2:45-3:45 IDW Artist’s Editions— 2:45-3:45 Comics Fandom in The first Comic Fest Auction 3PM Scott Dunbier Explains All the 1960s and ‘70s Compared will be Saturday, Oct. 5 at 5 to Today p.m. under the Tent. Items for sale will include some great comics, toys, DVDs and 3:45-4:45 One-on-One With 3:45-4:45 Creating Comics—A original art. We will have a Andrew Biscontini Crash Course Workshop 4PM 4:00-5:00 One on One with 4:00-5:00 Star Trek Deep Space live comic art demonstration Jerry Pournelle (Larry Niven Nine vs. -
Magic in the Shadows
® ™ By Stephen Kenson Gavin Lowry (order #25533) 64.90.193.6 Chummer, I can write a book on what you don’t know. Can you design a spell or enchant a dag- ger? Can you invoke a great spirit or divine the future? Have you bared your soul to the Dweller on the Threshold during an astral quest? You’ve got a lot to learn—not even dragons know all there is to know about Magic in the Shadows. Magic in the Shadows is a source- book for the Shadowrun® roleplay- ing game that expands on the basic magic concepts and provides advanced magic rules. For players, this book offers new magical paths, metamagic, totems and more than 75 new spells. For the gamemaster, there are new rules for initiation, spirits, astral security, magical threats and more! For use with Shadowrun, Third Edition. ® Gavin Lowry (order #25533) 64.90.193.6 Gavin Lowry (order #25533) 64.90.193.6 TABLE OF CONTENTS INTRODUCTION 6 Path of the Steward 21 Developer’s Say 6 Path of the Bard 21 THE AWAKENED WORLD 8 Path of the Druid 21 The Magical Child 8 Path of the Rígh 21 Religion 10 Aspected Path Magicians 21 The Law 11 Path of the Adept 21 Business 12 Athlete’s Way 21 Medicine 13 Artist’s Way 22 Popular Culture 13 Warrior’s Way 22 Street Magic 13 Invisible Way 22 THE PATHS OF MAGIC 14 Spirit Way 22 Path of the Shaman 16 Totem Way 22 Wilderness and Urban Shamans 16 Magician’s Way 22 Spirits of the Elements 16 Magical Traditions 24 Ancestor Shamans 16 Awakened Oddities 26 Pantheism 16 Psionics 26 Path of the Mage 17 Miracles 27 Hermetic Schools 17 Madness 27 Elemental Mages 17 THE -
Publisher's Note
PUBLISHER’S NOTE Graphic novels have spawned a body of literary criti- the graphic novel landscape. It contains works that are FLVPVLQFHWKHLUHPHUJHQFHDVDVSHFL¿FFDWHJRU\LQWKH self-published or are from independent houses. The SXEOLVKLQJ¿HOGDWWDLQLQJDOHYHORIUHVSHFWDQGSHUPD- entries in this encyclopedic set also cover a wide range nence in academia previously held by their counterparts RISHULRGVDQGWUHQGVLQWKHPHGLXPIURPWKHLQÀXHQ- in prose. Salem Press’s Critical Survey of Graphic tial early twentieth-century woodcuts—“novels in Novels series aims to collect the preeminent graphic pictures”—of Frans Masereel to the alternative comics novels and core comics series that form today’s canon revolution of the 1980’s, spearheaded by such works for academic coursework and library collection devel- as Love and Rockets by the Hernandez brothers; from RSPHQWR൵HULQJFOHDUFRQFLVHDQGDFFHVVLEOHDQDO\VLV WKHDQWKURSRPRUSKLFKLVWRULFDO¿FWLRQRIMaus, which of not only the historic and current landscape of the in- attempted to humanize the full weight of the Holo- terdisciplinary medium and its consumption, but the caust, to the unglamorous autobiographical American wide range of genres, themes, devices, and techniques Splendor series and its celebration of the mundane; that the graphic novel medium encompasses. and from Robert Crumb’s faithful and scholarly illus- The combination of visual images and text, the em- trative interpretation of the Book of Genesis, to the phasis of art over written description, the coupling of tongue-in-cheek subversiveness of the genre