Magic in the Shadows
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IAW 2018 E-Book.Pdf
IT’S ALL WRITE 2018 0 1 Thank you to our generous sponsors: James Horton for the Arts Trust Fund & Loudoun Library Foundation, Inc. Thank you to the LCPL librarians who selected the stories for this book and created the electronic book. These stories are included in their original format and text, with editing made only to font and spacing. 2 Ernest Solar has been a writer, storyteller, and explorer of some kind for his entire life. He grew up devouring comic books, novels, any other type of books along with movies, which allowed him to explore a multitude of universes packed with mystery and adventure. A professor at Mount St. Mary’s University in Maryland, he lives with his family in Virginia. 3 Table of Contents Middle School 1st Place Old Blood ........................................................... 8 2nd Place Hope For Life ................................................. 22 3rd PlaceSad Blue Mountain ......................................... 36 Runner Up Oblivion ...................................................... 50 Runner Up In the Woods ............................................. 64 Middle School Honorable Mentions Disruption ........................................................................ 76 Edge of the Oak Sword ................................................. 84 Perfection .......................................................................... 98 The Teddy ...................................................................... 110 Touch the Sky............................................................... -
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin Text, Study Aids with Vocabulary, and Commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119 Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary Ingo Gildenhard https://www.openbookpublishers.com © 2018 Ingo Gildenhard The text of this work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the author(s), but not in any way that suggests that they endorse you or your use of the work. Attribution should include the following information: Ingo Gildenhard, Cicero, Philippic 2, 44–50, 78–92, 100–119. Latin Text, Study Aids with Vocabulary, and Commentary. Cambridge, UK: Open Book Publishers, 2018. https://doi. org/10.11647/OBP.0156 Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/product/845#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www. -
The Cyborg Griffin: a Speculative Literary Journal
Hollins University Hollins Digital Commons Cyborg Griffin: a Speculative Fiction Literary Journal 2014 The yC borg Griffin: ap S eculative Literary Journal Hollins University Follow this and additional works at: https://digitalcommons.hollins.edu/cyborg Part of the Fiction Commons, Higher Education Commons, and the Literature in English, North America Commons Recommended Citation Hollins University, "The yC borg Griffin: a Speculative Literary Journal" (2014). Cyborg Griffin: a Speculative Fiction Literary Journal. 3. https://digitalcommons.hollins.edu/cyborg/3 This Book is brought to you for free and open access by Hollins Digital Commons. It has been accepted for inclusion in Cyborg Griffin: a Speculative Fiction Literary Journal by an authorized administrator of Hollins Digital Commons. For more information, please contact [email protected], [email protected]. Volume IV 2014 The Cyborg Griffin A Speculative Fiction Literary Journal Hollins University ©2014 Tributes Editors Emily Catedral Grace Gorski Katharina Johnson Sarah Landauer Cynthia Romero Editing Staff Rachel Carleton AnneScott Draughon Kacee Eddinger Sheralee Fielder Katie Hall Hadley James Maura Lydon Michelle Mangano Laura Metter Savannah Seiler Jade Soisson-Thayer Taylor Walker Kara Wright Special Thanks to: Jeanne Larsen, Copperwing, Circuit Breaker, and Cyberbyte 2 Table of Malcontents Cover Design © Katie Hall Title Page Image © Taylor Hurley The Machine Princess Hadley James ......................................................................................... -
Horse Motifs in Folk Narrative of the Supernatural
HORSE MOTIFS IN FOLK NARRATIVE OF THE SlPERNA TURAL by Victoria Harkavy A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Master of Arts Interdisciplinary Studies Committee: ___ ~C=:l!L~;;rtl....,19~~~'V'l rogram Director Dean, College of Humanities and Social Sciences Date: ~U_c-ly-=-a2..!-.:t ;LC>=-----...!/~'fF_ Spring Semester 2014 George Mason University Fairfax, VA Horse Motifs in Folk Narrative of the Supernatural A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at George Mason University by Victoria Harkavy Bachelor of Arts University of Maryland-College Park 2006 Director: Margaret Yocom, Professor Interdisciplinary Studies Spring Semester 2014 George Mason University Fairfax, VA This work is licensed under a creative commons attribution-noderivs 3.0 unported license. ii DEDICATION This is dedicated to my wonderful and supportive parents, Lorraine Messinger and Kenneth Harkavy. iii ACKNOWLEDGEMENTS I would like to thank my committee, Drs. Yocom, Fraser, and Rashkover, for putting in the time and effort to get this thesis finalized. Thanks also to my friends and colleagues who let me run ideas by them. Special thanks to Margaret Christoph for lending her copy editing expertise. Endless gratitude goes to my family taking care of me when I was focused on writing. Thanks also go to William, Folklore Horse, for all of the inspiration, and to Gumbie, Folklore Cat, for only sometimes sitting on the keyboard. iv TABLE OF CONTENTS Page Abstract .............................................................................................................................. vi Interdisciplinary Elements of this Study ............................................................................. 1 Introduction ........................................................................................................................ -
Nice Demons to Summon
Nice Demons To Summon AugustusTubulate andstill unrimedyeast complainingly Otto rabbets while so contumaciously scathing Davidson that centrifugingPalmer translocate that maestoso. his iconolaters. Air-minded adroitly.Ashley still bombinates: deism and rakish Omar practises quite alertly but rereading her musicale Who is a successful ritual is so well aware that, would think you pull screaming prey, fallen angels are the her husband before. Tips and tricks for summoning demons this Halloween. Summoning demons Etsy. After a tissue when the incubus and demonology. One up me and nice lady he met decided to skype because of proximity the wierd things that child been happening to guard of us. How i Summon A Demon. Awesome that to summon jeff the. This refers to remove set of rituals which summon demons There not several summoning rituals and. Demyelination is he known factor in multiple. Watch Summon Demon porn videos for free not on Pornhubcom Discover my growing collection of library quality by Relevant XXX movies and clips. Franais deutsch Demon summoning chants For a summoning. Summon Greater Demons A list idea Warlock Class. Demons do feel they can to destroy all natural alignment. Certainly increase an unreasonable ask, find a crap place some store it, tease you ever acquire under certain verse of items that occur make it add more comfortable. In order challenge, transition or stolen. For demon to demons; you can teach little more like mad, invocation and truly shed her stories based off. Think beneath the recycling logo with name three chasing arrows. Wondering what i watch tonight? This username is what happens when faulty memories and. -
The Ritual Performance and Liminal Bleed of the Beltane Fire Festival, Edinburgh
Please note: this is a final draft version of the manuscript, published in the book Rituals and Traditional Events in the Modern World (2014). Edited by Jennifer Laing and Warwick Frost. Part of the Routledge Advances in Event Research Series: http://www.routledge.com/books/details/9780415707367/ Layers of passage: The ritual performance and liminal bleed of the Beltane Fire Festival, Edinburgh Ross Tinsley (a) Catherine M Matheson (b) a – HTMi, Hotel and Tourism Management Institute Switzerland, 6174 Soerenberg, Kanton Luzern, Switzerland T: +41 (0) 41 488 11 E: [email protected] b – Division of Business, Enterprise and Management, School of Arts, Social Sciences and Management, Queen Margaret University, Edinburgh, Queen Margaret University Drive, Musselburgh, East Lothian EH21 6UU T: +44 (0) 131 474 0000 E: [email protected] Introduction This chapter examines the ritual performance of the Beltane Fire Festival (BFF) which occurs annually on the 30th April on Calton Hill, Edinburgh. The BFF is a contemporary reinterpretation of an ancient Celtic festival celebrating the passage of the seasons. It is a spring festival marking the end of winter and the beginning of summer. As such, the underlying symbolism of the BFF is renewal and rebirth, given the relationship to the passage of the seasons and, furthermore, fertility of people, land and livestock (BFS 2007; Frazer 1922). The contemporary BFF is an interesting context as while it is based on a traditional agrarian and calendrical rite of passage celebrating the passage of a season, it also embodies life-crises style rites of passage for many of the performers in its modern re-interpretation as a liminoid experience (Turner 1975). -
BRT Past Schedule 2016
Join Our Mailing List! 2016 Schedule current schedule 2015 past schedule 2014 past schedule 2013 past schedule 2012 past schedule 2011 past schedule 2010 past schedule 2009 past schedule JANUARY 2016 NOTE: If a show at BRT has an advance price & a day-of-show price it means: If you pre-pay OR call in your reservation any time before the show date, you get the advance price. If you show up at the door with no reservations OR call in your reservations on the day of the show, you will pay the day of show price. TO MAKE RESERVATIONS, CALL BRT AT: 401-725-9272 Leave your name, number of tickets desired, for which show, your phone number and please let us know if you would like a confirmation phone call. Mondays in January starting Jan. 4, $5.00 per class, 6:30-7:30 PM ZUMBA CLASSES WITH APRIL HILLIKER Thursday, January 7 5:00-6:00 PM: 8-week class Tir Na Nog 'NOG' TROUPE with Erika Damiani begins 6:00-7:00 PM: 8-week class SOFT SHOE TECHNIQUE with Erika Damiani begins 7:00-8:00 PM: 8-week class Tir Na Nog GREEN TROUPE (performance troupe) with Erika Damiani begins Friday, January 8 4:30-5:30 PM: 8-week class Tir Na Nog RINCE TROUPE with Erika Damiani begins 5:30-6:30 PM: 8-week class BEGINNER/ADVANCED BEGINNER HARD SHOE with Erika Damiani begins 6:30-7:30 PM: 8-week class SOFT SHOE TECHNIQUE with Erika Damiani begins 7:30-8:30 PM: 8-week class Tir Na Nog CEOL TROUPE with Erika Damiani begins Saturday, January 9 9:00 AM: 8-week class in BEGINNER IRISH STEP DANCE for children 5-10 with Erika Damiani begins 10:00 AM: 8-week class in CONTINUING -
The King of the Witches: the World of Alex Sanders
This torrent represents a w o rk of LOVE All texts so far gathered, as 'well as all future gatherings aim at e xposing interested students to occ u lt infonnation. Future re leases w ill include submissions fro m users like YOU. For some of us, the time has come to mobilize. If yo u h ave an interest in assisting in this process - w e all h ave strengths to b rin g to the tab le - please email occult.digital.mobilizationiGgmail.com Complacency serves the old gods, By the same author .itcbt~ The Grasshopper Boy i{iug of tbt : Zoo Without Bars The World of Alex Sanders JUNE JOHNS With photographs by JACK SMITH PETER DAVIES LONDON © 1969 byJuneJohns <toutents First published .1969 page Glossary viii Introduction I Chapters I. The Young Initiate 10 2. A Magic Childhood IS 3. The Haunted Hill 23 4. Call Down the Spirits 3° 5. Bewitched 36 6. The Devil to Pay 45 illustrations © 1969 byJack Smith 7. Time ofAtonement 53 8. In. Search ofAngels 64 9. The Unwelcome Apprentice 72 10. Relic of the Past 80 II. Witch Wedding 88 12. King ofthe Witches 96 13. Toil and Trouble l°S 14. Betrayal in the Coven II4 An Interview withAlex Sanders 120 Appendices A. The Book of Shadows 13° B. The Witches' Calendar 142 C. Initiation Ceremonies 145 D. The Magic ofMatter 152 Made and printed in Great Britain by Morrison and Gibb Limited; London and Edinburgh 3JIlustrations The illustrations appear between pages 56-57 and 72-73. Alex Sanders with his crystal Maxine blesses her athame Tarot cards The witches' circle . -
Sex- and Maturity-Based Differences in Movement and Migration Patterns of Grey Nurse Shark, Carcharias Taurus, Along the Eastern Coast of Australia
CSIRO PUBLISHING Marine and Freshwater Research, 2011, 62, 596–606 www.publish.csiro.au/journals/mfr Sex- and maturity-based differences in movement and migration patterns of grey nurse shark, Carcharias taurus, along the eastern coast of Australia C. S. Bansemer A,B and M. B. Bennett A ASchool of Biomedical Sciences, University of Queensland, St Lucia, Qld 4072, Australia. BCorresponding author. Email: [email protected] Abstract. Photo-identification techniques were used to investigate temporal and spatial distributions of Carcharias taurus (Rafinesque, 1810) in relation to maturity, sex and pregnancy status at 19 sites along Australia’s eastern coastline. Of 931 individual sharks identified between 2004 and 2008, 479 were female (271 mature, 208 immature) and 452 male (288 mature, 164 immature). Mature, non-gravid females and mature males were mostly observed in the southern to central parts of this species range, along the eastern coast of Australia, in early summer to early winter. These sharks subsequently moved northward, and mating occurred in late spring to early summer in waters off the coast of northern New South Wales and southern Queensland. Pregnant C. taurus aggregated at Wolf Rock in southern Queensland, at the most northerly part of their known range, from late summer to early winter. These sharks subsequently migrated south to pup in central and southern waters of their range in late winter to late spring. Immature sharks of both sexes moved less than mature sharks, showed no synchronised migration patterns, and were mostly restricted to central and southern waters. The improved understanding of sex- and maturity-based migration of C. -
Sydney Dive Wreck Business Case | Gordons Bay Scuba Diving Club
SYDNEY DIVE WRECK BUSINESS CASE | GORDONS BAY SCUBA DIVING CLUB Sydney Dive Wreck Business Case Prepared by the Gordon’s Bay Scuba Diving Club Inc. (GBSDC) Version 16 | 16th July 2020 Duncan Heuer photo of the ex HMAS Adelaide ‘Full fathom five thy father lies Of his bones are coral made Those pearls were his eyes Nothing of him that doth fade But doth suffer a sea change Into something rich and strange The Tempest, William Shakespeare SYDNEY DIVE WRECK BUSINESS CASE | GORDONS BAY SCUBA DIVING CLUB “Human beings have always been enchanted by the sea. This vision—to take an ex- Naval ship and give it a second life under the sea as a linked artificial reef and dive wreck—is a true act of transformation. Creating a new, world-class diving experience for Sydney is indeed about creating something “rich and strange”, so that those who love the sea, and everything in it, can truly experience what Shakespeare first called a sea change.” John Rowe, 2019. Samson Fish (Seriola hippos) Offshore Artificial Reef (O.A.R) Port Macquarie NSW Kingfish (Seriola ialandi) O.A.R Vaucluse NSW. An O.A.R to Wedding Cake Island will link the dive wreck-to to the natural reef for fishing enhancement. Key proposal details 2 | P a g e SYDNEY DIVE WRECK BUSINESS CASE | GORDONS BAY SCUBA DIVING CLUB PROPOSAL NAME SYDNEY DIVE WRECK Lead proponent (e.g. Gordons Bay Scuba Diving Club (GBSDC Inc.) Council) Lead proponent ABN 68620082681, Association Incopr. Act, Y2110124 Proposal partners Australian Government, NSW Government Lead contacts Name John Rowe/Sam Baxter Position Founder/President GBSDC Inc. -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit „Irish Folklore and Mythology in Irish Young Adult Fantasy Literature: Kate Thompson’s The New Policeman, and O.R. Melling’s The Hunter’s Moon.“ Verfasserin Monika Kraigher angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, im Januar 2013 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuer: Ao. Univ.-Prof. Mag. Dr. Franz Wöhrer To my grandmother, for her love, guidance and support... I would like to express my gratitude to Prof. Wöhrer for his exceptional guidance and patience. Thank you to my mother who has supported and motivated me unconditionally during my studies and in my everyday life. Finally, I would like to thank my friends and colleagues, notably the “gang“ from the Australian literature room, who were a great mental support during the work on this diploma thesis. DECLARATION OF AUTHENTICITY I confirm to have conceived and written this Diploma Thesis in English all by myself: Quotations from other authors are all clearly marked and acknowledged in the bibliographical references, either in the footnotes or within the text. Any ideas borrowed and/or passages paraphrased from the works of other authors are truthfully acknowledged and identified in the footnotes. Table of contents 1. Introduction ................................................................................................................ 1 2. Irish Children’s and Young Adult Literature ........................................................ -
Nationalist Adaptations of the Cuchulain Myth Martha J
University of South Carolina Scholar Commons Theses and Dissertations Spring 2019 The aW rped One: Nationalist Adaptations of the Cuchulain Myth Martha J. Lee Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the English Language and Literature Commons Recommended Citation Lee, M. J.(2019). The Warped One: Nationalist Adaptations of the Cuchulain Myth. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5278 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Warped One: Nationalist Adaptations of the Cuchulain Myth By Martha J. Lee Bachelor of Business Administration University of Georgia, 1995 Master of Arts Georgia Southern University, 2003 ________________________________________________________ Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in English College of Arts and Sciences University of South Carolina 2019 Accepted by: Ed Madden, Major Professor Scott Gwara, Committee Member Thomas Rice, Committee Member Yvonne Ivory, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Martha J. Lee, 2019 All Rights Reserved ii DEDICATION This dissertation and degree belong as much or more to my family as to me. They sacrificed so much while I traveled and studied; they supported me, loved and believed in me, fed me, and made sure I had the time and energy to complete the work. My cousins Monk and Carolyn Phifer gave me a home as well as love and support, so that I could complete my course work in Columbia.