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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
A Study of Shakespeare Contribution in Hindi Cinema
International Journal of Science and Research (IJSR) ISSN (Online): 2319-7064 Index Copernicus Value (2016): 79.57 | Impact Factor (2015): 6.391 A Study of Shakespeare Contribution in Hindi Cinema Asma Qureshi Abstract: In India, Cinema not only a name of entertainment, but also educate to millions of people every day. Friday is celebrated by screening of new films. Indians happily participate in Cinema culture of the Country. Shakespearean tragedies have been a never ending source of inspiration for all filmmakers across the world. Many Hindi films based on Shakespeare novel like Shahid, Omkara, Goliyo ki raasleela Ramleela etc. William Shakespeare in India has been an exceptional and ground-breaking venture. The literary collection of Shakespeare is dynamic and an unlimited source of inspiration for countless people across the globe. When Shakespeare’s writing is adapted in cinema, it sets it ablaze, and transfers the audience to a cinematic paradise. Indian adaptation of both Shakespearean tragedy and comedy can be comprehended as an Combination of ‘videsi’ and ‘desi’, a synthesis of East and West, and an Oriental and Occidental cultural exchange. Shakespeare’s, “bisexual‟ mind, the complexity of his Narrative, music, story-telling, and creative sensibility categorizes him as an ace literary craftsman. This Research is an attempt to understand the contribution of Shakespeare novel in Hindi cinema. So that we can easily understand the main theme of the story. What writer wants to share with us. We can easily understand main theme of novel. 1. Introduction European library worth the whole native literature of India and Arabia‖. It also has a lot to do with profound resonances Indian Hindi language film industry is also known as Hindi between Shakespeare‘s craft and Indian cultural forms that cinema which is situated or we can say mainly operated converge on one concept: masala. -
Online Movies Free to Watch Bollywood 2012
Online movies free to watch bollywood 2012 We have Hundreds of Hindi Movies to Watch in HD Free. Best Hindi Movies to Download in , Page 1 of Watch Student of the Year () Online. Indian Bollywood Hindi New Movie ISSAQ Wallpaper Poster In this original Indian adaptation of William Shakespeare's Romeo & Juliet directed by Manish. Khiladi Full Movie Online - Watch Online Movies Free | Bollywood Movies | Hollywood Movies | Download Movies. Latest Films Collection, Watch Hindi HD and DVD Movies , Online Bollywood Movies, Watch Bollywood Entertainment on your mobile FREE Find this. Oh My God Hindi Movie () watch Online in HD Print Quality Download,Watch Online Oh My God Hindi Movie () in DVD Print Quality. Watch Bollywood, Punjabi, Hindi, Tamil, Telugu, Bengali, Marathi, Kannada, Malayalam, Bhojpuri, Indian movies in HD online. Stream and download HD. See more ideas about Free bollywood movies online, Bollywood movies online and Watch Movie Fun Size () Online Free Download - http://treasure. See more ideas about Free bollywood movies online, Indian movies online and Watch bollywood movies online. Koi Mil Gaya () Hindi Movie *Bl Ek Villian () Hindi Movie Offic Humpty Sharma Ki Dulhania () Fu Fugly () Full Movie Watch Onlin. Watch Latest Hindi Full Movies Online Free, Dubbed in Hindi Movies, Indian Documentaries, TV Shows and Awards and Starship Troopers Invasion (). hindi movies, hindi movies online, bollywood movies, mafia raaj movie, mafia full movie, hindi movies youtube, hindi movies online free, hindi movies , . full, watch, bollywood movies list, bollywood movies , bollywood movies , movies online, bollywood movies download, bollywood movies Watch full movie streaming & trailers of all your favourite Bollywood, Hollywood and Regional films online at - the online destination for popular. -
E-Waste Mass Awareness Programme Through Ad Film in Cinema/Theatres (Phase-II)
E-Waste Mass Awareness Programme through Ad Film in Cinema/Theatres (Phase-II) CAMPAIGN REPORT Conducted by PHD Chamber of Commerce and Industry in association with Ministry of Electronics and IT (MeitY), Government of India Report: E- Waste Mass Awareness Programme through Cinema 1 CAMPAIGN REPORT Report: E- Waste Mass Awareness Programme through Cinema 2 Table of Contents S. No. Particular Page No. 1 Acknowledgement 4 2 Executive Summary 5 3 Introduction 6 4 Agencies Involved 9 5 Flow of the Project – E- Waste Mass Awareness 11 Programme through Cinema Phase-II 6 Concept of the Ad Film – E -Positive 13 7 E- Waste Mass Awareness Programme through 15 Cinema - Phase-II- Schedule 7.1 Successful movies – Phase-II – E-Waste Mass 15 Awareness Programme through Cinema 7.2 List of Movies where Ad Film on E-Waste 18 Broadcasted 7.3 Partners during the campaign 24 7.4 Phase-II – Impact 24 8 Feedback from the viewers 25 9 Overall Feedback - National 26 8.1 City wise Feedback Analysis 30 8.2 City wise Feedback Analysis – Gurgaon 30 8.3 City wise Feedback Analysis – Trivandrum 33 8.4 City wise Feedback Analysis – Gandhinagar 37 8.5 City wise Feedback Analysis – Mumbai 40 8.6 City wise Feedback Analysis – Shimla 44 8.7 City wise Feedback Analysis – Madurai 47 8.8 City wise Feedback Analysis – Delhi 51 8.9 City wise Feedback Analysis – Raipur 54 8.10 City wise Feedback Analysis – Bangalore 58 8.11 City wise Feedback Analysis – Hyderabad 61 9 General feedback of the respondents 65 10 Post Event Activities 65 11 Recommendations and Suggestions 66 12 Organising Team 67 13 Annexure – A 68 Report: E- Waste Mass Awareness Programme through Cinema 3 ACKNOWLEDGEMENT It is with great pleasure that we present the post campaign report emerging out of Phase-II of ‘E-Waste Mass Awareness Programme through Ad Film in Cinema/Theatres’. -
Hindu-Muslim Relationship in Bollywood in Post 26/11: a Content Analysis of Movies (2008-2018) Maziar Mozaffari Falarti,1 Hamideh Molaei,2 Asra Karim3
Hindu-Muslim Relationship in Bollywood in post 26/11: A Content Analysis of Movies (2008-2018) Maziar Mozaffari Falarti,1 Hamideh Molaei,2 Asra Karim3 1. Assistant Professor of South, East Asia and Oceania Studies, University of Tehran, Tehran, Iran (Corresponding author) ([email protected]) 2. Assistant Professor of South, East Asia and Oceania Studies, University of Tehran, Tehran, Iran ([email protected]) 3. M. A. in Indian Studies, University of Tehran, Tehran, Iran ([email protected]) (Received: Jan. 2, 2019 Revised: Feb. 28, 2019 Accepted: Ma r. 28, 2019) Abstract This study investigates the representations of Hindu-Muslim relationship in Bollywood movies from 2008 to 2018. It is assumed that after 2008 Mumbai terrorist attacks, which are known as 26/11, conflicts between Hindus and Muslims have escalated. Since Indian people are extreme fans of movies, especially Bollywood movies, in this regard, it is expected that media could play a significant role in increasing or alleviating the conflicts by influencing people’s attitudes and opinions. This research seeks to examine the extent and modality of the representation of Hindu-Muslim relationships in Bollywood after the 2008 Mumbai attacks. The study was conducted through a content analysis of 11 Bollywood movies, which were selected from 70 Muslim-characters-based movies. Favorable, unfavorable, neutral and unclear were the four factors through which the movies’ contents were analyzed. The overall analysis of these factors indicate that 66.17% of the scenes were favorable, 14.70% were unfavorable, 2.94% were neutral, and 16.17% presented unclear images of Hindu-Muslim relationship in Bollywood movies. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
India, Pakistan to Hold Permanent Indus Commission Meet From
CyanMagentaYellowBlack K Price 2.00 Pages : 12 K M M Y Y C C JAMMU WEDNESDAY MARCH 28 2018 VOL. 33 | NO. 85 RNI No. 43798/86 REGD. NO. : JM/JK 118/15 /17 epaper.glimpsesoffuture.com Email: [email protected] WORLD NATIONAL SPORTS New Zealand says it can't Hope “our 56 inch Balanced perspective find Russian spies to expel strongman” has plan on needed in condemnation: Doklam: Rahul Steve Waugh PAGE 8 PAGE 12 PAGE 9 GST collection falls to India, Pakistan to hold Permanent Rs 85,174 cr in Feb; only 69% taxpayers file returns Indus Commission meet from Thursday New Delhi, Mar 27 (PTI 86,318 crore, while in December and November it GST collections slid for was Rs 88,929 crore and Rs New Delhi, Mar 27 (PTI) resentative of the Ministry contends that Ratle (850 ing since the project has al- the second straight month 83,716 crore. Till March 25, of External Affairs (MEA) MW), Pakal Dul (1000 MW) ready been commissioned. to Rs 85,174 crore in 1.05 crore taxpayers had India and Pakistan will will be part of the Indian del- and Lower Kalnai (48 MW) The PIC had last met in February as only 69 per been registered under GST. hold a two-day meeting of egation for the annual meet- projects -- located in the March 2017 in Islamabad. The cent of the assessees filed Of these, 18.17 lakh are com- the Permanent Indus ing. Pakistan's six-member Chenab basin -- were violat- meeting of the PIC is held alter- returns. -
A Simple Tale Told Beautifully in Jammu and Kashmir and Himachal Pradesh
SUNDAY, SEPTEMBER 30, 2018 (PAGE 4) PERSONALITY BOLLYWOOD BUZZ “Language is the core of any community’s identity” “Village Rockstars's National Award has emboldened Ayushman Jamwal is a Senior Output Editor at a lot of independent filmmakers in India” CNN-News18. He completed his graduation and post-graduation in Britain on a full scholarship at the She took the global film festival circuit by storm prestigious Cardiff University School of Journalism, with her debut feature film Village Rockstars. and was inducted into the University's Honour Roll. Ayushman is a columnist for leading online and print titles. The same landed Rima Das a national Award. He is also a poet. His first poetry collection 'Chameleon Lights' One of the most sought-after independent featured in the top 10 poetry bestseller list 2017 on Amazon.com. Ayushman'ssecond poetry collection 'Silent filmmakers in India presently, Rima, who hails Sun'is out now. from India's northeastern state of Assam, talks Ayushman also serves as a Board member of the Kunwar about her new film Bulbul Can Sing, her outlook ViyogiMemorial Trust, established to promote and preserve the Dogrilanguage spoken by the Duggar community of the towards movie making and her future endeavours Shivalik foothills. He curates the 'Cultural Cocktail: Youth in a chat with Suman Das and Sudipto Maity at What made you to take up the cause of Dogri? Do For Art' initiative, a platform for innovation with a focus on the Toronto International Film Festival (TIFF). convergence of classical, contemporary, regional and global you feel that Dogri got a fresh lease of life after its inclusion in the 8th Schedule of the Constitution? literature and art forms. -
Equity Research September 10, 2013 BSE Sensex: 19270 Media
Equity Research September 10, 2013 BSE Sensex: 19270 Media Content - The trump card ZEEL (Rs222– Reduce) Target price Rs240 Sun TV (Rs389– Buy) Target price Rs500 Dish TV (Rs43– Buy) Target price Rs60 Analogue: Content is King and Distribution is GOD; GOD chose the KING. Digital: Content is King and Consumer is GOD; GOD will still choose the KING. • Digitisation to give way to Content over Distribution. Vikash Mantri • ZEEL lags in investments. Star India raises the bar [email protected] +91 22 6637 7161 Satish Kothari Sun TV Network is the preferred bet among broadcasters [email protected] • +91 22 6637 7510 Akhil Kalluri [email protected] • Dish TV is the preferred bet among distribution plays +91 22 6637 7339 Please refer to important disclosures at the end of this report Equity Research INDIA September 10, 2013 BSE Sensex: 19270 Media Content - The trump card Reason for report: Sector update Digitisation is the most common theme for investment in the Indian media sector, with broadcasters sensing windfall gains as addressable digital cable opens the floodgates to pay-TV revenues. While this thesis is theoretically true, it only showcases one side of the equation. Digitisation is a double-edged sword and is likely to transform the broadcast space with power shifting from distribution / broadcasting networks to content. In such a scenario, we believe broadcasting networks like ZEEL, Star India and Sun TV Network face a huge challenge of investing in compelling content in an era of accessible distribution. Star India has upped the ante by large audacious bets on sport (cricket) and movie satellite rights. -
Jewels in India's Crown
FEATURE SCREENINGS, PAGE 38 Miss Lovely fter years of agonising about its lack of pres- Anand Gandhi’s philosophical drama The Ship Of ence at the world’s most prestigious fi lm fes- Theseus; Ashish Shukla’s cross-cultural thriller Atival, India had an embarrassment of riches Prague; and Aditya Bhattacharya’s crime thriller Jewels in to offer Cannes this year. And while three films Bombay’s Most Wanted, which features The have been selected for various sections of the festi- Sopranos’ John Ventimiglia in its cast. val, there are other hotly anticipated titles from Another highly anticipated title, Dibakar Baner- India that are likely to pop up at major festivals jee’s Shanghai, a political thriller about power- India’s later in the year. mongering in small-town India, will receive its In Cannes selection are Ashim Ahluwalia’s Miss world premiere on June 7 at the Videocon IIFA Lovely, a drama set against India’s sleazy C-grade Weekend in Singapore, one day ahead of its release film industry in the 1980s, which screens in Un in India and diaspora territories through PVR Pic- Certain Regard; Vasan Bala’s Peddlers, following tures. crown three characters in Mumbai, screening in Critics’ In contrast to a few years ago, when Indian fi lms Week; and Anurag Kashyap’s two-part Gangs Of struggled to make a connection to the global mar- With three films selected for Cannes and a flood of Wasseypur, set in the mafi a badlands of ketplace, many of these fi lms have international festival-worthy titles on the horizon, India’s coal-mining industry, screen- sales agents attached — Fortissimo Films has ing in Directors’ Fortnight. -
Interrogating Practices of Gender, Religion And
Exchanges : the Warwick Research Journal Interrogating Practices of Gender, Religion and Nationalism in the Representation of Muslim Women in Bollywood: Contexts of Change, Sites of Continuity Nazia Hussein *, Saba Hussain Department of Sociology, University of Warwick, Coventry, UK *Correspondence: [email protected] Abstract Through a discourse analysis of four commercially successful Bollywood films between 2012-2013, this paper investigates Bollywood’s role in creation of hierarchical identities in the Indian society wherein Muslims occupy the position of the inferior ‘other’ to the superior Hindu ‘self’. Focusing on Muslim heroines, the paper demonstrates that the selected narratives attempt to move away from the older binary identity narratives of Muslim women such as nation vs. religion and hyper- sexualised courtesan vs. subservient veiled women, towards identity narratives borne out of Muslim women’s choice of education, career and life partner, political participation, and embodied practices. However, in comparison to signs of change the sites of continuity are strongly Peer review: This article embedded in the religious-nationalistic meta-narrative that drives the has been subject to a paradigms of Indian femininity/ womanhood. To conclude, the nature of double blind peer review process the recent deployment of Muslim heroines in Bollywood reinforce the hierarchy between the genders (male-female), between the communities (Hindu-Muslim) and between nations (India- Pakistan). © Copyright: The Authors. This article is Keywords: -
Anu Malik Is an Indian Legend: Varun Big Star
www.WeeklyVoice.com BOLLYWOOD Friday, September 7, 2018 | B-3 Enter to win Big Star Cast In Karan Johar’s ‘Takht’ Movie Passes With whom was Kajol’s MUMBAI: Actress Kareena Kapoor IANS here. directed by Karan Johar. Khan, who will be seen sharing screen The 37-year-old says she is “really The ilm will bring back Karan and marriage ixed in ‘Dilwale space with Ranveer Singh in the up- honoured” to share screen space with Kareena working together after 17 coming magnum opus “Takht”, says Ranveer in “Takht”, a period drama. years. The two last collaborated “Kab- Dulhaniya Le Jayenge’? he is a phenomenal actor. This will be the irst time Kareena hi Khushi Kabhie Gham...” in 2001. Email to: [email protected] “i am very excited to do the movie and Ranveer will be seen working to- “Takht” will be a story of a family, All eligible entries must reach us by inally with Karan (Johar) and Ranveer gether in a ilm. ambition, greed, betrayal, love and of course. I have not worked with him “Takht” also features Bhumi Ped- succession. It is being produced by 3:00 pm, Sept. 12, 2018. Please in- but I know he is a phenomenal ac- nekar, Alia Bhatt, Anil Kapoor, Vicky Hiroo Yash Johar and Apoorva Mehta, clude your name and valid daytime tor and it will amazing,” Kareena told Kaushal and Janhvi Kapoor. It will be for release in 2020. contact phone number. WINNING ANSWER TO Anu Malik Is An Indian Legend: Varun Who were the lead actors MUMBAI: Actor Varun Dhawan has praised music composer-singer Anu in the 2006 family Malik and said that he is a legend and is truly made in India.