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The Heart of Rock and Soul by Dave Marsh
The Heart of Rock and Soul by Dave Marsh 20 BE MY BABY, The Ronettes Produced by Phil Spector; written by Phil Spector, Ellie Greenwich, and Jeff Barry Philles 116 1963 Billboard: #2 DA DOO RON RON, The Crystals Produced by Phil Spector; written by Phil Spector, Ellie Greenwich, and Jeff Barry Philles 112 1963 Billboard: #3 CHRISTMAS (BABY PLEASE COME HOME), Darlene Love Produced by Phil Spector; written by Phil Spector, Ellie Greenwich, and Jeff Barry Philles 119 1963 Did not make pop charts To hear folks talk, Phil Spector made music out of a solitary vision. But the evidence of his greatest hits insists that he was heavily dependent on a variety of assistance. Which makes sense: Record making is fundamentally collaborative. Spector associates like engineer Larry Levine, arranger Jack Nitzsche, and husband-wife songwriters Jeff Barry and Ellie Greenwich were simply indispensable to his teen-art concoctions. Besides them, every Spector track featured a dozen or more musicians. The constant standouts were' drummer Hal Blaine, one of the most inventive and prolific in rock history, and saxophonist Steve Douglas. Finally, there were vast differences among Spector's complement of singers. An important part of Spector's genius stemmed from his ability to recruit, organize, and provide leadership within such a musical community. Darlene Love (who also recorded for Spector with the Crystals and Bob B. Soxx and the Blue Jeans) ranks just beneath Aretha Franklin among female rock singers, and "Christmas" is her greatest record, though it was never a hit. (The track probably achieved its greatest notice in the mid-eighties, when it was used over the opening credits of Joe Dante's film, Gremlins.) Spector's Wall of Sound, with its continuously thundering horns and strings, never seemed more massive than it does here. -
Top 40 Singles Top 40 Albums
02 December 1990 CHART #741 Top 40 Singles Top 40 Albums Ice Ice Baby Lay Down Your Guns In Concert Remasters 1 Vanilla Ice 21 Jimmy Barnes 1 Carreras/Domingo/Pavarotti 21 Led Zeppelin Last week 3 / 4 weeks EMI Last week 20 / 15 weeks FESTIVAL Last week 1 / 7 weeks Platinum / POLYGRAM Last week 23 / 5 weeks WEA/WARNER Pray Justify My Love Serious Hits - Live Mariah Carey 2 MC Hammer 22 Madonna 2 Phil Collins 22 Mariah Carey Last week 4 / 3 weeks EMI Last week - / 1 weeks WARNER Last week 2 / 3 weeks Platinum / WEA Last week 21 / 14 weeks Gold / CBS Groove Is In The Heart Never Enough Vivaldi 4 Seasons The Cream Of Eric Clapton 3 Deee-Lite 23 The Cure 3 Nigel Kennedy 23 Eric Clapton Last week 2 / 11 weeks WEA Last week 16 / 6 weeks WEA Last week 5 / 5 weeks EMI Last week 24 / 21 weeks Platinum / POLYGRAM To Sir With Love Ooops Up Joe Cocker Live Volume III 4 Ngaire 24 Snap 4 Joe Cocker 24 Traveling Wilburys Last week 1 / 9 weeks Gold / FESTIVAL Last week 25 / 17 weeks BMG Last week 3 / 19 weeks Platinum / FESTIVAL Last week 20 / 4 weeks WEA Thunderstruck While My Guitar Gently Weeps The Immaculate Collection Young Guns II OST / Blaze Of Glory 5 AC/DC 25 Jeff Healey Band 5 Madonna 25 Jon Bon Jovi Last week 6 / 8 weeks CBS Last week 31 / 3 weeks BMG Last week 12 / 2 weeks Gold / WARNER Last week 22 / 9 weeks Gold / POLYGRAM Itsy Bitsy Teeny Weeny From A Distance The Razor's Edge Hell To Pay 6 Bombalurina 26 Bette Midler 6 AC/DC 26 Jeff Healey Band Last week 5 / 6 weeks POLYGRAM Last week - / 1 weeks WARNER Last week 7 / 9 weeks Gold / CBS Last week 19 / 14 weeks Gold / BMG Bird On A Wire I'm Your Baby Tonight 21st Anniversary: The Ultimate Colle.. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
The Compass, April 19, 2001
Low turnout Chestatee GT A Stops Protesters Stand Against for elections wins second the Bus National Alliance Rally Page 3 Pages 4-5 Page 9 Page 5 Page 2 [ollede News April 19, 2001 News Briefs Hispanic recruiter will be hired Nesbitt appoi nted to Leadership Committee By 10n Krueger sists ofsix GC offi cials) and gave a Force at the req uest of the Board [email protected] teaching presentation." Stoy said. of Re gents. The Task Force re Gainesville College President Manha Nesbitt has been appoi nted "And we liked what we saw." ceived a grant ofS375.000 from the to the American Council on Education's(ACE) Commission on The Gainesville Coll cge admi n Once hired, the Hispanic Affairs Georgin Legislator in order 10 de Leadership and Institutional Effectiveness. She will serve a three-year istration is "very close" to hiring a Coordinatorwill be responsible for velop Hi spanic ou'treach pilot tcnn on the Commission that meets twice a year in Washington. D,C. ~ d·d foil h ,.u .J. .... 1U"'o .ff" .~ can I ate to I I C new developi ng a recruitment plan for programs, which the position of Nesbill will also serve as an advisory body for the ~I...,..DQ., "' . • ~lo,rwfHispanic Affairs Coor- theGC Hispaniccommunit)', work Hispanic Affairs Coord inator is a operations with foc us in the activities of the Office of ~ ~~n campus, according to ing with Hispanic students to en pan of. Institutional Effectiveness, Nesbitt altended her first meeting wit~ ! $ GrQ{!hael Stoy. hance their academic success, serv "The overall idea is to improve the Commission on March 23 in Washington. -
Paroles Et Traduction De «Iron Lion Zion
Paroles et traduction de «Iron Lion Zion» Iron Lion Zion (Fer Lion Zion*) I am on the rock and then I check a stock Je suis sur le rocher et je vérifie des provisions I have to run like a fugitive to save the life i live J'ai dû courir comme un fugitif pour sauver la vie que je vis I'm gonna be Iron like a Lion in Zion (repeat) Je vais être de fer comme un lion a Zion (bis) Iron Lion Zion Fer, lion, Zion I'm on the run but I ain't got no gun Je suis sur la course et je n'ai aucun pistolet. See they want to be the star Regarde, ils veulent devenir des étoiles So they fighting tribal war Voilà pourquoi ils font des guerres tribales. And they saying Iron like a Lion in Zion Et ils se disent Iron like a Lion in Zion, De fer comme un lion a Zion Iron, Lion, Zion Fer, lion, Zion I'm on the rock, (running and you running) Je suis sur le rocher (cours et tu cours) I take a stock, (running like a fugitive) Prenant des provisions (courant comme un fugitif) I had to run like a fugitive just to save the life i live J'ai dû courir comme un fugitif pour sauver la vie que je vis I'm gonna be Iron like a Lion in Zion (repeat) Je vais être de fer comme un lion a Sion (bis) Iron, Lion, Zion Fer, lion, Zion Iron, Lion, Zion Fer, lion, Zion Iron, Lion, Zion Fer, lion, Zion Iron like a Lion in Zion De fer comme un lion a Zion Iron like a Lion in Zion De fer comme un lion a Zion Iron like a Lion in Zion De fer comme un lion a Zion Explications sur les paroles de la chanson Iron Lion Zion est une chanson écrite et enregistrée en avril 1973 ou 1974 par le chanteur et auteur- compositeur jamaïcain Bob Marley. -
PAUL Mccartney Auf Neuem CLAPTON-Album
Montag, 22. April 2013 Auch telefonische Info und Bestellung ist möglich: Di. - So. tagsüber Ab 50,00 Euro Bestellwert übernehmen wir die Portokosten. 22. April - IT WAS MANY YEARS AGO TODAY: Dienstag, 22. April 1969: Namensänderung von JOHN WINSTON LENNON in JOHN WINSTON ONO LENNON auf Apple-Haus-Dach. Freitag, 22. April 1977: BEATLES-LP LIVE AT THE STAR CLUB IN HAMBURG, GERMANY 1962 in West-Deutschland. Freitag, 22. April 1977: PERCY „THRILLS“ THRILLINGTON alias PAUL McCARTNEY-Single UNCLE ALBERT-ADMIRAL HALSEY in England. Dienstag, 22. April 2003: RINGO STARR-Album RINGO RAMA in Europa und USA. Hallo M.B.M., hallo BEATLES-Fan! PAUL McCARTNEY auf neuem CLAPTON-Album: Dienstag, 12. März 2013: Doppel-LP (180 Gramm) mit Download Card OLD SOCK. 29,90 € Brushbranch Records (Produktion) und Surfdog Records (Vertrieb) 1-18016, USA. Freitag, 22. März 2013: CD OLD SOCK. 15,90 € Universal Records 3733098, Europa. LP 1, Seite 1: CD: Track 1: Eric Clapton: Further On Down The Road. Track 2: Eric Clapton & J. J. Cale: Angel. Track 3: Eric Clapton: The Folks Who Live On The Hill. LP 1, Seite 2: CD (Fortsetzung): Track 4: Eric Clapton & Chaka Khan: Gotta Get Over. Track 5: Eric Clapton: Till Your Well Runs Dry. Track 6: ERIC CLAPTON & PAUL McCARTNEY (Gesang, Bassgitarre): All Of Me (3:22). LP 2, Seite 1: CD (Fortsetzung): Track 7: Eric Clapton: Born To Lose. Track 8: Eric Clapton & Steve Winwood: Still Got The Blues. Track 9: Eric Clapton: Goodnight Irene. LP 2, Seite 2: CD (Fortsetzung): Track 10: Eric Clapton: Your One and Only Man. -
31 Regional Dialects in the Cultural Life of Germany
31 https://doi.org/10.31516/2410-5325.064.03 UDC 811.112.2'282.2/.3:008](045) S. V. Chastnyk, Candidate of Philological Sciences, Associate Professor, Kharkiv State Academy of Culture, Kharkiv [email protected] http://orcid.org/0000-0003-2147-4945 REGIONAL DIALECTS IN THE CULTURAL LIFE OF GERMANY This paper contains an overview of online and printed sources dealing with the phenomenon of The Renaissance of Dialect in Germany, particularly with the growing use of dialect in the cultural life of the country. Special attention is paid to the problem of motivation for choosing dialect in theatre acting and rock singing. As a rule, dialect is used to mark the performer’s regional identity and has symbolic value. However, aspiration for individual self-determination as well as commercial motives are also present in this process. Another issue covered in the article concerns a possible danger of “cultural separatism” caused by dialect revitalization. The overview shows that introducing modern forms into dialect music increases the popularity of local vernacular with German youth. However, the area of functioning of dialects will be, in all probability, confined to the use in everyday, private life. Keywords: dialect renaissance, cultural life, folk theatre, folk singing, regional identity, individual identity, standard language. С. В. Частник, кандидат філологічних наук, доцент, Харківська державна академія культури, м. Харків РЕГІОНАЛЬНІ ДІАЛЕКТИ В КУЛЬТУРНОМУ ЖИТТІ НІМЕЧЧИНИ Актуальність. Становлення та розвиток більшості національних держав у Європі супроводжувалися звуженням сфер функціонування регіональних діалектів. Своєрідною реакцією на нівелювання місцевих мовних та куль- турних особливостей стала нинішня хвиля «діалектного відродження», на- самперед у Німеччині. -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit „Zum Spannungsfeld von traditioneller und Neuer Volksmusik in Bayern und Österreich seit den 1980er Jahren“ Verfasserin Sophie Maria Susanna Rastl angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2010 Studienkennzahl lt. Studienblatt: A 316 Studienrichtung lt. Studienblatt: Musikwissenschaft Betreuer: Ass.-Prof. Dr. Michael Weber 1 2 Inhaltsverzeichnis 1. Einleitung..................................................................................................................... 9 1.1 Persönlicher Zugang zum Thema ............................................................................ 9 1.2 Zielsetzung der Arbeit .......................................................................................... 11 1.2.1 Volksmusik kategorisieren........................................................................... 11 1.2.2 Neue Volksmusik als Spannungsfeld der Volksmusikforschung .................. 12 1.2.2.1 Tonträger......................................................................................... 13 1.2.3 Persönliche Beobachtungen in Wien und München...................................... 13 1.3 Quellen und Arbeitstechnik ................................................................................... 15 1.4 Begriffserklärungen............................................................................................... 16 1.4.1 Tradition...................................................................................................... 16 1.4.2 Musiker ...................................................................................................... -
THE RETURN of LADY LOVE Sade Has Been to Australia Before, but It’S So Long Ago That Even She Can’T Remember the Tour
JANUARY 2012 Friday 13th Twin Towns Services Club Saturday 14th QPAC Concert Hall Sunday 15th Caloundra RSL Tickets on sale now. Album out 9th December. ON SUNDAY THE RETURN OF LADY LOVE Sade has been to Australia before, but it’s so long ago that even she can’t remember the tour. But now she’s much happier as a performer and is looking forward to coming back, writes Tiffany Bakker ecently, right in the middle ‘‘I don’t intentionally write know that they’ve put on their best of a show during her US romantic songs or sad songs, either. dress – it’s like going to church for tour, Sade saw a sign lofted It’s really just one heart to another.’’ them and I feel that. Sometimes I feel high above the audience And the heart, it seems, is one filled up with love when I see certain that made her cry. ‘‘It reason Sade has never been in a big people in the audience.’’ Rsaid, ‘Thank you for being in 20 years hurry to release new music. Since her When we meet, it’s the last night of of our love’,’’ she says. ‘‘It was so 1984 debut album, there have been her all-conquering US tour, and we’re sweet that I’m getting emotional now just six more (Sade has still sold backstage at a cavernous arena. As talking about it.’’ 50 million copies worldwide). But soulless as these arenas usually are, Love, of course, is a word that is that’s Sade – she does things on her the backstage area is strangely calm perhaps most often associated with terms, when she feels like it. -
Women's Hit Cheating Songs: Country Music and Feminist Change in American Society, 1962-2015 Madeline Rachel Morrow University of Denver
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2017 Women's Hit Cheating Songs: Country Music and Feminist Change in American Society, 1962-2015 Madeline Rachel Morrow University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Music Commons, and the Women's History Commons Recommended Citation Morrow, Madeline Rachel, "Women's Hit Cheating Songs: Country Music and Feminist Change in American Society, 1962-2015" (2017). Electronic Theses and Dissertations. 1258. https://digitalcommons.du.edu/etd/1258 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. WOMEN’S HIT CHEATING SONGS: COUNTRY MUSIC AND FEMINIST CHANGE IN AMERICAN SOCIETY, 1962-2015 __________ A Thesis Presented to the Faculty of Arts and Humanities University of Denver __________ In Partial Fulfillment of the requirements for the Degree Master of Arts __________ by Madeline Rachel Morrow June 2017 Advisor: John J. Sheinbaum ©Copyright by Madeline Rachel Morrow 2017 All Rights Reserved Author: Madeline Rachel Morrow Title: WOMEN’S HIT CHEATING SONGS: COUNTRY MUSIC AND FEMINIST CHANGE IN AMERICAN SOCIETY, 1962-2015 Advisor: John J. Sheinbaum Degree Date: June 2017 ABSTRACT This thesis examines songs about cheating performed by women in country music that appeared on year-end country songs charts in Billboard magazine from 1962 through 2015. -
1418. the Rosenheim-Cops Backgrounds of S
1418. The Rosenheim-Cops Backgrounds Of S. Radic The Rosenheim-Cops is a German television series by Bavaria Fiction GmbH on behalf of ZDF. The evening before crime series takes place in Chiemgau and Ro- senheim. Concept. Right from the start, the series focused on the contrast between an old-established Oberbaye“The team was made up of a team of investigators and a colleague from the big city who had been transferred to the country for various reasons, many of which were difficult to comprehend. The new employee is therefore always welcomed in a friendly manner and quickly integrated into the daily work processes. Due to their different backgrounds, the two commissioners are fundamentally different. At the beginning of every episode there is usually the finding of a murdered person, which striking way in various consequences. This is due to the commissioners are usually told by Mrs. Stockl with several leg injuries that caused Joseph Hannesschläger the words "Es gabat a Leich! ("There would be a to take a career break. For the series, he was replaced corpse!"). The main commissioner, who lives on the by guest commissioners in the relevant episodes, while farm with Mrs Hofer, is disturbed while eating (mostly at Hofer then travelled for the EU or the Farmers' breakfast, which takes place outside because the Association. Since the first episode, the two detective weather in the series is almost always nice and commissioners have been supported by police chief summery), whereupon he leaves everything standing Michael Mohr (Max Müller). Mohr, who is always highly and lying and goes to the scene of the crime. -
CD I ABC Watermark I
WITH SHADOE STEVENS PLBASB AUDITION BACH DISC LMKBDIAXBLY. IF YOU HAVB ANY QUESTIONS, PLBASB CONTACT US TOLL FRBB AT 1-800-423-2502. ,.,.,.SHOW NUMBER & AIR DATE APPEAR ON UPPER RIGHT HAND CORNER OF MAILING LABEL-· *** COMPACT DISC 11, TRACK 10, HAS 1KHz REFERENCE TONE *** TOPICAL PROMOS TOPICAL PBOMOS FOB SHOW ft43 ARE LOCATED ON DISC 4. TRACKS 6. 7 AND 8. PO NOT USE AFTER SHOW f43. 1. ROMANTIC EMOTIONS NATURALLY SELECTED :29 Hi, Shadoe Stevens, AT 40. Mariah Carey has now spent two weeks on top of the Billboard chart with "Emotions". But coming up fast from below it's the new du'> from Minneapolis with "Do Anything". Natural Selection are looking for their first #1 right out of the box and so is !\aryn White with her latest hit, "Romantic". So what's it Qonna be at the pop Pf'Sk? Anotflp,r ~motio",:a! ~~~"' · .,. .. · ,,. ta..::-•'c; ~... ~~,~~; ... ~~ g.::',~t.:·!her.-;; r:=t~~!!y ~ebct:--::1? Ah, D'Shadoe knows-- right here-- on American Top 40. (LUCAL TAG) 2. ANOTHER SPELLBOUND SOUNP :30 Hey, Shadoe Stevens, AT40. Her album "Spellb..1und" has given her two #1's in a row with "Rush Rush" and "The Promise Of A New Day•. Last week Paula Abdul deb,rted high on the Bilb>ard chart with her latest single, "Blowing Kisses In The Wind". She's bound to hit the countdown. And what about EMF, following up their #1 "Unbelievable" with a new one called "Lies"? And then th~:~re's Nia Peeples from "Fame• and MlV with a new song called "Street Of Dreams".