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Jeudi 3 Juin 2021
ALDE jeudi 3 juin 2021 Musiques Archives et collection Jacques et Dominique Chailley 113 Expert François Roulmann 12 rue Beautreillis 75004 Paris 01 71 60 88 67 - 06 60 62 98 03 [email protected] Exposition à la Librairie Giraud-Badin à partir du lundi 19 avril de 9 h à 13 h et de 14 h à 18 h Sommaire À divers, en ordre chronologique de parution, de 1650 à 1978. nos 1 à 84 Archives Jacques Chailley. Collection musicale enrichie par son fils. nos 85 à 94 Collection musicale Jacques Chailley enrichie par son fils. Partitions et livres de théorie et d’histoire musicale avant 1800. nos 95 à 111 Motets, cantates, Noëls, airs, poësies et chansons... nos 112 à 125 Ouvrages et partitions romantiques, documentation jusqu’en 1914. nos 126 à 140 Partitions modernes, souvent dédicacées à Jacques Chailley. nos 141 à 162 Conditions de vente consultables sur www.alde.fr Honoraires de vente : 25% TTC En couverture : Lot n°12 et lot n°91. ALDE Maison de ventes spécialisée Livres - Autographes - Monnaies Musiques Archives et collection Jacques et Dominique Chailley 113 Vente aux enchères publiques Expert François Roulmann Jeudi 3 juin 2021 à 14 h 12 rue Beautreillis 75004 Paris 01 71 60 88 67 - 06 60 62 98 03 [email protected] Librairie Giraud-Badin 22, rue Guynemer 75006 Paris Tél. 01 45 48 30 58 Exposition à la Librairie Giraud-Badin à partir du lundi 19 avril de 9 h à 13 h et de 14 h à 18 h Commissaire-Priseur Sommaire Jérôme Delcamp À divers, en ordre chronologique de parution, de 1650 à 1978. -
Nietzsche, Debussy, and the Shadow of Wagner
NIETZSCHE, DEBUSSY, AND THE SHADOW OF WAGNER A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Tekla B. Babyak May 2014 ©2014 Tekla B. Babyak ii ABSTRACT NIETZSCHE, DEBUSSY, AND THE SHADOW OF WAGNER Tekla B. Babyak, Ph.D. Cornell University 2014 Debussy was an ardent nationalist who sought to purge all German (especially Wagnerian) stylistic features from his music. He claimed that he wanted his music to express his French identity. Much of his music, however, is saturated with markers of exoticism. My dissertation explores the relationship between his interest in musical exoticism and his anti-Wagnerian nationalism. I argue that he used exotic markers as a nationalistic reaction against Wagner. He perceived these markers as symbols of French identity. By the time that he started writing exotic music, in the 1890’s, exoticism was a deeply entrenched tradition in French musical culture. Many 19th-century French composers, including Felicien David, Bizet, Massenet, and Saint-Saëns, founded this tradition of musical exoticism and established a lexicon of exotic markers, such as modality, static harmonies, descending chromatic lines and pentatonicism. Through incorporating these markers into his musical style, Debussy gives his music a French nationalistic stamp. I argue that the German philosopher Nietzsche shaped Debussy’s nationalistic attitude toward musical exoticism. In 1888, Nietzsche asserted that Bizet’s musical exoticism was an effective antidote to Wagner. Nietzsche wrote that music should be “Mediterranized,” a dictum that became extremely famous in fin-de-siècle France. -
Table of Contents Is Interactive
Sheet TM Version 2.0 CDMusic 1 French Piano Music, Part I The Ultimate Collection Welcome to the CD Sheet Music™ edition of French Piano Music, Part I, the Ulti- mate Collection. This Table of Contents is interactive. Click on a title below to open the sheet music. The “composers” on this page and the bookmarks section on the left side of the screen navigate to sections of The Table of Contents.Once the music is open, the bookmarks become navigation aids to find section(s) of the work. Return to the Table of Contents by clicking on the bookmark or using the “back” button of Acrobat Reader™. The FIND feature may be used to search for a particular word or phrase. By opening any of the files on this CD-ROM, you agree to accept the terms of the CD Sheet Music™ license (Click on the bookmark to the left for the complete license agreement). Composers on this CD-ROM (click on a composer to go to that section of the Table of Contents) ALKAN FRANCK RAVEL BIZET IBERT ROUSSEL CHABRIER KOECHLIN SAINT-SAËNS CHAMINADE MASSENET SATIE D’INDY MILHAUD SCHMITT DUKAS POULENC VIERNE The complete Table of Contents begins on the next page © Copyright 2005 by CD Sheet Music, LLC Sheet TM Version 2.0 CDMusic 2 VALENTIN ALKAN IV. La Bohémienne Saltarelle, Op. 23 V. Les Confidences Prélude in B Major, from 25 Préludes, VI. Le Retour Op. 31, No. 3 Variations Chromatiques de concert Symphony, from 12 Études Nocturne in D Major I. Allegro, Op. 39, No. -
Celtic Motifs in the Provençal Arthurian Romance, Jaufre: the Grail Legend Before Perceval
72-4627 ROOT, Martha James, 1939- CELTIC MOTIFS IN THE PROVENCAL ARTHURIAN ROMANCE, JAUFRE: THE GRAIL LEGEND BEFORE PERCEVAL. The Ohio State University, Ph.D., 1971 Language and Literature, modern University Microfilms, A XERQ\ Company, Ann Arbor, Michigan CELTIC MOTIFS IN THE PROVENCAL ARTHURIAN ROMANCE, JAUFRE; THE GRAIL LEGEND BEFORE PERCEVAL DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Martha James Root, A.B., M.A. The Ohio State University 1971 Approved hy Department of Romance Languages' PLEASE NOTE: Some Pages have in d is tin c t print. Filmed as received. UNIVERSITY MICROFILMS ACI®OWLEDGEMENTS I wish to express my appreciation to my adviser, Mrs. Eleanor Bulatkin, to my parents, grandmother, and husband and to Anne Tilton and Janet Zimmerman. ii VITA November 22, 1 9 3 9 ........... Born - East Chicago, Indiana 1 9 6 1 ....................... A.B., Miami University, Oxford, Ohio I96 I-I965 ................... Teaching Assistant, Department of Romance Languages, The Ohio State University, Columbus, Ohio 196^ . M.A., The Ohio State University, Columbus, Ohio 1965-1966 ................... Lecturer, Bucknell University, Lewisburg, Pennsylvania FIELDS OF STUDY Major Field: French Literature Minor Fields: Spanish Literature Provencal Literature iii TABLE OF CONTENTS Page ACKNOWLEDGEMENTS ii VITA iii INTRODUCTION X Manuscript Editions Metric Form, Dialect, Localization Date of Composition Purpose of Dissertation Celtic Motifs The Qp.es ting Hero J aufre Chapter I. ARTHUR'S ADVENTURES 28 The Red Beast The Giant Bird II. THE KNIGHT JAUFRE 63 III. THE WOUND, THE WASTING AND THE LAMENT 68 IV. -
Prof. Costas A. Courcoubetis Department of Informatics Athens University of Economics and Business
Prof. Costas A. Courcoubetis Department of Informatics www.aueb.gr/users/courcou Athens University of Economics and Business Short Biography Costas Courcoubetis was born in Athens. He obtained his Electrical and Mechanical engineering diploma from NTUA (1977), the M.S. (1980) and Ph.D (1982) from the EECS department at the University of California, Berkeley. From 1982 until 1990 he was Member of Technical Staff in the Mathematics Research Center at Bell Laboratories, Murray Hill, NJ, and from 1990 until 1999 he was Professor in the Computer Science Department at the University of Crete at Heraklion. While in Crete he was Head of the Telecommunications and Networks Laboratory at the Institute of Computer Science of FORTH, and Director of the Network Management Center of the University of Crete. Since 1999 he is Professor at the Computer Science Department of the Athens University of Economics and Business and Director of the Economics and Theory of Systems Laboratory. In the past he was Visiting Lecturer at the University of California, Berkeley and Adjunct Professor at Columbia University and IMAG, Grenoble. His networking group while at ICS FORTH provided the initial funding and the technical staff of FORTHnet, a major Greek ISP, a spinoff of FORTH’s wide area network. Research Interests His current research interests focus on the economics of communication networks, grid and cloud computing, demand-response systems for smart grids, the performance and pricing of broadband networks and of the Internet, by combining tools from operations research, applied probability and computer science. He is also involved in regulation issues for telecommunications and the Internet, the design of auctions, and network cost models. -
Emmanuel Chabrier Et Moi 79 Daniel Jacobson 27 a Conversation with Nicolas Le Riche
Spring 2008 Ball et Revi ew From the Spring 2008 issue of Ballet Review David Vaughan on Emmanuel Chabrier Cover: Marie-Jeanne in Ballet Imperial , courtesy of Dwight Godwin. © Dance Research Foundation, Inc. 4 Amsterdam – Clement Crisp 5 Chicago – Joseph Houseal 6 Toronto – Gary Smith 7 Oakland – Leigh Witchel 8 St. Petersburg, Etc. – Kevin Ng 10 Hamilton – Gary Smith 11 London – Joseph Houseal 13 San Francisco – Leigh Witchel 15 Toronto – Gary Smith David Vaughan 17 Emmanuel Chabrier et Moi 79 Daniel Jacobson 27 A Conversation with Nicolas Le Riche Joseph Houseal 39 Lucinda Childs: Counting Out the Bomb Photographs by Costas 43 Robbins Onstage Edited by Francis Mason 43 Nina Alovert Ballet Review 36.1 50 A Conversation with Spring 2008 Vladimir Kekhman Associate Editor and Designer: Joseph Houseal Marvin Hoshino 53 Tragedy and Transcendence Associate Editor: Don Daniels Davie Lerner 59 Marie-Jeanne Assistant Editor: Joel Lobenthal Marilyn Hunt 39 Photographers: 74 ABT: Autumn in New York Tom Brazil Costas Sandra Genter Subscriptions: 79 Next Wave XXV Roberta Hellman Copy Editor: Elizabeth Kattner Barbara Palfy 88 Marche Funèbre , A Lost Work Associates: of Balanchine Peter Anastos Robert Gres kovic 94 Music on Disc – George Dorris George Jackson 27 100 Check It Out Elizabeth Kendall Paul Parish Nancy Reynolds James Sutton David Vaughan Edward Willinger Sarah C. Woodcock Cover: Marie-Jeanne in Ballet Imperial , courtesy of Dwight Godwin. Emmanuel Chabrier he is thought by many to be the link between eighteenth-century French compos ers such et Moi as Rameau and Couperin, and later ones like Debussy and Ravel, both of whom revered his music, as did Erik Satie, Reynaldo Hahn, and David Vaughan Francis Poulenc (who wrote a book about him). -
Le Journal De L'opéra Nice Côte D'azur
Osez l’Opéra le journal de l’Opéra Nice Côte d’Azur •JANVIER•FÉVRIER•MARS 2012•N° 23 4 OPÉRAS SEPTEMBRE A DÉCEMBRE • La Damnation de Faust Interview de Samuel Ramey • Die Walküre acte 1 Interview de Linda Watson 8 OPÉRAS JANVIER A MARS • Die Entführung aus dem Serail Interview de Ron Daniels • Il Trovatore Interview de Lorenzo Mariani • La Bohème Interview de Jean-Luc Ballestra 18 CONCERTS • 28-29 janvier Mahler • 25 février Beethoven • 7 avril Wagner 24 BALLETS • Coppélia • Deux Russes à Paris 27 JEUNE PUBLIC • Impressions • Infos pêle-mêle 28 Les brèves La revue de presse Partenariat Publication trimestrielle gratuite du Service communication de l’Opéra Nice Côte d’Azur 4 & 6 Rue Saint-François-de-Paule, 06364 Nice, cedex 4 www.opera-nice.org - 04 92 17 40 00 Location - renseignements 04 92 17 40 79 Collectivités, Groupes Christian Vacher 04 92 17 40 47 Communication, presse Véronique Champion 04 92 17 40 45 Département Jeune public Martine Viviano 04 92 17 40 12 Directeur de la publication Jacques Hédouin Directeur adjoint de la publication Anne-Marie Guillem-Quillon Rédacteur en chef Véronique Champion Photos Dominique Jaussein / Opéra de Nice (sauf mention) Ont collaboré à ce numéro Gérard Dumontet, Christophe Gervot, Daniela Dominutti, Anne-Christelle Cook, Gilles Sestrin, Christian Vacher Licence d’entrepreneur de spectacles 1-1015185 / 2-1015183 / 3-10151843 Photogravure/imprimerie Baud, 06 Saint-Laurent-du-Var, janvier 2012. OPÉRAS•3 4•OPÉRAS SEPTEMBRE à DÉ Ça s’est passé à L’Opéra de VERSION DE CONCERT LA DAMNATION DE FAUST DU ROMANTISME HECTOR BERLIOZ AVANT TOUTE PAR CHRISTOPHE GERVOT De même m’est-il arrivé de m’imaginer, Cette version de la représentation finie, me glisser à minuit La damnation de Faust “ dans un théâtre vide et surprendre a été donnée de la salle obscure un décor pour la première fois en septembre dernier refusant de se prêter au jeu. -
Iberia De Isaac Albéniz: Estudio De Sus Interpretaciones a Través De “El Puerto” En Los Registros Sonoros
Tesis doctoral Iberia de Isaac Albéniz: Estudio de sus interpretaciones a través de “El Puerto” en los registros sonoros por María de Lourdes Rebollo García Director: Dr. Francesc Cortès i Mir Programa de Doctorado en Historia del Arte y Musicología Departament d'Art i de Musicologia Facultat de Filosofia i Llletres Universitat Autònoma de Barcelona Mayo 2015 Tesis doctoral Iberia de Isaac Albéniz: Estudio de sus interpretaciones a través de “El Puerto” en los registros sonoros Autora: María de Lourdes Rebollo García Director: Dr. Francesc Cortès i Mir Programa de Doctorado en Historia del Arte y Musicología Departament d'Art i de Musicologia Facultat de Filosofia i Llletres Universitat Autònoma de Barcelona Mayo 2015 A Adrián y Ana Victoria, mis tesoros 4 AGRADECIMIENTOS En primer lugar quiero expresar mi más sincero agradecimiento al doctor Francesc Cortès i Mir por aceptar ser el director de esta tesis, por orientarme en la investigación, y por sus observaciones y correcciones puntuales a este texto. Pero sobre todo, por sus valiosos consejos y sugerencias siempre de manera cordial y abierta que me motivaron a llevar a buen fin esta investigación. Agradezco al doctor Joaquim Rabaseda i Matas su orientación y asesoría al inicio de este trabajo, y a la doctora Montserrat Claveria su apoyo en la tramitación de mi ingreso al doctorado. La realización de mis estudios de doctorado en la Universitat Autònoma de Barcelona fue posible gracias al apoyo de una beca concedida por el Programa de Becas para Estudios en el Extranjero del Fondo Nacional para la Cultura y las Artes (FONCA) en México. -
Kontra Wagner.Pmd
KONTRA WAGNER 1. Richard Wagner : Träume for violin and small orchestra 2. Vittorio Monti : Csardas with themes by Wagner, arranged for violin and four bassoons by Arthur Kulling 3. Richard Wagner : Siegfried Idyll 4. Emmanuel Chabrier: Souvenirs de Munich. Quadrille on themes from Wagner’s Tristan und Isolde for piano 4- hands. Orchestrated by David Matthews 5. Paul Hindemiith : Overture to The Flying Dutchman as played at sight by a second-rate spa orchestra at the Villlage Well at 7 o’clock in the morning. Arrangement for string quartet (1925) 6. Richard Wagner: Träume. Song no. 5 from the Wesendonck Lieder. Arrangement by Arthur Frackenpohl for trumpet, brass ensemble and harp 7. Ernst Krenek : Serenade for clarinet and string trio, op. 4 8. Anton Webern : Movement for string trio, op. posth. (1925) Recorded live at the Salzburg Easter Festival 2007 - Kontrapunkte I and III Members, Ensembles and Guests of the Berliner Philharmoniker COL LEGNO WWE 60018 Deze live-opname ontstond in het kader van de Daarnaast biedt deze cd een aantal muzikale grappen van kamermuziekreeks Kontrapunkte op de Osterfestspiele in Vittorio Monti en Emmanuel Chabrier die ik niet tot grote Salzburg en dat in de marge van de Ring met Simon Rattle. muziek kan rekenen, Chabrier nog wel het minst. Beide De eerste troef van deze uitgave is dat deze bekende en parodistische composities verschenen vroeger reeds op minder bekende werken zich in de bekwame handen bevin- Arthur Kullings “Fun at the Festspielhaus” (Campion). Paul den van leden van de Berliner Philharmoniker, zowat het Hindemiths ouverture waarin met goede luim vals wordt beste Wagnerorkest van de wereld. -
Composer, Pianist, Woman
Rena Kyriakou (1917-1994): Composer, Pianist, Woman Athina Fytika Ionian University (Corfu) [email protected] The career of Greek pianist and composer, Rena Kyriakou (1917-1994), exemplifies the obstacles placed before foreign-trained women musicians who aspired to be taken seriously as composers in twentieth-century Greece. By all accounts Kyriakou was a remarkable musician who demonstrated an early talent for both composing and playing the piano. Nevertheless, by her late twenties she decided to forego her promising future as a composer and instead limit herself to the career of a performing virtuoso. The pivotal moment seems to have been the poor reception of her First Piano Concert, which she premiered in Athens in 1943.1 Considering all her efforts to become a composer and all she had achieved toward that end, her decision to stop composing after the 1943 concerto performance demands closer scrutiny. Clearly, one must be careful when attributing motivations to any historical figure. Nonetheless, in Kyriakou’s case considerable evidence suggests that prevailing social and aesthetic prejudices against women and certain kinds of foreign influence, expressed by a hostile critical press, led her to her reluctant decision to abandon composition. Kyriakou’s musical talents were apparent from an early age. In 1923, at age six, she performed her premier recital at the Athens Parnassos Hall, drawing the infatuation of the Greek press. She also attracted the intense interest of Elena Venizelou, wife of the Greek prime minister, who sponsored Kyriakou’s subsequent studies in Europe. This initially involved a 1925 visit to Paris, where, despite having no formal musical training, she was permitted to present her own compositions to Vincent d’Indy and Albert Roussel, both of whom praised the eight-year- old’s innate talent.2 Kyriakou continued her youthful studies in Vienna with Paul Weingarten (piano) and Richard Stöhr (composition), eventually returning to Paris to enter the Paris Conservatoire in 1930, at age thirteen. -
Titel KAK 2006.Indd
8 KGA Verlags-Service GmbH & Co. KG 2007/08 Postfach 10 21 80 · D-34021 Kassel E-Mail: [email protected] Kasseler Auslieferungskatalog Kassel Complete Catalogue Catalogue de diffusion de Kassel Kasseler Auslieferungskatalog 2007/0 KGA Verlags-Service GmbH & Co. KG Postfach 10 21 80 · D-34021 Kassel E-Mail: [email protected] Ihre Ansprechpartner · Your Contacts MARKETING UND VERTRIEB SKANDINAVIEN, NIEDERLANDE, SPANIEN, PORTUGAL SALES AND MARKETING SCANDINAVIA, NETHERLANDS, SPAIN, PORTUGAL Bärenreiter-Verlag Catriona Glatthaar Heinrich-Schütz-Allee 35-37 · D-34131 Kassel Marketing und Vertrieb · Sales and Marketing Tel. ++49 (0) 561 3105-179 · [email protected] Christine Husemann Vertriebsleitung Margot Schmidl Director of Sales and Marketing Kundendienst · Customer Services Tel. ++49 (0) 561 3105-171 · [email protected] Tel. ++49 (0) 561 3105-322 · [email protected] Fax ++49 (0) 561 31806-61 DEUTSCHLAND, ÖSTERREICH GERMANY, AUSTRIA ASIEN · ASIA Gerlinde Neurath Corinne Votteler Marketing und Vertrieb · Sales and Marketing Marketing und Vertrieb · Sales and Marketing Tel. ++49 (0) 561 3105-188 · [email protected] Tel. ++49 (0) 561 3105-175 · [email protected] Sebastian Riepe Melanie Hauser Marketing und Vertrieb · Sales and Marketing Kundendienst · Customer Services Tel. ++49 (0) 561 3105-170 · [email protected] Tel. ++49 (0) 561 3105-327 · [email protected] Fax ++49 (0) 561 31806-52 Corinne Votteler Grossisten · Marketing und Vertrieb · Sales and Marketing Tel. ++49 (0) 561 3105-175 · [email protected] USA, KANADA, GRIECHENLAND USA, CANADA, GREECE Ilona Gasse Kundendienst · Customer Services Ivan Maric Tel. ++49 (0) 561 3105-316 · [email protected] Marketing und Vertrieb · Sales and Marketing Fax ++49 (0) 561 31806-60 Tel. -
Program Notes | Viva España
23 Season 2018-2019 Thursday, February 7, at 7:30 The Philadelphia Orchestra Friday, February 8, at 8:00 Saturday, February 9, Cristian Măcelaru Conductor at 8:00 Los Angeles Guitar Quartet Chabrier España Rodrigo Concierto andaluz, for four guitars and orchestra I. Tiempo de bolero II. Adagio III. Allegretto Intermission Falla Excerpts from El amor brujo I. Introduction and Scene II. In the Gypsies’ Grotto: Night IV. The Apparition V. Dance of Terror VI. The Magic Circle: The Fisherman’s Tale VII. Midnight: The Sorcerers VIII. Ritual Fire Dance: To Drive Away Evil Spirits IX. Scene XI. Pantomime XII. Dance of the Game of Love XIII. Finale: The Waking Chimes Ravel Rapsodie espagnole I. Prelude to the Night— II. Malagueña III. Habanera IV. Feria This program runs approximately 1 hour, 45 minutes. The February 7 concert is sponsored by Robert E. Mortensen. The February 8 concert is sponsored by Judith Broudy. The February 9 concert is sponsored by Medcomp. 24 Please join us following the February 8 and 9 concerts for a free Organ Postlude featuring Peter Richard Conte. Lefébure-Wély Boléro de concert Soler Concerto No. 6 in D major, for two organs I. Allegro II. Minué Andrew Ennis, organ Bizet/transcr. & arr. Lemare Suite from Carmen The Organ Postludes are part of the Fred J. Cooper Memorial Organ Experience, supported through a generous grant from the Wyncote Foundation. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2.