20Th-Century Repertory

Total Page:16

File Type:pdf, Size:1020Kb

20Th-Century Repertory Mikrokosmos List 637. - 2 - September 2018 ....20TH-CENTURY REPERTORY 1 Abbiate, Louis: Piano Sonata 3 - Ringeissen pno 1979 S CALLIOPE CAL 1872 A 10 2 Adam, Claus: Vcl Con/ Barber: Die Natali - Kates vcl, cond.Mester 1975 S LOUISVILLE LS 745 A 8 3 Amirov, Fikret: Nizami Sym; Shiraz - Gevorkyan saxophon, cond. Rozhdestvensky S MELODIYA C10 8711 A 15 4 Ancelin, Pierre: Con for Ob, Pno & Strings, Con for Fl, Pno & Strings - M.Ancelin, CYBELIA CY 706 A 20 Brilli, Vandeville, cond.Boutry (gatefold) S 5 Antheil: Sym 5/Maxwell Davies: St.Thomas Wake Foxtrot - cond.Duffallo (p.1980) S LOUISVILLE LS 770 A 8 6 Arvay, Pierre: Musiques de Scenes - B.Rosso gtr, N.Caron ondes Martenot, F.Petit TEPPAZ 301 B 10 hrpschrd (good jacket) 7 Atanassov, Nikola: Sym 1 in g/Ikonomov, Boyan: Pastorale "Shar Planina" (Sym BALKANTON BCA 1300405 A 8 picture) - cond.V.Stefanov S 8 Baird: 4 Dialogues (Faber ob, cond.Rowicki)/B.Woytowicz: Sym 3 (comp.pno, MUZA W 973 A 15 cond.Krenz) Warsaw Autumn, 1964 10" 9 Baker, David: Chant Qui Peche for sop, jazz quartet & orch/ Morton Gould: LOUISVILLE LS 751 A 8 Sinfonietta 2 - cond.J.Mester 1974-5 S 10 Balada, Leonardo: Maria Sabina - A.Dunham, cond.Mester 1973 S LOUISVILLE LS 726 A 8 11 Bamert, Matthias: Mantrajana/ G.Crosse: Some Marches on a Ground/ LOUISVILLE LS 741 A 8 Ph.Rhodes: Museum Pcs for Cl & SQ - cond.Mester 1973 S 12 Barber, Samuel: Prayers of Kierkegaard/Welcher, Dan: Dervishes/Johnson, LOUISVILLE LS 763 A 8 Hunter: Past the Evening - cond.Mester (p.1979) S 13 Bartok: Divertimento, Romanian Folk Dances/ Janacek: Mladi - Orpheus ChO dig, DGG 415668 A 12 1985 S 14 Bartok: Songs (Ady, 8 Hungarian, 5, Hungarian Folk) - E.Kovacs, Fellegi pno HUNGAROT SLPX 11603 A 8 (Complete Edition) S 15 Becker, John: Sym 3/ W.Schuman: Prayer/ Labunski: Canto - cond.Mester 1972 LOUISVILLE LS 721 A 8 S 16 Bentzon, Niels Viggo: Pno Con 4 - Blyme pno, cond.O.Schmidt S PHILIPS DMA 63 A 8 17 Bentzon, Niels Viggo: Sym 4; Fem mobiler - cond.O.Schmidt S PHILIPS DMA 78 A 8 18 Bezancon, Guy: Paramita - comp.organ (gatefold) 1981 S SARAVAH SHL 1092 A 20 19 Blendinger: Media in Vita - H.Donath, Becht, cond.Sawallisch 1980 S ORFEO S 6821 A++ 8 20 Bortnyansky:Cons for Choir 4, 28, 15, 10, 25 - Polyansky S MELODIYA CDSU10 2 A 7 21 Bose, Hans-Jurgen von: Die Nacht aus Blei Suite, Sappho-Gesange - Himmehaber WERGO WER 60109 A 8 ms, cond.Bamert, Eotvos (gatefold) 1983 S 22 Boulanger, Lili: Choral Works, 4 Songs/Fanny Hensel: Gartenlieder, BAYER BR 30041 A 8 Nachtreigen/Clara Schumann: 3 Choirs - Shirai, Holl, cond.Kegelmann 1988 S 23 Burton: Songs of the Tulpehocken - Riegel, Louisville Orch, comp.cond. S LOUISVILLE LS 757 A 8 24 Cage: Hymns & Variations/ Billings: Heath Old North/ Berio: A-Ronne - Electric EMI EL 270452 A 12 Phoenix (gatefold) dig, 1985 S 25 Casals, Enric (Pablo's brother): Lluny, Festivola, Heroica, Tarragona/J.Garetta: La EMI FELP 117 A- 10 Rosada, Innominada/M.Saderra: Dubte - La Principal de Gerone (supervised by P.Casals) 26 Ceremuga: Sym 4/J.Dvoracek: Sym - cond.Haliska, Nohejl 1987 S PANTON 810726 A 10 27 Chowning, John: Stria/Risset, Jean-Claude: Songes/Harvey, Jonathan: Mortuos IRCAM 1 A 25 Plango, Vivos Voco/Machover: Soft Morning, City!/Maiguashca: Fmelodies/Y.Holler: Resonance - cond.Eotvos 1983 S 28 Constant, Franz: Arlequinade/J.Leduc: Impressions/R.van der Velden: CENTRE MCRB 7701 A 25 Beweging/V.Legley: Musiek - Duquennois-Doppagne Piano Duo 1977 S 29 Converse: Endymion's Narrative, Flivver 10 Million/ Chadwick: Euterpe - LOUISVILLE LS 753 A 8 cond.Mester 1975 S 30 Cordero: Sym 2/ Balada: Hommage a Sarasate/ H.Brant: On the Nature of Things - LOUISVILLE LS 765 A 8 cond.Mester (p.1979) S 31 Dallapiccola: Il Prigioniero (McKnight, Treigle, Cassilly, cond.Stokowski) 2 x PRIVATE ED MR 2009 A 25 1960/Busoni: Turandot (Gillig, Muszely, Geissler, Uhl, cond.Ackermann 1959 32 Dallo Joio: Homage a Haydn/ D.Welcher: Fl Con - Fuge, cond.L.Slatkin, Mester LOUISVILLE LS 742 A 8 1974 S 33 David, Thomas Christian: Con for 3 Vln; Triple Con - L.David, Riehm, etc, AMADEO 423733 A 8 cond.comp 1983, 1987 S 34 Decaux, Abel: Clair de Lune/F.Bridge: Piano Sonata/Webern: Piano Pieces - FINNADAR SR 9031 A 8 M.Guneyman pno 1980 S 35 Dick, Marcel: Sym for Strings (cond.Atherton)/ Donald Harris: SQ (Composers SQ), CRI SD 274 A 8 Ludus (cond.Hodkinson) (p.1977) S 36 Distler, Hugo: Totentanz - H.Renicke, Norddeutscher Singkreis, cond.G.Wolters MUSICAPHON BM25R 602 A 8 (gatefold) 1960 10" September 2018 - 3 - Mikrokosmos List 637. 37 Djambazian, Awedis: 24th April (sym mvts), April-March - cond.K.Etti S ARAX 120083 A 8 38 Dorati: Trirrico, Duo Concertant, 5 Pieces - Holliger, A.Schiff, cond.Dorati dig, PHILIPS 416987 A++ 8 1984-6 S 39 Dragostinov, Stefan: Sym 3; 5 Strophes after Leonardo; Polytempi No 3 - BALKANTON BCA 1300434 A+ 12 cond.Dafov, K.Goleminov, Chetinyan S 40 Druckman: Lamia/Argento: Royal Invitation - cond.Mester (p.1979) S LOUISVILLE LS 764 A 8 41 Durufle: Requiem; 4 Motets - Berganza, van Dam, cond.Corboz, Sourisse 1984-5 S ERATO NUM 75200 A 10 42 Dzhurov, Plamen: Sym 1; Elegy; Pno Sonata - I.Eftimov pno, cond.K.Goleminov, BALKANTON BCA 1300443 A+ 12 Notev S 43 El-Shawan, Aziz: Poem, African Ov, Fantasia - USSR RSO, cond.comp, Gauk 10"OLD MELODIYA D. 3448 A 10 DR1 44 Eller, Heino: Vln Sonata/ Poldemae: Vln Sonatas 1, 2 - Karmas, Semper 1984 S MELODIYA C10 22779 A 25 45 Erb, Donald: Spatial Fanfare, Trombone Con, Christmas & Autumn Music - LOUISVILLE LS 772 A 8 cond.Lane (p.1980) S 46 Falik, Yuri: Vln Con/Tishchenko: Vln Con - Liberman, cond. Fedotov, Serov S MELODIYA C10 8787 A 12 47 Flosman: Sym 2/ Matej: Sym 4 - Prague RSO, cond.Konvalinka, Hrncir 1975 S SUPRAPHON 1101958 A 8 48 Foote: Francesca da Rimini/ Bird: Carnival Scene/ Ornstein: Nocturne & Dance - LOUISVILLE LS 754 A 8 cond.Mester 1976 S 49 Foss, Lukas: Oboe Con/ H.Stevens: Cl Con - Gassman, Lurie, cond.A.Endo S CRYSTAL S 851 A 8 50 Foss, Lukas: A Parable of Death (V.Zorina, F.Stevens)/Martinu: Intermezzo/Milhaud: COLUMBIA ML2EYE 4859 A 10 Kentuckiana - cond.Whitney 51 Foss, Lukas: Round a Common Center/ A.Copland: Pno Quartet/ Wyner: Intermezzi PRO ARTE PAD 120 A 8 - Cantilena Chamber Players (p.1982) S 52 Foss, Lukas: SQ 3, Music for 6, Curriculum Vitae - Columbia SQ, Klucevsek CRI SD 413 A++ 8 accordion, Univ of Buffalo Perc Ens (p.1980) S 53 Fox, Frederick: Night Ceremonies/ S.Sankey: Variations - cond.Endo 1982 S LOUISVILLE LS 780 A 8 54 Franchetti, Arnold: 3 Italian Masques; Concertino (pf, brass, perc, bass)/Johnson, CRI 125 A 8 Hunter: Trio (fl, ob, pf) - J.Baker fl, R.Bllom ob, Nordli pno, cond.S.Baron (p.1959) S 55 Franchetti, Arnold: Chamber Concertino for Vln & ChO/E.Schwartz: Texture, Con ARS NOVA AN 1002 A 8 Pce for 10 Players/Schoenberg: Phantasy for Vln & Pno - Kobialka vln, M.Press pno, cond.Dufallo, H.Larsen(1968) S 56 Frank, Andrew: Sonata da Camera; Arcadia for Pno/Olan, David: Comp for Cl & CRI 419 A++ 10 Tape; Sonata for Vln & Pno (p.1979) S 57 Friedhofer, Hugo: Richthofen & Brown (Sym ste); Private Parts (orch fantasy) - DELOS DEL/F 25420 A 8 cond.K.Graunke (p.1975) S 58 Fromm, Herbert: SQ/S.Adler: SQ 4 - Pro Arte Quartet S LYRICHORD LLST 7203 A 8 59 Fromm, Herbert: Sonata for Vln & Pno (Kitzis, Liepa)/A.Rosner: Horn Sonata OPUS ONE 91 A 10 (Garson, Liepa) S 60 Fukushima, Kazuo: 3 Pieces/Stockhausen: Versetze dich/R.Scharli: CORONO SM 30071 A 20 Partenon/Logothetis: Osculation/Martinu: Sonatina/Messiaen: Abime/Haba: 6 Stimmengen - Due Bohemi di Praga 1973 S 61 Fussell, Charles: 3 Processionals/Strandberg, Newton: Sea of Tranquility/Schubel, OPUS ONE 21 A 8 Max: Fracture (all orch) - Springfield SO, cond.Gutter (gatefold) S 62 Galindo, Blas: Sym 2/ Nin-Culmell: Diferencias - cond.Mester S LOUISVILLE LS 761 A 8 63 Garcia, Orlando: Spheres/Gonzalez, Luis Jorge: Voces/De la Vega, Aurelio: OPUS ONE 134 A 8 Tropimapal - North-South Consonance Ens, cond.Lifchitz S 64 Gass, Glenn: Symphony "Heartland"; Nonet; String Trio; Pf Quartet - Scott Ch ENHARMONIC EN89 10 A 8 Players, Sollberger, P.Boivin (limited edition of 100 copies) (p.1989) S 65 Genzmer, Harald: Organ Con/Peeters, Flor: Toccata, Fugue & Hymn/Martin, TURNABOUT TV-S 34627 A 8 Frank: Passacaglia - Krapp, Bochum SO, cond.Maga 1975 S 66 Gerschefski, Erwin: Pno Quintet, The Mountain (10 Etudes for Solo Cello), Vars for MARK UMC 2254 A 12 SQ - Univ of Georgia SQ, E.Eicher vcl S 67 Glass, Philip: Dance 1-5 - P.Glass Ensemble (p.1988) S 2 x CBS F2M 44765 A 18 68 Glebov, Evgeni: Sym 5/Dmitri Smolsky: Sym 2 - Byelorussian SO, cond.Efimov MELODIYA C10 27839 A 20 1988 S 69 Gliere: Bronze Horseman ballet suites 1, 2 - Bolshoi ThO, cond.Zuraitis S MELODIYA CM 2305 A 10 70 Gliere: Shak-Senem excs (Orfenov, Rachevskaya, cond.Gliere, Stolyarov, 1947, MELODIYA M10 36867 A 10 1952); Voice Con (Rudenko, cond.Turchak, 1969) 71 Goldwyn: The Best Years Of Our Lives (comp.autorized rec) - M.Loy, F.March, etc + ENTRACTE EDP 8101 A 8 booklet + 7" bonus record S 72 Gorecki: 3 Pcs in Antique Style/Kyurkchiyski: Aria/Hristoskov: BALKANTON BKA 10735 A 20 Toccata/D.Simeonov: Gaidasha/Kazandjiev: Kouker Dance/Muffat:Small Antique Suite/Vivaldi: Con for 4 Vlns in e-cond.Yanev S 73 Gould, Morton: Soundings, Columbia (cond.comp); C.Floyd:In Celebration LOUISVILLE LS 716 A 8 (cond.Mester) 1971 S 74 Grantham: Trio, 4 Capriccios/ R.Cortes: Trio, Sonata for Vcl & Pno - Angelus Trio, ORION ORS 77279 A 8 Clapp vln (p.1977) S Mikrokosmos List 637.
Recommended publications
  • Abstracts Papers Read
    ABSTRACTS of- PAPERS READ at the THIRTY-FIFTH ANNUAL MEETING of the AMERICAN MUSICOLOGICAL SOCIETY SAINT LOUIS, MISSOURI DECEMBER 27-29, 1969 Contents Introductory Notes ix Opera The Role of the Neapolitan Intermezzo in the Evolution of the Symphonic Idiom Gordana Lazarevich Barnard College The Cabaletta Principle Philip Gossett · University of Chicago 2 Gluck's Treasure Chest-The Opera Telemacco Karl Geiringer · University of California, Santa Barbara 3 Liturgical Chant-East and West The Degrees of Stability in the Transmission of the Byzantine Melodies Milos Velimirovic · University of Wisconsin, Madison 5 An 8th-Century(?) Tale of the Dissemination of Musico­ Liturgical Practice: the Ratio decursus qui fuerunt ex auctores Lawrence A. Gushee · University of Wisconsin, Madison 6 A Byzantine Ars nova: The 14th-Century Reforms of John Koukouzeles in the Chanting of the Great Vespers Edward V. Williams . University of Kansas 7 iii Unpublished Antiphons and Antiphon Series Found in the Dodecaphony Gradual of St. Yrieix Some Notes on the Prehist Clyde W. Brockett, Jr. · University of Wisconsin, Milwaukee 9 Mark DeVoto · Unive Ist es genug? A Considerat Criticism and Stylistic Analysis-Aims, Similarities, and Differences PeterS. Odegard · Uni· Some Concrete Suggestions for More Comprehensive Style Analysis The Variation Structure in Jan LaRue · New York University 11 Philip Friedheim · Stat Binghamton An Analysis of the Beginning of the First Movement of Beethoven's Piano Sonata, Op. 8la Serialism in Latin America Leonard B. Meyer · University of Chicago 12 Juan A. Orrego-Salas · Renaissance Topics Problems in Classic Music A Severed Head: Notes on a Lost English Caput Mass Larger Formal Structures 1 Johann Christian Bach Thomas Walker · State University of New York, Buffalo 14 Marie Ann Heiberg Vos Piracy on the Italian Main-Gardane vs.
    [Show full text]
  • Jeudi 3 Juin 2021
    ALDE jeudi 3 juin 2021 Musiques Archives et collection Jacques et Dominique Chailley 113 Expert François Roulmann 12 rue Beautreillis 75004 Paris 01 71 60 88 67 - 06 60 62 98 03 [email protected] Exposition à la Librairie Giraud-Badin à partir du lundi 19 avril de 9 h à 13 h et de 14 h à 18 h Sommaire À divers, en ordre chronologique de parution, de 1650 à 1978. nos 1 à 84 Archives Jacques Chailley. Collection musicale enrichie par son fils. nos 85 à 94 Collection musicale Jacques Chailley enrichie par son fils. Partitions et livres de théorie et d’histoire musicale avant 1800. nos 95 à 111 Motets, cantates, Noëls, airs, poësies et chansons... nos 112 à 125 Ouvrages et partitions romantiques, documentation jusqu’en 1914. nos 126 à 140 Partitions modernes, souvent dédicacées à Jacques Chailley. nos 141 à 162 Conditions de vente consultables sur www.alde.fr Honoraires de vente : 25% TTC En couverture : Lot n°12 et lot n°91. ALDE Maison de ventes spécialisée Livres - Autographes - Monnaies Musiques Archives et collection Jacques et Dominique Chailley 113 Vente aux enchères publiques Expert François Roulmann Jeudi 3 juin 2021 à 14 h 12 rue Beautreillis 75004 Paris 01 71 60 88 67 - 06 60 62 98 03 [email protected] Librairie Giraud-Badin 22, rue Guynemer 75006 Paris Tél. 01 45 48 30 58 Exposition à la Librairie Giraud-Badin à partir du lundi 19 avril de 9 h à 13 h et de 14 h à 18 h Commissaire-Priseur Sommaire Jérôme Delcamp À divers, en ordre chronologique de parution, de 1650 à 1978.
    [Show full text]
  • The Marriage of Figaro
    UNIVERSITY MUSICAL SOCIETY Charles A. Sink, President Lester McCoy, Conductor Gail W. Rector, Executive Director First Concert 1957-1958 Complete Series 3216 Twelfth Annual Extra Concert Series THE NBC OPERA COMPANY m THE MARRIAGE OF FIGARO MOZART SUNDAY EVENING, OCTOBER 6, 1957, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN THE CAST Count Almaviva WALTER CASSEL Countess Almaviva MARGUERITE WILLAUER Susanna, the Countess' maid JUDITH RASKIN Figaro, the Count's valet . MAC MORGAN Cherubino, the Count's page REGINA SARFATY Marcellina, an aged dame . RUTH KOBART Basilio, a music master LUIGI VELUCCI Don Curzio, a judge FRED CUSHMAN Bartolo, a doctor . EMILE RENAN Antonio, a gardener-Susanna's uncle EUGENE GREEN Barbarina, his daughter . BERTE GOAPERE Crier . RICHARD KRAUSE Country men and women, court attendants, hunters, and servants. (Cast subject to change) Conductor and Stage Director: PETER HERMAN ADLER Baldwin piano courtesy 0/ Maddy Music Company, Ann Arbor. A R S LON G A V I T A BREVIS THE MARRIAGE OF FIGARO By WOLFGANG AMADEUS MOZART Libretto by DAPONTE Based on a comedy by BEAUMARCHAIS English version: EDWARD EAGER Producer: SAMUEL CHOTZINOFF Music and Artistic Director: PETER HERMAN ADLER General Manager: CHANDLER COWLES Costumes: ALVIN COLT The action takes place in the castle and grounds of the Count and Countess Almaviva, near Seville. ACT I Count Almaviva, grown faithless to his Rosina after some years of marriage, has cast a roving eye upon her maid, Susanna, the bride-to-be of his valet, Figaro; while the Count's page, young Cherubino, has fallen in love, if you please, with the Countess herself.
    [Show full text]
  • 75Thary 1935 - 2010
    ANNIVERS75thARY 1935 - 2010 The Music & the Artists of the Bach Festival Society The Mission of the Bach Festival Society of Winter Park, Inc. is to enrich the Central Florida community through presentation of exceptionally high-quality performances of the finest classical music in the repertoire, with special emphasis on oratorio and large choral works, world-class visiting artists, and the sacred and secular music of Johann Sebastian Bach and his contemporaries in the High Baroque and Early Classical periods. This Mission shall be achieved through presentation of: • the Annual Bach Festival, • the Visiting Artists Series, and • the Choral Masterworks Series. In addition, the Bach Festival Society of Winter Park, Inc. shall present a variety of educational and community outreach programs to encourage youth participation in music at all levels, to provide access to constituencies with special needs, and to participate with the community in celebrations or memorials at times of significant special occasions. Adopted by a Resolution of the Bach Festival Society Board of Trustees The Bach Festival Society of Winter Park, Inc. is a private non-profit foundation as defined under Section 509(a)(2) of the Internal Revenue Code and is exempt from federal income taxes under IRC Section 501(c)(3). Gifts and contributions are deductible for federal income tax purposes as provided by law. A copy of the Bach Festival Society official registration (CH 1655) and financial information may be obtained from the Florida Division of Consumer Services by calling toll-free 1-800-435-7352 within the State. Registration does not imply endorsement, approval, or recommendation by the State.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1976
    I M' n, v ~# ^ »>'* •«*^ ^T* > ^'^.._, KlLBu**%m*lJcML^teff-'il Btf^^flB IS^.'^I For 104 years we've been serious about people who make music. In 1872 Boston University established the first professional music program within an American university to train creative and talented students for careers in music. 104 years later the Boston University School of Music is still doing what it does best. • Performance • Music Education • History and Literature • Theory and Composition strings music history and literature Walter Eisenberg, violin Charles Kavaloski, French horn Karol Berger ' Gerald Gelbloom, violin Charles A. Lewis, Jr., trumpet Murray Lefkowitz Bernard Kadinoff, viola David Ohanian, French horn Joel Sheveloff Endel Kalam, chamber music Samuel Pilafian, tuba theory and composition ' Robert Karol, viola Rolf Smedvig, trumpet David Carney ' Alfred Krips, violin ' Harry Shapiro, French horn David Del Tredici 'Eugene Lehner, chamber music ' Roger Voisin, trumpet John Goodman 'Leslie Martin, string bass ' Charles Yancich, French horn Alan MacMillan George Neikrug, cello percussion Joyce Mekeel ' Mischa Nieland, cello * Thomas Ganger Malloy Miller Leslie Parnas, cello ' Charles Smith Gardner Read 'Henry Portnoi, string bass Allen Schindler 'Jerome Rosen, violin harp Tison Street Kenneth Sarch, violin Lucile Lawrence " Alfred Schneider, violin music education * Roger Shermont, violin piano Lee Chrisman 'Joseph Silverstein, violin Maria Clodes Allen Lannom Roman Totenberg, violin Anthony di Bonaventura Jack O. Lemons Walter Trampler, viola
    [Show full text]
  • Nietzsche, Debussy, and the Shadow of Wagner
    NIETZSCHE, DEBUSSY, AND THE SHADOW OF WAGNER A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Tekla B. Babyak May 2014 ©2014 Tekla B. Babyak ii ABSTRACT NIETZSCHE, DEBUSSY, AND THE SHADOW OF WAGNER Tekla B. Babyak, Ph.D. Cornell University 2014 Debussy was an ardent nationalist who sought to purge all German (especially Wagnerian) stylistic features from his music. He claimed that he wanted his music to express his French identity. Much of his music, however, is saturated with markers of exoticism. My dissertation explores the relationship between his interest in musical exoticism and his anti-Wagnerian nationalism. I argue that he used exotic markers as a nationalistic reaction against Wagner. He perceived these markers as symbols of French identity. By the time that he started writing exotic music, in the 1890’s, exoticism was a deeply entrenched tradition in French musical culture. Many 19th-century French composers, including Felicien David, Bizet, Massenet, and Saint-Saëns, founded this tradition of musical exoticism and established a lexicon of exotic markers, such as modality, static harmonies, descending chromatic lines and pentatonicism. Through incorporating these markers into his musical style, Debussy gives his music a French nationalistic stamp. I argue that the German philosopher Nietzsche shaped Debussy’s nationalistic attitude toward musical exoticism. In 1888, Nietzsche asserted that Bizet’s musical exoticism was an effective antidote to Wagner. Nietzsche wrote that music should be “Mediterranized,” a dictum that became extremely famous in fin-de-siècle France.
    [Show full text]
  • Popular Fiction 1814-1939: Selections from the Anthony Tino Collection
    POPULAR FICTION, 1814-1939 SELECTIONS FROM THE ANTHONY TINO COLLECTION L.W. Currey, Inc. John W. Knott, Jr., Bookseller POPULAR FICTION, 1814-1939 SELECTIONS FROM THE THE ANTHONY TINO COLLECTION WINTER - SPRING 2017 TERMS OF SALE & PAYMENT: ALL ITEMS subject to prior sale, reservations accepted, items held seven days pending payment or credit card details. Prices are net to all with the exception of booksellers with have previous reciprocal arrangements or are members of the ABAA/ILAB. (1). Checks and money orders drawn on U.S. banks in U.S. dollars. (2). Paypal (3). Credit Card: Mastercard, VISA and American Express. For credit cards please provide: (1) the name of the cardholder exactly as it appears on your card, (2) the billing address of your card, (3) your card number, (4) the expiration date of your card and (5) for MC and Visa the three digit code on the rear, for Amex the for digit code on the front. SALES TAX: Appropriate sales tax for NY and MD added. SHIPPING: Shipment cost additional on all orders. All shipments via U.S. Postal service. UNITED STATES: Priority mail, $12.00 first item, $8.00 each additional or Media mail (book rate) at $4.00 for the first item, $2.00 each additional. (Heavy or oversized books may incur additional charges). CANADA: (1) Priority Mail International (boxed) $36.00, each additional item $8.00 (Rates based on a books approximately 2 lb., heavier books will be price adjusted) or (2) First Class International $16.00, each additional item $10.00. (This rate is good up to 4 lb., over that amount must be shipped Priority Mail International).
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 129, 2009-2010
    BOSTON SYM PHONY ORCHESTRA ,v IB 2009-2010 SEASON WEEK 24 James Levine Music Director | Bernard Haitink : Conductor Emeritus Seiji Ozawa i Music Director Laureate W&Imm&f/; MmmsmBBBm Silk twill scarves. Boston 320 Boylston Street (617) 482-8707 Hermes.com HERMES PARIS & VERMES, L/FEAS A*^ Table of Contents | Week 24 15 BSO NEWS 23 ON DISPLAY IN SYMPHONY HALL 25 BSO MUSIC DIRECTOR JAMES LEVINE 28 THE BOSTON SYMPHONY ORCHESTRA 31 THIS WEEK'S PROGRAM Notes on the Program 33 Richard Strauss 41 Mozart Violin Concerto No. 5 51 Mozart Symphony No. 35, "Haffner' 57 To Read and Hear More... Guest Artists 61 Bernard Haitink 63 Leonidas Kavakos 66 SPONSORS AND DONORS 80 FUTURE PROGRAMS 82 SYMPHONY HALL EXIT PLAN 83 SYMPHONY HALL INFORMATION THIS WEEK S PRE-CONCERT TALKS ARE GIVEN BY ELIZABETH SEITZ OF THE BOSTON CONSERVATORY, program copyright ©2010 Boston Symphony Orchestra, Inc. design by Hecht Design, Arlington, MA cover photograph by Stu Rosner BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617) 266-1492 bso.org WHAT DO YOU PACK FOR A TRIP TO THE AFTERLIFE? fccfeucO I c < K C <$ << ict <><5Q & n?fe 1 I Iff til 1 DIG DEEPER AT •* - THE SECRETS OF TOMB 10A '». EGYPT 2000 BC MUSEUM OF FINE ARTS, BOSTON NOW THROUGH JUNE 27, 2010 ^V'&p BOSTON WWW.MFA.ORG «S£ ** o \V The exhibition is supported by Major funding is provided by Additional support >>!• . .INSTITUTE of for the exhibition is The Calderwood Charitable Foundation. ••••Iv MuseunriandLibr Bankof America provided by •*.•••; SERVIC *&• Above: Front side panel of outer coffin of Djehutynakht (detail), Egyptian, Middle Kingdom, late Dynasty n-early Dynasty 12, 2010-1961 BC.
    [Show full text]
  • John La Montaine Collection
    JOHN LA MONTAINE COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Prepared by Gail E. Lowther Summer 2016 John La Montaine (at far right) presents John F. Kennedy with score to From Sea to Shining Sea, op. 30, which had been commissioned for Kennedy’s inauguration ceremony, with Jackie Kennedy and Howard Mitchell (National Symphony Orchestra conductor) (1961). Photograph from John La Montaine Collection, Box 16, Folder 9, Sleeve 1. John La Montaine and Howard Hanson during rehearsal with the Eastman Philharmonia in preparation for the performance of La Montaine’s Concerto for Piano and Orchestra, op. 9, at Carnegie Hall (November 1962). Photograph from ESPA 27-32 (8 x 10). 2 TABLE OF CONTENTS Description of Collection . 5 Description of Series . 6 INVENTORY Series 1: Manuscripts and sketches Sub-series A: Student works and sketches . 12 Sub-series B: Mature works . 13 Sub-series C: Works with no opus number . 43 Sub-series D: Sketches . 54 Series 2: Personal papers Sub-series A: Original writings . 58 Sub-series B: Notes on composition projects . 59 Sub-series C: Pedagogical material . 65 Sub-series D: Ephemera . 65 Series 3: Correspondence Sub-series A: Correspondence to/from John La Montaine . 69 Sub-series B: Correspondence to/from Paul Sifler . 88 Sub-series C: Other correspondents . 89 Series 4: Publicity and press materials Sub-series A: Biographical information . 91 Sub-series B: Resume and works lists . 91 Sub-series C: Programs, articles, and reviews . 92 Sub-series D: Additional publicity materials . 104 3 Series 5: Library Sub-series A: Published literature .
    [Show full text]
  • Sample Questions (PDF)
    Question Question The Amati Quartet is an extremely rare set of four musical The following are all official mottos from Canadian universities. instruments owned by the University of Saskatchewan—the only Which one is the motto for the University of Saskatchewan? set of its kind in Canada and one of few in the world. The oldest of these instruments is a viola. When was it made? a) For God and Country b) Whatsoever Things are True a) 1607 c) I Will Lift up my Eyes b) 1707 d) By Work all Things Increase and Grow c) 1807 d) 1907 Answer Answer a) The University of Saskatchewan motto, in Latin, is Deo et Patriae, translated as For God and Country. Motto b) is University a) The viola dates to 1607, and was commissioned by Pope Paul V. of Alberta, c) is University of Calgary, d) is McGill University. The two violins date to 1627 and 1637, while the cello is comparatively "new", built in 1690. They were made by the famous Amati family of northern Italy, who supplied finely crafted musical instruments to royalty and the wealthy. The tone Question of these rare masterpieces is considered beyond compare. They were brought to Saskatchewan by Stephen Kolbinson, a Which of the following famous writers said that the University of Kindersley area farmer, Saskatchewan was "apparently half a century ahead of musician and avid Cambridge in Science and of Oxford in common sense"? musical instrument collector. In 1959, he a) W.O. Mitchell sold the set to the b) Farley Mowat university for a c) Norman Mailer nominal fee, making d) George Bernard Shaw the music from these instruments more Answer accessible to the people of Saskatchewan.
    [Show full text]
  • 20Th-Century Repertory
    Mikrokosmos List 575. - 2 - June 2013 ....20TH-CENTURY REPERTORY 1 Ahrens, Joseph: Das heilige Jahr - comp.organ S 3 x MUSICA VIV MV 601114 A 20 2 Anrooy, Peter van: Piet Hein/ H.Andriessen: Kuhnau Variations/ J.Wagenaar: FONTANA 6530044 A 10 Cyrano & De getemde feeks Overtures - Residentie Orkest, cond.Dorati, Otterloo (Dutch pressing) S 3 Arndt, Rudi: Burleske for Trompet & Orch/Hattwig: Carpe diem/Rosenfeld: Scherzo NOVA 885008 A 10 for Vln & Orch/Arenz: Sommer/Bruchmann: Toccata S 4 Auric: Trio/ M.Constant: Trio/ Canteloube: Rustiques/ Lesur: Suite - Monte Carlo REM 11029 A 12 Wind Trio (gatefold) 1987 S 5 Balanchivadze: Piano Concerto 3, Ritsa Lake Intermezzo, On the Tbilisi Sea Waltz - MELODIYA D 3916 A 60 CP1 L.Oborin, cond.Khaikin, Dimitriadi 10" OLD 6 Bantock: Pierrot Ov/ Bridge: Summer, Hamlet, Suite for String Orch/ Butterworth: RCA RL 25184 A 10 Idyll for Small Orch - cond.Del Mar (UK) S 7 Bartok: Cantata Profana, 5 Hungarian Folk Songs, Village scenes, 7 Choruses - HUNGAROT SLPX 11510 A 10 cond.Dorati, Ferencsik, Korodi (Complete Edition) S 8 Bartok: Kossuth Sym Poem; Scherzo for Pno; Scherzo from Sym in E flat - E.Tusa, HUNGAROT SLPX 11517 A 10 cond.Lehel S 9 Bartok: Miraculous Mandarin ballet, Dance Suite, Hungarian Peasant Songs - HUNGAROT SLPX 11319 A 10 Budapest PO, cond.J.Sandor (Complete Edition) S 10 Bartok: Sonata for 2 Pnos & Perc; Solo Sonata for Vln - Kocsis, Ranki, Petz, Marton, HUNGAROT SLPX 11479 A 10 D.Kovacs (Complete Edition) S 11 Bartok: Suite 2, Rumanian Folk Dances, Transylvanian Dances, Hungarian Sketches
    [Show full text]
  • Table of Contents Is Interactive
    Sheet TM Version 2.0 CDMusic 1 French Piano Music, Part I The Ultimate Collection Welcome to the CD Sheet Music™ edition of French Piano Music, Part I, the Ulti- mate Collection. This Table of Contents is interactive. Click on a title below to open the sheet music. The “composers” on this page and the bookmarks section on the left side of the screen navigate to sections of The Table of Contents.Once the music is open, the bookmarks become navigation aids to find section(s) of the work. Return to the Table of Contents by clicking on the bookmark or using the “back” button of Acrobat Reader™. The FIND feature may be used to search for a particular word or phrase. By opening any of the files on this CD-ROM, you agree to accept the terms of the CD Sheet Music™ license (Click on the bookmark to the left for the complete license agreement). Composers on this CD-ROM (click on a composer to go to that section of the Table of Contents) ALKAN FRANCK RAVEL BIZET IBERT ROUSSEL CHABRIER KOECHLIN SAINT-SAËNS CHAMINADE MASSENET SATIE D’INDY MILHAUD SCHMITT DUKAS POULENC VIERNE The complete Table of Contents begins on the next page © Copyright 2005 by CD Sheet Music, LLC Sheet TM Version 2.0 CDMusic 2 VALENTIN ALKAN IV. La Bohémienne Saltarelle, Op. 23 V. Les Confidences Prélude in B Major, from 25 Préludes, VI. Le Retour Op. 31, No. 3 Variations Chromatiques de concert Symphony, from 12 Études Nocturne in D Major I. Allegro, Op. 39, No.
    [Show full text]