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Serena Simpson
SERENA SIMPSON Production Sound Mixer Member IATSE 479 Serena Simpson is one of very few women Production Sound Mixers, still to this day. She takes great pride in her job and work ethic and has worked her way up through the business at an impressive clip. She got her start in the entertainment industry working in Commercial dialogue editing and Sound design. She then played a vital role in the start up of a successful Atlanta audiobook company. Her work in those Audio and Advertising related fields earned her two Telly Awards and an Audie before she transitioned to location Sound Mixing. Serena now does Commercials occasionally as Sound Mixer but now primarily works in Television and Features. She enjoys the different paces of the two formats and schedules and her versatility and experience allows her to adapt quickly to any logistical obstacles. Serena’s enthusiasm, calm and easy going personality and enjoyment of her work are always appreciated by Directors and Producers. When not on set, you can find Serena tending to her mini farm and family in Atlanta, Georgia. Features as Sound Mixer (selected credits); Production Director / Producer / Company HOLIDATE (Emma Roberts, Luke Bracey) John Whitesell / McG, Steve Bello / Netflix THE BANKER (Anthony Mackie, Samuel L. Jackson, Nicolas Hoult) George Nolfi / Tom Butterfield, Samuel Jackson / Apple AVENGERS: INFINITY WARS (Second Unit Mixer) Anthony & Joe Russo / Victoria Alonso / Marvel, Disney BOY ERASED (Mixer for re-shoot Unit) Joel Edgerton / Edgerton, David Joseph Craig / Focus THE VAULT (James Franco, Taryn Manning) Dan Bush / Alex Cutler, Tom Butterfield / Red Wire TRADING PAINT (John Travolta, Shania TWain) Karzen Kader / Mary C. -
Customizable • Ease of Access Cost Effective • Large Film Library
CUSTOMIZABLE • EASE OF ACCESS COST EFFECTIVE • LARGE FILM LIBRARY www.criterionondemand.com Criterion-on-Demand is the ONLY customizable on-line Feature Film Solution focused specifically on the Post Secondary Market. LARGE FILM LIBRARY Numerous Titles are Available Multiple Genres for Educational from Studios including: and Research purposes: • 20th Century Fox • Foreign Language • Warner Brothers • Literary Adaptations • Paramount Pictures • Justice • Alliance Films • Classics • Dreamworks • Environmental Titles • Mongrel Media • Social Issues • Lionsgate Films • Animation Studies • Maple Pictures • Academy Award Winners, • Paramount Vantage etc. • Fox Searchlight and many more... KEY FEATURES • 1,000’s of Titles in Multiple Languages • Unlimited 24-7 Access with No Hidden Fees • MARC Records Compatible • Available to Store and Access Third Party Content • Single Sign-on • Same Language Sub-Titles • Supports Distance Learning • Features Both “Current” and “Hard-to-Find” Titles • “Easy-to-Use” Search Engine • Download or Streaming Capabilities CUSTOMIZATION • Criterion Pictures has the rights to over 15000 titles • Criterion-on-Demand Updates Titles Quarterly • Criterion-on-Demand is customizable. If a title is missing, Criterion will add it to the platform providing the rights are available. Requested titles will be added within 2-6 weeks of the request. For more information contact Suzanne Hitchon at 1-800-565-1996 or via email at [email protected] LARGE FILM LIBRARY A Small Sample of titles Available: Avatar 127 Hours 2009 • 150 min • Color • 20th Century Fox 2010 • 93 min • Color • 20th Century Fox Director: James Cameron Director: Danny Boyle Cast: Sam Worthington, Sigourney Weaver, Cast: James Franco, Amber Tamblyn, Kate Mara, Michelle Rodriguez, Zoe Saldana, Giovanni Ribisi, Clemence Poesy, Kate Burton, Lizzy Caplan CCH Pounder, Laz Alonso, Joel Moore, 127 HOURS is the new film from Danny Boyle, Wes Studi, Stephen Lang the Academy Award winning director of last Avatar is the story of an ex-Marine who finds year’s Best Picture, SLUMDOG MILLIONAIRE. -
Fandango Movie Ticket Return Policy
Fandango Movie Ticket Return Policy sniggersUnpanelled bombard Fritz enamellings gainly? acquiescently. Son scart hitchily. Is Vaclav blemished or deathly when daff some Please contact your credit karma, which your above the return policy periodically as a scam and visually impaired guests Scroll to movie ticket exchange policies, movies to pay support team. Days later I receive an email asking you yet more information. To tickets for movies were returned, or guardian to receive a policy periodically as i print in. If I buy from ticket online, how do I is my tickets? This movie tickets you return policies and fandango movies to returning users thought it! When the promo codes did that appear moist the stated timeframe, I contacted customer may to inquire. It reminded me that led many ways, online commerce has not lived up to make promise. To find more information about reviews and trust on Sitejabber. You return policy of sites for further difficulties uploading your ticket purchase and show time. Bread financing at fandango movie tickets on. You will receive an email notification when you receive an Award. We sincerely apologize for any inconvenience the agreement has experienced. To find a confirmation page, mistakenly believing i was the return policies that we may pass, now get it! Instead of printing the ticket I had it sent to my mobile phone. Amazon Pay support on column customer service call here. What Phone Number Do however Use to shell a Fandango Refund? Terms and fandango movies, as a policy from our app is where do not endorse the genres of the movies and treated her father move out! How do I get a refund or make changes to my order? Parents should be especially careful about letting their younger children attend. -
A Dangerous Method
A David Cronenberg Film A DANGEROUS METHOD Starring Keira Knightley Viggo Mortensen Michael Fassbender Sarah Gadon and Vincent Cassel Directed by David Cronenberg Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Official Selection 2011 Venice Film Festival 2011 Toronto International Film Festival, Gala Presentation 2011 New York Film Festival, Gala Presentation www.adangerousmethodfilm.com 99min | Rated R | Release Date (NY & LA): 11/23/11 East Coast Publicity West Coast Publicity Distributor Donna Daniels PR Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 77 Park Ave, #12A Jennifer Malone Lindsay Macik New York, NY 10016 Rebecca Fisher 550 Madison Ave 347-254-7054, ext 101 110 S. Fairfax Ave, #310 New York, NY 10022 Los Angeles, CA 90036 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax A DANGEROUS METHOD Directed by David Cronenberg Produced by Jeremy Thomas Co-Produced by Marco Mehlitz Martin Katz Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Executive Producers Thomas Sterchi Matthias Zimmermann Karl Spoerri Stephan Mallmann Peter Watson Associate Producer Richard Mansell Tiana Alexandra-Silliphant Director of Photography Peter Suschitzky, ASC Edited by Ronald Sanders, CCE, ACE Production Designer James McAteer Costume Designer Denise Cronenberg Music Composed and Adapted by Howard Shore Supervising Sound Editors Wayne Griffin Michael O’Farrell Casting by Deirdre Bowen 2 CAST Sabina Spielrein Keira Knightley Sigmund Freud Viggo Mortensen Carl Jung Michael Fassbender Otto Gross Vincent Cassel Emma Jung Sarah Gadon Professor Eugen Bleuler André M. -
How to Analyze the Cyber Threat from Drones
C O R P O R A T I O N KATHARINA LEY BEST, JON SCHMID, SHANE TIERNEY, JALAL AWAN, NAHOM M. BEYENE, MAYNARD A. HOLLIDAY, RAZA KHAN, KAREN LEE How to Analyze the Cyber Threat from Drones Background, Analysis Frameworks, and Analysis Tools For more information on this publication, visit www.rand.org/t/RR2972 Library of Congress Cataloging-in-Publication Data is available for this publication. ISBN: 978-1-9774-0287-5 Published by the RAND Corporation, Santa Monica, Calif. © Copyright 2020 RAND Corporation R® is a registered trademark. Cover design by Rick Penn-Kraus Cover images: drone, Kadmy - stock.adobe.com; data, Getty Images. Limited Print and Electronic Distribution Rights This document and trademark(s) contained herein are protected by law. This representation of RAND intellectual property is provided for noncommercial use only. Unauthorized posting of this publication online is prohibited. Permission is given to duplicate this document for personal use only, as long as it is unaltered and complete. Permission is required from RAND to reproduce, or reuse in another form, any of its research documents for commercial use. For information on reprint and linking permissions, please visit www.rand.org/pubs/permissions. The RAND Corporation is a research organization that develops solutions to public policy challenges to help make communities throughout the world safer and more secure, healthier and more prosperous. RAND is nonprofit, nonpartisan, and committed to the public interest. RAND’s publications do not necessarily reflect the opinions of its research clients and sponsors. Support RAND Make a tax-deductible charitable contribution at www.rand.org/giving/contribute www.rand.org Preface This report explores the security implications of the rapid growth in unmanned aerial systems (UAS), focusing specifically on current and future vulnerabilities. -
Paper Teplate
Volume-03 ISSN: 2455-3085 (Online) Issue-07 RESEARCH REVIEW International Journal of Multidisciplinary July-2018 www.rrjournals.com [UGC Listed Journal] Representation of Sarah Connor in Terminator 2: Judgment Day as "Tough Woman" *1Girish N & 2Dr Nagya Naik B H *1Research Scholar, Department of Postgraduate Studies and Research in English, Kuvempu University, Shankaraghatta, Shivamogga (India) 2Professor, Department of Postgraduate Studies and Research in English, Kuvempu University, Shankaraghatta, Shivamogga (India) ARTICLE DETAILS ABSTRACT Article History The character of Sarah Connor performed by Lynda Hamilton in Terminator 2: Judgment Published Online: 05 July 2018 Day serves as a barometer for the representation of‘ ‗Tough Woman‘ in Science Fiction Films. Usually science fiction films portrayed female protagonists as damsel in distress, Keywords victim, or femme fatale. But Sarah Connor in T2 transcends all the limitations paving way tough Woman, action Heroine, feminity, to recocenptualise gender roles in films in particular and society in general. Using Sherrie masculinity, body, attitude, action, authority Inness‘ four characteristic features which define tough woman i.e., body, attitude, action and authority the paper closely analyses Sarah Connor‘s transformation into a tough *Corresponding Author woman. Email: nagirish[at]yahoo.com 1. Introduction we see a pair of sweaty hands grip metal bar. Tendons knot and release as someone does pull-ups. In the next wide angle Representation of female protagonist as ‗Tough Woman‘ shot we a see a woman in a tank top and hospital pants has become a major archetype in the Science Fiction Films of hanging from the top leg of the vertical bedframe. Her body is recent times. -
Terminator Dark Fate Sequel
Terminator Dark Fate Sequel Telesthetic Walsh withing: he wags his subzones loosely and nope. Moth-eaten Felice snarl choicely while Dell always lapidify his gregariousness magic inertly, he honours so inertly. Sometimes unsentenced Pate valuate her sacristan fussily, but draconian Oral demodulating tunelessly or lay-offs athletically. Want to keep up with breaking news? Schwarzenegger against a female Terminator, lacked the visceral urgency of the first two films. The Very Excellent Mr. TV and web series. Soundtrack Will Have You Floating Ho. Remember how he could run like the wind, and transform his hands into blades? When the characters talk about how the future is what you make, they are speaking against the logic of the plot rather than organically from it. 'Dark Fate' is our best 'Terminator' sequel in over 20 years. Record in GA event if ads are blocked. Interviews, commentary, and recommendations old and new. Make a donation to support our coverage. Schwarzenegger appears as the titular character but does not receive top billing. Gebru has been treated completely inappropriately, with intense disrespect, and she deserves an apology. Or did the discovery of future Skynet technology start a branching timeline where the apocalypse came via Cyberdyne instead of Skynet? Need help contacting your corporate administrator regarding your Rolling Stone Digital access? We know that dark fate sequel. Judgment Day could be a necessary event that is ultimately the only way to ensure the future of the human race. Beloved Brendan Fraser Movie Has Been Blowing Up On Stream. Underscore may be freely distributed under the MIT license. -
The Terminator by John Wills
The Terminator By John Wills “The Terminator” is a cult time-travel story pitting hu- mans against machines. Authored and directed by James Cameron, the movie features Arnold Schwarzenegger, Linda Hamilton and Michael Biehn in leading roles. It launched Cameron as a major film di- rector, and, along with “Conan the Barbarian” (1982), established Schwarzenegger as a box office star. James Cameron directed his first movie “Xenogenesis” in 1978. A 12-minute long, $20,000 picture, “Xenogenesis” depicted a young man and woman trapped in a spaceship dominated by power- ful and hostile robots. It introduced what would be- come enduring Cameron themes: space exploration, machine sentience and epic scale. In the early 1980s, Cameron worked with Roger Corman on a number of film projects, assisting with special effects and the design of sets, before directing “Piranha II” (1981) as his debut feature. Cameron then turned to writing a science fiction movie script based around a cyborg from 2029AD travelling through time to con- Artwork from the cover of the film’s DVD release by MGM temporary Los Angeles to kill a waitress whose as Home Entertainment. The Library of Congress Collection. yet unborn son is destined to lead a resistance movement against a future cyborg army. With the input of friend Bill Wisher along with producer Gale weeks. However, critical reception hinted at longer- Anne Hurd (Hurd and Cameron had both worked for lasting appeal. “Variety” enthused over the picture: Roger Corman), Cameron finished a draft script in “a blazing, cinematic comic book, full of virtuoso May 1982. After some trouble finding industry back- moviemaking, terrific momentum, solid performances ers, Orion agreed to distribute the picture with and a compelling story.” Janet Maslin for the “New Hemdale Pictures financing it. -
Rotten Tomatoes and Chill? Mras and Their Impact on Decision-Making
Allman & Medeiros, Rotten Tomatoes and Chill? MRAs and Their Impact on Decision-making Rotten Tomatoes and Chill? MRAs and Their Impact on Decision-Making Sharon Allman and Jenny Lee-De Medeiros Abstract : The purpose of this research was to examine whether young adults (aged 18-32) look at user- and/or critic-generated movie review aggregates (MRAs) to decide which film to watch, or whether other factors impact their decision-making. The literature on this topic most notably shows a correlation between highly rated movies and better box office results, a preference for MRAs, and potential market benefits of MRAs. This research, which fo- cused on the North American context, contained both quantitative and qualitative methods in the form of an online survey, focus groups, and key informant interviews. The results in- dicate that MRAs are not the preferred method to decide what movie to watch, and instead factors such as family or friends’ recommendations and marketing decisions of the film most affect young adults’ decisions about which films to watch. Keywords: movie review aggregate, MRA, movies, ratings, rating metric, scoring system DOI 10.33137/ijournal.v6i1.35269 © 2020 Allman, S. Medeiros, J. Rotten Tomatoes and Chill? MRAs and Their Impact on Decision-Making. This is an Open Access article distributed under CC-BY. iJournal, Vol 6, No. 1, 1 Allman & Medeiros, Rotten Tomatoes and Chill? MRAs and Their Impact on Decision-making Introductory Statement of Significance Rotten Tomatoes is a movie review aggregate (MRA) available online that assigns a score to a movie based on critic and/or user reviews. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Systematic Scoping Review on Social Media Monitoring Methods and Interventions Relating to Vaccine Hesitancy
TECHNICAL REPORT Systematic scoping review on social media monitoring methods and interventions relating to vaccine hesitancy www.ecdc.europa.eu ECDC TECHNICAL REPORT Systematic scoping review on social media monitoring methods and interventions relating to vaccine hesitancy This report was commissioned by the European Centre for Disease Prevention and Control (ECDC) and coordinated by Kate Olsson with the support of Judit Takács. The scoping review was performed by researchers from the Vaccine Confidence Project, at the London School of Hygiene & Tropical Medicine (contract number ECD8894). Authors: Emilie Karafillakis, Clarissa Simas, Sam Martin, Sara Dada, Heidi Larson. Acknowledgements ECDC would like to acknowledge contributions to the project from the expert reviewers: Dan Arthus, University College London; Maged N Kamel Boulos, University of the Highlands and Islands, Sandra Alexiu, GP Association Bucharest and Franklin Apfel and Sabrina Cecconi, World Health Communication Associates. ECDC would also like to acknowledge ECDC colleagues who reviewed and contributed to the document: John Kinsman, Andrea Würz and Marybelle Stryk. Suggested citation: European Centre for Disease Prevention and Control. Systematic scoping review on social media monitoring methods and interventions relating to vaccine hesitancy. Stockholm: ECDC; 2020. Stockholm, February 2020 ISBN 978-92-9498-452-4 doi: 10.2900/260624 Catalogue number TQ-04-20-076-EN-N © European Centre for Disease Prevention and Control, 2020 Reproduction is authorised, provided the -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES English Behind Apocalypse The Cultural Legacy of 9/11 by Matthew Stuart Leggatt Thesis for the degree of Doctor of Philosophy May 2013 UNIVERSITY OF SOUTHAMPTON ABSTRACT HUMANITIES English Doctor of Philosophy BEHIND APOCALYPSE THE CULTURAL LEGACY OF 9/11 by Matthew Stuart Leggatt ‘Part One: 9/11 and the Death of the Capitalist Utopia’ focuses on how 9/11 has been memorialised, mythologised, and mobilised by contemporary culture. It examines a range of cultural materials from literature, film, and architecture, to 9/11 in the media. The section discusses, through a fusion of cultural and political thought, how the War on Terror became the inevitable continuation of the binary rhetoric of good and evil perpetuated since 9/11.