SKIFTANDE ENHETER, the £15Otd/£12.50Adv

Total Page:16

File Type:pdf, Size:1020Kb

SKIFTANDE ENHETER, the £15Otd/£12.50Adv THE LONDON PUNK NEWSLETTER Another Welcome back. After six months of aggregation more new bands and nights springing up, with First Feband exhilaration and a month to recover from 2020 the Timers getting underway with all sorts of workshops horribly, brutally possible year that was 2019, we are and socials designed to get you forming the band of here to guide you in the direction of The Pit. January your dreams. As ever, a thank you to everyone who saw the DIY and punk scenes that coalese around has submitted gigs or contributed to the back page, London rise from slumber and put on some cracking and a big cheer to everyone who’s keeping it going Subculture nights and all dayers for those lucky enough to have in the roaring twenties. Follow @anothersubculture been paid before the 31st. This month we have a on Instagram or @thepunkpaper on Twitter for Volume 2 · Issue 1 anothersubculture.co.uk brace of Valentines’ events, more benefits and updates, and see you at Punk Christmas in March... Sat Sun LEATHER.HEAD, MEAT, LIMBS, K0NKIES FIRST TIMERS: BASS FIRST TIMERS 2020 IS HERE Sister Midnight Records (S), 19:00- GUITAR TECHNIQUES RADIO POGO 22:00, £4 otd*. Celebrate Independent FIRST TIMERS is a two-day festival This year, FT 2020 takes place on 4-5 with Ripley from where every single band is playing May, with band applications open until ...listen out for DOIN' IT OURSELVES with Creg & Nadine, last Venue Week with lo-fi saxophone pop, BREAKUP HAIRCUT. their first ever gig. An initiative to get Friday 14th February 2020. Go to Monday of every month on SOHO RADIO CULTURE (6-7:30pm)... experimental rockers and jangly post-punk. DSFL, 13:00-15:00, ...alongside punk stalwarts YESTERDAY'S NEWS (bi- more people making music from all www.firsttimers.org or find them on POISON POINT, NATION UNREST, NAPE, booking required, backgrounds and ability levels, the social media to apply and for all the weekly) & LA VIDA ES UN MUS (monthly), check out OK 1 £5adv/NOTAFLOF.2 WILLIAMS' new regular slot on NTS RADIO for techno/ PROTEUS Peckham Audio (S), 23:00- festival has helped over 50 bands get terms and conditions. 04:00, £9 otd. Dark electronics and EBM their start - with groups like jungle/acid...MAXIMUM ROCKNROLL RADIO continues every BIG JOANIE, galore from Paris and London. PRIMETIME, CHARMPIT, SCRAP BRAIN, In the meantime, a series of workshop week with shows from around the world, online and also SECRET POWER, BREAKUP HAIRCUT events are taking place at DIY Space on RESONANCE FM EXTRA...while on the main FM stream and many more becoming fixtures in the for London every Sunday in February - HELLO GOODBYE is still belting out live sessions on D-I-Y and punk scenes of London. details below. All events are NOTAFLOF. a Saturday (12-1:30pm, weekly)...if you've got a radio show tell us about it [email protected] Mon Tue Wed Thu Fri CAROLINE, EYE DAN DEACON, TOMAGA Scala (N), NERVUS, ITOLDYOUIWOULDEATYOU, CHARMPIT,MAKE THE SPARES, JEMMA FIRST TIMERS: MEASURE New River 19:30-23:00, £16.50adv. The Baltimore BOB VYLAN Underworld (N), 18:00- FREEMAN, SCROUNGE Sister Midnight INTRODUCTION TO Studios (N), 19:30- alt-pop favourite returns with a new body of 23:00, £9.25adv. Watford altpunks Records (S), 18:30-22:00, £5otd*. LEAD GUITAR with 23:00, £4adv/£5otd. unprocessed bangers. embarking on their biggest London show yet, Anarchist punk pop, glam and surf punk, in aid Anna from HAWXX. Authentic, celestial and with ferocious hardcore rap and emo support. of Action for Refugees in Lewisham . DSFL, 13:00-15:00, F. EMASCULATA, DMDR, CECILIA, ambient compositions. THE TUBS, SUEP, MARCEL WAVE booking required, 3 4 5 6 7 FALAUN DIY Space for London8 (S), £5adv/NOTAFLOF.9 Sister Midnight Records (S), 19:30- 19:00-23:00, £8.80adv. X-Files hardcore! 22:00, £5otd*. New wave with a Flying Nun PC WORLD, NAPE, HEX ULTRA, MUSCLE LOOPING WORKSHOP jangle vibe, with stadium pop anthems and UP, AAVON The Waiting Room (N), with Etienne from high street lament. 22:00, £8.80adv. Unrelenting algorithms. WHITELANDS. DSFL, MUMMY, HIGH/VIS, THE DEAD ZOO, 15:00-17:00, details as ATOM BY ATOM The Windmill (S), above. 20:00-23:00, £5otd. Grunge and garage. TEKNOKRATER, VILE SPECIES, FRIKEERNE, MIGRAINES, METHXCAMP, BINGE DRINKER + more Venue and time TBA on the day, see social media for details. £5otd*. Athenian noisegrind. YOUR ATLANTA DREAM SEASON, ADULTS BOYS OF THE HOLE, DMDR, BRAZEN EN ATTENDANT ANA, MARCEL WAVE MOOR MOTHER, Servent Jazz Quarters (E), 19:30, HUSSY, CIRCLE NONE, SHOOTING Pin Ups (N), 19:30-23:00, £6otd. BROTHER MAY Cafe £6adv/£8otd. Valiant indie rock group DAGGERS Amersham Arms (S), 18:00- Shimmering Parisian indie pop. OFO (E), 19:30-23:00, launchs their new album ‘Red Means Go’ with 00:00, £8otd. A Not Your Galentines party HYGIENE, SKIFTANDE ENHETER, THE £15otd/£12.50adv. south London noisemongers. and art exhibit with south London’s best queer COOL GREENHOUSE, SARCASM New Final residency spot, do thrashcore and post-grunge punks. River Studios (N), 20:00-23:00, £7otd. not miss. 10 11 12 PUCE MARY, JFK, EROS CATHETER13 K.G.Bs, DESPERATE FUN Helgi’s14 (E), Repetitive post punk from home15 and abroad. 16 FIRST TIMERS: The Glove That Fits (E), 19:30-00:30, MOOR MOTHER, GALYA BISENGALIEVA, 21:00-late, FREE. No-fi punk hits all night. ONO, ELAINE MITCHENER Cafe OTO (E), DRUM WORKSHOP £16.90adv. Under My Feet celebrate their MOOR MOTHER, ONO Cafe OTO (E), with CHARISMATIC fifth anniversary with Frederikke Hoffmeier’s 19:30-23:00. £15otd/£12.50adv. Second 19:30-23:00, £15otd/£12.50adv. First day with the interdisciplinary artist & friends. MEGAFAUNA. DSFL, sound collage and punishing noise. day of a very special residency. POISONOUS CUNT, THE DUB RIGHTERS, 13:00-15:00, booking PINEY GIR, GRAWLIX, CAPTAIN TROPICAL NIGHTMARE, BAD JESUS, required, £5adv/ HANDSOME, I AM HER The Finsbury EBOLALAS, BRAZEN HUSSY Grow NOTAFLOF. (N), 20:00-23:00, FREE. A Get In Her Ears Tottenham (N), 16:30-late, £10otd. FIND YOUR VOICE Valentine’s special. Anarcho punk and speed dating. with MIRI (Vocal CHUBBY AND THE GANG, YOUNG TRASH KIT, HANDLE The Lexington (N), workshop). 15:30- FRANCIS HI-FI The Macbeth (E), 21:00- 17:30, details as above. 19:30-23:00, £9adv. Exhilirating post punk. 02:00, £5adv/£7otd. Speed punks return. OWN SUGAR RUSH, NERVOUS REX, SLASH KILLJOYS, BOYS OF FICTION DIY Space for London (S), THE HOLE + more 19:30-23:00, £4adv/£7otd. Bristol DIY Space for dinopunks from Eat Up For Starters, janky pop London (S), 19:00- punk types and Yorkshire queercore. 23:00, £4 waged/ £pwyc unwaged*. 17 18 19 20 21 22 Lo-fi synth23 punks with their first EP. FIRST TIMERS: UKULELE WORKSHOP with Laura Ankles. DSFL, 13:00-15:00, booking required, £5adv/NOTAFLOF. SONGWRITING FOR PUNX with BREAKUP HAIRCUT. 15:00-17:00, details as above. MASSICOT, CULTDREAMS, TARA CLERKIN TRIO, MXLX, GENGHISKIND TROPICAL NIGHTMARE, MONEY, ZEK, LAZY DAY,OF CHEERBLEEDERZ, EX-VÖID, SLAGHEAP, SHAKE KERMES Boston COHN New River Studios, 19:30, INTERIOR, MALADIA New River Studios FINISH FLAG, ICEHEAD, R. N. TAYLOR, Want your March CHAIN Music Room (N), £6adv/£8otd. Dubby folk, emotive heavy (N), 20:00-23:00, £5otd. The noise punx PROFESSOR MOONCUP The Victoria gig in the zine next New River Studios 19:00-23:00, drone, scraping punknoise. celebrate the release of their first LP with local (E), 16:00-02:00, £9adv. Idaho bring a month? Submit by (N), 19:30-23:00, £11.75adv. Multi- hardcore cataclysm. stacked leap day line-up of indie pop punkers. Friday 21st February £7otd. No-frills guitar national sad lo-fi punks THE COOL GREENHOUSE + more TBA sounds24 from Geneva 25 with special26 guests. Peckham Audio (S), 19:30-23:00,27 28 29 touring with self- £6adv. Debut headline appearance from the described post punk cardboard man. nonsense. SPECIAL GUESTS, THE REBEL, МОЛЧАТ ДОМА, CHUBBY AND THE GANG Venue STATIC PALM Studio MOT Unit 18 (S), 19:00-00:00, £11adv. 2924 (E), 19:30- Fundraiser. Food bank fundrasier with 23:00, £13.20adv. Country Teasers alumni, London’s loudest and Belarusian synth YouTube a big surprise. Bring donations. hits on their first UK tour. MUSIC BOSTON MUSIC ROOM 178 Junction Road, Tufnell Park N19 5QQ =® Tufnell Park THE FINSBURY 336 Green Lanes, Finsbury North Park N4 1BY ® Manor House GROW TOTTENHAM Ashley House, Ashley Road, Tottenham Hale N17 9LZ =® Tottenham Hale THE LEXINGTON 96-98 Pentonville Road, Kings Cross N1 9JB ® Angel THE MACBETH 70 Hoxton Street, Hoxton N1 6LP ® Hoxton NEW RIVER STUDIOS 199 Eade Road, Harringay Warehouse District N4 1DN ® Manor House PIN UPS 1 Tolpuddle Street, Angel N1 0XT ®Angel SCALA 275 Pentonville Road, Kings Cross N1 9NL =® Kings Cross St Pancras SERVANT JAZZ QUARTERS 10a Bradbury Street, Dalston N16 8JN ® Dalston Kingsland UNDERWORLD 174 Camden High Street, Camden NW1 0NE ® Camden Town THE WAITING ROOM 175 Stoke Newington High Street, Stoke Newington N16 0LH ® Stoke Newington CAFE OFO 18-22 Ashwin Street, Dalston E8 3DL ® Dalston Junction THE GLOVE THAT FITS 179 Morning Lane, Homerton East E9 6LH ® Homerton/Hackney Central HELGI’S 188 Mare Street, Hackney E8 3RH ® London Fields THE VICTORIA 455 Queensbridge Road, Dalston E8 3AS ® Dalston Junction AMERSHAM ARMS 388 New Cross Road, New Cross SE14 6TY =® New Cross DIY SPACE FOR LONDON 96-108 Ormside South Street, South Bermondsey SE15 1TF =® Queens Road Peckham PECKHAM AUDIO 133 Rye Lane, Peckham SE15 4ST =® Peckham Rye SISTER MIDNIGHT RECORDS 4 Tanners Hill, Deptford SE8 4PJ =® Deptford Bridge/New Cross VENUE MOT UNIT 18 Orion Business Centre, Surrey Canal Road, Bermondsey SE14 5RT = South Bermondsey THE WINDMILL 22 Blenheim Gardens, London SW2 5BZ =® Brixton I DON’T WANT TO BE DUG UP FROM THE WET Prices with a * denotes a NOTAFLOF policy (no-one turned away for lack of funds).
Recommended publications
  • Darwinism, Heredity, and Atavism in Thomas Hardy's Novels
    Journal of Literature and Art Studies, August 2019, Vol. 9, No. 8, 830-839 doi: 10.17265/2159-5836/2019.08.003 D DAVID PUBLISHING “I Am the Family Face”: Darwinism, Heredity, and Atavism in Thomas Hardy’s Novels QI Jun-jie Department of Etudes Anglaises, University of Sorbonne Nouvelle-Paris 3, Paris, France 19th-century scientific breakthroughs and developments exerted huge influence upon Thomas Hardy’s literary work, among which Darwinian discourses as well as issues of heredity and degeneration have attracted considerable critical attention. These scientific discourses can find their literary echoes in Hardy’s novels. Hardy’s characters are trapped by biological determinism and are therefore deprived of freewill, a devastating element which contributes to Hardy’s tragic vision. In Hardy’s early novels, Darwinism and other scientific issues are dealt with in a discursive manner, as is the case in A Pair of Blue Eyes; it is only in his late novels, especially in Tess of the d’Urbervilles and Jude the Obscure, that Hardy finally succeeds in incorporating Darwinian and hereditary discourses into his literary and philosophical conception and design. Thus to use a Darwinian term, this paper investigates the evolutionary process in which Hardy grows gradually adept in his artistic attempt to fuse the contemporary scientific discourses with his literary imagination, as well as in using scientific issues to mediate between authorial intention and critical expectation. Keywords: Darwinism, heredity, pedigree, atavism, pathology The influence of 19th-century scientific breakthroughs and developments on Thomas Hardy has been widely acknowledged and examined, among which Darwinian discourses and issues of heredity and degeneration have attracted considerable critical attention.
    [Show full text]
  • Jack Dejohnette's Drum Solo On
    NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • Historical Painting Techniques, Materials, and Studio Practice
    Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A.
    [Show full text]
  • Places to Go, People To
    Hanson mistakenINSIDE EXCLUSIVE:for witches, burned. VerThe Vanderbilt Hustler’s Arts su & Entertainment Magazine s OCTOBER 28—NOVEMBER 3, 2009 VOL. 47, NO. 23 VANDY FALL FASHION We found 10 students who put their own spin on this season’s trends. Check it out when you fl ip to page 9. Cinematic Spark Notes for your reading pleasure on page 4. “I’m a mouse. Duh!” Halloween costume ideas beyond animal ears and hotpants. Turn to page 8 and put down the bunny ears. PLACES TO GO, PEOPLE TO SEE THURSDAY, OCTOBER 29 FRIDAY, OCTOBER 30 SATURDAY, OCTOBER 31 The Regulars The Black Lips – The Mercy Lounge Jimmy Hall and The Prisoners of Love Reunion Show The Avett Brothers – Ryman Auditorium THE RUTLEDGE The Mercy Lounge will play host to self described psychedelic/ There really isn’t enough good to be said about an Avett Brothers concert. – 3rd and Lindsley 410 Fourth Ave. South 37201 comedy band the Black Lips. With heavy punk rock infl uence and Singing dirty blues and southern rock with an earthy, roots The energy, the passion, the excitement, the emotion, the talent … all are 782-6858 mildly witty lyrics, these Lips are not Flaming but will certainly music sound, Jimmy Hall and his crew stick to the basics with completely unrivaled when it comes to the band’s explosive live shows. provide another sort of entertainment. The show will lean towards a songs like “Still Want To Be Your Man.” The no nonsense Whether it’s a heart wrenchingly beautiful ballad or a hard-driving rock punk or skaa atmosphere, though less angry.
    [Show full text]
  • New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry
    New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel B.S. Physics Hobart and William Smith Colleges, 2004 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2008 © 2008 Evan Landon Wendel. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: _______________________________________________________ Program in Comparative Media Studies May 9, 2008 Certified By: _____________________________________________________________ William Uricchio Professor of Comparative Media Studies Co-Director, Comparative Media Studies Thesis Supervisor Accepted By: _____________________________________________________________ Henry Jenkins Peter de Florez Professor of Humanities Professor of Comparative Media Studies and Literature Co-Director, Comparative Media Studies 2 3 New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel Submitted to the Department of Comparative Media Studies on May 9, 2008 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies Abstract This thesis explores the evolving nature of independent music practices in the context of offline and online social networks. The pivotal role of social networks in the cultural production of music is first examined by treating an independent record label of the post- punk era as an offline social network.
    [Show full text]
  • In a Time of Crisis Bishop Paul Affi Rm Your Priests, Deacons and Seminarians Swain
    Monthly publication for the Catholic Diocese of Sioux Falls September 2019 It's a beautiful time to be a priest: Discerning a vocation in a time of crisis Bishop Paul Affi rm your priests, deacons and seminarians Swain he theme for this month’s Our diocese has from its beginnings T received clergy from outside the state, be- Bulletin is “Discerning a Vo- ginning with our fi rst bishop Martin Marty, cation in a Time of Crisis.” a Benedictine missionary. Some of our beloved priests have been religious order Surely these are challenging priests and diocesan priests from other times for us all, but especially dioceses. They have enriched us all. for our priests and seminarians. We always seek attestation that they are That a few would betray their in good standing and have completed promise of chastity and cast a appropriate training consistent with the requirements of the Charter for the Protec- shadow over the vast majority tion of Children and Young Adults. They of our brothers is discouraging are expected to complete, as are all clergy and volunteers working with children, an- to say the least, dispiriting and nual training and openness to background profoundly sad. checks. When we evaluate candidates for seminary I encourage those reading these words to sponsorship and the permanent diaconate affi rm and encourage your priests, deacons and journey with them in their formation, and our seminarians. these are some of the virtues I keep in The truth is that a vocation, whichever it is, mind, always remembering that we are all is a call from God through Christ always works in progress: in the midst of the culture of the day.
    [Show full text]
  • The Wolf That Never Sleeps’
    THE BADEN-POWELL STORY — ‘THE WOLF THAT NEVER SLEEPS’ 1 THE BADEN-POWELL STORY — ‘THE WOLF THAT NEVER SLEEPS’ Downloaded from: “The Dump” at Scoutscan.com http://www.thedump.scoutscan.com/ Editor’s Note: The reader is reminded that these texts have been written a long time ago. Consequently, they may use some terms or use expressions which were current at the time, regardless of what we may think of them at the beginning of the 21st century. For reasons of historical accuracy they have been preserved in their original form. If you find them offensive, we ask you to please delete this file from your system. This and other traditional Scouting texts may be downloaded from the Dump. 2 THE BADEN-POWELL STORY — ‘THE WOLF THAT NEVER SLEEPS’ THE STORY OF BADEN-POWELL ‘The Wolf that never Sleeps’ BY HAROLD BEGBIE WITH ILLUSTRATIONS Vestigia nulla retrorsum Originally Published LONDON GRANT RICHARDS 1900 G “... A name and an example, which are at this hour inspiring hundreds of the youth of England....” Southey’s Life of Nelson. First printed May 1900. Reprinted May 1900. 3 THE BADEN-POWELL STORY — ‘THE WOLF THAT NEVER SLEEPS’ MAJOR-GENERAL R.S.S. BADEN-POWELL. 4 THE BADEN-POWELL STORY — ‘THE WOLF THAT NEVER SLEEPS’ To SMITH MAJOR HONOURED SIR, If amid the storm and stress of your academic career you find an hour’s relaxation in perusing the pages of this book, all the travail that I have suffered in the making of it will be repaid a thousandfold. Throughout the quiet hours of many nights, when Morpheus has mercifully muzzled my youngest (a fine child, sir, but a female), I have bent over my littered desk driving a jibbing pen, comforted and encouraged simply and solely by the vision of my labour’s object and attainment.
    [Show full text]
  • Burn ALSO by PATRICK NESS
    Burn ALSO BY PATRICK NESS And the Ocean Was Our Sky Release The Rest of Us Just Live Here More Than This The Crane Wife A Monster Calls Monsters of Men The Ask and the Answer The Knife of Never Letting Go Topics About Which I Know Nothing The Crash of Hennington Burn This is a work of fiction. Names, characters, places and incidents are either the product of the author’s imagination or, if real, used fictitiously. All statements, activities, stunts, descriptions, information and material of any other kind contained herein are included for entertainment purposes only and should not be relied on for accuracy or replicated as they may result in injury. First published 2020 by Walker Books Ltd 87 Vauxhall Walk, London SE11 5HJ This edition published 2021 2 4 6 8 10 9 7 5 3 1 Text © 2020 Patrick Ness Cover illustration © 2020 Alejandro Colucci The right of Patrick Ness to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 “Burn Up” Lyrics by Siouxsie Sioux © Copyright 1998 BMG Rights Management (UK) Limited, a BMG Company & Domino Publishing Company Limited. All Rights Reserved. International Copyright Secured. Used by Permission of Hal Leonard Europe Limited. This book has been typeset in Sabon by User Design, Illustration and Typesetting Printed and bound by CPI Group (UK) Ltd, Croydon CR0 4YY All rights reserved. No part of this book may be reproduced, transmitted or stored in an information retrieval system in any form or by any means, graphic, electronic or mechanical, including photocopying, taping and recording, without prior written permission from the publisher.
    [Show full text]
  • The Bushranger of Van Diemen's Land
    The Bushranger of Van Diemen's Land Rowcroft, Charles (d.1856) A digital text sponsored by Australian Literature Gateway University of Sydney Library Sydney 2003 http://purl.library.usyd.edu.au/setis/id/rowbush © University of Sydney Library. The texts and images are not to be used for commercial purposes without permission Source Text: Prepared from the print edition published by Smith, Elder and Co. London 1846 3 Volumes, 306pp., 286pp., 304pp. All quotation marks are retained as data. First Published: 1846 F4374 Australian Etext Collections at novels 1840-1869 The Bushranger of Van Diemen's Land London Smith, Elder and Co. 1846 Introduction. IT is well known to those who have the opportunity of observing the actual condition and the opinions of various classes of society in this country, that a dangerous notion is prevalent, among those especially where a misconception of the truth is most mischievous, that a transportation to the penal colonies is not, as the law intends, a punishment, but rather a change of country to be desired, from the opportunity which it is supposed to afford for the rapid acquisition of large fortunes in many ways; and for the sake of the licentious liberty of action which the wide wilderness holds forth the promise of, and which, to restless minds, presents so fascinating an attraction. The publication, therefore, of the following narrative, taken from the oral communication of the facts by the party principally concerned in the adventures to which they relate, may perhaps be useful, at the present time, in counteracting the pernicious tendency of the false ideas which prevail in respect to the penal arrangements of the Australian settlements; and the circulation of the history, inculcating the certain punishment and remorse which follow crime, may assist in repressing that morbid craving after notoriety which of late years has increased with such lamentable rapidity.
    [Show full text]
  • 2017 Baseball Issue COBALT 2017 Baseball Issue Kelly Smith a Game of Inches
    COBALT 2017 Baseball Issue COBALT 2017 Baseball Issue Kelly Smith A Game of Inches Kristi Arth Glove Brent Newsom What Joe Morgan Meant When He Said Outfielders Are Poets in Motion Mark Stevick Pictures from a Baseball Nation Candice Kelsey Big Sexy Christine Vovakes To Richard, My Fifth Grade Hero Kyle Hays Sit Still Midge Goldberg The Faithful Julie Whitehead Terms of the Trade Matt Pasca The Strawman & Doctor K Dan Murphy Singles Frank Morelli These Are the Times Meghan Harrison After the Boys of Summer Were Gone 2017 Earl Weaver Prize Each of the authors included in this issue was selected as a semifinalist for the fourth annual Earl Weaver Baseball Prize (our fifth baseball prize). Below are the winner and finalist selections. Finalists are listed in alphabetical order. Winner: Kyle Hays, “Sit Still” Finalist: Matt Pasca, “The Strawman & Doctor K” Finalist: Kelly Smith, “A Game of Inches” Finalist: Mark Stevick, “Pictures from a Baseball Nation” Congratulations to the winner, finalists, and semifinalists, and thank you to all who have submitted to this baseball issue and supported the Cobalt writing prizes these past six years. Submissions for the 2017 Earl Weaver Prize will open in February. A “five years of Cobalt baseball writing” anthology is in the works and will be available at the start of the 2018 season. Sincerely, Andrew Keating Chief Baseball Officer Cobalt Review | Cobalt Press Kelly Smith A Game of Inches A love letter to the Cleveland Indians from a girl and her dad “Baseball is a game of inches,” Dad would always tell me.
    [Show full text]
  • The Cure — Wikipédia
    The Cure — Wikipédia https://fr.wikipedia.org/wiki/The_Cure The Cure 1 The Cure [ðə ˈkjʊə(ɹ)] est un groupe de rock britannique, originaire de Crawley, dans le Sussex The Cure de l'Ouest, en Angleterre. Formé en 1976, le groupe comprend actuellement Robert Smith, Roger O'Donnell aux claviers, Simon Gallup à la basse, Reeves Gabrels à la guitare et Jason Cooper à la batterie. Robert Smith est la figure emblématique du groupe. Il en est le chanteur et le guitariste (il joue également de la basse ou des claviers), le parolier et le principal compositeur. Par ailleurs, il est le seul membre présent depuis l'origine du groupe. The Cure, à Singapour le 1er août 2007. Associé au mouvement new wave, The Cure a Informations générales développé un son qui lui est propre, aux ambiances 2, 3 Pays d'origine Royaume-Uni tour à tour mélancoliques, rock, pop, gothiques Genre musical Cold wave, new wave, et psychédéliques, créant de forts contrastes, où la post-punk, rock alternatif, basse est mise en avant et n’est pas seulement un rock gothique instrument d’accompagnement. Elle est, Années actives Depuis 1976 notamment en raison du jeu particulier de Simon Gallup une composante essentielle de la musique de Labels Fiction Records, Geffen The Cure. L'utilisation conjointe d'une basse six Records cordes (souvent une Fender VI), au son Site officiel www.thecure.com caractéristique, très souvent utilisée dans les motifs (http://www.thecure.com) mélodiques, contribue pour beaucoup à la signature Composition du groupe sonore si singulière du groupe. Membres Robert Smith Cette identité musicale, ainsi qu'une identité Simon Gallup visuelle véhiculée par des clips, contribuent à la Roger O'Donnell popularité du groupe qui atteint son sommet dans Jason Cooper les années 1980.
    [Show full text]
  • Unfinished Business
    UNFINISHED BUSINESS The Fight for Women’s Rights Large print exhibition guide Contents BODY 7 Image 9 Biology 30 Autonomy 54 MIND 84 Education 86 Political presence 102 Work 116 VOICE 151 Protest and partnership 153 Recover 173 Express 192 Acknowledgements 202 The Fight for Women’s Rights Today’s debates on women’s rights are rooted in a long history of activism. Women and their allies around the world have fought for change with passion, imagination and tenacity. Despite these efforts, not all women enjoy the same rights, depending on their race, class, disability, sexuality or the way they express their identity. The fight for a better world is unfinished business. Focussing on the United Kingdom, this exhibition shines a light on some of the extraordinary women and campaigns that insisted on change – and on those that continue to do so. But what is yet to come? Who else should be celebrated? What stories are missing? #UnfinishedBusiness 3 Gender equality in the UK and around the world These statistics are taken from the United Nation’s Gender Inequality Index. The measures in the Index provide a detailed picture of gender inequality in each country, and identify priority areas for improvement. The United Kingdom scores highly in many areas, and was ranked 27 of 162 countries in the latest 2018 Index. However, the fight for women’s rights is unfinished business, and the Index highlights how the UK can still improve gender equality. Source: hdr.undp.org/en/data 4 Placards On loan from Bishopsgate Institute ‘Grow a Pair’. Placard used by an unknown protestor on the Women’s March on London, 21 January 2017 ‘Unequal pay, discrimination, sexual abuse, domestic violence, reproductive rights, parental rights, LGBTQIA rights, everyday sexism, fascism’.
    [Show full text]