U-Texas-Spring-2019.Pdf

Ángel Zárraga, Las futbolistas , 1922 (Paris). We live in an information-rich world. As a publisher of international scope, the University of Texas Press serves the University of Texas at Austin community, the people of Texas, and knowledge seekers around the globe by identifying the most valuable and relevant information and publishing it in books, journals, and digital media that educate students; advance scholarship in the humanities and social sciences; and deepen humanity’s understanding of history, current events, contemporary culture, and the natural environment. university of texas press | Index by Title | Accountability across Borders, contents Bada & Gleeson................... 59 Andy Summers, Books for the Trade ...................... 4–47 Summers............................ 16 Animated Personalities, Trade Backlist...................... 20–21, 44–47 McGowan........................... 50 Series Announcements...................... 14, 24 Art_Latin_America, Oles .................................. 42 Books for Scholars ..................... 48–71 The Art of Pere Joan, Fraser ............................... 52 Award Winners............................... 62–63 Bad Neighbors, Scholars Backlist ................................... 67 Jones................................. 15 The Beast Between, Texas on Texas .............................. 72–95 Looper............................... 64 Texas Backlist................................. 87–95 Being Rapoport, Rapoport ........................... 98 Tower Books ................................. 96–99 ¡Dichos! The Wit and Whimsy of Spanish Sayings, Journals .................................... 100–109 Keenan .............................. 40 ........................... 110 The Film Photonovel, Sales Information Baetens.............................. 53 Sales Representatives ............ 110–111 Futbolera, Elsey & Nadel ..................... 38 Staff List .................................. 112–113 Ghady & Rawan, ............................... 113 Sharafeddine & Barraj ......... 70 Index by Author Ghosts, Cowboys, Watkins ............................. 15 Go Ahead in the Rain, The Open-Ended City, Trail of Footprints, Abdurraqib ........................ 10 Holliday ............................ 76 Hidalgo ............................. 61 Graphic Memories of the Plant Kin, Veii, Civil Rights Movement, Miller................................ 66 ............................... 68 Santos ............................... 51 Tabolli Poetic Justice, Violence and Naming, Herodotus and the Kapchan ............................ 71 Question Why, Johnson . .60 Pelling............................... 69 Recent Studies Indicate, Bird .................................. 74 Where Texas Meets the Sea, Human Matter, Lessoff ............................... 89 Rey Rosa ............................ 22 Revenge of the She-Punks, Goldman............................ 32 Marfa, Why Karen Carpenter Matters, Shafer................................ 88 ¡Sí, Ella Puede!, Tongson . 25 Sowards............................. 58 Mercados, Why the Beach Boys Matter, Sterling................................ 6 Taking the Land Smucker ............................ 26 to Make the City, Millennials in Architecture, Ryan ................................. 34 Why the Ramones Matter, Sollohub............................. 56 Gaines............................... 27 Mushrooms of the Television Rewired, Gulf Coast States, Nochimson ......................... 54 William S. Burroughs and Bessette, Bessette, & Lewis .....84 Thursday Night Lights, the Cult of Rock ’n’ Roll, Nathan Lyons, Hurd ................................. 90 Rae ................................... 12 Allen, Hostetler, McDonald ....28 Copyright © 2019 by the University of Texas Press. All rights reserved. O’Neil Ford on Architecture, Front cover photo: Untitled, Nathan Lyons. O’Rourke............................ 80 Back cover photo: Untitled, Andy Summers. books for the trade | food | Cookbooks A glorious tribute to the beloved Mexican markets where James Beard Award–winning author David Sterling found cultural treasures—and the inspiration for more than one hundred delectable recipes Mercados Recipes from the Markets of Mexico BY DAVID STERLING Part travelogue, part cookbook, Mercados takes us on a DAVID STERLING tour of Mexico’s most colorful destinations—its markets—led by an (1951–2016) award-winning, preeminent guide whose passion for Mexican food Sterling was the author of Yucatán: attracted followers from around the globe. Just as David Sterling’s Recipes from a Culinary Expedi- Yucatán earned him praise for his “meticulously researched knowl- tion, winner of the James Beard edge” (Saveur) and for producing Foundation’s Best Cookbook of the “a labor of love that well docu- Year Award and Best International Cookbook Award in 2015. He was the ments place, people and, yes, food” founder, and chef de cuisine at Los (Booklist), Mercados now invites One of the Tlacolula market’s many claims to fame is the vast hall dedicated to barbacoa. Here, the pit-roasted meat is often goat and some- times mutton. Order a roja and you’ll receive a bowl with the meat swimming in a rich red consomé; order a blanca and the meat arrives Dos Cooking School, the first culinary readers to learn about local ingre- shredded on a tortilla for fashioning a taco. Or, if you’d rather make your own barbacoa, whole carcasses are available, with coats of oily wool barbacoa institute in Mexico devoted exclu- dients, meet vendors and cooks, still clinging to the bones as witness to the meat’s authenticity. A recipe for can be found on page 000. sively to Yucatecan cooking. and taste dishes that reflect Mex- The William and Bettye ico’s distinctive regional cuisine. Nowlin Endowment in Art, Serving up more than one History, and Culture of hundred recipes, Mercados pres- the Western Hemisphere ents unique versions of Oaxaca’s legendary moles and Michoacan’s release date | april carnitas, as well as little-known 9∏ x 11 inches, 568 pages, 594 color photos, 12 b&w photos, 9 illustra- specialties such as the charcute- tions, 1 map rie of Chiapas, the wild anise of Pátzcuaro, and the seafood soups ISBN 978-1-4773-1040-3 $60.00 | £48.00 | C$90.00 of Veracruz. Sumptuous color photographs transport us to the enor- hardcover mous forty-acre, 10,000-merchant Central de Abastos in Oaxaca as ISBN 978-1-4773-1809-6 well as tiny tianguises in Tabasco. Blending immersive research and $60.00 passionate appreciation, David Sterling’s final opus is at once a must- e-book have cookbook and a literary feast for the gastronome. 6 UNIVERSITY OF TEXAS PRESS | SPRING 2019 UNIVERSITY OF TEXAS PRESS | SPRING 2019 7 Also by David Sterling 2015 James Beard Foundation— Book Award Nominee American Cooking Yucatán Recipes from a Culinary Expedition david sterling ISBN 978-0-292-73581-1 $60.00 hardcover 8 UNIVERSITY OF TEXAS PRESS | SPRING 2019 UNIVERSITY OF TEXAS PRESS | SPRING 2019 9 | music | Biography/Memoir The first chronicle of A Tribe Called Quest— the visionary, award-winning group whose jazz-infused records and socially conscious lyrics revolutionized rap in the early 1990s Go Ahead in the Rain Notes to A Tribe Called Quest HANIF ABduRRAQIB How does one pay homage to A Tribe Called Quest? The seminal rap group brought jazz into the genre, resurrecting timeless rhythms to create masterpieces such as The Low End Theory and Midnight Marauders. Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . Thank You 4 Your Service, which arrived when fans needed them most, in the aftermath of the 2016 election. HANIF ABDURRAQIB Poet and essayist Hanif Abdurraqib digs into the group’s history and Columbus, Ohio draws from his own experience to reflect on how their distinctive A visiting writer in the MFA sound resonated among fans like himself. The result is as ambitious program at Butler University, and genre-bending as the rap group itself. Abdurraqib is an acclaimed poet Abdurraqib traces the Tribe’s creative career, from their early and cultural critic whose work has days as part of the Afrocentric rap collective known as the Native appeared in the New York Times, MTV News, and other outlets. A Tongues, through their first three classic albums, to their eventual nominee for the Pushcart Prize, he breakup and long hiatus. Their work is placed in the context of the is the author of the highly praised broader rap landscape of the 1990s, one upended by sampling laws poetry collection The Crown Ain’t that forced a reinvention in production methods, the East Coast— Worth Much and the essay collec- West Coast rivalry that threatened to destroy the genre, and some tion They Can’t Kill Us Until They Kill Us, which was included in the record labels’ shift from focusing on groups to individual MCs. Chicago Tribune’s 25 Must-Read Throughout the narrative Abdurraqib connects the music and cul- Books list for fall 2017 and received tural history to their street-level impact. Whether he’s remembering recognition from reviewers coast-to- The Source magazine cover announcing the Tribe’s 1998 breakup or coast, including a starred review in writing personal letters to the group after MC Phife Dawg’s death, Publishers Weekly. He is currently at work on They Don’t Dance No Abdurraqib seeks the deeper truths of A Tribe Called Quest; truths Mo’, a history of black performance that—like the low end, the bass—are not simply heard in the head, in the United States. but felt in

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