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Ncaa Bracket
Captain Hook Emperor Palpatine Evil Hannibal Lecter Brenda Walsh Hannibal Lecter Brenda Walsh Megatron Hannibal Lecter Brenda Walsh Boris Red Skull Boris Red Skull Milo Minderbinder Snidely Whiplash Warden Norton EAST WEST Iago George Lucas Snidely Whiplash George Lucas King Ghidorah Darth Vader Warden Norton Warden Norton Iago Cy-Kill Warden Norton Iago Bowser Iago Baron Silas Greenback Hans Beckert Nurse Ratched Iago Pinhead Gargamel Pinhead Gargamel Cobra Commander Pinhead Gargamel Shredder Natasha Shredder Natasha Baba Yaga Sideshow Bob Nurse Ratched Sauron Sauron Sideshow Bob Sauron Jason Vorhees Tommy Lasorda Leatherface Nurse Ratched Nurse Ratched Sauron Dr. Claw Nurse Ratched Dr. Claw Hal 9000 Gozar the Gozarian Montgomery Burns Bill Sikes Montgomery Burns Tommy Lasorda Bill Sikes Duke Fame Don Logan T-1000 Montgomery Burns Bill Sikes Gannondorf Lex Luthor Mr. Wapensky Lex Luthor Mr. Wapensky (7th-grade teacher) Iago Cruella De Vil Noah Cross Professor Moriarty Mr. Blonde Noah Cross Cobra Kai sensai Noah Cross Cobra Kai sensai Francis Buxton Noah Cross Professor Moriarty Professor Moriarty Francis Buxton Professor Moriarty Voldemort The Noid Ming the Merciless Anton Chigurh Mumm-Ra Tommy Lasorda Dog from Duck Hunt Anton Chigurh Mumm-Ra General Zod Hans Gruber Mumm-Ra Anton Chigurh Jack the Ripper Hans Gruber Jack the Ripper Sammy Hagar J.J. Hunsecker Freddy Krueger Tommy Lasorda MIDWEST SOUTH Dog from Duck Hunt Dog from Duck Hunt Tommy Lasorda Dog from Duck Hunt Tommy Lasorda Gordon Gekko The Predator Tommy Lasorda Dog from Duck Hunt Grendel The Predator Grendel Pizza the Hutt Miles Mayhem. -
Study Guide for Teachers and Students
Melody Mennite in Cinderella. Photo by Amitava Sarkar STUDY GUIDE FOR TEACHERS AND STUDENTS 1 TABLE OF CONTENTS PRE AND POST-PERFORMANCE ACTIVITIES AND INFORMATION Learning Outcomes & TEKS 3 Attending a ballet performance 5 The story of Cinderella 7 The Artists who Created Cinderella: Choreographer 11 The Artists who Created Cinderella: Composer 12 The Artists who Created Cinderella Designer 13 Behind the Scenes: “The Step Family” 14 TEKS ADDRESSED Cinderella: Around the World 15 Compare & Contrast 18 Houston Ballet: Where in the World? 19 Look Ma, No Words! Storytelling in Dance 20 Storytelling Without Words Activity 21 Why Do They Wear That?: Dancers’ Clothing 22 Ballet Basics: Positions of the Feet 23 Ballet Basics: Arm Positions 24 Houston Ballet: 1955 to Today 25 Appendix A: Mood Cards 26 Appendix B: Create Your Own Story 27 Appendix C: Set Design 29 Appendix D: Costume Design 30 Appendix E: Glossary 31 2 LEARNING OUTCOMES Students who attend the performance and utilize the study guide will be able to: • Students can describe how ballets tell stories without words; • Compare & contrast the differences between various Cinderella stories; • Describe at least one dance from Cinderella in words or pictures; • Demonstrate appropriate audience behavior. TEKS ADDRESSED §117.106. MUSIC, ELEMENTARY (5) Historical and cultural relevance. The student examines music in relation to history and cultures. §114.22. LANGUAGES OTHER THAN ENGLISH LEVELS I AND II (4) Comparisons. The student develops insight into the nature of language and culture by comparing the student’s own language §110.25. ENGLISH LANGUAGE ARTS AND READING, READING (9) The student reads to increase knowledge of own culture, the culture of others, and the common elements of cultures and culture to another. -
As Transformações Nos Contos De Fadas No Século Xx
DE REINOS MUITO, MUITO DISTANTES PARA AS TELAS DO CINEMA: AS TRANSFORMAÇÕES NOS CONTOS DE FADAS NO SÉCULO XX ● FROM A LAND FAR, FAR AWAY TO THE BIG SCREEN: THE CHANGES IN FAIRY TALES IN THE TWENTIETH CENTURY Paulo Ailton Ferreira da Rosa Junior Instituto Federal Sul-rio-grandense, Brasil RESUMO | INDEXAÇÃO | TEXTO | REFERÊNCIAS | CITAR ESTE ARTIGO | O AUTOR RECEBIDO EM 24/05/2016 ● APROVADO EM 28/09/2016 Abstract This work it is, fundamentally, a comparison between works of literature with their adaptations to Cinema. Besides this, it is a critical and analytical study of the changes in three literary fairy tales when translated to Walt Disney's films. The analysis corpus, therefore, consists of the recorded texts of Perrault, Grimm and Andersen in their bibliographies and animated films "Cinderella" (1950), "Snow White and the Seven Dwarfs" (1937) and "The little Mermaid "(1989) that they were respectively inspired. The purpose of this analysis is to identify what changes happened in these adapted stories from literature to film and discuss about them. Resumo Este trabalho trata-se, fundamentalmente, de uma comparação entre obras da Literatura com suas respectivas adaptações para o Cinema. Para além disto, é um estudo crítico e analítico das transformações em três contos de fadas literários quando transpostos para narrativas fílmicas de Walt Disney. O corpus de análise, para tanto, é composto pelos textos registrados de Perrault, Grimm e Andersen em suas respectivas bibliografias e os filmes de animação “Cinderella” (1950), “Branca de Neve e os Sete Anões” (1937) e “A Pequena Sereia” (1989) que eles respectivamente inspiraram. -
Into the Woods Character Descriptions
Into The Woods Character Descriptions Narrator/Mysterious Man: This role has been cast. Cinderella: Female, age 20 to 30. Vocal range top: G5. Vocal range bottom: G3. A young, earnest maiden who is constantly mistreated by her stepmother and stepsisters. Jack: Male, age 20 to 30. Vocal range top: G4. Vocal range bottom: B2. The feckless giant killer who is ‘almost a man.’ He is adventurous, naive, energetic, and bright-eyed. Jack’s Mother: Female, age 50 to 65. Vocal range top: Gb5. Vocal range bottom: Bb3. Browbeating and weary, Jack’s protective mother who is independent, bold, and strong-willed. The Baker: Male, age 35 to 45. Vocal range top: G4. Vocal range bottom: Ab2. A harried and insecure baker who is simple and loving, yet protective of his family. He wants his wife to be happy and is willing to do anything to ensure her happiness but refuses to let others fight his battles. The Baker’s Wife: Female, age: 35 to 45. Vocal range top: G5. Vocal range bottom: F3. Determined and bright woman who wishes to be a mother. She leads a simple yet satisfying life and is very low-maintenance yet proactive in her endeavors. Cinderella’s Stepmother: Female, age 40 to 50. Vocal range top: F#5. Vocal range bottom: A3. The mean-spirited, demanding stepmother of Cinderella. Florinda And Lucinda: Female, 25 to 35. Vocal range top: Ab5. Vocal range bottom: C4. Cinderella’s stepsisters who are black of heart. They follow in their mother’s footsteps of abusing Cinderella. Little Red Riding Hood: Female, age 18 to 20. -
Damsel in Distress Or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2020-12-09 Damsel in Distress or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency Rylee Carling Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Education Commons BYU ScholarsArchive Citation Carling, Rylee, "Damsel in Distress or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency" (2020). Theses and Dissertations. 8758. https://scholarsarchive.byu.edu/etd/8758 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Damsel in Distress or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency Rylee Carling A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Paul Ricks, Chair Terrell Young Dawan Coombs Stefinee Pinnegar Department of Teacher Education Brigham Young University Copyright © 2020 Rylee Carling All Rights Reserved ABSTRACT Damsel in Distress or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency Rylee Carling Department of Teacher Education, BYU Master of Arts Retellings of classic fairy tales have become increasingly popular in the past decade, but little research has been done on the novelizations written for a young adult (YA) audience. -
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L'italia E L'eurovision Song Contest Un Rinnovato
La musica unisce l'Europa… e non solo C'è chi la definisce "La Champions League" della musica e in fondo non sbaglia. L'Eurovision è una grande festa, ma soprattutto è un concorso in cui i Paesi d'Europa si sfidano a colpi di note. Tecnicamente, è un concorso fra televisioni, visto che ad organizzarlo è l'EBU (European Broadcasting Union), l'ente che riunisce le tv pubbliche d'Europa e del bacino del Mediterraneo. Noi italiani l'abbiamo a lungo chiamato Eurofestival, i francesi sciovinisti lo chiamano Concours Eurovision de la Chanson, l'abbreviazione per tutti è Eurovision. Oggi più che mai una rassegna globale, che vede protagonisti nel 2016 43 paesi: 42 aderenti all'ente organizzatore più l'Australia, che dell'EBU è solo membro associato, essendo fuori dall'area (l’anno scorso fu invitata dall’EBU per festeggiare i 60 anni del concorso per via dei grandi ascolti che la rassegna fa in quel paese e che quest’anno è stata nuovamente invitata dall’organizzazione). L'ideatore della rassegna fu un italiano: Sergio Pugliese, nel 1956 direttore della RAI, che ispirandosi a Sanremo volle creare una rassegna musicale europea. La propose a Marcel Bezençon, il franco-svizzero allora direttore generale del neonato consorzio eurovisione, che mise il sigillo sull'idea: ecco così nascere un concorso di musica con lo scopo nobile di promuovere la collaborazione e l'amicizia tra i popoli europei, la ricostituzione di un continente dilaniato dalla guerra attraverso lo spettacolo e la tv. E oltre a questo, molto più prosaicamente, anche sperimentare una diretta in simultanea in più Paesi e promuovere il mezzo televisivo nel vecchio continente. -
Teleseries.Cl 2,736 Likes
Inicio Nosotros Entrevistas Críticas Baúl de Recuerdos Diurnas Vespertinas Nocturnas v i e r n e s , 2 d e j u n i o d e 2 0 1 7 Buscar Series chilenas seleccionadas para exclusivo evento internacional Teleseries.cl 2,736 likes Like Page Share Be the first of your friends to like this Tweets por @TeleseriesCL Reproducción CNTV. LO MÁS LEÍDO DE LA SEMANA Durante el miércoles 21 y el viernes 23 de este mes, en la ciudad de Santiago de Compostela, España, se realizará la primera versión de Convertido de web en PDF a http://www.htmlapdf.com con el api html a pdf Conecta Fiction, evento que aspira a ser el punto de encuentro y TVN define historia de su nueva teleserie y anuncia plataforma de negocio para la coproducción de ficción televisiva entre numeroso elenco Latinoamérica, Estados Unidos de habla hispana y Europa. Gentileza TVN. Como hace bastante no se veía, la vespertina que la señal pública comenzará a grabar en julio A días del encuentro, la organización anunció los diez proyectos para suceder a “La Colombia... seleccionados para el pitching de coproducción internacional de series y miniseries para televisión. Así, entre estos destacan dos proyectos locales. “Lo Que Callamos las Mujeres” Se trata de “Inés del Alma Mía”, miniserie de Chilevisión basada en la estrena nuevo formato en Chilevisión Gentileza Chilevisión. Cuatro novela de Isabel Allende y centrada en la figura de Inés de Suárez, y capítulos darán vida a una historia. “Héroes Invisibles”, coproducción de la televisión pública de Finlandia YLE Así es la nueva propuesta que y la productora nacional Parox que narra la historia de un grupo de presentará la exitosa serie que funcionarios de la embajada de Finlandia que necesita encontrar realiza.. -
O ALTO E O BAIXO NA ARQUITETURA.Pdf
UNIVERSIDADE DE BRASÍLIA FACULDADE DE ARQUITETURA E URBANISMO O ALTO E O BAIXO NA ARQUITETURA Aline Stefânia Zim Brasília - DF 2018 1 ALINE STEFÂNIA ZIM O ALTO E O BAIXO NA ARQUITETURA Tese apresentada ao Programa de Pós-Graduação em Arquitetura e Urbanismo da Faculdade de Arquitetura da Universidade de Brasília como requisito parcial à obtenção do grau de Doutora em Arquitetura. Área de Pesquisa: Teoria, História e Crítica da Arte Orientador: Prof. Dr. Flávio Rene Kothe Brasília – DF 2018 2 TERMO DE APROVAÇÃO ALINE STEFÂNIA ZIM O ALTO E O BAIXO DA ARQUITETURA Tese aprovada como requisito parcial à obtenção do grau de Doutora pelo Programa de Pesquisa e Pós-Graduação da Faculdade de Arquitetura e Urbanismo da Universidade de Brasília. Comissão Examinadora: ___________________________________________________________ Prof. Dr. Flávio René Kothe (Orientador) Departamento de Teoria e História em Arquitetura e Urbanismo – FAU-UnB ___________________________________________________________ Prof. Dr. Fernando Freitas Fuão Departamento de Teoria, História e Crítica da Arquitetura – FAU-UFRGS ___________________________________________________________ Prof. Dra. Lúcia Helena Marques Ribeiro Departamento de Teoria Literária e Literatura – TEL-UnB ___________________________________________________________ Prof. Dra. Ana Elisabete de Almeida Medeiros Departamento de Teoria e História em Arquitetura e Urbanismo – FAU-UnB ___________________________________________________________ Prof. Dr. Benny Schvarsberg Departamento de Projeto e Planejamento – FAU-UnB Brasília – DF 2018 3 AGRADECIMENTOS Agradeço a todos que compartilharam de alguma forma esse manifesto. Aos familiares que não puderam estar presentes, agradeço a confiança e o respeito. Aos amigos, colegas e alunos que dividiram as inquietações e os dias difíceis, agradeço a presença. Aos que não puderam estar presentes, agradeço a confiança. Aos professores, colegas e amigos do Núcleo de Estética, Hermenêutica e Semiótica. -
Lucky Stars 7: the Christmas Wish PDF Book
LUCKY STARS 7: THE CHRISTMAS WISH PDF, EPUB, EBOOK Phoebe Bright,Karen Donnelly | 128 pages | 25 Oct 2012 | Pan MacMillan | 9781447236139 | English | London, United Kingdom Lucky Stars 7: The Christmas Wish PDF Book Chandra rated it it was amazing Jun 26, Phoebe Bright. Comfort and Joy Mother Parker Darren McGavin Build up your Halloween Watchlist with our list of the most popular horror titles on Netflix in October. Teshia marked it as to-read Mar 09, Tuck in the Short Edge. If necessary, trim the end of the paper with scissors to make it fit better. Error rating book. External Sites. Director: Bob Clark. User Reviews. Goodreads helps you keep track of books you want to read. This book is not yet featured on Listopia. Ming the Merciless scenes deleted Paul Hubbard Miller's Top 10 Christmas Movies. You can get Adobe Reader here. Carla Townshend added it Oct 17, Getting an attractive star shape takes practice, so don't give up if your first few stars look less than perfect. Tie a Knot. Now to make this little pentagon into a star, very gently and slowly use your fingernail to press on the centre of each of its edges. Crazy Credits. Geneva Sue marked it as to-read May 30, If you are having a lot of trouble, try different papers, or try wrapping the strip of paper around without creasing it too much. Taglines: Peace. Lucky Stars 7: The Christmas Wish Writer Return to Book Page. Company Credits. You must be a registered user to use the IMDb rating plugin. -
4.1 Gambaran Umum Sasaran Penelitian
4. ANALISA DATA 4.1 Gambaran Umum Sasaran Penelitian 4.1.1 Mattel Incorporation Mattel didirikan pertama kali pada tahun 1945 oleh Ruth Handler, Elliot Handler (suami Ruth Hadler), dan Harold Matson di California Selatan.Mattel menetap di kantor Hawthorne, California, sejak tahun 1948. Di tahun 1974, Mattel melakukan restrukturisasi dan berganti nama menjadi Mattel Incorporation. Visi dari perusahaan Mattel adalah “Creating the Future of Play”, dimana artinya Mattel berusaha untuk menciptakan mainan-mainan terbaru untuk membentuk masa depan dari dunia mainan. Misi mereka mengarah pada “Kepemimpinan”. Arti kepemimpinan menurut versi Mattel adalah kemampuan untuk mengembangkan dan mengkomunikasikan gambaran menarik dari masa depan yang mengilhami dan memotivasi orang lain untuk mengambil tindakan. Mattel juga menunjukkan kompetensi kepemimpinan dan dorongan untuk sukses dalam strategi bisnis mereka.Tahun 1975, Ruth dan Elliot Handler keluar dari Mattel karena usia mereka yang tua dan saat ituRuth Handler sedang menjalankan pengobatan atas penyakit kanker payudara dan kemudian meninggal di Los Angeles, California, pada tahun 2002. Sejak itu, Harold Matson berjuang demi mengembangkan Mattel sesuai dengan visi dan misinya. Salah satu organisasi Mattel yang diberi nama Mattel Children’s Foundation,didirikan pada tahun 1978, dengan tujuan untuk membantu anak-anak Amerika yang memiliki kesulitan dalam hal akuntabilitas keuangan. Para pendiri MattelChildren’s Foundation percaya bahwa anak berhak mendapatkan kesempatan untuk bermain, karena melalui bermain, anak dapat mengembangkan sosialisasi, emosional, kemampuan fisik, berimajinasi, dan memiliki mimpi. Sasaran program yang diadakan Mattel Children’s Foundation adalah anak-anak, dengan empat fokus utama yaitu Time to Play, Place to Play, Tools to Play, dan Advocate toPlay. Dalam organisasi tersebut, Mattel juga membuat program yang hanya diikuti oleh anak perempuan Amerika, yaitu “Shine On Now”. -
Free Download Lagu Barbie the Princess and the Popstar Here I Am
Free download lagu barbie the princess and the popstar here i am CLICK HERE TO DOWNLOAD Hasil dari Barbie Princess And The Popstar Here I Am Lyrics MP3 bisa diunduh gratis di bawah ini, seperti Planetlagu, Metrolagu, Bursalagu, Semua list disini hanya untuk review saja, Jika kamu suka lagu Barbie Princess And The Popstar Here I Am Lyrics belilah CD original. Kamu juga bisa download secara legal di iTunes untuk mendukung artis agar terus berkarya. ♪ Lirik Lagu ♫ Senin, 14 Oktober Here I am - Barbie Princess and The Popstar When i was young I play for fun Made up the words Nobody heard But now i see All eyes on me And suddenly I'm in a dream I got a feeling now Everything right somehow Here I am Being who i want. · Song: Here I Am / Princess Just Wanna Have Fun Artists: Jennifer Waris and Tiffany Giardina Barbie The Princess and The Popstar ost / Hey guys, another Barbie movie ost. Can be 4,9/5(19). Here I Am / Princesses Just Want To Have Fun lyrics: When I was young I played for fun Made up the words Nobody heard But now I see All eyes on me And suddenly I'm in a dream I got a feeling now Everything's right someh4,2/5. Barbie - Barbie Princess & the Popstar Soundtrack Album Lyrics; 1. Here I Am (Keira Version) 2. Here I Am (Tori Version) 3. Here I Am / Princesses Just Want to Have Fun: 4. I Wish I Had Her Life: 5. Look How High We Can Fly: 6.