ABSTRACT Title of Dissertation: LAUDING and LOATHING in the WORKS of SHAKESPEARE
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Concise Oxford Dictionary of Literary Terms
The Concise Oxford Dictionary of Literary Terms CHRIS BALDICK OXFORD UNIVERSITY PRESS OXFORD PAPERBACK REFERENCE The Concise Oxford Dictionary of Literary Terms Chris Baldick is Professor of English at Goldsmiths' College, University of London. He edited The Oxford Book of Gothic Tales (1992), and is the author of In Frankenstein's Shadow (1987), Criticism and Literary Theory 1890 to the Present (1996), and other works of literary history. He has edited, with Rob Morrison, Tales of Terror from Blackwood's Magazine, and The Vampyre and Other Tales of the Macabre, and has written an introduction to Charles Maturin's Melmoth the Wanderer (all available in the Oxford World's Classics series). The most authoritative and up-to-date reference books for both students and the general reader. Abbreviations Literary Terms Oxford ABC of Music Local and Family History Paperback Accounting London Place Names* Archaeology* Mathematics Reference Architecture Medical Art and Artists Medicines Art Terms* Modern Design* Astronomy Modern Quotations Better Wordpower Modern Slang Bible Music Biology Nursing Buddhism* Opera Business Paperback Encyclopedia Card Games Philosophy Chemistry Physics Christian Church Plant-Lore Classical Literature Plant Sciences Classical Mythology* Political Biography Colour Medical Political Quotations Computing Politics Dance* Popes Dates Proverbs Earth Sciences Psychology* Ecology Quotations Economics Sailing Terms Engineering* Saints English Etymology Science English Folklore* Scientists English Grammar Shakespeare English -
THE ART of IMITATION in the ORDER of THINGS: POETRY, RHETORIC, and the DISCURSIVE FORMATION of ENGLISH by JANICE SEWELL
THE ART OF IMITATION IN THE ORDER OF THINGS: POETRY, RHETORIC, AND THE DISCURSIVE FORMATION OF ENGLISH by JANICE SEWELL A thesis submitted to The University of Birmingham For the degree of DOCTOR OF PHILOSOPHY The Shakespeare Institute School of English The University of Birmingham September 2002 2 ABSTRACT The first part of this thesis offers an analysis of Elizabethan poetical treatises, such as Philip Sidney’s Apology for Poetry, in terms of Michel Foucault’s discursive formations, and the ways in which they were instrumental in redefining the sixteenth century literary terrain of poetry, prose, drama, poetics and literary criticism. It examines the role of contributory factors such as the Puritan attack, Renaissance humanism, the Ramist reform of logic and rhetoric, increased levels of literacy and printing. It explores conflicting definitions of poetry in the early modern period and its changing role and function, and the appropriation of significant elements from other discourses, notably rhetoric, arguing that this process constituted part of the wider reorganisation of contemporary knowledges. The second part of the thesis is concerned with the work and practice of the writer George Gascoigne, author of the first poetical treatise in English and his importance as an Elizabethan poet. 3 For Molly and Tom without whose continued faith, support, and encouragement, as well as their occasional filial nagging, I should never have finished this. 4 ACKNOWLEDGEMENTS I should like to express my deepest thanks to my long-suffering supervisor, John Jowett, for his unstinting help and kindness, and to the librarians at The Shakespeare Institute, Jim Shaw and Kate Welch, for their endless patience. -
Summer Sonnets at The
CAST SUNLIGHT SHAKESPEARE WALK Wander with us at Pah Homestead, a promenade of summer Shakespeare sonnets and scenes, art, sparkling wine, wit and delectable dessert. A delightful and delicious wander through the gorgeous Pah Homestead, as the sun lingers over Monte Cecilia Park, l isten to some of Shakespeare's most famous and most Aaron Richardson Anya Banerjee beautiful sonnets and scenes. And of course sweet summer air and sweet words go perfectly with... sweet dessert from Homestead Café. Damien Avery Francesca Savige Maxine Cunliffe Natalie Beran Scott Sheridan Thank you to Haydn Middleton & the Homestead cafe, Zoe Hoeberigs, Anne Pokel, Cally Castell, Auckland Summer Shakespeare and Benjamin Henson. SUNLIGHT SHAKESPEARE WALK at the Pah Homestead presented by the International Actors Ensemble and the James Wallace Arts Trust 1. Sonnet 23 (Francesca Savige) 11. Sonnet 18 (Damien Avery) As an imperfect actor on the stage... Shall I compare thee to a summer's day? 12. Hamlet from HAMLET Act 2 Sc. 2 (Scott Sheridan) 2. Romeo & Juliet from ROMEO AND JULIET Act 2 Sc. 2 (Aaron Richardson & Anya Banerjee) 13 . Adriana from THE COMEDY OF ERRORS Act 2 Sc. 2 (Anya Banerjee) 3. Sonnet 116 (Francesca Savige) Let me not to the marriage of true minds... 14. Titania from A MIDSUMMER NIGHT'S DREAM Act 2 Sc. 1 (Maxine Cunliffe) 4. Amiens' song from AS YOU LIKE IT Act 2 Sc. 7 (Damien Avery, Composition by Cally Castell) 15. Sonnet 130 (Scott Sheridan) My mistress' eyes are nothing like the sun... 5. Duke Senior from AS YOU LIKE IT Act 2 Sc. -
Top Left-Hand Corner
Department of English ”Art Made Tongue-tied By Authority”? The Shakespeare Authorship Question Lars Lindholm Bachelor Degree Project Literature VT 2012 Supervisor: Marion Helfer Wajngot Abstract The essay presents the scholarly controversy over the correct attribution of the works by “Shakespeare”. The main alternative author is Edward de Vere, 17th earl of Oxford. 16th century conventions allowed noblemen to write poetry or drama only for private circulation. To appear in print, such works had to be anonymous or under pseudonym. Overtly writing for public theatre, a profitable business, would have been a degrading conduct. Oxford‟s contemporary fame as an author is little matched by known works. Great gaps in relevant sources indicate that documents concerning not only his person and authorship but also the life of Shakspere from Stratford, the alleged author, have been deliberately eliminated in order to transfer the authorship, for which the political authority of the Elizabethan and Jacobean autocratic society had motive and resources enough. A restored identity would imply radical redating of plays and poems. To what extent literature is autobiographical, or was in that age, and whether restoring a lost identity from written works is legitimate at all, are basic issues of the debate, always implying tradition without real proof versus circumstantial evidence. As such arguments are incompatible, both sides have incessantly missed their targets. The historical conditions for the sequence of events that created the fiction, and its main steps, are related. Oxford will be in focus, since most old and new evidence for making a case has reference to him. The views of the two parties on different points are presented by continual quoting from representative recent works by Shakespeare scholars, where the often scornful tone of the debate still echoes. -
The Athenaeum Press Series
THE ATHENAEUM PRESS SERIES G. L. KITTREDGE AND C. T. WINCHESTER GENERAL EDITORS Series announcement THE "Athenaeum Press Series" includes the choicest works of Eng lish literature in editions carefully prepared for the use of schools, col leges, libraries, and the general reader. Each volume is edited by some scholar who has made a special study of an author and his period. The Introductions are biographical and critical. In particular they set forth the relation of the authors to their times and indicate their impor tance in the development of litera ture. A Bibliography and Notes accompany each volume. Athenaeum Press Series THE SONNETS OF SHAKESPEARE WITH AN INTRODUCTION AND NOTES BY H. C. BEECHING, M.A., D. LITT. BOSTON, U.S.A., AND LONDON GINN & COMPANY, PUBLISHERS 1904 ENTERED AT STATIONERS' HALL COPYRIGHT, 1904 BY H. C. BEECHING ALL RIGHTS RESERVED IV V7^ O AMICIS BALLIOLENSIBVS ANDREAE CECILIO BRADLEY SIDNEIO LEE DE POETA NOSTRO BENE MERENTISSIMIS QVORVM FAVOR HVNC LIBELLVM VNICE PRODVXIT GENITOR 4~ CO (^ 195527 PREFACE This edition of Shakespeare's sonnets was suggested by my friend Mr. A. C. Bradley, Professor of Poetry at Oxford, who was interested in a paper on the subject which I con tributed to the Cornhill Magazine in February, 1902. That paper, by the good leave of the publisher, I have used as the basis of the present Introduction ; and the rest of my editorial work has consisted in dividing up the sonnets into groups and annotating them. As there are already before the public not a few editions of Shakespeare's son nets by well-known writers, I may be allowed to set out what I conceive to be the peculiarities of this edition. -
Shakespeare's Sonnets in Russian
Shakespeare’s Sonnets in Russian: The Challenge of Translation Elena Rassokhina Umeå Studies in Language and Literature 37 Department of Language Studies Umeå University 2017 Department of Language Studies Umeå University SE-901 87 Umeå http://www.sprak.umu.se This work is protected by the Swedish Copyright Legislation (Act 1960:729) © 2017 Elena Rassokhina ISBN: 978-91-7601-681-7 Front cover illustration: Elena Rassokhina, Aleksei Zakharov, Anja Rassokhina Electronic version accessible via http://umu.diva-portal.org/ Umeå Studies in Language and Literature 37 Printed by: Print & media, Umeå University Distributed by: eddy.se ab, Visby Umeå, Sweden 2017 To study Shakespeare in translation is just another way to find him. Ton Hoenselaars The translation of verse is impossible. Every time is an exception. Samuil Marshak Table of Contents Table of Contents i Abstract iii List of Articles v Acknowledgements vii A note on transliteration and translation ix Preface 1 1. Introduction 3 1.1. Shakespeare’s sonnets as a Russian literary phenomenon 3 1.2. Objectives of the research and methodology 5 1.3. Disposition of the thesis 6 1.4. Sources and limitations 7 1.5. Critical studies of the sonnets and their translations into Russian 8 1.6. Theoretical background 11 1.6.1. Translation and norms 11 1.6.2. Translation as rewriting 12 1.6.3. Translations and retranslations 13 1.6.4. Translatability and poetic translation 17 2. The context of Shakespeare’s sonnets 25 2.1. The sonnets and translation competence 25 2.2. Date of composition and the author’s intentions 26 2.3. -
Disparate Measures: Poetry, Form, and Value in Early Modern England"
DISPARATE MEASURES: POETRY, FORM, AND VALUE IN EARLY MODERN ENGLAND by MICHAEL BENNET SMITH A DISSERTATION Presented to the Department ofEnglish and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Doctor ofPhilosophy September 2010 11 University of Oregon Graduate School Confirmation of Approval and Acceptance of Dissertation prepared by: Michael Smith Title: "Disparate Measures: Poetry, Form, and Value in Early Modern England" This dissertation has been accepted and approved in partial fulfillment ofthe requirements for the Doctor ofPhilosophy degree in the Department of English by: George Rowe, Chairperson, English Benjamin Saunders, Member, English Lisa Freinkel, Member, English Leah Middlebrook, Outside Member, Comparative Literature and Richard Linton, Vice President for Research and Graduate Studies/Dean ofthe Graduate School for the University of Oregon. September 4, 2010 Original approval signatures are on file with the Graduate School and the University of Oregon Libraries. 111 © 2010 Michael Bennet Smith IV An Abstract ofthe Dissertation of Michael Bennet Smith for the degree of Doctor ofPhilosophy in the Department ofEnglish to be taken September 2010 Title: DISPARATE MEASURES: POETRY, FORM, AND VALUE IN EARLY MODERN ENGLAND Approved: _ Dr. George Rowe In early modem England the word "measure" had a number ofdifferent but related meanings, with clear connections between physical measurements and the measurement ofthe self(ethics), ofpoetry (prosody), ofliterary form (genre), and of capital (economics). In this dissertation I analyze forms ofmeasure in early modem literary texts and argue that measure-making and measure-breaking are always fraught with anxiety because they entail ideological consequences for emerging national, ethical, and economic realities. -
Bacon's Nova Resuscitatio; Or, the Unveiling Of
BACON'S NOVA RESUSCITATIO BACON'S NOVA RESUSCITATIO OR Ube mnveilfng of bis Concealefc Worfes anfc Uravels BY THE REV. WALTER BEGLEY DISCOVERER AND EDITOR OF MILTON'S NOVA SOLYMA AUTHOR OF ' 1 'IS IT SHAKESPEARE?' BIBLIA CABALISTICA, 'BIBLIA ANAGRAMMATICA,' ETC. IN THREE VOLUMES VOL. I. LONDON GAY AND BIRD 22 BEDFORD STREET, STRAND 1905 All rights reserved CONTENTS OF VOL. I. CHAPTER PAGE I. INTRODUCTORY: THE LONG-EXISTING MYSTERY OF ' GEORGE TOTTENHAM'S ' ARTE OF ENGLISH POESIE 1 II. THE INTERNAL EVIDENCE FOR FRANCIS BACON - 15 III. THE CANCELLED PAGES AND BEN JONSON - 40 iv. GEORGE PUTTENHAM'S MANUSCRIPT ON THE EXECU TION OF MARY, QUEEN OF SCOTS - 58 v. THE AUTHOR'S CURIOUS WORD-MINT, AND HIS EFFORTS TO SECURE THE QUEEN'S FAVOUR - 66 VI. THE ' PARTHENIADESy - 81 VII. THE PURPORT AND PHILOSOPHY OF THE BODENHAM BOOKS - - 94 VIII. WHO WAS JOHN BODENHAM? - 109 ' IX. POLITEUPHUIA, WIT'S COMMONWEALTH' (1597) - 124 x. 'PALLADIS TAMIA' (1598)- - 132 xi. 'WIT'S THEATER' (1599) - - 148 xii. 'PALLADIS PALATIUM' (1604) - 156 xm. 'BELVEDERE' - 166 XIV. GENERAL CONCLUSIONS RESPECTING THE BODEN HAM BOOKS - 183 xv. 'ENGLAND'S PARNASSUS' AND ROBERT ALLOTT - 217 BACON'S KESUSCITATIO CHAPTER I INTRODUCTORY : THE LONG-EXISTING MYSTERY OF ' GEORGE PUTTENHAM'S ' ARTE OF ENGLISH POESIE ' ' GEORGE PUTTENHAM'S Arte of English Poesie is one of the most celebrated treatises on poetry that have been handed down to us from Eliza bethan times. It is in many respects superior to the other books on the same subject by Sir Philip ' Sidney, Webbe, and other contemporaries. In this work,' says Hallam, who was a competent ' judge, we find an approach to the higher pro vince of philosophical criticism.' But critics have found the greatest difficulty in the of for the book was settling point authorship ; published anonymously in 1589, and the printer, Richard Field, confessed that he was ignorant of the author's name, when he dedicated it to Lord Burghley. -
University of Southampton Research Repository
1 University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non- commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. 2 University of Southampton Faculty of Humanities Shakespeare’s Defence of Verse Robert Stagg 1 vol. Doctor of Philosophy in English September 2017 3 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES English Doctor of Philosophy SHAKESPEARE’S DEFENCE OF VERSE by Robert Stagg ‘I heard a fair lady sigh: “I wish someone would write a good treatise on prosody”’ (Ezra Pound, ABC of Reading (1934))1 This thesis is about Shakespeare’s prosody, and it tries to be good. The first section is composed of four chapters, each of which examines one of the four metrical traditions available to early modern writers (quantitative prosody in Chapter 1, rhyming verse in Chapter 2, syllabic prosody in Chapter 3 and accentual prosody in Chapter 4) and what Shakespeare may have brought or wrought from it. -
SUGGESTED SONNETS 2015 / 2016 Season the English-Speaking Union National Shakespeare Competition INDEX of SUGGESTED SONNETS
SUGGESTED SONNETS 2015 / 2016 Season The English-Speaking Union National Shakespeare Competition INDEX OF SUGGESTED SONNETS Below is a list of suggested sonnets for recitation in the ESU National Shakespeare Competition. Sonnet First Line Pg. Sonnet First Line Pg. 2 When forty winters shall besiege thy brow 1 76 Why is my verse so barren of new pride 28 8 Music to hear, why hear’st thou music sadly? 2 78 So oft have I invok’d thee for my muse 29 10 For shame deny that thou bear’st love to any, 3 83 I never saw that you did painting need 30 12 When I do count the clock that tells the time 4 90 Then hate me when thou wilt, if ever, now, 31 14 Not from the stars do I my judgment pluck, 5 91 Some glory in their birth, some in their skill, 32 15 When I consider everything that grows 6 97 How like a winter hath my absence been 33 17 Who will believe my verse in time to come 7 102 My love is strengthened, though more weak… 34 18 Shall I compare thee to a summer’s day? 8 104 To me, fair friend, you never can be old, 35 20 A woman’s face with Nature’s own hand painted 9 113 Since I left you, mine eye is in my mind, 36 23 As an unperfect actor on the stage 10 116 Let me not to the marriage of true minds 37 27 Weary with toil, I haste me to my bed, 11 120 That you were once unkind befriends me now, 38 29 When in disgrace with fortune and men’s eyes 12 121 ’Tis better to be vile than vile esteemed, 39 30 When to the sessions of sweet silent thought 13 124 If my dear love were but the child of state, 40 34 Why didst thou promise such a beauteous day 14 126 O thou, my lovely boy, who in thy power 41 40 Take all my loves, my love, yea, take them all. -
Chapter I Introduction
CHAPTER I INTRODUCTION This chapter discusses the background of the study, the research problems, the research objectives, significance of the research, scope and limitation of the research, and definition of the key terms of the research at the end of this chapter. A. Background of the Research Communication is an activity that we do every day. By having good communication among human, the relationship can be interlaced better. Agus (2007:10) stated that communication is the process forwarding meaning in the form of idea or information that someone do to others by using particular media. Communication gets amends by era go to era. Long time ago, communication was only done through symbol and also signal, then at present the communication is getting amends by using words. Literature is one part of communication. This is one molded art of effloresce man creature along with developing eras. Literature is a result of processes interaction between human and their environment, how they see environment around them and create beautiful opus by using language. Jones (1968:1) states that literature is simply another way we can experience the world around us through our imagination. When we talk about literature, it means that we are talking about written materials that deal with thoughts and feeling. Based on above information, we can understand that literary work is a creative activity. It can be in the form of drama, prose even poetry whether it is fiction or 1 2 nonfiction. Besides, it is an art which has sensibleness, imagination, and emotion. Literature also can be defined as an art which is resulted from creative thinking of its writers consisting of aesthetic words series in the part of language for communication. -
An Edition of the Tragedie of Cleopatra, by Samuel Daniel
An Edition of The Tragedie of Cleopatra, by Samuel Daniel Dorothy Heather Bowles A thesis submitted for the degree of Doctor of Philosophy School of English August 2020 Volume 1 Abstract Although highly regarded – and much published – in his lifetime, the poet, literary critic and historian, Samuel Daniel is now overshadowed by his contemporary, William Shakespeare. Interest in this late Elizabethan / early Jacobean writer has been restricted by the lack of a complete critical edition of Daniel’s works, a gap which no single thesis could attempt to fill. One problem facing prospective editors has been Daniel’s propensity for amending pieces as they went through successive editions. An additional difficulty for an editor is that few of his works were presented in a stand-alone format even in their initial presentation to the reading public. This thesis offers a scholarly edition of one of Daniel’s earliest pieces, The Tragedie of Cleopatra. It argues that Cleopatra transcends the label ‘closet drama’ that is often attached to it which has overshadowed recognition of its literary merits and the political, philosophical and religious concerns of its period which it addresses. In addition, Shakespeare’s Antony and Cleopatra, written more than a decade later, has captured the attention of critics and audiences. Whilst I acknowledge these points, I position Cleopatra as an important work from the late Elizabethan period. By including an overview of related works and paratextual material by Daniel, I provide insight into his life and a context for the play. I consider also the source material available to Daniel and detail how he was influenced by and utilised Plutarch’s Lives.