This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G

Total Page:16

File Type:pdf, Size:1020Kb

This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Circles of Care: Healing Practices in a Bahian Candomblé Community Hannah Lesshafft PhD in Social Anthropology University of Edinburgh 2016 For Mark I declare that this thesis has been composed solely by myself and that it has not been submitted, in whole or in part, in any previous application for a degree. Except where stated otherwise by reference or acknowledgment, the work presented is entirely my own. Hannah Lesshafft Edinburgh, 28th December 2016 i ii Abstract This thesis explores the dynamics of healing and care in a terreiro (house of worship) of the Afro-Brazilian religion Candomblé. My research is based on one year of ethnographic fieldwork with a Candomblé community in South Bahia, Brazil, during which I took part in the rituals, ceremonies, and everyday activities of the terreiro, and eventually became a ‘daughter of the house’. While the terreiro is at the heart of this study, I also draw upon observations and experience from the local neighbourhood, the nearest city Ilhéus, the state capital Salvador, and the city of Rio de Janeiro, where I started my journey, to complement and contextualize what I encountered inside the terreiro. I argue that cuidado, or care, is key to the cultivation of Candomblé’s vital force axé, and hence to achieving well-being and power in a socially exclusive society that is often perceived as profoundly uncaring. My thesis demonstrates that the circulation of axé and cuidado between humans and gods (orixás) is an essential part of Candomblé healing, understood as a process of reflexive self-transformation. Far from being altruistic or self-denying, then, cuidado effectively becomes a form of self-care. Subverting dichotomous logic, Candomblé cuidado is used to create and negotiate (healing) power through its capacity to simultaneously connect and divide. This thesis explores how boundaries are both transgressed and reinforced by way of cuidado in terms of transformative healing; kinship relations with the orixás; the exchange of human faith (fé) for divine axé; and performances on ‘divine stages’ and ‘profane stages’. Finally, cuidado is also used as a moral-political argument for the recognition of Candomblé in public health campaigns, in the context of an often-dysfunctional public health system. The analysis of dynamics of cuidado and boundary work in a terreiro, under consideration of the broader national context, makes this thesis an original contribution to the literature on Afro-Brazilian religion and healing. My ethnography also adds to the growing literature on the anthropology of care, especially in medical anthropology, and it pushes forward the discussion by explicitly reflecting on the circulation and negotiation of power through care. iii iv Acknowledgments Many have been involved with this thesis, and without their help I could not have finished (or even started) writing. First of all, my supervisors: Maya Mayblin, for whose encouraging discussions, constructive feedback, kind words, and academic advice over the years I am very grateful; Ian Harper, whom I thank for supervision before and during my fieldwork, and for his continuous support later; and Alexander Edmonds, for his professional guidance and the helpful comments on my chapters during the writing-up stage. I also want to thank Mattijs Van de Port and Stefan Ecks for examining my thesis. In Edinburgh, many people have supported me while I was working on this thesis. Special thanks go to Koreen Reece for proofreading the entire thesis with great patience and attention, and for all her thoughtful feedback. My friends Eva Hoffmann, Leila Sinclair-Bright, Jenny Lawy, and Grit Wesser, thank you for always being there for me. Uta Zimmermann, thank you for all the cakes and walks on the beach. Bridget Bradley and Manuel Campinas, thanks for your friendship and good luck for the exciting next year! My PhD cohort was a great bunch of people, and I would like to thank all of you for your comments on my thesis chapters during the writing up sessions and for being part of this journey; especially Ting Ting Shum, Veronique Gilbert, Resto Cruz, Liz Ravalde, and Laura Winterton. I also thank PhD students from other years, Sandalia Genus, Katka Ockova, Grit Wesser, Leila Sinclair-Bright, Heid Jerstadt, Catherine Whittaker, Diego Maria Malara, and Andreas Hackl for their helpful feedback. I thank all staff members of the Anthropology Department for the encouragement, conversations, and support over the last years; and especially the members of the Edinburgh Centre for Medical Anthropology for inspiring discussions and events. For leading the Advanced Issues and Writing Up sessions I thank Richard Baxstrom, Jacob Copeman, Janet Carsten, and Magnus Course. All your comments were very valuable and have shaped my thesis. I also thank Lucy Lowe for her support, and Jacob Copeman and Delwar Hussein for inspiring conversations. In the SoMA (Students of Medical Anthropology) group, I specially thank Bridget Bradley, Sandalia Genus and Lilian Kennedy for their great work and collaborative spirit. v I thank the University of Edinburgh for funding my research with a Principal’s Career Development Scholarship, and particularly Richard Freeman for the encouraging discussions, enthusiastic work, and general kindness. Thanks also to the Society of Latin America Studies in Manchester for the travel grant to Brazil. In Brazil, many people took care of me during my fieldwork, and I owe them a lot. First of all, these are the wonderful people who welcomed me to their terreiro and on whom my study is based. Mãe Darabí, who cared for me and taught me like a mother does. Many thanks for your kindness, your help, your trust and for being brilliant. I learned more from you than I can tell. Thank you, Pai ogã and Mãe ekedi, I have the greatest respect for you. Thank you to all the members of the terreiro for teaching me, taking care of me, and treating me as a sister. I would like to write out your names here, but the conventions don’t allow it. My deepest thanks to all of you. Obrigada. Okolofé. In Bahia, I also want to thank my friends, Doerthe Worthmann with whom I spent great times in Salvador and on our trips; Nima Ranughathan, my dear housemate in Ilhéus; and my PhD colleague Laurinha Porter in Itacaré: thank you all for your friendship and discussions, and for the pleasant distractions from work. At the UESC (State University Santa Cruz), I thank the Kàwé study group for including me in their discussions, activities and projects: José Luiz de França, Marialda Jovita Silveira, Ruy do Carmo Póvoas, Valéria Amim, Jeanes Larchert, and Elis Cristina Fiamengue. And André Hora, thank you very much for letting me include your beautiful art. I also thank Margret Jäger for establishing the initial contact with the Odé Terreiro. In Germany, I thank my friends of always and ever: Anna Richardt, Elena Groening with my goddaughter Tuuli, Angela Schuster, Liana Ariza, and Leena Petersen. I cannot see you as often as I wish, but you are at the base of it all. As is my family: my brother Lutz, my nephew Cosimo, and my wonderful parents Esther and Karlo. When I recognize circles of care in Bahia, this is also because I come from one of those myself. You have given me the interest, strength and courage to carry this through; thank you for your care and infinite support. Finally, I dedicate this thesis to Mark, who has been with me in this adventure from the start, and who, in one way or another, is present on every page I wrote. vi Table of contents Abstract ...................................................................................................................... iii Acknowledgments ...................................................................................................... v Introduction ................................................................................................................ 1 Axé! .......................................................................................................................... 1 Candomblé healing ................................................................................................... 9 Powerful care ......................................................................................................... 17 Breaking and building boundaries ......................................................................... 23 Background: A brief history of Candomblé ........................................................... 28 Fieldsite and fieldwork methods ............................................................................ 39 Thesis overview ....................................................................................................
Recommended publications
  • Umbanda: Africana Or Esoteric? Open Library of ­Humanities, 6(1): 25, Pp
    ARTICLE How to Cite: Engler, S 2020 Umbanda: Africana or Esoteric? Open Library of Humanities, 6(1): 25, pp. 1–36. DOI: https://doi.org/10.16995/olh.469 Published: 30 June 2020 Peer Review: This article has been peer reviewed through the double-blind process of Open Library of Humanities, which is a journal published by the Open Library of Humanities. Copyright: © 2020 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: Open Library of Humanities is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. Steven Engler, ‘Umbanda: Africana or Esoteric?’ (2020) 6(1): 25 Open Library of Humanities. DOI: https:// doi.org/10.16995/olh.469 ARTICLE Umbanda: Africana or Esoteric? Steven Engler Mount Royal University, CA [email protected] Umbanda is a dynamic and varied Brazilian spirit-incorporation tradition first recorded in the early twentieth century. This article problematizes the ambiguity of categorizing Umbanda as an ‘Afro-Brazilian’ religion, given the acknowledged centrality of elements of Kardecist Spiritism. It makes a case that Umbanda is best categorized as a hybridizing Brazilian Spiritism. Though most Umbandists belong to groups with strong African influences alongside Kardecist elements, many belong to groups with few or no African elements, reflecting greater Kardecist influence.
    [Show full text]
  • Movimento Pardo-Mestiço Brasileiro (MPMB) Associação Dos Caboclos E Ribeirinhos Da Amazônia (ACRA)
    Audiência Pública sobre a Constitucionalidade de Políticas de Ação Afirmativa de Acesso ao Ensino Superior – Supremo Tribunal Federal Pol íticas P úblicas de Elimina ção da Identidade Mesti ça e Sistemas Classificat órios de Cor, Ra ça e Etnia Movimento Pardo-Mestiço Brasileiro (MPMB) Associação dos Caboclos e Ribeirinhos da Amazônia (ACRA) Helderli Fideliz Castro de Sá Leão Alves Brasília (DF), 5 de março de 2010 Excelentíssimos Senhores Ministros, As observações que faremos resultam do trato desde 2001, com idéias e práticas de políticas públicas étnicas e raciais no Brasil e em outros países. Esta atuação nos faz ter a convicção de que o Sistema de Cotas para Negros da UnB não é, a rigor, medida de ação afirmativa. MonumentoMonumento emem PortugalPortugal àà índiaíndia ParaguaçuParaguaçu ee seuseu marido,marido, oo portuguêsportuguês Caramuru.Caramuru. Políticas públicas de eliminação da identidade mestiça e sistemas classificatórios de cor, raça e etnia Ele não visa combater discriminação racial, de cor, ou de origem, nem corrigir efeitos de discriminações passadas, nem assegurar os direitos humanos e as liberdades fundamentais de grupos étnicos e raciais, como exige a Convenção Internacional Sobre a Eliminação de Todas as Formas de Discriminação Racial para distinguir uma medida especial de uma medida de discriminação MestiçosMestiços manifestam-semanifestam-se contracontra racial. imposiçãoimposição dada identidadeidentidade negranegra aa pardospardos nana II ConferênciaConferência EstadualEstadual dede PolíticasPolíticas dede PromoçãoPromoção
    [Show full text]
  • P E E L C H R Is T Ian It Y , Is L a M , an D O R Isa R E Lig Io N
    PEEL | CHRISTIANITY, ISLAM, AND ORISA RELIGION Luminos is the open access monograph publishing program from UC Press. Luminos provides a framework for preserving and rein- vigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org Christianity, Islam, and Orisa Religion THE ANTHROPOLOGY OF CHRISTIANITY Edited by Joel Robbins 1. Christian Moderns: Freedom and Fetish in the Mission Encounter, by Webb Keane 2. A Problem of Presence: Beyond Scripture in an African Church, by Matthew Engelke 3. Reason to Believe: Cultural Agency in Latin American Evangelicalism, by David Smilde 4. Chanting Down the New Jerusalem: Calypso, Christianity, and Capitalism in the Caribbean, by Francio Guadeloupe 5. In God’s Image: The Metaculture of Fijian Christianity, by Matt Tomlinson 6. Converting Words: Maya in the Age of the Cross, by William F. Hanks 7. City of God: Christian Citizenship in Postwar Guatemala, by Kevin O’Neill 8. Death in a Church of Life: Moral Passion during Botswana’s Time of AIDS, by Frederick Klaits 9. Eastern Christians in Anthropological Perspective, edited by Chris Hann and Hermann Goltz 10. Studying Global Pentecostalism: Theories and Methods, by Allan Anderson, Michael Bergunder, Andre Droogers, and Cornelis van der Laan 11. Holy Hustlers, Schism, and Prophecy: Apostolic Reformation in Botswana, by Richard Werbner 12. Moral Ambition: Mobilization and Social Outreach in Evangelical Megachurches, by Omri Elisha 13. Spirits of Protestantism: Medicine, Healing, and Liberal Christianity, by Pamela E.
    [Show full text]
  • Yoruba Art & Culture
    Yoruba Art & Culture Phoebe A. Hearst Museum of Anthropology University of California, Berkeley Yoruba Art and Culture PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY Written and Designed by Nicole Mullen Editors Liberty Marie Winn Ira Jacknis Special thanks to Tokunbo Adeniji Aare, Oduduwa Heritage Organization. COPYRIGHT © 2004 PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY AND THE REGENTS OF THE UNIVERSITY OF CALIFORNIA. ALL RIGHTS RESERVED. PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY ◆ UNIVERSITY OF CALIFORNIA AT BERKELEY BERKELEY, CA 94720-3712 ◆ 510-642-3682 ◆ HTTP://HEARSTMUSEUM.BERKELEY.EDU Table of Contents Vocabulary....................4 Western Spellings and Pronunciation of Yoruba Words....................5 Africa....................6 Nigeria....................7 Political Structure and Economy....................8 The Yoruba....................9, 10 Yoruba Kingdoms....................11 The Story of How the Yoruba Kingdoms Were Created....................12 The Colonization and Independence of Nigeria....................13 Food, Agriculture and Trade....................14 Sculpture....................15 Pottery....................16 Leather and Beadwork....................17 Blacksmiths and Calabash Carvers....................18 Woodcarving....................19 Textiles....................20 Religious Beliefs....................21, 23 Creation Myth....................22 Ifa Divination....................24, 25 Music and Dance....................26 Gelede Festivals and Egugun Ceremonies....................27 Yoruba Diaspora....................28
    [Show full text]
  • AFN 121 Yoruba Tradition and Culture
    City University of New York (CUNY) CUNY Academic Works Open Educational Resources Borough of Manhattan Community College 2021 AFN 121 Yoruba Tradition and Culture Remi Alapo CUNY Borough of Manhattan Community College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/bm_oers/29 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Presented as part of the discussion on West Africa about the instructor’s Heritage in the AFN 121 course History of African Civilizations on April 20, 2021. Yoruba Tradition and Culture Prof. Remi Alapo Department of Ethnic and Race Studies Borough of Manhattan Community College [BMCC]. Questions / Comments: [email protected] AFN 121 - History of African Civilizations (Same as HIS 121) Description This course examines African "civilizations" from early antiquity to the decline of the West African Empire of Songhay. Through readings, lectures, discussions and videos, students will be introduced to the major themes and patterns that characterize the various African settlements, states, and empires of antiquity to the close of the seventeenth century. The course explores the wide range of social and cultural as well as technological and economic change in Africa, and interweaves African agricultural, social, political, cultural, technological, and economic history in relation to developments in the rest of the world, in addition to analyzing factors that influenced daily life such as the lens of ecology, food production, disease, social organization and relationships, culture and spiritual practice.
    [Show full text]
  • From Maroons to Mardi Gras
    FROM MAROONS TO MARDI GRAS: THE ROLE OF AFRICAN CULTURAL RETENTION IN THE DEVELOPMENT OF THE BLACK INDIAN CULTURE OF NEW ORLEANS A MASTERS THESIS SUBMITTED TO THE GRADUATE FACULTY OF LIBERTY UNIVERSITY BY ROBIN LIGON-WILLIAMS IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ETHNOMUSICOLOGY DECEMBER 18, 2016 Copyright: Robin Ligon-Williams, © 2016 CONTENTS ACKNOWLEDGEMENTS iv. ABSTRACT vi. CHAPTER 1. INTRODUCTION 1 History and Background 1 Statement of the Problem 1 Research Question 2 Glossary of Terms 4 Limitations of the Study 6 Assumptions 7 2. LITERATURE REVIEW 9 New Orleans-Port of Entry for African Culture 9 Brotherhood in Congo Square: Africans & Native Americans Unite 11 Cultural Retention: Music, Language, Masking, Procession and Ritual 13 -Musical Influence on Jazz & Rhythm & Blues 15 -Language 15 -Procession 20 -Masking: My Big Chief Wears a Golden Crown 23 -African Inspired Masking 26 -Icons of Resistance: Won’t Bow Down, Don’t Know How 29 -Juan “Saint” Maló: Epic Hero of the Maroons 30 -Black Hawk: Spiritual Warrior & Protector 34 ii. -Spiritualist Church & Ritual 37 -St. Joseph’s Day 40 3. METHODOLOGY 43 THESIS: 43 Descriptions of Research Tools/Data Collection 43 Participants in the Study 43 Academic Research Timeline 44 PROJECT 47 Overview of the Project Design 47 Relationship of the Literature to the Project Design 47 Project Plan to Completion 49 Project Implementation 49 Research Methods and Tools 50 Data Collection 50 4. IN THE FIELD 52 -Egungun Masquerade: OYOTUNJI Village 52 African Cultural Retentions 54 -Ibrahima Seck: Director of Research, Whitney Plantation Museum 54 -Andrew Wiseman: Ghanaian/Ewe, Guardians Institute 59 The Elders Speak 62 -Bishop Oliver Coleman: Spiritualist Church, Greater Light Ministries 62 -Curating the Culture: Ronald Lewis, House of Dance & Feathers 66 -Herreast Harrison: Donald Harrison Sr.
    [Show full text]
  • Pontifícia Universidade Católica De São Paulo Puc-Sp
    PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO PUC-SP LUÍS CLÁUDIO CARDOSO BANDEIRA “ROTAS E RAIZES” DE ANCESTRAIS ITINERANTES DOUTORADO EM HISTÓRIA SOCIAL SÃO PAULO 2013 PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO PUC-SP LUÍS CLÁUDIO CARDOSO BANDEIRA “ROTAS E RAIZES” DE ANCESTRAIS ITINERANTES DOUTORADO EM HISTÓRIA SOCIAL Tese apresentada à Banca Examinadora da Pontifícia Universidade Católica de São Paulo, como exigência parcial para obtenção do título de Doutor em História Social, sob a orientação da Profª Drª Maria Antonieta Martines Antonacci. SÃO PAULO 2013 Banca Examinadora __________________________________ __________________________________ __________________________________ __________________________________ __________________________________ Laroiê Esu ! Chegou a hora, quem lá no mato mora, é que vai agora se apresentar. No chão do terreiro a flecha do Seu Flecheiro foi que primeiro zuniu no ar. Vi Seu Aimoré, Seu Coral, vi Seu Guiné, Vi Seu Jaguará, Seu Araranguá, Tupaíba eu vi, Seu Tupã, vi Seu Tupi, Seu Tupiraci, Seu Tupinambá. Vi Seu Pedra-Preta se anunciar, Seu Rompe-Mato, Seu Sete-Flechas, Vi Seu Ventania me assoviar, Seu Vence Demandas eu vi dançar,Benzeu meu patuá. Vi Seu Pena-Branca rodopiar, Seu Mata-Virgem, Seu Sete-Estrelas, Vi Seu Vira-Mundo me abençoar, Vi toda a falange do Jurema. Dentro do meu gongá. Seu Ubirajara trouxe Seu Jupiara, e Seu Tupiara pra confirmar. Linha de Caboclo, diz Seu Arranca-Toco, um é irmão do outro quem vem lá. Com berloque e jóia vi Seu Araribóia, com Seu Jibóia, beirando o mar,com cocar, borduna, chegou Seu Grajaúna,com Baraúna mandou chamar. Vi Seu Pedra-Branca se aproximar, Seu Folha-Verde, Seu Serra-Negra, Seu Sete-Pedreiras eu vi rolar, Seu Cachoeirinha ouvi cantar, Seu Girassol girar.
    [Show full text]
  • (In)Determinable: Race in Brazil and the United States
    Michigan Journal of Race and Law Volume 14 2009 Determining the (In)Determinable: Race in Brazil and the United States D. Wendy Greene Cumberland School fo Law at Samford University Follow this and additional works at: https://repository.law.umich.edu/mjrl Part of the Comparative and Foreign Law Commons, Education Law Commons, Law and Race Commons, and the Law and Society Commons Recommended Citation D. W. Greene, Determining the (In)Determinable: Race in Brazil and the United States, 14 MICH. J. RACE & L. 143 (2009). Available at: https://repository.law.umich.edu/mjrl/vol14/iss2/1 This Article is brought to you for free and open access by the Journals at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Journal of Race and Law by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. DETERMINING THE (IN)DETERMINABLE: RACE IN BRAZIL AND THE UNITED STATES D. Wendy Greene* In recent years, the Brazilian states of Rio de Janeiro, So Paulo, and Mato Grasso du Sol have implemented race-conscious affirmative action programs in higher education. These states established admissions quotas in public universities '' for Afro-Brazilians or afrodescendentes. As a result, determining who is "Black has become a complex yet important undertaking in Brazil. Scholars and the general public alike have claimed that the determination of Blackness in Brazil is different than in the United States; determining Blackness in the United States is allegedly a simpler task than in Brazil. In Brazil it is widely acknowledged that most Brazilians are descendants of Aficans in light of the pervasive miscegenation that occurred during and after the Portuguese and Brazilian enslavement of * Assistant Professor of Law, Cumberland School of Law at Samford University.
    [Show full text]
  • Duke University Dissertation Template
    ‘Christ the Redeemer Turns His Back on Us:’ Urban Black Struggle in Rio’s Baixada Fluminense by Stephanie Reist Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Walter Migolo, Supervisor ___________________________ Esther Gabara ___________________________ Gustavo Furtado ___________________________ John French ___________________________ Catherine Walsh ___________________________ Amanda Flaim Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2018 ABSTRACT ‘Christ the Redeemer Turns His Back on Us:’ Black Urban Struggle in Rio’s Baixada Fluminense By Stephanie Reist Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Walter Mignolo, Supervisor ___________________________ Esther Gabara ___________________________ Gustavo Furtado ___________________________ John French ___________________________ Catherine Walsh ___________________________ Amanda Flaim An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2018 Copyright by Stephanie Virginia Reist 2018 Abstract “Even Christ the Redeemer has turned his back to us” a young, Black female resident of the Baixada Fluminense told me. The 13 municipalities that make up this suburban periphery of
    [Show full text]
  • 1 Eshu, Do Not Undo Me, Do Not Falsify the Words of My Mouth, Do Not Misguide the Movements of My Feet, You Who Translates Yeste
    Eshu, do not undo me, Do not falsify the words of my mouth, Do not misguide the movements of my feet, You who translates yesterday’s words, Into novel utterances, Do not undo me, I bear you sacrifice. 1 Introduction Thescopeofthisworkistopoint outat thewayhowIshmaelReed,asuccessfulAfro Americanwriter,rewritesthetropeofthetrickster.Threenovelswrittenbyhim werechosen toillustrate howineachofthesehechangesthe roleofthetrickster anduses himfor achievingdifferent purposes.Thethesisofthis workisthat,gradually,inthescope ofthese threenovels,theroleofthetrickster changesandthe powerheisabletoexert,upontheface ofthesocietyinwhichheoperates,rises.Thushiscapabilitytoaffectortrickpeopleisfar greaterinthethirdnovelthanitis inthefirst.Also,hisinterestshaschangedfromcaring solelyforhis personalneeds,asitis presentedinthefirstnovel,toenactingattemptsto positivelychangethewholesocietyof NorthAmerica,asit isdepictedinthethirdbook. Wherethefirstnovelcaptures thetrickster’ssole wishforrevengeandtheseconddescribes thetrickster’selusiveattempttofreetheAfroAmericancommunity,thelast portraitsthe tricksterdoinghis best inordertosavethewholeof NorthAmerica. InYellowBackRadioBroke-Down thetrickster characterhasashismaingoalthe enactmentofhisownpersonalvendettaandhethusfollowsonlythecourseofhisintentions, anddoesn’t takeheedofanyother person’sneeds.InMumboJumbo theroleofthe trickster haschangedandthetrickstercharacter,PapaLaBas,triestofindthetext ofa mysterious plague,calledJesGrew,whichifheweresuccessfulwouldfreetheAfroAmerican communityfromoppressionofthe white
    [Show full text]
  • Water in Yoruba Belief and Imperative for Environmental Sustainability
    Journal of Philosophy, Culture and Religion www.iiste.org ISSN 2422-8443 An International Peer-reviewed Journal Vol.28, 2017 Water in Yoruba Belief and Imperative for Environmental Sustainability Adewale O. Owoseni Department of Philosophy, University of Ibadan, University of Ibadan Post Office, Nigeria Abstract The observation by scholars that the typical African people are often overtly religious in matters of interpreting reality demands a critical outlook with allusion to apt consideration of phenomena in relevant locale within the African space. The phenomenon of water has received copious attention worldwide and the need to consider this within an African nay Yoruba worldview is timely. The Yoruba of Southwestern Nigeria are wont to express that ‘water is the converge of good health, no one can despise it’ – omi labuwe, omi labumi, eni kan kii ba omi s’oota . This expression among other narratives convey a symbolic and paradoxical representation of water, which depicts the metaphysical dialectics of water in Yoruba belief. Basically, it renders the phenomenon of water as an entity that has the potency to vitalize and disrupt life-forms, given the beliefs regarding its place in relationship with certain animals like buffalo, fish and some endangered species, plants, trees as well as humans. Resultant impediments that fraught environmental order such as flood, draught and water borne diseases or outbreak in this regard are often linked to these beliefs. This is believed to be due to negating demands of the essential place of water by aberrant practices/acts, abuse, negligence of venerating ancestral grooves, goddesses or spirit. In lieu of this, this discourse adopts a hermeneutic analysis of the phenomenon and argues that the understanding of water in indigenous Yoruba belief is underscored by the dialectics of positive and negative causes that also impact the course of environmental sustainability.
    [Show full text]
  • Roger Atwood Searching for a Head in Nigeria
    roger atwood Searching for a Head in Nigeria A century ago, a German colonialist went to Nigeria and found a bronze masterpiece. Then, it vanished. Nigerians have been asking themselves what happened to it ever since. Now they may have the answer. A place of “lofty trees . as beautiful as Paradise.” So the German adventurer Leo Frobenius described the sacred Olokun Grove in Ife in 1910. For months before I arrived in Nigeria, I wondered what the grove would look like. Now I was riding in a car to see the grove with a delegation of curators and archaeologists from the Ife museum. They had a certain ceremoni- ousness I had come to expect from educated Nigerians, and they were snappy dressers. While I sweated through my khakis and linen shirt, the women in the delegation wore flowered dresses and matching head- dresses, and they curtsied deeply and held out their hand coquettishly when we were introduced. The men called me “sir” and wore tailored robes with a matching cap, or immaculately ironed Western trousers and a pressed shirt and never a T-shirt or, God forbid, shorts. The Olokun Grove was on Irebami Street, near Line 3. It was a neighborhood of rut- ted streets and ramshackle houses, some with posters on their walls ad- vertising Nollywood movies or displaying President Goodluck Jonathan’s jowly face grafted onto the emerald bands of the national flag. In three weeks’ time, the people of Africa’s most populous country would vote in presidential elections. Not my concern. I was going to see a place as beautiful as Paradise.
    [Show full text]