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Alt-Nation Presents: Hot Women of Local Rock
Alt-Nation Presents: Hot Women Of Local Rock Roz For several years around this time, the staff at the Alt-Nation desk has put together a “Hot Women of Local Rock” piece that has profiled talented female musicians. Last year there was a bit of a stink over the cover image and the whole concept came under fire. The last thing I would want is to offend anyone, especially people so passionate in their objections to the 6th annual edition of the column. So I wasn’t going to do the column this year. Then I decided, why the hell not? Elese Morrone – For The Love of Sloane -vox Now we’re ready to meet our first musician (drum roll please) – she’s the lead singer of a local alt-rock band that was the 2009 WXIN Rock Hunt Champions as well as a finalist in the 2009 WBRU Rock Hunt. This band has played everywhere from neighborhood bars to the big stage of Lilith Fair. They have recently finished their full length debut CD, Spells, Curses and Charms, which is tentatively set to come out around the beginning of April. From the band For The Love of Sloane, Elese Morrone come on down! MC: Who would you say are some of your biggest musical influences? EM: The first big musical influence is Blink-182. They were the first band that broke me from my typical teenage girl music: for this I am eternally grateful. The second biggest influence is Say Anything. I am absolutely in awe of the singer, Max Bemis, and his lyric writing as well as live performances. -
1Monologues' Conclude on Campus Farley Refurbishing Begins
r----------------------------------------------------------------------------------------------------------------------------------------------~ THE The Independent Newspaper Serving Notre Dame and Saint Mary's VOLUME 40: ISSUE 89 THURSDAY, FEBRUARY 16.2006 NDSMCOBSERVER.COM 1Monologues' conclude on campus STUDENT SENATE Leaders Jenkins' attendance, broad panel discussion cap off third and final night of perfomances push wage "I went to listnn and learn, and By KAITLYNN RIELY I did that tonight and I thank the • Nrw.,Writ<·r east," Jenkins said af'tnr the play. .Jenkins, who dedinml further calllpaign Tlw third and final production comment on the "Monologues" of "Tiw Vagina Monologues" at Wednesday, had mandated the By MADDIE HANNA Notrn Damn this y11ar was play be pnrformed in the aca Associate News Editor marknd by thn attnndancn of demic setting of DeBartolo Hall Univnrsily Prnsid1n1l Father .John this year, without the l"undraising .Jnnkins and a wide-ranging ticket sales of' years past. Junior After loaders of the Campus parwl discussion on snxual vio Madison Liddy, director of this Labor Aetion Projoct (CLAP) lnHrn, Catholic. teaching and ynar's "Monologues." and later delivered a eornprnhnnsivo ollwr lopks Wednesday night. the panelists thanked Jenkins for presentation on the group's .11~11kins saw the play per his prnsenen at the performance . living wage campaign to l"orrm~d for tho f"irst time During tho panel diseussion fol Student Senate Wednesday, W1Hfrwsday, just ovnr three lowing thn play, panelists senators responded by unani w1wks after hP initialed a applauded the efforts of the pro mously passing two rolated Univnrsity-widn discussion about duction toward eliminating vio resolutions - one basod on acadnmk l"mmlom and Catholic lence against women and policy, tho other on ideology. -
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Say Anything – a Goodbye Summation
Say Anything A Goodbye Summation By Maxim Adam Bemis Completed On August 13, 2018 2018 Tyler, Texas This is a statement about my current status as a dude and Say Anything’s upcoming record and plans as a band. Our new record is done, and it’s called OLIVER APPROPRIATE. Our plans as a collective are to, kind of sort of, end Say Anything. Or “the first era of Say Anything”. Whatever you want to call it, it’s that thing. I don’t buy that shit when other bands do it, but whatever the fuck works as terminology. I need a break. We’ll return one day to play festivals and scoff at our career. But I want to say goodbye. There will be no full U.S tour to support the record or in the near future. I am done being a touring musician as my main profession. Say Anything is retiring in the sense that Jay-Z did. It’s not an indefinite hiatus or a breakup because that’s impossible. But we’ll get to that. Let’s start with OLIVER APPROPRIATE. It’s my first truly inclusive Say Anything record. A record with lyrics that can be sung by girls, boys and anyone under the sun without correcting the endlessly pervasive dude pronouns. My first record, …IS A REAL BOY, was written as a character. I mean that literally. We wrote a story. We planned on making it a musical. After that, people thought that character WAS me. In actual reality, there was no Molly, nor any “rough sex”. -
FROM BULLDOGS to SUN DEVILS the EARLY YEARS ASU BASEBALL 1907-1958 Year ...Record
THE TRADITION CONTINUES ASUBASEBALL 2005 2005 SUN DEVIL BASEBALL 2 There comes a time in a little boy’s life when baseball is introduced to him. Thus begins the long journey for those meant to play the game at a higher level, for those who love the game so much they strive to be a part of its history. Sun Devil Baseball! NCAA NATIONAL CHAMPIONS: 1965, 1967, 1969, 1977, 1981 2005 SUN DEVIL BASEBALL 3 ASU AND THE GOLDEN SPIKES AWARD > For the past 26 years, USA Baseball has honored the top amateur baseball player in the country with the Golden Spikes Award. (See winners box.) The award is presented each year to the player who exhibits exceptional athletic ability and exemplary sportsmanship. Past winners of this prestigious award include current Major League Baseball stars J. D. Drew, Pat Burrell, Jason Varitek, Jason Jennings and Mark Prior. > Arizona State’s Bob Horner won the inaugural award in 1978 after hitting .412 with 20 doubles and 25 RBI. Oddibe McDowell (1984) and Mike Kelly (1991) also won the award. > Dustin Pedroia was named one of five finalists for the 2004 Golden Spikes Award. He became the seventh all-time final- ist from ASU, including Horner (1978), McDowell (1984), Kelly (1990), Kelly (1991), Paul Lo Duca (1993) and Jacob Cruz (1994). ODDIBE MCDOWELL > With three Golden Spikes winners, ASU ranks tied for first with Florida State and Cal State Fullerton as the schools with the most players to have earned college baseball’s top honor. BOB HORNER GOLDEN SPIKES AWARD WINNERS 2004 Jered Weaver Long Beach State 2003 Rickie Weeks Southern 2002 Khalil Greene Clemson 2001 Mark Prior Southern California 2000 Kip Bouknight South Carolina 1999 Jason Jennings Baylor 1998 Pat Burrell Miami 1997 J.D. -
The Guardian, February 04, 2009
Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 2-4-2009 The Guardian, February 04, 2009 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (2009). The Guardian, February 04, 2009. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. WRIGHT STATE UNIVERSllY DUNBAR LIBRARY FEB 5 z1 11 i ~. ·wedh ·~~·aay.·'.J 1' • , • ,. •'1 1 Feb. 4; 2009' I· , , - • • • ~ I R GHT S ~TE U E SITY'S CA PU E P PE 3640 Colonel Glenn Hwy. 014 Student Union, Dayton, OH 45435 I Issue No. 15 Vol. 45 A SMA All-American Newspaper Preview to Butler When it comes to Saturday's game, WSU doesn't have just one star pla er--it has three pg a Index Staff List News Editor- in- Chief Chelsey Levingston Events Calendar... 4 [email protected] Business Manager Sponsored by the Women's Alex Hunter Center, featuring student org [email protected] and Women's Center events News Editor Tiffany Johnson [email protected] Assistant News Editor Whitney Wetsig Opinions wetsig .3wright .edu Whitney Wetsig News Writers Editorial .................. 5 [email protected] Ryan Hehr Jan. 27 - A male wa taken int a Tuition freeze harmful for WSU hehr.3 wright .edu Jan. -
Stock DECEMBER 2020
DISTRO / 2020 DISQUE LP CODE STOCK CHF !Attention! - S/T INLP 859 1 12 562 – Cuando vivir es morir INLP 524 2 14 7 seconds – Leave a light on INLP 780 X 25 7 seconds – The crew INLP 599 x 18 7 seconds – Walk together, rock together INLP 107 1 16 A wilhelm scream – S/T INLP 493 1 17 Accidente – Amistad Y Rebelión INLP 918 1 10 Accidente – Pulso INLP 278 2 13 Accidente – S/t INLP 230 2 10 Adhesive – Sideburner INLP 879 1 18 Adolescents – OC Confidential INLP 622 2 12 Adolescents – S/T INLP 006 1 22 Adult Magic – S/T INLP 133 2 14 Against me! - As the eternal cowboy INLP 748 X 21 Against me! - Is reinventing Axl Rose INLP 228 1 21 Against me! - Searching for a former clarity 2LP INLP 752 1 28 Against me! - Shape Shift With Me INLP 342 1 32 Against me! - Transgender dysphoria blues INLP 751 3 27 Agent Attitude – First 2 Eps INLP 614 1 12 Agnostic front – Another voice INLP 668 1 17 Agnostic front – Live At CBGB INLP 543 x 19 Agnostic front – Victim in pain INLP 010 1 17 Alea Jacta Est – Dies Irae INLP 606 4 16 Alea Jacta Est – Gloria Victis INLP 357 2 10 Alea Jacta Est – Vae Victis INLP 776 1 15 Alkaline trio – Maybe i'll cacth fire INLP 222 x 18 Alkaline trio – My shame is true INLP 626 X 26 Alkaline trio – This addiction INLP 373 x 22 All – Allroy for prez INLP 240 1 20 All – Allroy Saves INLP 939 1 22 All – Allroys revenge INLP 238 X 27 All – Breaking things INLP 319 1 28 All – Pummel INLP 651 2 28 All out War – Dying Gods INLP 338 X 18 All Pigs Must Die – Hostage Animal INLP 698 1 21 All pigs must die – Nothing violates this nature INLP 701 1 22 All pigs must die – s/t INLP 015 1 22 Altair – Nuestro Enemigo INLP 294 2 12 American Football - S/T LP3 INLP 1010 2 28 UK 20 American football – s/t INLP 018 X 24 American Football – S/T (EP) INLP 762 x 16 American Football – S/T LP2 INLP 731 X 25 And So Your Life Is Ruined – s/t INLP 938 1 12 Page 1 DISTRO / 2020 And yo your life is ruined – s/t INLP 835 1 13 Angel Du$t - Pretty Buff INLP 1011 1 28 Angel Dust – A.D. -
Christie Dupree Vocals, Guitar Collin Dupree Guitar
Christie DuPree vocals, guitar Collin DuPree guitar With their four older siblings and cousin comprising indie pop outfit Eisley, their brother-in-laws consisting of Max Bemis of Say Anything and Darren King of Mutemath, their mother being a vocalist and their father being a band manager – it surely would surprise none that Christie and Collin, the two youngest members of the DuPree family, would choose to embark on an equally creative and musical path of their own. The young duo has essentially grown up on the road, having toured alongside Eisley nearly non-stop since they were young kids, and have made the move to sharing the stage with the band as the opening act on recent tours. Prior to their days of performing though, the band spent their time honing their skills, learning as much as possible about music and songwriting, and developing their own unique sound. “I think I was 13 or 14 when I first started trying to write songs, I would just open up Garageband and record myself making up melodies and such. Then after a while I asked one of my sisters to show me a few chords on guitar, and started writing songs that way,” states Christie. “And since our mom sings too, we grew up always singing with her.” Christie kicked off her recording career in 2010, with the aforementioned Darren King serving as engineer on her very first [untitled] EP, which led Christie to the first tour offer opening for Eisley. Having accompanied Christie on guitar for the tour, it only made sense to have Collin officially join her as a collaborator on the project when it came up for the follow-up recording, and first official release. -
Coachella 2010 Strike Anywhere
SPECIAL FIRST ISSUE COACHELLA 2010 RACKET’S PICKS, REUNIONS, & FESTIVAL TIPS EXCLUSIVE INTERVIEW STRIKE ANYWHERE PLUS ADVENTURE TIME SHITTY BEER E-READERS SPRINGRACKET MAGAZINE 20101 2 RACKET MAGAZINE RACKET MAGAZINE 3 LETTER FROM THE CONTENTS THE EMPEROR SPRING 2010 Hello there! FEATURES COACHELLA 07 KIDS CAN EAT A BAG OF DICKS 30 FESTIVAL DO’S AND DONT’S My name’s The Emperor, and I’m supposed to welcome you to Racket but as I’m a terrible host, just RacketJeff discusses A Wilhelm Scream’s return. How to avoid chaffing, sunburns help yourself, look around, poke your nose into our closets and go through our underwear drawers. and blisters Hopefully you’re enticed rather than terrified. 16 BEST OF THE WORST Still here? Good. I wanted to get rid of the prudes, and hopefully they’re gone so now we can cut the The least shitty of shitty beers 33 REUNITED AND IT FEELS shit and get down to business. Racket business. For five years now we have been sucking up valuable SO GOOD space on the Internet to make room for our own brand of irreverent artist interviews and sometimes 20 TOP 10 SOLO ARTISTS Well, well, look who’s back deplorable journalistic integrity. If you’ve ever wanted to hear political punks tell an offensive joke or Notice how none of these a TV personality threaten the writer, you’ve come to the right place. are the bass players? 34 WHO TO WATCH Racket’s writers pick their favs to watch We’re not the next big thing in media, so don’t go getting your hopes up, but we are hear to try to 23 make with the funny. -
Deconstructing “Do-It-Yourself” Punk Rock Ethics in Philadelphia" (2016)
Dickinson College Dickinson Scholar Student Honors Theses By Year Student Honors Theses 5-22-2016 Consuming Authenticity: Deconstructing “Do-It- Yourself” Punk Rock Ethics in Philadelphia Patricia Ann Kotrady Dickinson College Follow this and additional works at: http://scholar.dickinson.edu/student_honors Part of the American Popular Culture Commons, Music Commons, and the Sociology of Culture Commons Recommended Citation Kotrady, Patricia Ann, "Consuming Authenticity: Deconstructing “Do-It-Yourself” Punk Rock Ethics in Philadelphia" (2016). Dickinson College Honors Theses. Paper 238. This Honors Thesis is brought to you for free and open access by Dickinson Scholar. It has been accepted for inclusion by an authorized administrator. For more information, please contact [email protected]. Consuming Authenticity Deconstructing “Do-It-Yourself” Punk Rock Ethics in Philadelphia By Patricia Ann Kotrady Submitted in partial fulfillment of Honors Requirements for the Department of American Studies at Dickinson College May 10, 2016 Table of Contents Introduction: Welcome to “the Best Punk Scene in the Country Right Now” 1 “The House Shows Don’t Really Happen Everywhere”: Why Philadelphia? 7 “Semi Anti-Establishment, I Guess”: Punk as a Vessel 12 “You Know, Just Do It”: An Overview of DIY Punk Ethics 16 “This Music is Just Organic”: 21 Authenticity, Opposition, and the Myth of the Mainstream "We never want to be a band that's just in it to make a buck”: 27 The Narrative of “Selling Out” “It’s Never Been Easier to Make Music Like a Pro”: 32 -
Alt-Nation Interview: for the Love of Sloane,The New Year Brings
Mike D’s Top Five: The Can’t Miss Shows in April By Michael Delehanty #1 Friday, April 5: Brown Bird (Fits of Reason album release), Last Good Tooth, Alec K Redfearn and The Eyesores. $15 advance, $17 day of. 8pm. All ages. The Met, 1005 Main Street, Pawtucket. Brown Bird have been touring like crazy in the last year, not only repping Rhode Island while doing so, but also taking some of our best talent out with them for support like Joe Fletcher and the Wron #2 Sunday, April 21: All The Punks: Benefit for Lisa Gourley with Hope Anchor, The Loud Ones, Tony Jones and the Cretin 3, Gentlemen Soundsystem DJs and more. $10 donation. 3pm doors. McNeil’s Tavern, 888 Charles Street, North Providence.g Reasons and Last Good Tooth. Come give them a big welcome home and support for their new album, Fits of Reason. Go to brownbird.net to check out some of the new album. Lisa Gourley has been chronicling the Providence music scene for longer than I can remember, taking amazing photos and sharing them with the community for free. She is a Providence music scene institution, and we love her for it. This is a great way for us to say thank you. #3 Saturday, April 6: WBRU Rock Hunt Finals with The Brother Kite, Kid Mountain, Lolita Black and Torn Shorts. $6. 7pm. All ages. The Met, 1005 Main Street, Pawtucket. WBRU’s annual talent showcase really hit a home run this year as all the bands are great. Will The Brother Kite and Kid Mountain split indie rock votes? Will the darkest of dark horses, Lolita Black, stun alt-rock nation? I predict Torn Shorts take the belt, but it’s definitely up for grabs. -
Final PDF with Annexure.Indd
ANDROCENTRISM AND MISOGYNY IN LATE TWENTIETH CENTURY ROCK MUSIC Darren Berkland January 2015 ANDROCENTRISM AND MISOGYNY IN LATE TWENTIETH CENTURY ROCK MUSIC By Darren Berkland Submitted in partial fulfilment of the requirements for the degree Magister Artium in Media Studies as the Nelson Mandela Bay University January 2015 Promoter/Supervisor: Ms Janelle Vermaak DEPARTMENT OF ACADEMIC ADMINISTRATION EXAMINATION SECTION SUMMERSTRAND NORTH CAMPUS PO BOX 77000 Nelson Mandela Metropolitan University Port Elizabeth 6013 Enquiries: Postgraduate Examination Officer DECLARATION BY CANDIDATE FULL NAME: Darren Berkland STUDENT NUMBER: 205005501 QUALIFICATION: Magister Artium in Media Studies TITLE OF PROJECT ANDROCENTRISM AND MISOGYNY IN LATE TWENTIETH CENTURY ROCK MUSIC DECLARATION: In accordance with Rule G4.6.3, I hearby declare that the above-mentioned treatise / dissertation / thesis is my own work and that it has not previously been submitted for assessment to another University or for another qualification. SIGNATURE: DATE: 16/03/2015 Table of Contents Abstract 1 Acknowledgements 2 Introduction 3 Chapter One: The History and Topology of Rock Music 6 1.1 The History of Rock Music 6 1.2 Rock Music as a Single Genre 13 1.3 Gender and Rock Music 17 Chapter Two: Judith Butler and Gender Performativity 24 2.1 Collapsing the Sex/Gender System 25 2.2 Butler’s Gender Performativity 30 2.3 Reading Gender in Popular Music 36 Chapter Three: Rock Music and Gender Performativity 40 3.1 The Kinks’ “You Really Got Me” (1964) 41 3.2 The Rolling Stones’