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48 DUQUESNE Imversity Student Managers Conduct Conference
SAM Gets Ahead Since Birth in '48 Duquesne's chapter of the Society for' the Advance ment of Management is sho^t on history, hut long on initiative and progress. The local managers lotaulated their organization,in the spring ol 1948. but could not function officially until late that same year. Ur. J. P. Nilaml. head of the management department in bus. Ad. first broached the idea of lloraUng a stu dent chapter here at the'Universttj. After several in formal gahterings. the group elected Regis CI ougtierty as chairman of the Student Organizing Committee. Then SAM a membership drive go£underway.<f While awaiting official approval ol their charter Emcvtiv* oHicn and cn—ilim IM4I of rtw Sectary for Gwnerwl conference ehqinwn, Richer* • status from national SAM headquarters in Nee. \ ork. the Advcnceimnt of Management m««t with Mr. mm plant for the Iwemcsleuia SAM ItklmM* \ their faculty odvi»or (extreme left) f.1 V (Continued on Poo* 2) \ bin wf hli »oriou« iwyffa. v Student Managers DUQUESNE Conduct Conference Dufruesne's SAM chapter has cut rtut a btjt test for its rhanagnr- lal capabilities next Thursday, March 8. They've scheduled an imVERSITY all-day raanagdment conference for the Pittsburgh Room of Che William Penn H^tel. WWi -\ j\." VstuineJd-No.Vi Pittsburgh, Pq. Fridoy, March 2.1951 Meetings of this nature are not uncoramom lp any business rora- mualty, but this one ta unique |a New Student Council Takes that it's the first one tomnletA motivated and arranged by «r itL Office; Elects President defj group. -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
Much Amiss at Venice Airport NEWS EDITOR Location: Various Parcels
Our View 6A Subway set 8A Mercury recall 10A Jail (site) break … for Laurel interchange Businesses pay attention Adopt a pet Looking VENICE • for a “furever” home stm , 1B LOCAL NEWS COVER TO COVER AWARD-WINNING WEEKLY NEWSPAPER 50 CENTS VOLUME 64 NUMBER 34 WEDNESDAY-FRIDAY EDITION, AUG. 19-21, 2009 AN EDITION OF THE SUN FAA Land Use Audit Leases under fire BY GREG GILES pensation to the airport fund. Much amiss at Venice airport NEWS EDITOR Location: Various parcels. An FAA land use audit dated BY GREG GILES Aug. 10 reviewed deeds, leases NEWS EDITOR and other documents dating back to the original Venice Municipal Airport quitclaim As if the city of Venice didn’t deed in 1947. The audit found have enough on its plate with a a number of irregularities that formal Part 16 complaint unless corrected could subject pending with the Federal the city to civil penalties over Aviation Administration, now the following leases: the FAA has released results of The Pier Group/Sharky’s Rest- a special audit of the Venice aurant — Numerous concerns airport, and the news is any- with a new lease, including thing but good. escalation/rental rates and The city made public the skimpy revenues (only one- FAA land use audit on Tuesday. third goes to the airport fund). It has far reaching implications City must revoke, modify or for the Venice Municipal amend the terms. Airport — further solidifying Location: One-acre parcel the FAA’s long-held position off Harbor Drive on the beach that Lake Venice Golf Club’s SUN PHOTO BY GREG GILES SUN PHOTOS BY GREG GILES abutting the Venice Municipal driving range is in a safety Fishing Pier. -
How Huge U. S. Navy Guns Mounted on Railway Cars
PalaLIJHEDDAILr under order of THE PREXIDENT of THE UNITED STATES by COMMITTEE on PUBLIC INFORMATION GEORGE CREEL, ChairmaA * * COMPLETE Record of U. S. GOVERNMENT Activities VoL. 2 WASHINGTON, SATURDAY, OCTOBER 26, 1918. No. 447 REPORT AGAINST WAGE INCREASE TWELVE FOE AIRCRAFT DOWNED HOW HUGE U.S. NAVY GUNS FOR BITUMINOUS COAL MINERS BY II.S. FLYERS IN13 DAYS MOUNTED ON RAILWAY CARS MADE TO FUEL ADMINISTRATOR The War Department authorizes the . following: ARE NOW HURLING SHELLS HELD NOT WARRANTED AT PRESENT Eleven enemy airplanes and one hos- tile balloon were brought down by Ameri- can aviators brigaded -lth the British FAR BEHIND GERMAN LINES "Uncalled for as Part of the Plan during the period from September 9 to September 22, inclusive, and five Ameri- of Stabilization" Says Telegram can aviators were awarded the British BAN OFSECRECYLIFTED Sent President Hayes of United distinguished flying cross, according to the latest Royal Flying Corps commu- BYSECRETARYDANIELS Mine Workers of America. niques just received here. Received Special Mention. Special Cars and Locomo- Bituminous mine workers under agree- ment with the Government to continue Special mention was made as follows: tives Were Built in This " Lieut. G. A. Vaughn, while on offen- operations at the existing scale until the Country - Largest Can- end of the war or for a period of two sive patrol. was engaged by about 15 en- years were notified on Friday by United emy airplanes, one of which, which was at- non Ever Placed on Mobile States Fuel Administrator Harry A. Gar- tacking a flight of our machines he dived field that existing information does not on and shot down in flames. -
The Native American Fine Art Movement: a Resource Guide by Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba
2301 North Central Avenue, Phoenix, Arizona 85004-1323 www.heard.org The Native American Fine Art Movement: A Resource Guide By Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba HEARD MUSEUM PHOENIX, ARIZONA ©1994 Development of this resource guide was funded by the Nathan Cummings Foundation. This resource guide focuses on painting and sculpture produced by Native Americans in the continental United States since 1900. The emphasis on artists from the Southwest and Oklahoma is an indication of the importance of those regions to the on-going development of Native American art in this century and the reality of academic study. TABLE OF CONTENTS ● Acknowledgements and Credits ● A Note to Educators ● Introduction ● Chapter One: Early Narrative Genre Painting ● Chapter Two: San Ildefonso Watercolor Movement ● Chapter Three: Painting in the Southwest: "The Studio" ● Chapter Four: Native American Art in Oklahoma: The Kiowa and Bacone Artists ● Chapter Five: Five Civilized Tribes ● Chapter Six: Recent Narrative Genre Painting ● Chapter Seven: New Indian Painting ● Chapter Eight: Recent Native American Art ● Conclusion ● Native American History Timeline ● Key Points ● Review and Study Questions ● Discussion Questions and Activities ● Glossary of Art History Terms ● Annotated Suggested Reading ● Illustrations ● Looking at the Artworks: Points to Highlight or Recall Acknowledgements and Credits Authors: Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba Special thanks to: Ann Marshall, Director of Research Lisa MacCollum, Exhibits and Graphics Coordinator Angelina Holmes, Curatorial Administrative Assistant Tatiana Slock, Intern Carrie Heinonen, Research Associate Funding for development provided by the Nathan Cummings Foundation. Copyright Notice All artworks reproduced with permission. -
Bruno Walter (Ca
[To view this image, refer to the print version of this title.] Erik Ryding and Rebecca Pechefsky Yale University Press New Haven and London Frontispiece: Bruno Walter (ca. ). Courtesy of Österreichisches Theatermuseum. Copyright © by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections and of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Designed by Sonia L. Shannon Set in Bulmer type by The Composing Room of Michigan, Grand Rapids, Mich. Printed in the United States of America by R. R. Donnelley,Harrisonburg, Va. Library of Congress Cataloging-in-Publication Data Ryding, Erik S., – Bruno Walter : a world elsewhere / by Erik Ryding and Rebecca Pechefsky. p. cm. Includes bibliographical references, filmography,and indexes. ISBN --- (cloth : alk. paper) . Walter, Bruno, ‒. Conductors (Music)— Biography. I. Pechefsky,Rebecca. II. Title. ML.W R .Ј—dc [B] - A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. For Emily, Mary, and William In memoriam Rachel Kemper and Howard Pechefsky Contents Illustrations follow pages and Preface xi Acknowledgments xv Bruno Schlesinger Berlin, Cologne, Hamburg,– Kapellmeister Walter Breslau, Pressburg, Riga, Berlin,‒ -
Razorcake Issue
PO Box 42129, Los Angeles, CA 90042 #17 www.razorcake.com It’s strange the things you learn about yourself when you travel, I took my second trip to go to the wedding of an old friend, andI the last two trips I took taught me a lot about why I spend so Tommy. Tommy and I have been hanging out together since we much time working on this toilet topper that you’re reading right were about four years old, and we’ve been listening to punk rock now. together since before a lot of Razorcake readers were born. Tommy The first trip was the Perpetual Motion Roadshow, an came to pick me up from jail when I got arrested for being a smart independent writers touring circuit that took me through seven ass. I dragged the best man out of Tommy’s wedding after the best cities in eight days. One of those cities was Cleveland. While I was man dropped his pants at the bar. Friendships like this don’t come there, I scammed my way into the Rock and Roll Hall of Fame. See, along every day. they let touring bands in for free, and I knew this, so I masqueraded Before the wedding, we had the obligatory bachelor party, as the drummer for the all-girl Canadian punk band Sophomore which led to the obligatory visit to the strip bar, which led to the Level Psychology. My facial hair didn’t give me away. Nor did my obligatory bachelor on stage, drunk and dancing with strippers. -
May-June 1993 CAA News
5 funding for two years. In the first year CAA's larger capital campaign, offi CAA of the fellowship, direct grants of $5,000 cially launched in 1992 (see CAA News, each will be awarded to Master of Fine September IOclober 1992, page 1). Arts candidates to assist them in Challenge grant recipients are required Awarded completing their graduate degrees and to match the NEA award 3 to 1 in in mounting exhibitions to fulfill degree nonfederal dollars over three years. requirements. These funds will be used CAA is committed to accelerating its on 1993 NEA at the discretion of the recipient for going fund-raising program to support meeting any planned or unplanned the fellowship program beyond the Challenge expenses during the final degree year. three-year challenge grant period. The In the second year of the program, fellowship program has received an recipients begin their careers as artists, enthusiastic and supportive response Grant concentrating on developing their own from members who are interested in the ideas and work, while holding resi next generation of artists, and they have dency positions in partnership institu expressed that support in both small tions such as museums, art schools, art and larger gifts. Most larger gifts can be centers, and universities. It is CAA's divided into sums given over a two-to he College Art Association has opinion that this opporhmity for an three-year period. All gifts can be given received a 1993 NEA challenge emerging artist to concentrate solely on in honor of or in memory of someone. T grant in the amount of $140,000 his or her own ideas and artistic output, With the help of the NEA challenge to establish and endow its newly along with the visibility of a profes grant and CAA members, an endow initiated Professional Development sional exhibition, is significant, because ment will be built to guarantee that the Fellowship Program. -
Summer Loan 1971 Paint Ngs from New York Col Ections July 1-September 7
Summer Loan 1971 Paint ngs from New York Col ections July 1-September 7 Nathan Cummings Collection n second floor Specia Exhibition In the measurements, the height precedes the width. The Nathan Cummings Collection is a spirited, vigorous, constantly evolving thing. The selection on view here gives an idea of the personality of the collection. Nathan Cummings has never been the kind of person to have something assembled for him. His collection contains those things that he has sought out and found himself, things he has admired for their inherent qualities as opposed to their formal association with one school of art or another. This collection is surely a source of satisfaction and pleasure to Nathan Cummings and his willingness to share it with the public, making it accessible through exhibition and loans underlines his commitment to the importance of art for all people. His continuing association with the Metropolitan Museum — now as Honorary Trustee — and the support he has given it are other facets of this com mitment for which we are all grateful. Thomas Hoving Director JEAN ARP (French, 1887-1966) 1. Evocation of a Human Form, Lunar Spectral, 1950 Marble Height 36-5/8 in., depth 22 in. Nathan Cummings Collection PIERRE BONNARD (French, 1867-1947) 2. Picking Apples, 1895-96 Oil on canvas 40-3/4 x 66-1/2 in. Nathan Cummings Collection GEORGES BRAQUE (French, 1882-1963) 3. Antwerp, 1906 Oil on canvas 23-1/2 x 28-3/4 in. Nathan Cummings Collection 4. Woman at an Easel (Green Screen), 1936 Oil on canvas 35-3/4 x 28-1/2 in. -
Modern Paintings, Drawings, Sculptures : Arp
Modern paintings, drawings, sculptures : Arp ... [et al.], donated by private collectors, artists and American & European dealers for the benefit of the Thirtieth Anniversary Fund of the Museum of Modern Art, New York : public auction ... April 27 ... Parke Bernet Galleries, Inc., New York, 1960 Date 1960 Publisher Parke-Bernet Galleries, inc. Exhibition URL www.moma.org/calendar/exhibitions/3407 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art FIFTY MODERN PAINTINGS AND SCULPTURES ESPECIALLY DONATED FOR THE BENEFIT OF THE 30TH ANNIVERSARY FUND OF The Museum of Modern Art NEW YORK PUBLIC AUCTION WEDNESDAY APRIL 27 AT 8:30 P.M. PARKE-BERNETGALLERIES INC 980 MADISON AVENUE NEW YORK 1960 MUSEUMO? MODERN PAINTINGS DRAWINGS SCULPTURES ARP BRAQUE CEZANNE CHAGALL DUBUFFET GIACOMETTI GRIS JAWLENSKY KANDINSKY KLEE LEGER MAILLOL MATISSE MIRO MOORE PICASSO PRENDERGAST RENOIR UTRILLO AND OTHER NOTABLE ARTISTS DONATED BY Private Collectors Artists and American& EuropeanDealers FOR THE BENEFIT OF THE THIRTIETH ANNIVERSARY FUND OF The Museum of Modern Art NEW YORK Public Autlion Wednesday April 27 at 8:30 p. m. PARKE-BERNET GALLERIES INC New York i960 MOlfllN* ART LIBRARY EXHIBITION AND SALE AT THE PARKE-BERNET GALLERIES INC 980 Madison Avenue New York 21 TRAFALGAR 9-83OO Public Exhibition — Admission $1 Saturday, April 23 from 10 a.m. to 5 p. m. Sunday, April 24 from 2 to 6 p. m. Monday, April 25 from 10 a. -
History in the Making 2013
HISTORY IN THE MAKING California State University, San Bernardino Journal of History Volume Six 2013 Alpha Delta Nu Chapter, Phi Alpha Theta National History Honor Society History in the Making is an annual publication of the California State University, San Bernardino (CSUSB) Alpha Delta Nu Chapter of the Phi Alpha Theta National History Honor Society, and is sponsored by the History Department and the Instructionally Related Programs at CSUSB. Issues are published at the end of the spring quarter of each academic year. Phi Alpha Theta’s mission is to promote the study of history through the encouragement of research, good teaching, publication and the exchange of learning and ideas among historians. The organization seeks to bring students, teachers and writers of history together for intellectual and social exchanges, which promote and assist historical research and publication by our members in a variety of ways. Copyright © 2013 Alpha Delta Nu, California State University, San Bernardino. Original cover art by Caitlin Barber, Copyright © 2013 History in the Making History in the Making Table of Contents Introduction _________________________________________ v Acknowledgements ____________________________________ ix Editorial Staff ________________________________________ xi Articles A Historiography of Fascism by Glenn-Iain Steinbeck ________________________________ 1 Black Stand-Up Comedy of the 1960s by Claudia Mariscal __________________________________ 27 Shared Spaces, Separate Lives: Community Formation in the California Citrus Industry during the Great Depression by David Shanta _____________________________________ 57 California and Unfree Labor: Assessing the Intent of the 1850 “An Act for the Government and Protection of Indians” by Aaron Beitzel ____________________________________ 101 Imagining Margaret Garner: The Tragic Life of an American Woman by Cecelia M. -
A “Journey” Through Band Agreements
Hastings Communications and Entertainment Law Journal Volume 43 Number 2 Summer 2021 Article 4 Summer 2021 A “Journey” Through Band Agreements Jordan M. Whitford Follow this and additional works at: https://repository.uchastings.edu/hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Jordan M. Whitford, A “Journey” Through Band Agreements, 43 HASTINGS COMM. & ENT. L.J. 189 (2021). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol43/iss2/4 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. A “Journey” Through Band Agreements By JORDAN WHITFORD* INTRODUCTION A “Journey” through band agreements reveals that it is not just about creating music. This paper will explain the ins and outs of band agreements, using the most recent lawsuit involving the band members of Journey along with other various disputes to demonstrate what issues can arise throughout a band’s lifespan. HISTORY OF JOURNEY JOURNEY ACCEPTED FAME, FORTUNE, AND BAND MEMBERS WITH “OPEN ARMS” The musical band Journey was formed in San Francisco, California in 1973 under the management of Herbie Herbert.1 Journey made their live debut at the Winterland