STORYTELLING and RULE USE by Emily D. Heaphy a Dissertation Su

Total Page:16

File Type:pdf, Size:1020Kb

STORYTELLING and RULE USE by Emily D. Heaphy a Dissertation Su TWO VIEWS OF AGENCY IN PATIENT ADVOCATES' PROBLEM-HANDLING WORK: STORYTELLING AND RULE USE by Emily D. Heaphy A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Business Administration) in The University of Michigan 2008 Dissertation Committee: Professor Jane E. Dutton, Chair Professor Richard P. Bagozzi Professor Lloyd E. Sandelands Assistant Professor Karen M. Staller Professor Julia P. Adams, Yale University © Emily D. Heaphy All Rights Reserved 2008 Acknowledgments Many people have helped make this dissertation possible. Jane Dutton has been a constant cheerleader and advisor throughout my doctoral career. After we met over recruitment weekend and discovered a mutual passion for “human growth and development in organizations,” I got over my cold feet about moving to Michigan and haven’t regretted it for an instant. Indeed, I have felt incredibly fortunate. Jane, who has been a model of creating positive working relationships (or high quality connections), has encouraged me to do work on a topic and with methods that I care about, and overall has been a great supporter of me. As I have begun to work with students myself, I emulate her invaluable approach of encouragement, excitement, dedication, and very speedy feedback. Lance Sandelands conveys a kind of positive regard coupled with thoughtful feedback that invites deep thinking and makes revising feel not-so-scary. I have benefited from his careful reading and insistence that research should be both simply presented and profound. I am not sure I have accomplished those twin goals here, but I have come to hear his interested and playful voice urging me towards them as I muddle through my work. Karen Staller has spent countless hours helping me think through and write about research design and methods. I appreciate Karen taking the time to talk me through the intricacies of inquiry. She has brought a sense of wonder and delight to the process of ii thinking about how to conduct qualitative inquiry, which makes it at least as interesting to work on as the theoretical side. I signed up for a course with Julia Adams my first year at Michigan on the recommendation of a senior student in my program. “Take anything she teaches,” he said. And I did take about every course Julia taught during the years we overlapped at Michigan. Julia’s love of theory and belief in students came through in every class and in all of our later conversations and emails, and I appreciate her willingness to sit on my dissertation committee and help me think a little more like a sociologist. Rick Bagozzi sits on many dissertation committees in part because of his knowledge of SEM, an analysis technique which is completely absent from this dissertation. Instead, I asked him because of his reputation as interested and open to many topics, his care and kindness towards doctoral students, and his excellent feedback. Rick has proven his reputation true, providing me with helpful advice as I develop my ideas on paper and for presentation. Several other faculty members at Michigan have been helpful in my development, including, Sue Ashford, Wayne Baker, Kim Cameron, Jerry Davis, Bob Quinn, Jeffrey Sanchez-Burks, Gretchen Spreitzer, and Jim Walsh. All have provided thoughtful feedback on my ideas. At McGill, Nancy Adler, Sandra Cha, Al Jaeger and Mary Dean Lee have provided me with an interested and supportive community over the past year. And reaching back a few years, I was fortunate enough to be introduced to the field of organizational behavior by working with David Thomas, Amy Edmondson and Jack Gabarro at Harvard Business School. Seeing them work (very hard) helped me imagine iii that I could do meaningful work as a business school professor, and they have continued to provide advice, feedback, and support many years later. Throughout the time I have worked on my dissertation, I have been fortunate to have several friends and co-travelers with whom I have met on a weekly or daily basis, including Melissa Wooten, PK Toh, Jacoba Lilius, Francisco Polidoro, Jason Kanov and Karen Hebert. While writing over the last year in Providence and Montreal, Cody Kinski and Julie Urda have been welcoming neighbors, dog caretakers and consistent providers of good cheer and entertainment. A number of University of Michigan students over a couple of “generations” have been helpful and supportive as I developed as a scholar, and with my dissertation in particular: Marlys Christianson, Dan Gruber, John Paul Stephens, Adam Grant, Scott Sonenshein, Ruth Blatt, Mike Troilo, Chris Marquis, Tim Vogus, Katherine Lawrence, Brianna Barker Caza, Arran Caza, Laura Morgan Roberts and Monica Worline. I received funding from several generous sources, including Wellesley College, Blue Cross Blue Shield of Michigan, the University of Michigan’s Nonprofit and Public Management Center, Rackham Graduate School, the Center for Education of Women, and the Institute for Women and Gender. Much of the money they gave me went to Kathy Wood, who quickly and accurately transcribed my interview recordings, saving me time, worry and overworked arms. My dissertation is as old as my relationship with my now-husband, Cedric de Leon. We met as I was still sorting through my dissertation ideas. I defended my proposal soon after we moved in together. We adopted our cheerful red dog, Atticus, the day after I finished data collection, and we married in the midst of data analysis. Cedric is, for iv better or worse, an expert at Emily-in-dissertation-mode. Every dissertation writer should be so fortunate to have a partner who is also an on-call sociologist, the son of a professional chef and a great writer. But perhaps what I value most about our relationship for the particular experience of writing my dissertation is his willingness to laugh at my jokes and to make me smile when I didn’t think I had it in me. This aspect of our relationship provided much-needed levity, which has been especially useful on those days when the dissertation created particularly forceful gravity. It is often said that research is autobiographical. It does not take long for me to see reflections of my family in my research. In the patient advocates, I see a careful attention to and valuing of relationships through a range of experiences, both good and bad, complex and simple. My mom, Candy, and my dad and his wife, Ed and Lois, my sister and her husband, Christina and Jafred, are each in their own way deeply committed to relating to others with care and to living in the world with honor and dignity. Seeing the care with which they interact with so many different people – including me! – helps me to see it in others. I also appreciate the way in which all of them have understood my need to work so much. Special thanks go to Christina for fielding questions on my behalf from our large extended family and for gently reminding me to visit our parents when I have been away from home for too long. Over 50 patient advocates and those who work closely with them let me into their work lives. The confidentiality I promised them means I cannot thank them by name. But I deeply appreciate the time and access they granted me. I am especially grateful to the members of the two patient advocate offices whom I shadowed. They allowed me to peer over their shoulders and ask endless questions about “the technicalities” of their work, v and were my hosts and chaperones in their workplaces. One (former) patient advocate I can thank by name is Deborah Hoffman, my dear high school friend, whose stories about her job as a patient advocate so fascinated me that I decided to devote some years to understanding their work. vi Table of Contents Acknowledgements ii List of Tables viii Abstract ix Chapter 1 Introduction 1 Chapter 2 Research Design and Methods 15 Phase 1: Understanding the Patient Advocate Role 17 Phase 2: Patient Advocates’ Work Practice 21 Data Analysis 36 Chapter 3 The Patient Advocate Role 53 A Historic View 54 A Contemporary View 60 Chapter 4 Storytelling as a Means of Organizational Problem Handling: The Work of Patient Advocates 74 Problem-Handling Roles 77 Chapter-Specific Research Design and Methodology 83 Findings 85 Discussion 117 Conclusion 125 Chapter 5 Playing with Rules: Patient Advocates’ Rule Use in Two Hospital Types 133 Chapter-Specific Research Design and Methodology 137 Rule Use in Organizational Settings 143 Discussion 181 Conclusion 188 Chapter 6 Conclusion 189 References 199 vii List of Tables Table 3.1: Stories Told by Patient Advocates in Interviews, Categorized by Who Brought the Case to Them 72 Table 3.2: Stories Told by Patient Advocates in Interviews, Categorized by Presenting Problem 73 Table 4.1: Comparison of Problem-Handling Literatures 127 Table 4.2: Evidence Supporting Process Model of Problem Handling as Organizational Storytelling 128 viii Abstract Patient advocates are hospital employees who handle the non-medical problems and complaints that patients and their families experience while receiving care in hospitals. Using qualitative data from interviews and shadowing at teaching and Veterans Health Administration (VA) hospitals, this dissertation develops two accounts of agency in patient advocates' problem-handling work. First, my analyses suggest that patient advocates are organizational storytellers who construct accounts that enlist the participation of others to resolve patient and family members’ problems. I identify several relational practices that patient advocates use to accomplish their problem- handling work. Second, the analyses also suggest that patient advocates draw on organizational rules to construct legitimate paths of action for patients, families and staff in hospitals. Four patterns of rule use emerged, but in different frequencies across teaching and VA hospitals.
Recommended publications
  • Television Academy Awards
    2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth.
    [Show full text]
  • Two Days in Palestine,’ Was Written in April 1989, Soon After a Brief Trip to the Occupied Territories with Some Colleagues
    Note The following essay, ‘Two Days in Palestine,’ was written in April 1989, soon after a brief trip to the occupied territories with some colleagues. It was published in two parts in the August 1989 (pp. 11–18) and September 1989 (pp. 21–27, 36) issues of The Message International (New York), the monthly magazine published by the Islamic Circle of North America (ICNA). The editors, in their wisdom, changed the title to ‘In the Eye of the Intifada, A Muslim’s Journey to the Land of Oppression;’ they also added pictures and inserts of their own. Here is the original text, with some minor corrections. The first Intifada began in December 1987 and is generally considered to have continued till the signing of the Oslo Accords in September 1993. During that time Israeli security forces killed 1070 Palestinians in the Occupied Territories (including East Jerusalem), including 237 minors; in addition 54 Palestinians, including 13 minors were killed by Israeli civilians. The Israeli casualties at the hands of the Palestinians during the same time were 47 civilians, including 3 minors, and 43 army personnel. (Source: B'tSelem, the Israeli Information Center for Human Rights in the Occupied Territories. <<http://www.btselem.org/english/statistics/first_Intifada_ Tables.asp>> as viewed on 10 April 2009.) (April 2009) 1 C. M. Naim Two Days In Palestine Introduction There were six of us in the group: five academics from the University of Chicago and one lawyer. Five males and one female. One of us was a devout Catholic, three claimed Islam as their religion, while the remaining two identified with Judaism.
    [Show full text]
  • Literary Criticism and Cultural Theory
    Literary Criticism and Cultural Theory Edited by William E. Cain Professor of English Wellesley College A Routledge Series 94992-Humphries 1_24.indd 1 1/25/2006 4:42:08 PM Literary Criticism and Cultural Theory William E. Cain, General Editor Vital Contact Negotiating Copyright Downclassing Journeys in American Literature Authorship and the Discourse of from Herman Melville to Richard Wright Literary Property Rights in Patrick Chura Nineteenth-Century America Martin T. Buinicki Cosmopolitan Fictions Ethics, Politics, and Global Change in the “Foreign Bodies” Works of Kazuo Ishiguro, Michael Ondaatje, Trauma, Corporeality, and Textuality in Jamaica Kincaid, and J. M. Coetzee Contemporary American Culture Katherine Stanton Laura Di Prete Outsider Citizens Overheard Voices The Remaking of Postwar Identity in Wright, Address and Subjectivity in Postmodern Beauvoir, and Baldwin American Poetry Sarah Relyea Ann Keniston An Ethics of Becoming Museum Mediations Configurations of Feminine Subjectivity in Jane Reframing Ekphrasis in Contemporary Austen, Charlotte Brontë, and George Eliot American Poetry Sonjeong Cho Barbara K. Fischer Narrative Desire and Historical The Politics of Melancholy from Reparations Spenser to Milton A. S. Byatt, Ian McEwan, Salman Rushdie Adam H. Kitzes Tim S. Gauthier Urban Revelations Nihilism and the Sublime Postmodern Images of Ruin in the American City, The (Hi)Story of a Difficult Relationship from 1790–1860 Romanticism to Postmodernism Donald J. McNutt Will Slocombe Postmodernism and Its Others Depression Glass The Fiction of Ishmael Reed, Kathy Acker, Documentary Photography and the Medium and Don DeLillo of the Camera Eye in Charles Reznikoff, Jeffrey Ebbesen George Oppen, and William Carlos Williams Monique Claire Vescia Different Dispatches Journalism in American Modernist Prose Fatal News David T.
    [Show full text]
  • Television Academy Awards
    2021 Primetime Emmy® Awards Ballot Outstanding Sound Editing For A Nonfiction Or Reality Program (Single Or Multi-Camera) All In: The Fight For Democracy All In: The Fight For Democracy follows Stacey Abrams’s journey alongside those at the forefront of the battle against injustice. From the country’s founding to today, this film delves into the insidious issue of voter suppression - a threat to the basic rights of every American citizen. Allen v. Farrow Episode 2 As Farrow and Allen cement their professional legacy as a Hollywood power couple, their once close-knit family is torn apart by the startling revelation of Woody's relationship with Mia's college-aged daughter, Soon-Yi. Dylan details the abuse allegations that ignited decades of backlash, and changed her life forever. Amend: The Fight For America Promise Immigrants have long put their hope in America, but intolerant policies, racism and shocking violence have frequently trampled their dreams. American Masters Mae West: Dirty Blonde Rebel, seductress, writer, producer and sexual icon -- Mae West challenged the morality of our country over a career spanning eight decades. With creative and economic powers unheard of for a female entertainer in the 1930s, she “climbed the ladder of success wrong by wrong.” American Murder: The Family Next Door Using raw, firsthand footage, this documentary examines the disappearance of Shanann Watts and her children, and the terrible events that followed. American Oz (American Experience) Explore the life of L. Frank Baum, author of The Wonderful Wizard of Oz. By 1900, Baum had spent his life in pursuit of success.
    [Show full text]
  • A Study on How Non-Matriculated Chinese and Saudi Students Perceive Their Language Learning Experience in an Esl Context at a U
    A STUDY ON HOW NON-MATRICULATED CHINESE AND SAUDI STUDENTS PERCEIVE THEIR LANGUAGE LEARNING EXPERIENCE IN AN ESL CONTEXT AT A U.S. UNIVERSITY A dissertation submitted to the Kent State University College of Education, Health, and Human Services in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy By Murat Dagistan August, 2019 © Copyright, 2019 by Murat Dagistan All Rights Reserved A dissertation written by Murat Dagistan B.A., Hacettepe University, 1995 M.A., Hacettepe University, 1998 Ph.D., Kent State University, 2019 Approved by Todd Hawley , Director, Doctoral Dissertation Committee Sarah Rilling , Member, Doctoral Dissertation Committee Walter Gershon , Member, Doctoral Dissertation Committee Accepted by Alexa Sandmann , Director, School of Teaching, Learning and Curriculum Studies, James Hannon , Dean, College of Education, Health, & Human Services iii MURAT, DAGISTAN., Ph.D., August 2019 School of Teaching, Learning and Curriculum Studies A STUDY ON HOW NON-MATRICULATED CHINESE AND SAUDI STUDENTS PERCEIVE THEIR LANGUAGE LEARNING EXPERIENCE IN AN ESL CONTEXT AT A U.S. UNIVERSITY (163 pp.) Director of Dissertation: Todd Hawley, Ph.D. The purpose of this mixed-method study was to investigate how non-matriculated Chinese and Saudi students perceive their language learning experiences in an ESL context in a U.S. University. Specifically, it examines how each group perceives differences in language teaching methods and language learning environment between their native communities and the United States during the language learning process. The study also seeks an answer about how those differences influence the nature and pace of their linguistic development of each group. Both Chinese and Saudi speaking students have quite distinctive learner characteristics, and this research will delve into how their experiences and perceptions compare in regards to their English Education.
    [Show full text]
  • A Photographic Exploration of Clothing, Age and Identity
    I DRESS FOR ME: A PHOTOGRAPHIC EXPLORATION OF CLOTHING, AGE AND IDENTITY by Gabrielle Trach Bachelor of Fine Arts, NSCAD University, 2013 A Major Research Project presented to Ryerson University in partial fulfillment of the requirements for the degree of Master of Arts in the Program of Fashion Toronto, Ontario, Canada, 2017 © Gabrielle Trach 2017 AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF AN MRP I hereby declare that I am the sole author of this MRP. This is a true copy of the MRP, including any required final revisions. I authorize Ryerson University to lend this MRP to other institutions or individuals for the purpose of scholarly research I further authorize Ryerson University to reproduce this MRP by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my MRP may be made electronically available to the public. ii Abstract I Dress for Me: A Photographic Exploration of Clothing, Age and Identity, Master of Arts 2017, Gabrielle Trach, Program of Fashion, Ryerson University For this major research project, I Dress for Me, I investigated the relationship between clothing and life narratives for senior women through interviews and documentary-style photographs of the women’s wardrobes. Based on theories of identity and everyday dress by Irving Goffman and Efrat Tseëlon; fashion and age by Julia Twigg; and the practice of wardrobe interviews by Sophie Woodward, I set out to draw upon the life experiences of participants to gain a better understanding of how an individual’s relationship with clothing changes over time.
    [Show full text]
  • “We're Going to Make the Rolling Stones Look Like Choirboys.”
    “We’re going to make The Rolling Stones look like choirboys.” Alice Cooper lice Cooper still looks like a witch: long, raggedy arms, a thatch of crow-feather hair and a large Captain Hook beaked nose. Even without his kohl eye make-up, his grey-blueA eyes wink out just like they did on his million-selling ’70s album covers. His face is creased and his skin is a little looser, but Alice doesn’t look that different from how he did when he was a threat to American decency. He’s tremendously easy company – warm, gracious and happy to retell well-worn stories, and laughing while he does. You can imagine him holding court with The Hollywood Vampires (his 1970s fraternity of terrifyingly hard-drinking musicians that included Keith Moon, Harry Nilsson and John Lennon), and you can see why celebrities like Johnny Depp regard him as a close friend. Smart and slightly self-effacing, he’s also surprisingly similar to his cameo in Wayne’s World, where he played the dignified elder statesman of rock lecturing his stunned fans with expert detail about the pre-settle- ment history of America. Vincent Damon Furnier may be a sophisticated and sober sixty-eight-year-old, golf-obsessed Republican, but he speaks with real fondness about Alice, often referring to him in the third person. Hearing about the height of his fame (and let’s not forget he was face-on-a-lunchbox, TV-holiday-special, Marvel-comic-about- your-exploits famous), it’s obvious he relishes the controversy he caused, but he never set out to corrupt anyone – only to entertain them.
    [Show full text]
  • Television Academy Awards
    2021 Primetime Emmy® Awards Ballot Outstanding Documentary Or Nonfiction Special American Murder: The Family Next Door Using raw, firsthand footage, to examine the disappearance of Shanann Watts and her children, and the terrible events that followed. The Battle Never Ends Millions of American veterans made a sacrifice to protect our country’s democracy. Honoring the 100-year anniversary of the Disabled American Veterans, a group which has fought to protect the rights and improve the lives of those who pay the price of freedom every day. The Bee Gees: How Can You Mend A Broken Heart Chronicling the triumphs and hurdles of The Bee Gees. Brothers Barry, Maurice, and Robin Gibb, found early fame writing over 1,000 songs with twenty No. 1 hits transcending through over five decades. Featuring never-before-seen archival footage of recording sessions, home videos, concert performances, and a multitude of interviews. Belushi Belushi unveils the brilliant life of a comedic legend. Family and friends share memories of a John Belushi few knew, including Dan Aykroyd, Gilda Radner, Chevy Chase, Penny Marshall, Lorne Michaels and Harold Ramis. Biggie: I Got A Story To Tell Featuring rare footage and in-depth interviews, this documentary celebrates the life of The Notorious B.I.G. on his journey from hustler to rap king. BLACKPINK: Light Up The Sky Korean girl band BLACKPINK tell their story — and detail the journey of the dreams and trials behind their meteoric rise. Booker T (Biography) Re-live the journey of Booker T, who transformed himself from teenage criminal serving time in prison to one of the most beloved WWE superstars.
    [Show full text]
  • Television Academy Awards
    2021 Primetime Emmy® Awards Ballot Outstanding Main Title Design All Creatures Great And Small (MASTERPIECE) Allen v. Farrow The Amber Ruffin Show The American Barbecue Showdown Archer Aunty Donna's Big Ol' House Of Fun B Positive Between The World And Me Biggie: I Got A Story To Tell A Black Lady Sketch Show Black Narcissus Blood Of Zeus The Boy From Medellín Bridgerton Cake Calls Clarice Coastal Elites Coyote Crack: Cocaine, Corruption & Conspiracy The Crime Of The Century Crime Scene: The Vanishing At The Cecil Hotel Cursed Dad Stop Embarrassing Me! The Daily Show With Trevor Noah Presents: Remembering RBG – A Nation Ugly Cries With Desi Lydic Dance Dreams: Hot Chocolate Nutcracker David Byrne's American Utopia Deaf U Death To 2020 Delilah Dolly Parton's Christmas On The Square Dota: Dragon's Blood Earth To Ned Equal The Equalizer Exterminate All The Brutes The Falcon And The Winter Soldier Fargo Firefly Lane The Flight Attendant 40 Years A Prisoner Full Bloom Generation Hustle Genius: Aretha Girls5eva Going To Pot: The High & Low Of It The Good Lord Bird Grand Army The Great North The Haunting Of Bly Manor Heaven's Gate: The Cult Of Cults Helstrom High On The Hog: How African American Cuisine Transformed America Hip Hop Uncovered History Of Swear Words Hold These Truths With Dan Crenshaw Home Economics Hysterical I'll Be Gone In The Dark Immigration Nation The Irregulars Jupiter's Legacy The Lady And The Dale The Last Narc Lenox Hill The Liberator Little Voice Love Fraud Lovecraft Country Mariah Carey's Magical Christmas Special Marvel 616 Mayans M.C.
    [Show full text]
  • Communication Monographs
    This article was downloaded by:[EBSCOHost EJS Content Distribution] [EBSCOHost EJS Content Distribution] On: 25 May 2007 Access Details: [subscription number 768320842] Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Communication Monographs Publication details, including instructions for authors and subscription information: http://www.informaworld.com/smpp/title~content=t713695619 Cracking Jokes and Crafting Selves: Sensemaking and Identity Management Among Human Service Workers Sarah J. Tracy; Karen K. Myers; Clifton W. Scott To cite this Article: Tracy, Sarah J., Myers, Karen K. and Scott, Clifton W. , 'Cracking Jokes and Crafting Selves: Sensemaking and Identity Management Among Human Service Workers ', Communication Monographs, 73:3, 283 - 308 To link to this article: DOI: 10.1080/03637750600889500 URL: http://dx.doi.org/10.1080/03637750600889500 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.informaworld.com/terms-and-conditions-of-access.pdf This article maybe used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material.
    [Show full text]
  • Woman's Work: Female Lighthouse Keepers in the Early Republic, 1820–1859 Virginia Neal Thomas Old Dominion University
    Old Dominion University ODU Digital Commons History Theses & Dissertations History Winter 2010 Woman's Work: Female Lighthouse Keepers in the Early Republic, 1820–1859 Virginia Neal Thomas Old Dominion University Follow this and additional works at: https://digitalcommons.odu.edu/history_etds Part of the Economic History Commons, Labor History Commons, United States History Commons, and the Women's History Commons Recommended Citation Thomas, Virginia N.. "Woman's Work: Female Lighthouse Keepers in the Early Republic, 1820–1859" (2010). Master of Arts (MA), thesis, History, Old Dominion University, DOI: 10.25777/sq5m-hd43 https://digitalcommons.odu.edu/history_etds/12 This Thesis is brought to you for free and open access by the History at ODU Digital Commons. It has been accepted for inclusion in History Theses & Dissertations by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. WOMAN'S WORK: FEMALE LIGHTHOUSE KEEPERS IN THE EARLY REPUBLIC, 1820-1859 by Virginia Neal Thomas B.A. May 1997, University of North Carolina Greensboro A Thesis Submitted to the Faculty of Old Dominion University in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS HISTORY OLD DOMINION UNIVERSITY December 2010 Aop/oved by: J. Lawes (Director) Jane T. Merritt (Member) Timothy J. Ofr (*Mememberl ) UMI Number: 1492862 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion.
    [Show full text]
  • Exchange & Flow
    EXCHANGE & FLOW EXCHANGE An A nthology & FLOW An Anthology edited by Joanna Griffin Transtechnology Research at University of Plymouth, UK Exchange & Flow is an impact and engagement project supported by the Arts and Humanities Research Council UK, with project partners the Kochi Biennale Foundation and Leonardo, the International Society for Arts, Science and Technology. transtechnology research openaccess papers www.trans-techresearch.net Plymouth, 2019 Cover image: Metropolis by artist Lubna Chowdhary, ongoing multi-object work 1991-2018. Exchange & Flow Edited by Joanna Griffin Associate Editors: Hannah Drayson, Jacqui Knight & Jane Hutchinson Executive Editor: Michael Punt 3 Photo: Annalisa Mansukhani 4 Contents Foreword 6 Preface 8 Introduction 12 The Exchange & Flow workshop 21 Evaluation discussion 72 New writing, reflections & proposals 80 Participant biographies 144 Kochi Declaration for Audiences (supplement) 5 Foreword Drawing: : Udit Parekh, Kochi 2019 6 Sometime in the early 2000’s Martha Blassnigg and I became curious about some formal similarities between early television advertising and the kinds of experimental films made by artists in the 1960s and 1970s. As we pondered this we were fortunate to be able to share our thoughts with longstanding colleagues in the EYE Film Institute Netherlands in Amsterdam, the Netherlands Institute for Sound and Vision in Hilversum, VU University, Amsterdam and the University of Applied Arts, Vienna. Over time we became convinced that the similarities were not coincidental and needed some serious thought. With a substantial grant from the Humanities in the European Area Fund (HERA) we were able to lead a team of around ten researchers from across the EU to look at just this from a number of perspectives.
    [Show full text]