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WEB KARAOKE EN-NL.Xlsx
ARTIEST TITEL 10CC DREADLOCK HOLIDAY 2 LIVE CREW DOO WAH DIDDY 2 UNLIMITED NO LIMIT 3 DOORS DOWN KRYPTONITE 4 NON BLONDES WHAT´S UP A HA TAKE ON ME ABBA DANCING QUEEN ABBA DOES YOUR MOTHER KNOW ABBA GIMMIE GIMMIE GIMMIE ABBA MAMMA MIA ACE OF BASE DON´T TURN AROUND ADAM & THE ANTS STAND AND DELIVER ADAM FAITH WHAT DO YOU WANT ADELE CHASING PAVEMENTS ADELE ROLLING IN THE DEEP AEROSMITH LOVE IN AN ELEVATOR AEROSMITH WALK THIS WAY ALANAH MILES BLACK VELVET ALANIS MORISSETTE HAND IN MY POCKET ALANIS MORISSETTE IRONIC ALANIS MORISSETTE YOU OUGHTA KNOW ALBERT HAMMOND FREE ELECTRIC BAND ALEXIS JORDAN HAPPINESS ALICIA BRIDGES I LOVE THE NIGHTLIFE (DISCO ROUND) ALIEN ANT FARM SMOOTH CRIMINAL ALL NIGHT LONG LIONEL RICHIE ALL RIGHT NOW FREE ALVIN STARDUST PRETEND AMERICAN PIE DON MCLEAN AMY MCDONALD MR ROCK & ROLL AMY MCDONALD THIS IS THE LIFE AMY STEWART KNOCK ON WOOD AMY WINEHOUSE VALERIE AMY WINEHOUSE YOU KNOW I´M NO GOOD ANASTACIA LEFT OUTSIDE ALONE ANIMALS DON´T LET ME BE MISUNDERSTOOD ANIMALS WE GOTTA GET OUT OF THIS PLACE ANITA WARD RING MY BELL ANOUK GIRL ANOUK GOOD GOD ANOUK NOBODY´S WIFE ANOUK ONE WORD AQUA BARBIE GIRL ARETHA FRANKLIN R-E-S-P-E-C-T ARETHA FRANKLIN THINK ARTHUR CONLEY SWEET SOUL MUSIC ASWAD DON´T TURN AROUND ATC AROUND THE WORLD (LA LA LA LA LA) ATOMIC KITTEN THE TIDE IS HIGH ARTIEST TITEL ATOMIC KITTEN WHOLE AGAIN AVRIL LAVIGNE COMPLICATED AVRIL LAVIGNE SK8TER BOY B B KING & ERIC CLAPTON RIDING WITH THE KING B-52´S LOVE SHACK BACCARA YES SIR I CAN BOOGIE BACHMAN TURNER OVERDRIVE YOU AIN´T SEEN NOTHING YET BACKSTREET BOYS -
Ultra 2016 ANNUAL REPORT 2016 02 Ultra Annual Report 2016 Contents 03
ULTRA 2016 ANNUAL REPORT 2016 02 ULTRA ANNUAL REPORT 2016 CONTENTS 03 Contents 04 08 20 INTRODUCTION ULTRA MANAGEMENT FUNDAMENTALS • Introduction • Ultra • Corporate Governance • Message from Management • Highlights 2016 • Ethics and Compliance • Key Indicators • Risk Management 28 38 48 54 STRATEGY AND OUTLOOK PEOPLE MANAGEMENT MANAGEMENT OF SAFETY OUR BUSINESSES • A Multi-business Vision • Valorization of Professional • Safe Environment • Ipiranga • Ultra Business Model Development • Oxiteno • Investment Plan • Ultra Culture • Ultragaz • Sustainability Model • Compensation • Ultracargo • Leadership Development • Extrafarma • Other Highlights of the Year 70 82 87 ENVIRONMENTAL MANAGEMENT FINANCIAL PERFORMANCE CORPORATE INFORMATION • Reduction of Impacts • Sales Balance • Integrated Models in Eco-efficiency • Consistent Results • Management of GHG Emissions • Capital Markets • Water • Energy • Solid Waste 04 ULTRA ANNUAL REPORT 2016 INTRODUCTION 05 Introduction We are pleased to present the report of our activities in 2016. The report This year, we have sought to expand focuses on the importance given to institutional transparency and best the scope of the annual report by practices of communication with the Company’s stakeholders. It presents the including socio-environmental key results reported in 2016 by Ultra and its businesses – Ipiranga, Oxiteno, performance indicators Ultragaz, Ultracargo and Extrafarma –, the main projects, its economic-financial performance and information regarding the five sustainability pillars: Safety, the Environment, People, Products and Services and the Value Chain. These performance indicators. The information We believe that, to present these details themes were defined according to relating to our sustainability pillars has on our sustainability performance, is the corporate guidelines and are matched been defined by taking into account first step towards bringing these different by all the Company’s businesses. -
Annual Report 2017
Annual Report 2017 Introduction Welcome to the annual report of Ultra. This publication shows the activities, relationships and key results in 2017 for our businesses – Ipiranga, Oxiteno, Ultragaz, Ultracargo and Extrafarma. For the second year, we present a more complete vision of the Company with the inclusion of new socio-environmental information reinforcing the disclosure of our results. Our Sustainability Model comprises five pillars (Safety, the Environment, People, Products and Services and the Value Chain), which are incorporated in the management of each company. Respecting the segment and the context in which they operate, each one of Ultra’s businesses also has their own indicators. We are also mindful of the best reporting practices through the incorporation of the principles of the Global Reporting Initiative (GRI) and the International Integrated Reporting Council (IIRC). Institutional transparency for us is the way we can present a more comprehensive vision of the impact and the value that we generate for our stakeholders. The information related to our sustainability pillars considers the degree of maturity of the Company in the raising and monitoring of See our complete this information and its relevance to the stakeholders. performance at www.ultra.com.br/Ultra/ Good reading! relatorio/2017/en/ APRESENTAÇÃO 03 Message from the Management In 2017, we celebrated 80 years of Two events during the period demanded to react rapidly in order to continue history at Ultra – a period characterized flexibility and speed of reaction to allow serving clients and resellers with quality by the best practices of corporate us to proceed with our plans based on and differentiation. -
Triannual Letter
(A free translation of the original in Portuguese) TRIANNUAL LETTER April 2011 Sixth Letter TABLE OF CONTENTS THEMATIC ANALYSIS.................................................................................................3 I. 13 IS THE LUCKY NUMBER......................................................................3 PORTFOLIO’S RISK-RETURN ANALYSIS.......................................................................6 I. JB FOCUS FIC FIA......................................................................................6 II. ULTRAPAR................................................................................................6 COMPANY OVERVIEW..............................................................................6 INVESTMENT THESIS…………………………………………………………………..………..7 OUTLOOK……………………………………………..………………………………………………8 Triannual Letter – Sixth Letter (Apr/11) 2 SECTION 1 THEMATIC ANALYSIS I. 13 IS THE LUCKY NUMBER The CVM instruction 480/09, which determines the rules to be followed when filing a registration statement for issuing securities, is a milestone in the development process of corporate governance in Brazil. By means of this instruction, the securities regulator publishes clear and detailed guidance regarding the minimum level of disclosure required of public companies. The information required by the 22 sections of the new Reference Form (Article 24 and Appendix 24 of Instruction 408/09) are essential for investors to be able to evaluate the security. The first trial took place last year, when the deadline for filing -
Ultrapar Participações S.A. Abril 2018 Considerações Iniciais
Ultrapar Participações S.A. Abril 2018 Considerações iniciais Previsões acerca de eventos futuros Este documento pode conter previsões acerca de eventos futuros. Tais previsões refletem apenas expectativas dos administradores da Companhia. Palavras como “acredita”, “espera”, “planeja”, “estratégia”, “prospecta”, “prevê”, “estima”, “projeta”, “antecipa”, “pode” e outras palavras com significado semelhante são entendidas como declarações preliminares sobre expectativas e projeções futuras. Tais declarações estão sujeitas a riscos e incertezas previstos ou não pela Companhia, e podem fazer com que os resultados reais sejam significativamente diferentes daqueles projetados. Portanto, o leitor não deve fundamentar suas decisões apenas com base nestas estimativas. Padrões e critérios aplicados na preparação das informações As informações financeiras apresentadas nesse documento foram preparadas de acordo com as normas IFRS (International Financial Reporting Standards). As informações financeiras referentes à Ultrapar correspondem às informações consolidadas da companhia. As informações financeiras da Ipiranga, Oxiteno, Ultragaz, Ultracargo e Extrafarma são apresentadas sem eliminação de transações realizadas entre as sociedades. Portanto, a soma de tais informações pode não corresponder às informações financeiras consolidadas da Ultrapar. Adicionalmente, as informações financeiras e operacionais incluídas nesta discussão de resultados são sujeitas a arredondamentos e, como consequência, os valores totais apresentados nas tabelas e gráficos podem diferir da agregação numérica direta dos valores que os precedem. As informações denominadas LAJIDA (EBITDA) – Lucro Antes dos Juros, Impostos sobre Renda e Contribuição Social sobre o Lucro Líquido, Depreciação e Amortização; e LAJIR (EBIT) – Lucro Antes dos Juros e Impostos sobre a Renda e Contribuição Social sobre o Lucro Líquido estão apresentadas de acordo com a Instrução nº 527 emitida pela CVM em 04 de outubro de 2012. -
Copyright by Berna Gueneli 2011
Copyright by Berna Gueneli 2011 The Dissertation Committee for Berna Gueneli Certifies that this is the approved version of the following dissertation: CHALLENGING EUROPEAN BORDERS: FATIH AKIN’S FILMIC VISIONS OF EUROPE Committee: Sabine Hake, Supervisor Katherine Arens Philip Broadbent Hans-Bernhard Moeller Pascale Bos Jennifer Fuller CHALLENGING EUROPEAN BORDERS: FATIH AKIN’S FILMIC VISIONS OF EUROPE by Berna Gueneli, B.A., M.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2011 Dedication For my parents Mustafa and Günay Güneli and my siblings Ali and Nur. Acknowledgements Scholarly work in general and the writing of a dissertation in particular can be an extremely solitary endeavor, yet, this dissertation could not have been written without the endless support of the many wonderful people I was fortunate to have in my surroundings. First and foremost, I would like to thank my dissertation advisor Sabine Hake. This project could not have been realized without the wisdom, patience, support, and encouragement I received from her, or without the intellectual exchanges we have had throughout my graduate student life in general and during the dissertation writing process in particular. Furthermore, I would like to thank Philip Broadbent for discussing ideas for this project with me. I am grateful to him and to all my committee members for their thorough comments and helpful feedback. I would also like to extend my thanks to my many academic mentors here at the University of Texas who have continuously guided me throughout my intellectual journey in graduate school through inspiring scholarly questions, discussing ideas, and encouraging my intellectual quest within the field of Germanic and Media Studies. -
ANNUAL REPORT 2011 ULTRAPAR floor Th [email protected] Fax 55 11 3177 6107 Fax Phone 55 11 3177 7014 Phone Ultrapar Participações S
ANNUAL REPORT 2011 ULTRAPAR REPORT ANNUAL CONTENT 2 ULTRAPAR 4 MESSAGE FROM THE MANAGEMENT ANNUAL REPORT 6 KEY INDICATORS AND HIGHLIGHTS 10 MANAGEMENT FUNDAMENTALS 10 CORPORATE GOVERNANCE 2011 14 MANAGEMENT MODEL AND STRATEGY 20 RISK MANAGEMENT 24 INNOVATION 30 RELATIONSHIP WITH STAKEHOLDERS 36 SOCIAL AND ENVIRONMENTAL PERFORMANCE 42 IPIRANGA 48 OXITENO 54 ULTRACARGO 58 ULTRAGAZ 64 RESULTS AND OUTLOOK Ultrapar Participações S. A. 64 ANALYSIS OF FINANCIAL PERFORMANCE IN 2011 th Av Brigadeiro Luís Antônio 1343 8 floor 72 CAPITAL MARKET 01317-910 São Paulo SP Brazil 76 INVESTMENTS AND OUTLOOK Phone 55 11 3177 7014 Fax 55 11 3177 6107 80 CORPORATE INFORMATION / CREDITS [email protected] www.ultra.com.br CONTENT 2 ULTRAPAR 4 MESSAGE FROM THE MANAGEMENT 6 KEY INDICATORS AND HIGHLIGHTS 10 MANAGEMENT FUNDAMENTALS 10 CORPORATE GOVERNANCE 14 MANAGEMENT MODEL AND STRATEGY 20 RISK MANAGEMENT 24 INNOVATION 30 RELATIONSHIP WITH STAKEHOLDERS 36 SOCIAL AND ENVIRONMENTAL PERFORMANCE 42 IPIRANGA 48 OXITENO 54 ULTRACARGO 58 ULTRAGAZ 64 RESULTS AND OUTLOOK 64 ANALYSIS OF FINANCIAL PERFORMANCE IN 2011 72 CAPITAL MARKETS 76 INVESTMENTS AND OUTLOOK 80 CORPORATE INFORMATION / CREDITS CORPORATE GOVERNANCE SUSTAINABILITY INNOVATION Ranked 5th in Fortune Ultrapar holds leading position in its markets achieved over its 75 years of existence. The Magazine’s “World’s Most company operates in the fuel distribution Admired Companies 2012” business through Ipiranga and Ultragaz, in the chemical industry with Oxiteno, and in survey in the energy sector the liquid bulk storage segment through Ultracargo. By the end of 2011, Ultrapar had 9 thousand direct employees and approximately 80 thousand indirect employees. -
Uction of Ordinance to Force Clearing of Lots Is Approved
-......... ---~- . ~' UCTION OF ORDINANCE TO FORCE CLEARING OF LOTS IS APPROVED 0>-------- upport Your Favorite Baby THENE KPOST In Cont.e t ~ -------------~ School R egi s tration The Newark Board of Edu SWIMMING Active On "Dollar Days" Committee cotion has issued a second no MERCHANTS NEW LOCAL tice to paren ts and guardians relative to the registration of COSTS ARE I children for entrance in local SATISFIED LAW HOLDS public schools in September. Early regist.ration is being PONDERED urged. WITH SALE $10 FINE It is particularly important, states the notice, that children Pool Committee entering the first grade be reg PilDick Holds AS THREAT istered without delay so that Faces Deficit; school officials can complete "Returns Good" arrangements for handling Donations Down Packing Plant new students. Following Event It is necessary for all pupils . T~e problem of finances, embrac- Following a survey of Main Street To Cooperate; who have not attended pubUc mg mcome and operating expenses, business houses that participated in schools in Newark to register was the principal item discussed at the Tuesday and Wednesday "Dollar Council Meets before entering. This rule ap- a special meeting of the Newark Days" sales event, Meyer Pilnick, plies in particular to children Swimming Pool Committee Tuesday chairman of the mercantile section In "Darkness" who have just become of evening. The session was held at of the Chamber of Commerce, which The Council of Newark at the Au- school age and to children the residence of Dr. J. S. Gould, sponsored the affair, expressed satis- gust session Monday night voiced who have I' e c e n t I y been president of the Newark P arent- faction this morning on the part of unanimous approval to the first and brought to Newark, but have Teacher Association and chairman participants and buyers in kind. -
Lop40* with CASEY KASEM
r41~tl~tt41~1 *lOP40* WITH CASEY KASEM TO: AMERICAN TOP 40 SUBSCRIBERS FROM: ABC WATERMARK DATE: JULY 7, 1986 RE: LOCAL COMMERCIAL AVAILABILITY IN THIS WEEK'S AMERICAN TOP 40 PROGRAM- #863-2 - THERE ARE AN ADDITIONAL FOUR MINUTES OF COMMERCIAL AVAILABILITY. 30 SECONDS ARE LOCATED AT C-1 IN HOUR 4 30 SECONDS ARE LOCATED AT C-3 IN HOURS 2, 3, AND 4 30 SECONDS ARE LOCATED AT C-5 IN EACH HOUR [J'scwatermark I e 3575 Cahuenga Blvd. West 0 Suite 555 0 Los Angeles, CA 90068 0 818/980-9490 FOR WEEK EI)I.Ol~G: 7/12/86 AME I~N CYCLENO. ~0~ ~P~RO~G~R~A~M~~2-----0-F-_~1~3= j DISC 8t HALF HOUR NO. lA(backed with 48) * IDP40 * IABC\Natermark 8 PAGE NO. __,_ __ WITH (A~! Y I' l•~l M 3575 Cahuenga Blvd. W., Suite 555, Los Angeles, CA 90068 ABC Contemporary Radio Network SCHEDUL.D ACTUAL ELEMENT RUNNING START TIME TIME TIME 00:00 BILLBOARD: 'NOW AMERICAN TOP 40 BROUGHT TO YOU IN PART BY HAWAIIAN 08:05 PUNCH, IT HITS YOU IN ALL THE RIGHT PLACES. BY GINGISS FORMALWEAR ••• OVER 200 STORES COAST TO COAST. AND BY PONTIAC, AMERICA'S ROAD CAR COMPANY ••• PONTIAC, WE BUilD EXCITEMENT. " THEME AND OPENING OF PART I THEME: "THEME FROM AMERICAN TOP 40" (MARKWATER/BMI) #40 ALL THE IDVE IN THE WORLD (A) The Outfield #39 SWEEI' FREElXlM (Theme from "Rmming Scared") (A) Michael MciX:mald 08:05 C-1 NETWORK SPOT: Carefree/Calvin Cooler 30/30 (OUT CUE) Voice out cold with ••• " ••• New York, New York. -
MIKE SIDAWAY – BACKING TRACKS (TO DANCE TO) - Ipod PLAYLISTS
MIKE SIDAWAY – BACKING TRACKS (TO DANCE TO) - iPOD PLAYLISTS SINATRA & RAT PACK 1 GEORGE MICHAEL 1 The Lady Is A Tramp Faith Witchcraft I’m Your Man Strangers In The Night Fastlove Have You Met Miss Jones Too Funky They Can’t Take That Away From Me I Can’t Make You Love Me Fly Me To The Moon Wake Me Up Before You Go Go That’s Amore Club Tropicana Ain’t That A Kick In The Head Killer/Papa Was A Rolling Stone Volare Father Figure Beyond The Sea Praying For Time Misty Freedom Too Close For Comfort A Different Corner Something’s Gotta Give Waiting For The Day I Left My Heart In San Francisco Moondance GEORGE MICHAEL 2 Fever Star People ’97 We Are In Love Flawless Recipe For Love Jesus To A Child I Could Write A Book Outside Unforgettable Spinning The Wheel Let There Be Love An Easier Affair Chicago Amazing For Once In My Life Careless Whisper Summer Wind As Night And Day Freeek! It Was A Very Good Year You Have Been Loved I’ve Got The World On A String This Is Not Real Love That’s Life GEORGE MICHAEL 3 SINATRA & RAT PACK 2 I Knew You Were Waiting Sway (Michael Buble) Don’t Let The Sun Go Down On Me Sway (Dean Martin) Somebody To Love You’re Nobody ‘Til Somebody Loves You Everything She Wants Memories Are Made Of This One More Try Luck Be A Lady Kissing A Fool Saturday Night Is The Loneliest Night Of The Week Older Nice N Easy The Edge Of Heaven The Tender Trap (Love Is) Cowboys And Angels My Kind Of Town (Chicago Is) Bad Boys I’ve Got You Under My Skin Monkey That’s All The Strangest Thing When I Fall In Love I Want Your Sex Mona Lisa Heartbeat -
Fatih Akä±N╎s the Edge of Heaven
UC Berkeley TRANSIT Title Criss-Crossing in Global Space and Time: Fatih Akın’s The Edge of Heaven (2007) Permalink https://escholarship.org/uc/item/28x3x9r0 Journal TRANSIT, 5(1) Author Mennel, Barbara Publication Date 2009 DOI 10.5070/T751009745 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Turkish-German Cinema between the National and the Transnational During the last five years of the twentieth century, films by the children of the so-called Turkish “guest workers” exploded onto the German film landscape. By then “guest worker” had become an outdated term from the vocabulary of the West German government’s recruitment program from the late 1950s to the early 1970s addressing the labor shortage produced by the “economic miracle” and exacerbated by the closing of the “Iron Curtain” that prevented labor migration from East to West. These films ushered a new minority subject onto the silver screen: young, self-confident, outspoken, multi-ethnic, and self-proclaimed German. Gone was the iconic image of the lone, suffering, and silent foreign worker of famed director Rainer Werner Fassbinder’s exemplary film Ali: Fear Eats Soul ( Angst essen Seele auf , 1974). Film directors Buket Alaku ş, Fatih Akın, Thomas Arslan, Aysun Bademsoy, Seyhan Derin, Ay şe Polat, Yüksel Yavuz, and Turkish director Kutlu ğ Ataman made films that marked, according to Deniz Göktürk, the shift from a “cinema of duty” to the “pleasures of hybridity” (1999). What was then an emerging generation of filmmakers on the margin of German society has since become an integral part of German national cinema, out of which Fatih Akın—the director of The Edge of Heaven ( Auf der anderen Seite , 2007)—has emerged as the nationally and internationally most successful director. -
1 Nr Artiest Titel
NR ARTIEST TITEL 1 PRINCE & THE REVOLUTION PURPLE RAIN 2 MICHAEL JACKSON THRILLER 3 QUEEN & DAVID BOWIE UNDER PRESSURE 4 TOTO AFRICA 5 GUNS N' ROSES SWEET CHILD OF MINE 6 A-HA TAKE ON ME 7 U2 SUNDAY BLOODY SUNDAY 8 PHIL COLLINS IN THE AIR TONIGHT 9 JOURNEY DON'T STOP BELIEVIN' 10 DURAN DURAN THE REFLEX 11 BRUCE SPRINGSTEEN BORN IN THE USA 12 QUEEN A KIND OF MAGIC 13 GUNS N' ROSES PARADISE CITY 14 ALAN PARSONS PROJECT OLD AND WISE 15 THE CURE A FOREST 16 EUROPE THE FINAL COUNTDOWN 17 BON JOVI LIVIN' ON A PRAYER 18 ANDRÉ HAZES ZIJ GELOOFT IN MIJ 19 QUEEN RADIO GA GA 20 MADONNA LIKE A PRAYER 21 PINK FLOYD ANOTHER BRICK IN THE WALL 22 ABBA THE WINNER TAKES IT ALL 23 MICHAEL JACKSON BILLIE JEAN 24 ALICE COOPER POISON 25 PAUL SIMON YOU CAN CALL ME AL 26 QUEEN I WANT TO BREAK FREE 27 U2 WITH OR WITHOUT YOU 28 ACDC BACK IN BLACK 29 THE POLICE EVERY LITTLE THING SHE DOES IS MAGIC 30 DIRE STRAITS BROTHERS IN ARMS 31 ROLLING STONES START ME UP 32 TALK TALK SUCH A SHAME 33 GEORGE MICHAEL FAITH 1 NR ARTIEST TITEL 34 VANDENBERG BURNING HEART 35 DOE MAAR 32 JAAR (SINDS EEN DAG OF 2) 36 AEROSMITH LOVE IN AN ELEVATOR 37 ANITA MEYER WHY TELL ME WHY 38 SIMPLE MINDS DON'T YOU (FORGET ABOUT ME) 39 BILLY OCEAN WHEN THE GOING GETS TOUGH, THE TOUGH GETS GOING 40 VAN HALEN JUMP 41 U2 PRIDE (IN THE NAME OF LOVE) 42 ABC THE LOOK OF LOVE 43 SURVIVOR EYE OF THE TIGER 44 TOTO STOP LOVING YOU 45 SALT-N-PEPA PUSH IT 46 KLEIN ORKEST OVER DE MUUR 47 ZZ TOP GIMME ALL YOUR LOVIN' 48 MICHAEL JACKSON SMOOTH CRIMINAL 49 DIRE STRAITS PRIVATE INVESTIGATIONS 50 PAT BENATAR LOVE