Cross-Cultural Ordination of Burial Sites
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Ming China As a Gunpowder Empire: Military Technology, Politics, and Fiscal Administration, 1350-1620 Weicong Duan Washington University in St
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Winter 12-15-2018 Ming China As A Gunpowder Empire: Military Technology, Politics, And Fiscal Administration, 1350-1620 Weicong Duan Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Asian History Commons, and the Asian Studies Commons Recommended Citation Duan, Weicong, "Ming China As A Gunpowder Empire: Military Technology, Politics, And Fiscal Administration, 1350-1620" (2018). Arts & Sciences Electronic Theses and Dissertations. 1719. https://openscholarship.wustl.edu/art_sci_etds/1719 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS DEPARTMENT OF HISTORY Dissertation Examination Committee: Steven B. Miles, Chair Christine Johnson Peter Kastor Zhao Ma Hayrettin Yücesoy Ming China as a Gunpowder Empire: Military Technology, Politics, and Fiscal Administration, 1350-1620 by Weicong Duan A dissertation presented to The Graduate School of of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2018 St. Louis, Missouri © 2018, -
The Imperial Tomb Tablet of the Great Ming
The Imperial Tomb Tablet of the Great Ming 大明皇陵之碑 With translation into English, annotations and commentary by Laurie Dennis October 2017 The town of Fengyang 凤阳, to the north of Anhui Province in the heart of China, may seem at first glance to be an ordinary, and rather unremarkable, provincial outpost. But carefully preserved in a park southwest of the town lies a key site for the Ming Dynasty, which ruled the Middle Kingdom from 1368 until 1644. Fengyang is where the eventual dynastic founder lost most of his family to the plague demons. This founder, Zhu Yuanzhang 朱元璋, was a grieving and impoverished peasant youth when he buried his parents and brother and nephew on a remote hillside near the town that he later expanded, renamed, and tried (unsuccessfully) to make his dynastic capital. Though Zhu had to leave his home to survive in the aftermath of the burial, he was a filial son, and regretted not being able to tend his family graves. Soon after becoming emperor, he transformed his family’s unmarked plots into a grand imperial cemetery for the House of Zhu, flanked by imposing statues (see the photo above, taken in 2006). He ordered that a stone tablet be placed before the graves, and carved with the words he wanted his descendants to read and ponder for generation after generation. The focus of this monograph is my translation of this remarkable text. The stele inscribed with the words of Zhu Yuanzhang, known as the Imperial Tomb Tablet of the Great Ming 大明皇陵之碑, or the Huangling Bei, stands over 7 meters high and is borne on the back of a stone turtle. -
Of the Chinese Bronze
READ ONLY/NO DOWNLOAD Ar chaeolo gy of the Archaeology of the Chinese Bronze Age is a synthesis of recent Chinese archaeological work on the second millennium BCE—the period Ch associated with China’s first dynasties and East Asia’s first “states.” With a inese focus on early China’s great metropolitan centers in the Central Plains Archaeology and their hinterlands, this work attempts to contextualize them within Br their wider zones of interaction from the Yangtze to the edge of the onze of the Chinese Bronze Age Mongolian steppe, and from the Yellow Sea to the Tibetan plateau and the Gansu corridor. Analyzing the complexity of early Chinese culture Ag From Erlitou to Anyang history, and the variety and development of its urban formations, e Roderick Campbell explores East Asia’s divergent developmental paths and re-examines its deep past to contribute to a more nuanced understanding of China’s Early Bronze Age. Campbell On the front cover: Zun in the shape of a water buffalo, Huadong Tomb 54 ( image courtesy of the Chinese Academy of Social Sciences, Institute for Archaeology). MONOGRAPH 79 COTSEN INSTITUTE OF ARCHAEOLOGY PRESS Roderick B. Campbell READ ONLY/NO DOWNLOAD Archaeology of the Chinese Bronze Age From Erlitou to Anyang Roderick B. Campbell READ ONLY/NO DOWNLOAD Cotsen Institute of Archaeology Press Monographs Contributions in Field Research and Current Issues in Archaeological Method and Theory Monograph 78 Monograph 77 Monograph 76 Visions of Tiwanaku Advances in Titicaca Basin The Dead Tell Tales Alexei Vranich and Charles Archaeology–2 María Cecilia Lozada and Stanish (eds.) Alexei Vranich and Abigail R. -
The Interaction Between Ethnic Relations and State Power: a Structural Impediment to the Industrialization of China, 1850-1911
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Georgia State University Georgia State University ScholarWorks @ Georgia State University Sociology Dissertations Department of Sociology 5-27-2008 The nI teraction between Ethnic Relations and State Power: A Structural Impediment to the Industrialization of China, 1850-1911 Wei Li Follow this and additional works at: https://scholarworks.gsu.edu/sociology_diss Part of the Sociology Commons Recommended Citation Li, Wei, "The nI teraction between Ethnic Relations and State Power: A Structural Impediment to the Industrialization of China, 1850-1911." Dissertation, Georgia State University, 2008. https://scholarworks.gsu.edu/sociology_diss/33 This Dissertation is brought to you for free and open access by the Department of Sociology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Sociology Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. THE INTERACTION BETWEEN ETHNIC RELATIONS AND STATE POWER: A STRUCTURAL IMPEDIMENT TO THE INDUSTRIALIZATION OF CHINA, 1850-1911 by WEI LI Under the Direction of Toshi Kii ABSTRACT The case of late Qing China is of great importance to theories of economic development. This study examines the question of why China’s industrialization was slow between 1865 and 1895 as compared to contemporary Japan’s. Industrialization is measured on four dimensions: sea transport, railway, communications, and the cotton textile industry. I trace the difference between China’s and Japan’s industrialization to government leadership, which includes three aspects: direct governmental investment, government policies at the macro-level, and specific measures and actions to assist selected companies and industries. -
How Zhang Juzheng Dominated China, 1572‒82
Ideas, Determination, Power: How Zhang Juzheng Dominated China, 1572–82 Handwritten pencil manuscript on scrap paper, left unfinished by John W. Dardess. Transcribed by Bruce M. Tindall Edited (lightly) by Sarah Schneewind and Bruce M. Tindall © The Estate of John W. Dardess, 2021 The ms. and notes have been deposited with the library of the University of Kansas. The ms. contains many long paraphrases and quotations, the two not always clearly distinguished. Generally, unless we are sure that the passage is a direct quotation, we have marked it as “in paraphrase.” Researchers wishing to quote should consult the original passages. Numbers in curly brackets { } show where a new page of the handwritten ms. begins, but many complications (backs of pages, interpolated additions, etc.) are not noted. We have reorganized silently where needed, and added section headings. We have silently corrected where it leaves the sense unchanged; other additions, as well as question marks showing that we cannot quite read a word, are in square brackets [ ]. Square brackets also mark words we could not read at all. In the notes, we silently filled in information where certain of the reference. Abstract: Zhang Juzheng (1525-1582) was psychologically the most complex of Ming China’s chief grand secretaries. His rise owed something to an appealing combination of brilliance with diffidence and humility. He was learned, and mastered the literary arts of memorization, comprehension, and interpretation, and the articulation of these things in a clear and creative way in writing. But learning, for Zhang, was never enough. One’s learning, if thoroughly and conscientiously come by, must somehow find its appropriate impact and end in the rectified governance of a realm that after functioning in a faltering way for two centuries had developed some very serious problems. -
June 4-17, 2019
CHINA Beijing-Tianjin-Harbin-Xian-Shanghai-Nanjing June 4-17, 2019 June 3-4 • U.S.A-Beijing Depart the U.S. for your flight to Beijing. Cross the international dateline and arrive in China the following day. Transfer to your hotel with the rest of the group for those arriving on United non- stop flight # 888 from San Francisco at 2:20 pm. Check-in and enjoy a welcome dinner at the hotel. (D) • Accommodations at the Hotel Nuo Beijing (4 nights) June 5 • Beijing Tour the Forbidden City, the abiding symbol of imperial China. Truly one of the great achievements of civilization, its construction employed hundreds of thousands of workers between 1406 and 1420. Marvel at its expansive architecture, magnificent imperial gardens, and many museums of Chinese antiquities and treasures. Stop by Tiananmen Square after exiting the city. Wander Beijing’s picturesque Houhai district, where well-preserved courtyard homes and narrow hutong alleys border tree-lined lakes. Tour the district by “pedicab” for a closer and more engaging experience of traditional Chinese life. Divide into small groups and enjoy lunch at a local family’s traditional home. In the afternoon, tour the Temple of Heaven, one of the finest expressions of the Ming Dynasty. Built in the 15th century, the stunning architecture of the Temple of Heaven represents the most advanced principals of mechanics and geometry available at the time. This evening, savor the imperial city’s most famous delicacy, Peking duck, at the Duck de Chine. (B, L, D) June 6 • Tianjing This morning, transfer to Tianjing by private coach. -
Imperial Tombs of the Ming and Qing Dynasties
WHC Nomination Documentation File Name: 1004.pdf UNESCO Region: ASIA AND THE PACIFIC __________________________________________________________________________________________________ SITE NAME: Imperial Tombs of the Ming and Qing Dynasties DA TE OF INSCRIPTION: 2nd December 2000 STATE PARTY: CHINA CRITERIA: C (i) (ii) (iii) (iv) (vi) DECISION OF THE WORLD HERITAGE COMMITTEE: Criterion (i):The harmonious integration of remarkable architectural groups in a natural environment chosen to meet the criteria of geomancy (Fengshui) makes the Ming and Qing Imperial Tombs masterpieces of human creative genius. Criteria (ii), (iii) and (iv):The imperial mausolea are outstanding testimony to a cultural and architectural tradition that for over five hundred years dominated this part of the world; by reason of their integration into the natural environment, they make up a unique ensemble of cultural landscapes. Criterion (vi):The Ming and Qing Tombs are dazzling illustrations of the beliefs, world view, and geomantic theories of Fengshui prevalent in feudal China. They have served as burial edifices for illustrious personages and as the theatre for major events that have marked the history of China. The Committee took note, with appreciation, of the State Party's intention to nominate the Mingshaoling Mausoleum at Nanjing (Jiangsu Province) and the Changping complex in the future as an extention to the Imperial Tombs of the Ming and Qing dynasties. BRIEF DESCRIPTIONS The Ming and Qing imperial tombs are natural sites modified by human influence, carefully chosen according to the principles of geomancy (Fengshui) to house numerous buildings of traditional architectural design and decoration. They illustrate the continuity over five centuries of a world view and concept of power specific to feudal China. -
Limitations of the Tang-Song Transition Theory
Journal of chinese humanities 6 (2020) 127–128 brill.com/joch Editor’s Introduction: Limitations of the Tang-Song Transition Theory Sun Qi 孫齊 Advanced Department of Confucian Studies, Shandong University, Jinan, Shandong, China [email protected] The Tang [618-907] and Song [960-1279] periods enjoy special historical status among the ancient Chinese dynasties. In the Ming Xiaoling 明孝陵 mauso- leum of the founding emperor of the Ming dynasty [1368-1644] Zhu Yuanzhang 朱元璋 [r. 1368-1398], this fact was highlighted in the inscription by the Qing dynasty’s [1616-1911] Kangxi emperor 康熙 [r. 1661-1722]: “[the Great Ming was] governed to a level of prosperity even greater than that of the Tang and Song” [zhilong Tang-Song 治隆唐宋]. The Tang was considered a glorious cosmopoli- tan empire, while the Song was deemed the pinnacle of Chinese civilization. However, the transition between the two periods was anything but smooth, and scholars have long recognized fundamental differences between them. Among the many historical explanations, the Tang-Song transition theory proposed in the early twentieth century by Naitō Torajirō 內藤虎次郎 [1866- 1934]—commonly known as Naitō Konan 內藤湖南—is the best known and the most influential. The Tang-Song transition theory was widely influential in the study of Chinese history by Japanese scholars, particularly during debates over peri- odization that took place in the mid-twentieth century. After the 1970s, the theory became a source of debate in the Song history research community in the United States. Although it had long been known to Chinese schol- ars, the topic suddenly become the subject of fierce contention at the turn of the twenty-first century for many reasons, such as the massive translation of sinological works from outside China, the declining popularity of the Marxist historiographical paradigm, and the efforts of Chinese scholars to avoid the trend toward trivial topics. -
Historical Romance and Sixteenth-Century Chinese Cultural Fantasies
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 Genre and Empire: Historical Romance and Sixteenth-Century Chinese Cultural Fantasies Yuanfei Wang University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the English Language and Literature Commons, and the History Commons Recommended Citation Wang, Yuanfei, "Genre and Empire: Historical Romance and Sixteenth-Century Chinese Cultural Fantasies" (2013). Publicly Accessible Penn Dissertations. 938. https://repository.upenn.edu/edissertations/938 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/938 For more information, please contact [email protected]. Genre and Empire: Historical Romance and Sixteenth-Century Chinese Cultural Fantasies Abstract Chinese historical romance blossomed and matured in the sixteenth century when the Ming empire was increasingly vulnerable at its borders and its people increasingly curious about exotic cultures. The project analyzes three types of historical romances, i.e., military romances Romance of Northern Song and Romance of the Yang Family Generals on northern Song's campaigns with the Khitans, magic-travel romance Journey to the West about Tang monk Xuanzang's pilgrimage to India, and a hybrid romance Eunuch Sanbao's Voyages on the Indian Ocean relating to Zheng He's maritime journeys and Japanese piracy. The project focuses on the trope of exogamous desire of foreign princesses and undomestic women to marry Chinese and social elite men, and the trope of cannibalism to discuss how the expansionist and fluid imagined community created by the fiction shared between the narrator and the reader convey sentiments of proto-nationalism, imperialism, and pleasure. -
Historical Background of Wang Yang-Ming's Philosophy of Mind
Ping Dong Historical Background of Wang Yang-ming’s Philosophy of Mind From the Perspective of his Life Story Historical Background of Wang Yang-ming’s Philosophy of Mind Ping Dong Historical Background of Wang Yang-ming’s Philosophy of Mind From the Perspective of his Life Story Ping Dong Zhejiang University Hangzhou, Zhejiang, China Translated by Xiaolu Wang Liang Cai School of International Studies School of Foreign Language Studies Zhejiang University Ningbo Institute of Technology Hangzhou, Zhejiang, China Zhejiang University Ningbo, Zhejiang, China ISBN 978-981-15-3035-7 ISBN 978-981-15-3036-4 (eBook) https://doi.org/10.1007/978-981-15-3036-4 © The Editor(s) (if applicable) and The Author(s) 2020. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License (http://creativecommons.org/licenses/by-nc- nd/4.0/), which permits any noncommercial use, sharing, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if you modified the licensed material. You do not have permission under this license to share adapted material derived from this book or parts of it. The images or other third party material in this book are included in the book’s Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the book’s Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. -
From the Yellow Springs to the Land of Immortality
Schmucker Art Catalogs Schmucker Art Gallery Spring 2021 From the Yellow Springs to the Land of Immortality Sam Arkin Gettysburg College Georgia E. Benz Gettysburg College Allie N. Beronilla Gettysburg College Hailey L. Dedrick Gettysburg College Sophia Gravenstein Gettysburg College FSeeollow next this page and for additional additional works authors at: https:/ /cupola.gettysburg.edu/artcatalogs Part of the Art and Design Commons, Asian Art and Architecture Commons, and the Chinese Studies Commons Share feedback about the accessibility of this item. Recommended Citation Arkin, Sam; Benz, Georgia E.; Beronilla, Allie N.; Dedrick, Hailey L.; Gravenstein, Sophia; Gubernick, Alyssa G.; Hobbs, Elizabeth C.; Johnson, Jennifer R.; Lashendock, Emily; Morgan, Georgia P.; Oross, Amanda J.; Sullivan, Deirdre; Sullivan, Margaret G.; Turner, Hannah C.; Winick, Lyndsey J.; and Sun, Yan, "From the Yellow Springs to the Land of Immortality" (2021). Schmucker Art Catalogs. 36. https://cupola.gettysburg.edu/artcatalogs/36 This open access art catalog is brought to you by The Cupola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The Cupola. For more information, please contact [email protected]. From the Yellow Springs to the Land of Immortality Description The Yellow Springs is a vivid metaphorical reference to the final destination of a mortal being and the dwelling place of a departed one in ancient China. In the writings of philosophers, historians, and poets during the long period of Chinese history, the Yellow Springs is not only considered as an underground physical locus where a grave is situated, but also an emotionally charged space invoke grieving, longing, and memory for the departed loved ones.The subterranean dwelling at the Yellow Springs is both a destination for a departed mortal being and an intermediary place to an ideal and imaginative realm, the land of immortality where the soul would enjoy eternity. -
Bixi - Wikipedia
Bixi - Wikipedia Not logged in Talk Contributions Create account Log in Article Talk Read Edit View history Bixi From Wikipedia, the free encyclopedia Main page For other uses, see Bixi (disambiguation). Contents Not to be confused with Bixie. Featured content Bixi, or Bi Xi (Wade–Giles: Pi-hsi), is a figure from Current events Bixi Chinese mythology. One of the 9 sons of the Dragon Random article Donate to Wikipedia King, he is depicted as a dragon with the shell of a turtle. Wikipedia store Stone sculptures of Bixi have been used in Chinese culture for centuries as a decorative plinth for Interaction commemorative steles and tablets, [1] particularly in the Help funerary complexes of its later emperors and to About Wikipedia commemorate important events, such as an imperial visit Community portal or the anniversary of a World War II victory. They are Recent changes [2] Contact page also used at the bases of bridges and archways. Sculptures of Bixi are traditionally rubbed for good luck, Tools which can cause conservation issues.[3] They can be found What links here throughout East Asia in Japan , Korea , Vietnam , Related changes Mongolia , and even the Russian Far East . Upload file Special pages Contents [] The Harvard Bixi, donated by its Chinese alumni Permanent link 1 History Chinese name Page information 2 Outside China Wikidata item Traditional Chinese 贔屭, 贔屓 3 Development as an art form Cite this page Simplified Chinese 赑屃 4 Name Transcriptions [show] In other projects 5 Stone tortoises in art and popular lore Pa-hsia Dragon