Newsletter 03/10 DIGITAL EDITION Nr
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The University of Chicago Tears in the Imperial Screen
THE UNIVERSITY OF CHICAGO TEARS IN THE IMPERIAL SCREEN: WARTIME COLONIAL KOREAN CINEMA, 1936-1945 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF EAST ASIAN LANGUAGES AND CIVILIZATIONS BY HYUN HEE PARK CHICAGO, ILLINOIS AUGUST 2017 TABLE OF CONTENTS Page LIST OF TABLES ...…………………..………………………………...……… iii LIST OF FIGURES ...…………………………………………………..……….. iv ABSTRACT ...………………………….………………………………………. vi CHAPTER 1 ………………………..…..……………………………………..… 1 INTRODUCTION CHAPTER 2 ……………………………..…………………….……………..… 36 ENLIGHTENMENT AND DISENCHANTMENT: THE NEW WOMAN, COLONIAL POLICE, AND THE RISE OF NEW CITIZENSHIP IN SWEET DREAM (1936) CHAPTER 3 ……………………………...…………………………………..… 89 REJECTED SINCERITY: THE FALSE LOGIC OF BECOMING IMPERIAL CITIZENS IN THE VOLUNTEER FILMS CHAPTER 4 ………………………………………………………………… 137 ORPHANS AS METAPHOR: COLONIAL REALISM IN CH’OE IN-GYU’S CHILDREN TRILOGY CHAPTER 5 …………………………………………….…………………… 192 THE PLEASURE OF TEARS: CHOSŎN STRAIT (1943), WOMAN’S FILM, AND WARTIME SPECTATORSHIP CHAPTER 6 …………………………………………….…………………… 241 CONCLUSION BIBLIOGRAPHY …………………………………………………………….. 253 FILMOGRAPHY OF EXTANT COLONIAL KOREAN FILMS …………... 265 ii LIST OF TABLES Page Table 1. Newspaper articles regarding traffic film screening events ………....…54 Table 2. Newspaper articles regarding traffic film production ……………..….. 56 iii LIST OF FIGURES Page Figure. 1-1. DVDs of “The Past Unearthed” series ...……………..………..…..... 3 Figure. 1-2. News articles on “hygiene film screening” in Maeil sinbo ….…... 27 Figure. 2-1. An advertisement for Sweet Dream in Maeil sinbo……………… 42 Figure. 2-2. Stills from Sweet Dream ………………………………………… 59 Figure. 2-3. Stills from the beginning part of Sweet Dream ………………….…65 Figure. 2-4. Change of Ae-sun in Sweet Dream ……………………………… 76 Figure. 3-1. An advertisement of Volunteer ………………………………….. 99 Figure. 3-2. Stills from Volunteer …………………………………...……… 108 Figure. -
Image – Action – Space
Image – Action – Space IMAGE – ACTION – SPACE SITUATING THE SCREEN IN VISUAL PRACTICE Luisa Feiersinger, Kathrin Friedrich, Moritz Queisner (Eds.) This publication was made possible by the Image Knowledge Gestaltung. An Interdisciplinary Laboratory Cluster of Excellence at the Humboldt-Universität zu Berlin (EXC 1027/1) with financial support from the German Research Foundation as part of the Excellence Initiative. The editors like to thank Sarah Scheidmantel, Paul Schulmeister, Lisa Weber as well as Jacob Watson, Roisin Cronin and Stefan Ernsting (Translabor GbR) for their help in editing and proofreading the texts. This work is licensed under a Creative Commons Attribution-NonCommercial-No-Derivatives 4.0 License. For details go to https://creativecommons.org/licenses/by-nc-nd/4.0/. Copyrights for figures have been acknowledged according to best knowledge and ability. In case of legal claims please contact the editors. ISBN 978-3-11-046366-8 e-ISBN (PDF) 978-3-11-046497-9 e-ISBN (EPUB) 978-3-11-046377-4 Library of Congress Control Number: 2018956404 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche National bibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data are available on the internet at http://dnb.dnb.de. © 2018 Luisa Feiersinger, Kathrin Friedrich, Moritz Queisner, published by Walter de Gruyter GmbH, Berlin/Boston The book is published with open access at www.degruyter.com, https://www.doabooks.org and https://www.oapen.org. Cover illustration: Malte Euler Typesetting and design: Andreas Eberlein, aromaBerlin Printing and binding: Beltz Bad Langensalza GmbH, Bad Langensalza Printed in Germany www.degruyter.com Inhalt 7 Editorial 115 Nina Franz and Moritz Queisner Image – Action – Space. -
Du 1Er Au 28 Janvier 2020
CINÉMA ART & ESSAI À AGEN DU 1ER AU 28 JANVIER 2020 "Les siffleurs" de Corneliu Porumboiu Recherche & Découverte, Jeune Public, Patrimoine & Répertoire, Europa www.lesmontreursdimages.com Cinéma Les Montreurs d’Images 12 rue Jules Ferry -Place du Pin- 47 000 AGEN 05.53.48.04.54 [email protected] www.lesmontreursdimages.com TARIF ADHÉRENT LUNDI ADHÉRENT ÉTUDIANT ADHÉRENT & – 25 ANS 5€50 3€50 5€ SÉANCE TARIF PLEIN LUNDI PETITS Z’ÉCRANS 8€00 6€50 3€50* SENIOR ÉTUDIANT - 18 ANS SOLIDAIRE + 60 ANS & -25 ANS 6€** 5€50 3€50 2€50 GROUPES & CE NOUS CONTACTER MERCI DE PRÉSENTER VOTRE JUSTIFICATIF ADHÉSION ANNUELLE (VALABLE DU 1ER SEPTEMBRE AU 31 AOÛT) : 20€ (et + plus si soutien) 10€ étudiant & -25 ans 4€ demandeurs d’emploi *Séance jeune public : 3€50 pour tous **Séance Senior : Tous les mardis de 14h à 17h CE MOIS-CI AUX MONTREURS D'IMAGES Horaires des séances p.23 à p.27 CERTAINS L'AIMENT CHAUD P.14 THÉÂTRE ECOLE… P.15 CHANSON DOUCE P. 5 UN ÉTÉ À CHANGSHA P. 8 CUNNINGHAM P. 8 UNE VIE CACHÉE P. 8 EN PROMENADE P.18 VIF ARGENT P. 7 ERNEST ET CELESTINE… P.18 WINNIE L’OURSON P.19 JUSTICE EN VRAI... P.21 WONDERLAND P.20 L'INTENDANT SANSHO P.16 ZÉBULON LE DRAGON P.19 LA LLORONA P. 7 LA RUE DE LA HONTE P.17 FESTIVAL TéléRAMA LA VÉRITÉ P. 5 ALICE ET LE MAIRE P.10 LE LAC AUX OIES SAUVAGES P. 6 AN ELEPHANT SITTING STILL P.12 LE MIRACLE DU SAINT INCONNU P. -
June 2018 New Releases
June 2018 New Releases what’s PAGE inside featured exclusives 3 RUSH Releases Vinyl Available Immediately! 76 Vinyl Audio 3 CD Audio 15 FEATURED RELEASES HANK WILLIAMS - CLANNAD - TURAS 1980: PIG - THE LONESOME SOUND 2LP GATEFOLD RISEN Music Video DVD & Blu-ray 50 Non-Music Video DVD & Blu-ray 52 Order Form 84 Deletions and Price Changes 82 PORTLANDIA: CHINA SALESMAN THE COMPLETE SARTANA 800.888.0486 SEASON 8 [LIMITED EDITION 5-DISC BLU-RAY] 203 Windsor Rd., Pottstown, PA 19464 HANK WILLIAMS - SON HOUSE - FALL - LEVITATE: www.MVDb2b.com THE LONESOME SOUND LIVE AT OBERLIN COLLEGE, LIMITED EDITION TRIPLE VINYL APRIL 15, 1965 A Van Damme good month! MVD knuckles down in June with the Action classic film LIONHEART, starring Jean-Claude Van Damme. This combo DVD/Blu-ray gets its well-deserved deluxe treatment from our MVD REWIND COLLECTION. This 1991 film is polished with high-def transfers, behind-the- scenes footage, a mini-poster, interviews, commentaries and more. Coupled with the February deluxe combo pack of Van Damme’s BLACK EAGLE, why, it’s an action-packed double shot! Let Van Damme knock you out all over again! Also from MVD REWIND this month is the ABOMINABLE combo DVD/Blu-ray pack. A fully-loaded deluxe edition that puts Bigfoot right in your living room! PORTLANDIA, the IFC Network sketch comedy starring Fred Armisen and Carrie Brownstein is Ore-Gone with its final season, PORTLANDIA: SEASON 8. The irreverent jab at the hip and eccentric culture of Portland, Oregon has appropriately ended with Season 8, a number that has no beginning and no end. -
Black Coal, Thin Ice
PRESENTE / PRESENTEERT BLACK COAL, THIN ICE un film de / een film van Diao Yinan avec / met Fan Liao, Lun-Mei Gwei, Xuebing Wang Chine BERLINALE 2014 – Golden Bear for Best Film Silver Bear for Best Actor Fan Liao Tribeca Film Festival 2014 Sydney Film Festival 2014 Film Fest Gent 2014 – Competition Chine / China – 2013 – DCP – couleur / kleur – 1:1.85 – VO ST BIL / OV FR/NL OT – 106’ distribution / distributie: IMAGINE SORTIE NATIONALE RELEASE 29/10/2014 T : 02 331 64 31 / F : 02 331 64 34 / M : 0499 25 25 43 photos / foto's : www.imaginefilm.be SYNOPSIS FR En 1999, un employé d’une carrière minière est assassiné et son corps dispersé aux quatre coins de la Mandchourie. L’inspecteur Zhang mène l’enquête, mais doit rapidement abandonner après avoir été blessé lors de l’interpellation des principaux suspects. Cinq ans plus tard, deux nouveaux meurtres sont commis dans la région, tous deux liés à l’épouse de la première victime. Devenu agent de sécurité, Zhang décide de reprendre du service. Son enquête l’amène à se rapprocher dangereusement de la mystérieuse jeune femme. NL Een aan lager wal geraakte ex-rechercheur wordt teruggezogen in een zaak die hij jaren eerder opgelost dacht te hebben. In de omgeving van de weduwe van het toenmalige slachtoffer blijven doden vallen. De sleutel zou wel eens kunnen liggen in de geheimen die deze femme fatale met zich meedraagt. EN Ex-cop Zhang Zili, seriously wounded five years earlier while working on a gruesome coal- plant murder case, was forced to retire from the police force due to his injuries. -
Elblancomaspuro
SECCIÓN OFICIAL COMPETICIÓN CANNES 2018 LA CENIZA ES EL BLANCO UNA PELÍCULA DE MÁS PURO SINOPSIS En 2001, la joven Qiao está lo- FICHA ARTÍSTICA camente enamorada de Bin, un Qiao ZHAO TAO cabecilla del hampa local. Tes- Guo Bin LIAO FAN tigo del ataque de una banda Hombre de Karamay XU ZHENG Lin Jiayan CASPER LIANG rival contra Bin, dispara para defenderle. Por no delatarle, Qiao acaba condenada a cin- FICHA TÉCNICA co años de cárcel. Una vez Director JIA ZHANG-KE Guion JIA ZHANG-KE en libertad, Qiao bus- Productor SHOZO ICHIYAMA ca a Bin pero este se Coproductores ZHANG DONG niega a aceptarla de XIANG SHAOKUN nuevo en su vida. JULIETTE SCHRAMECK Fotografía ERIC GAUTIER Dirección artística LIU WEIXIN Países China - Francia / Idioma Mandarín / Duración 141’ / Año 2018 Montaje MATTHIEU LACLAU LIN XUDONG Diseño de sonido ZHANG YANG Mezclas OLIVIER GOINARD Maquillaje JEAN-CHRISTOPHE ROGER Música LIM GIONG DECLARACIÓN DEL DIRECTOR Mientras montaba dos películas mías anteriores, REN XIAO YAO (Placeres desconocidos, 2002) y NATURALEZA MUER- TA (2006), ambas protagonizada por Zhao Tao, simplifiqué la narración cortando algunas escenas de amor. Cuando volví a ver esas escenas tiempo después, los dos personajes que interpretaba se fundieron en uno en mi cabeza. Imaginé que esa mujer había nacido y crecido en mi ciudad natal, situada en una zona minera del noroeste de China. Se llamaba Qiaoqiao (diminutivo Qiao) y se enamoraba de un hom- bre perteneciente a los “jianghu” (N.T.: Gremios de artes mar- ciales, entre otros). Su amor atormentado abriría la historia. En 2006 ya no son jóvenes, y el hombre se marcha hacia la zona de las Tres Gargantas. -
Caesar Must Die a Film by Paolo and Vittorio Taviani
CAESAR MUST DIE A FILM BY PAOLO AND VITTORIO TAVIANI Grazia Volpi presents a production with STEMAL ENTERTAINMENT / LE TALEE / LA RIBALTA - CENTRO STUDI ENRICO MARIA SALERNO and with the collaboration of CAESAR MUST DIE A FILM BY PAOLO AND VITTORIO TAVIANI (Cesare deve morire / Italy 2012 / Color & B&W / 76’) International press: Richard Lormand - FilmPressPlus www.FilmPressPlus.com At the Berlin Film Festival (Feb 9-19): +49-152-3801-7733 Tel: +33-9-7044-9865 - Skype: intlpress [email protected] World sales: Catia Rossi ph. +39 06 37498244 - fax +39 06 37516222 - mob. +39 335 6049456 [email protected] EFM Stand N°146 CAESARSY NOPMUSTSIS DIE The theater in Rome’s Rebibbia Prison. A performance of Shakespeare’s Julius Caesar has just ended amidst much applause. The lights dim on the actors and they become prisoners once again as they are accompanied back to their cells. SIX MONTHS EARLIER The warden and a theater director speak to the inmates about a new project, the staging of Julius Caesar in the prison. The first step is casting. The second step is exploration of the text. Shakespeare’s universal language helps the inmates-actors to identify with their characters. The path is long and full of anxiety, hope and play. These are the feelings accompanying the inmates at night in their prison cells after each day of rehearsal. Who is Giovanni who plays Caesar? Who is Salvatore-Brutus? For which crimes have they been sentenced to prison? The film does not hide this. The wonder and pride for the play do not always free the inmates from the exasperation of being incarcerated. -
February 23, 2016 (XXXII:5) Mel Brooks, the PRODUCERS (1967, 88 Min)
February 23, 2016 (XXXII:5) Mel Brooks, THE PRODUCERS (1967, 88 min) Directed by Mel Brooks Written by Mel Brooks Produced by Sidney Glazier Music John Morris Cinematography Joseph F. Coffey Film Editing Ralph Rosenblum Zero Mostel…Max Bialystock Gene Wilder…Leo Bloom Dick Shawn…L.S.D. - Lorenzo St. DuBois Kenneth Mars…Franz Liebkind Lee Meredith…Ulla Christopher Hewett…Roger De Bris Andréas Voutsinas…Carmen Ghia Estelle Winwood…'Hold Me Touch Me' Renée Taylor…Eva Braun David Patch…Goebbels William Hickey…The Drunk Martin…Göring Musical, Original Music Score and Book (musical); and 3 Shimen Ruskin…The Landlord Grammys- Best Spoken Comedy Album for "The 2000 Year Old Frank Campanella…The Bartender Man In The Year 2000" (1998, with Carl Reiner) and two for Josip Elic…Violinist The Producers (2001): Best Musical Show Album (as Madelyn Cates…Concierge (as Madlyn Cates) composer/lyricist) and Best Long Form Music Video (as artist). John Zoller…Drama Critic Brooks has many funny trademarks in his films, for instance his Brutus Peck…Hot Dog Vendor films often contain references to the film's sequel, which never Mel Brooks…Singer in 'Springtime for Hitler' (voice) come to pass. Good examples of this are History of the World: (uncredited) Part I (1981), Spaceballs (1987) and Robin Hood: Men in Tights Bill Macy…Jury Foreman (uncredited) (1993). Additionally, Brooks always features one scene in his movies in which the main character is seated and staring blankly, MEL BROOKS (b. Melvin James Kaminsky on June 28, 1926 wondering what went wrong, while friends console him. In fun in Brooklyn, New York) served in WWII, and afterwards got a trivia, The Producers (1967) was the inspiration for the title of job playing the drums at nightclubs in the Catskills. -
Cezar Musi Umrzeć
przedstawia nowy film braci Tavianich CEZAR MUSI UMRZEĆ Reżyseria Paolo i Vittorio Taviani Włochy 2012, 76 min. Złoty Niedźwiedź na MFF w Berlinie 2012 Arcydzieło. W KINACH OD 18 STYCZNIA DYSTRYBUCJA AURORA FILMS S.C. ul. Pasaż Ursynowski 1/111, 02-784 Warszawa tel: + 48 22 405 41 46 Dystrybucja – Anna Dziewulska e-mail: [email protected] PR & MARKETING METEORA FILMS sp. z o.o. Adres korespondencyjny: KINO PRAHA, ul. Jagiellońska 26, 03-719 Warszawa Media & PR – Małgorzata Borychowska e-mail: [email protected] tel. + 48 696 485 303 Marketing – Katarzyna Kobylińska e-mail: [email protected] tel. + 48 600 051 516 AURORA FILMS S.C. ul. Pasaż Ursynowski 1/111, 02-784 Warszawa tel: + 48 22 405 41 46 www.aurorafilms.pl AURORA FILMS S.C. przedstawia produkcję Kaos Cinematografica we współpracy ze Stemal Entertainment, Le Talee, La Ribalta i Rai Cinema CEZAR MUSI UMRZEĆ Tytuł oryginalny: Cesare deve morire Twórcy filmu: Reżyseria Paolo i Vittorio Taviani Scenariusz Paolo i Vittorio Taviani we współpracy z Fabio Cavallim Reżyser scen teatralnych Fabio Cavalli Produkcja Grazia Volpi oraz Donatella Palermo i Agnese Fontana Zdjęcia Simone Zampagni Muzyka Giuliano Taviani, Carmelo Travia Dźwięk Benito Alchimede i Brando Mosca Montaż Roberto Perpignani Występują: Cosimo Rega Kasjusz Salvatore Striano Brutus Giovanni Arcuri Cezar Antonio Franca Marek Antoniusz Juan Dario Bonetti Decjusz Vittorio Parella Casca Rosario Majorana Metellus Vincenzo Gallo Lucjusz Francesco De Masi Treboniusz Gennaro Solito Cinna Francesco Carusone wieszcz Fabio Rozzuto Strato Maurilio Giaffreda Oktawiusz AURORA FILMS S.C. ul. Pasaż Ursynowski 1/111, 02-784 Warszawa tel: + 48 22 405 41 46 www.aurorafilms.pl Nagrody / festiwale: 2012 – 17. -
Martial Arts Cinema and Hong Kong Modernity
Martial Arts Cinema and Hong Kong Modernity Aesthetics, Representation, Circulation Man-Fung Yip Hong Kong University Press Th e University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2017 Hong Kong University Press ISBN 978-988-8390-71-7 (Hardback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any infor- mation storage or retrieval system, without prior permission in writing from the publisher. An earlier version of Chapter 2 “In the Realm of the Senses” was published as “In the Realm of the Senses: Sensory Realism, Speed, and Hong Kong Martial Arts Cinema,” Cinema Journal 53 (4): 76–97. Copyright © 2014 by the University of Texas Press. All rights reserved. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Paramount Printing Co., Ltd. in Hong Kong, China Contents Acknowledgments viii Notes on Transliteration x Introduction: Martial Arts Cinema and Hong Kong Modernity 1 1. Body Semiotics 24 2. In the Realm of the Senses 56 3. Myth and Masculinity 85 4. Th e Diffi culty of Diff erence 115 5. Marginal Cinema, Minor Transnationalism 145 Epilogue 186 Filmography 197 Bibliography 203 Index 215 Introduction Martial Arts Cinema and Hong Kong Modernity Made at a time when confi dence was dwindling in Hong Kong due to a battered economy and in the aft ermath of the SARS epidemic outbreak,1 Kung Fu Hustle (Gongfu, 2004), the highly acclaimed action comedy by Stephen Chow, can be seen as an attempt to revitalize the positive energy and tenacious resolve—what is commonly referred to as the “Hong Kong spirit” (Xianggang jingshen)—that has allegedly pro- pelled the city’s amazing socioeconomic growth. -
Curriculum Vitae- Memorandum
Curriculum Vitae- Memorandum Kalliopi-Styliani Exarhou Module: «HISTORY AND THEORY OF THEATRE» Thessaloniki 2020 Table of Contents I. Biographical data-studies-titles II. Teaching III. Academic activity and administrative work IV. Other scientific and academic activities V. Participation in research and educational programs VI. Participation in Conferences A. Before the election for Assistant Professor B. After the election for Assistant Professor C. After the election for Permanent Assistant Professor VII. Publications A. Before the election for Assistant Professor B. After the election for Assistant Professor C. After the election for Permanent Assistant Professor VIII. Parallel Publications XIX. Translations X. References of other scientists in my work XI. Theatrical activity XII. Publications of literary articles-Drama analyses XIII. Journalistic activity XIV. Participation in activities of a wider cultural and social interest XV. Work of literature XVI. Publications of my literature to literary magazines XVII. Reviews for my literature work XVIII. Performances-theatrical lecterns of my work XIX. Presentation of my literature books XX. Awards – Reference to my literary work in collective volumes and literature articles XXI. Member in Literature Companies BIOGRAPHICAL AND WORKING DATA I. BIOGRAPHICAL DATA - STUDIES - TITLES Name: Kalliopi-Styliani Exarhou Father's name: Christos Birth place: Serres Birth date: August 10, 1957 Home address: 1 Alexandrou Mihailidi street, 54640, Thessaloniki Marital status: Married to Anastasios Foutsis. Mother of one daughter. Job status: Permanent assistant Professor of Theatre Studies, of the French Language and Literature Department in A.U.TH. Foreign languages: French, Italian (Diploma dell'Instituto Italiano di Cultura, "10"), English. -1975: Certificate from girl’s high school of Drama with a grade of "Excellent" 19, 7/12. -
Ausgabe 161 Anfang Januar 2019
Ausgabe 161 Anfang Januar 2019 Liebe Leserinnen und Leser, liebe Kolleginnen und Kollegen, in unserer etwa zwölf Mal im Jahr erscheinenden Publikation möchten wir Sie über interessante Romane, Sachbücher, Magazine, Comics, Hörbücher und Filme aller Genres informieren. Gastbeiträge sind herzlich willkommen. RATTUS LIBRI ist als Download auf folgenden Seiten zu finden: http://rattus-libri.taysal.net/ www.buchrezicenter.de www.geisterspiegel.de/ www.literra.info www.phantastik-news.de http://phantastischewelt.wordpress.com/ Einzelne Rezensionen erscheinen bei: www.phantastiknews.de http://phantastischewelt.wordpress.com www.literra.info. Das Logo hat Lothar Bauer für RATTUS LIBRI entworfen: www.saargau-blog.de; www.saargau-arts.de; http://sfcd.eu/blog/; www.pinterest.com/lotharbauer/; www.facebook.com/lothar.bauer01. Das Layout des Magazins haben Elmar Huber und Irene Salzmann entworfen. Das Layout des Schwerpunktthemas hat Elmar Huber entworfen. Für das PDF-Dokument ist der Acrobat Reader erforderlich. Diesen erhält man kostenlos bei: www.adobe.de. Die Rechte an den Texten verbleiben bei den Verfassern. Der Nachdruck ist mit einer Quellenangabe, einer Benachrichtigung und gegen ein Belegexemplar erlaubt. Wir bedanken uns vielmals bei allen Autoren, Verlagen und Agenturen, die uns Rezensionsexemplare und Bildmaterial für diese Ausgabe zur Verfügung stellten, und den fleißigen Kollegen, die RATTUS LIBRI und die Rezensionen in ihren Publikationen einbinden oder einen Link setzen. Nun aber viel Vergnügen mit der Lektüre der 161. Ausgabe von