Curriculum Vitae- Memorandum
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February 23, 2016 (XXXII:5) Mel Brooks, the PRODUCERS (1967, 88 Min)
February 23, 2016 (XXXII:5) Mel Brooks, THE PRODUCERS (1967, 88 min) Directed by Mel Brooks Written by Mel Brooks Produced by Sidney Glazier Music John Morris Cinematography Joseph F. Coffey Film Editing Ralph Rosenblum Zero Mostel…Max Bialystock Gene Wilder…Leo Bloom Dick Shawn…L.S.D. - Lorenzo St. DuBois Kenneth Mars…Franz Liebkind Lee Meredith…Ulla Christopher Hewett…Roger De Bris Andréas Voutsinas…Carmen Ghia Estelle Winwood…'Hold Me Touch Me' Renée Taylor…Eva Braun David Patch…Goebbels William Hickey…The Drunk Martin…Göring Musical, Original Music Score and Book (musical); and 3 Shimen Ruskin…The Landlord Grammys- Best Spoken Comedy Album for "The 2000 Year Old Frank Campanella…The Bartender Man In The Year 2000" (1998, with Carl Reiner) and two for Josip Elic…Violinist The Producers (2001): Best Musical Show Album (as Madelyn Cates…Concierge (as Madlyn Cates) composer/lyricist) and Best Long Form Music Video (as artist). John Zoller…Drama Critic Brooks has many funny trademarks in his films, for instance his Brutus Peck…Hot Dog Vendor films often contain references to the film's sequel, which never Mel Brooks…Singer in 'Springtime for Hitler' (voice) come to pass. Good examples of this are History of the World: (uncredited) Part I (1981), Spaceballs (1987) and Robin Hood: Men in Tights Bill Macy…Jury Foreman (uncredited) (1993). Additionally, Brooks always features one scene in his movies in which the main character is seated and staring blankly, MEL BROOKS (b. Melvin James Kaminsky on June 28, 1926 wondering what went wrong, while friends console him. In fun in Brooklyn, New York) served in WWII, and afterwards got a trivia, The Producers (1967) was the inspiration for the title of job playing the drums at nightclubs in the Catskills. -
Le Ciné-‐Club De Grenoble
Le Ciné-Club de Grenoble Le cinéma substitue à notre regard un monde qui s’accorde à nos désirs. André Bazin DOSSIER DE PRESSE 1967 – 2017 LE CINÉ-CLUB DE GRENOBLE FÊTE SES 50 ANS du Mardi 14 mars au SamEdi 18 mars 2017 DP170225 Contact : 0476 44 30 38 [email protected] Le Cinéclub de Grenoble – 4, rue Hector Berlioz - 38000 GRENOBLE Tél : 04 76 44 70 38 - Fax : 04 76 51 24 43 – [email protected] – http://www.ccc-grenoble.fr N° SIRET : 30890821900014 – Agrément Jeunesse & Sport 38.07.138 – code APE 9499Z Association loi 1901, non assujettie à la TVA 2 DP170225 Contact : 0476 44 30 38 [email protected] DOSSIER DE PRESSE Le Ciné-club dE GrEnoble fêtE sEs 50 ans (1967 – 2017) Cinq décennies de cinéphilie, plus de mille cinq cent films programmés : tant de bonheur et de plaisir partagés ! Venez fêter l’anniversaire de nos 50 ans : nous vous proposerons, pendant cinq jours (du mardi 14 mars au samedi 18 mars) un florilège d’œuvres de grands cinéastes qui ont marqué les années soixante et particulièrement l’année 1967, année de naissance du Ciné-club de Grenoble : Blow Up (Michelangelo Antonioni, Grande-Bretagne, Etats- Unis, Italie – 1966, Palme d’or au Festival de Cannes 1967), Un crimE dans la tête (The Manchurian Candidate, John Frankenheimer, Etats-Unis – 1958), Les Producteurs (The Producers, Mel Brooks, Etats-Unis – 1967), Ciné-concert - Les dix commandemEnts (The Ten Commandments, Cecil B. de Mille, Etats-Unis – 1923) dans une création musicale contemporaine d’Arnaud Petit et Bonnie Et Clyde (Bonnie and Clyde, Arthur Penn – 1967). -
Acting Tragedy in Twentieth Century Greece: the Case of Electra by Sophocles
Acting Tragedy in Twentieth-Century Greece: The Case of Electra by Sophocles Michaela Antoniou Goldsmiths, University of London Submitted for the degree of Doctor of Philosophy Drama Department 1 The work presented in this thesis is my own. Michaela Antoniou 2 Abstract This thesis discusses the acting techniques employed by actors for tragedy on the Greek stage during the twentieth century. It argues that there were two main acting schools – ‘school’ here meaning an established unified style of acting shared by a group of actors and directors. The first, starting with the 1936 production of Electra by Sophocles directed by Dimitris Rontiris’s at the National Theatre of Greece and running through roughly to the late 1970s, developed from a vocal/rhetorical/text-based approach. The second, established by Karolos Koun’s Theatro Technis in 1942 and which can be said to have ended with his death in 1987, was based on a bodily/physical one. The thesis examines the ways in which these two schools combined and influenced acting, creating new tendencies in the last three decades of the twentieth century. The focus here is on tragedy because this genre is presented on the Greek stage regularly, and, therefore, it is an eloquent example of the evolution of acting in Greece. Sophocles’s Electra has been chosen as a case study not only because the play was frequently staged throughout the twentieth century, but primarily because it was acted and directed by important actors and directors who occupied quite different positions within the Greek theatre field. Thus it is a play that provides the most potent example of the development of the acting schools in question. -
Newsletter 03/10 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 03/10 DIGITAL EDITION Nr. 266 - Februar 2010 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 03/10 (Nr. 266) Februar 2010 editorial Hallo Laserdisc- und DVD-Fans, antische Splatter-Qualität diesem expertin Anna, die leider nach wie liebe Filmfreunde! Film in nichts nachsteht. vor von einer unangenehmen Mit dem Plakatmotiv eines der un- Krankheit am Schreiben gehindert gewöhnlichsten Filme der letzten Wer unseren Newsletter immer wird. Wir hoffen sehr, dass Anna Zeit haben wir die Titelseite des ganz genau durchforstet, der wird schon bald wieder mit Hollywood neuen Newsletters geschmückt: schnell feststellen, dass zwei Rubri- sprechen wird und wünschen ihr THE LOVELY BONES. Der von ken in der vorliegenden Ausgabe alles Gute. Falls auch Sie einen Peter Jackson inszenierte Film läuft fehlen. Bei der ersten handelt es Genesungswunsch loswerden derzeit unter dem Titel IN MEI- sich um Neuankündigungen aus Ja- möchten – nur zu! Anna freut sich NEM HIMMEL in bundesdeut- pan, auf die wir mangels Datenan- ganz bestimmt schen Kinos und darf in keiner lieferung seitens unseres Japan- ([email protected]) Filmsammlung fehlen. Selten war lieferanten dieses Mal verzichten ein Film derart spannend inszeniert müssen. Die zweite Rubrik, die Ihr Laser Hotline Team und gleichzeitig so gefühlsbetont fehlt, ist die Kolumne unserer Film- ohne dabei kitschig zu sein. Das zumindest ist die Einschätzung un- seres Filmbloggers (siehe hierzu “Wolfram Hannemanns Filmblog” in Newsletter Nr. -
Time As a Tool
ACADEMY OF MUSIC AND DRAMA Time as a Tool Georgios Giokotos Independent Project (Degree Project), 60 HEC, Master of Fine Arts in Contemporary Performative Arts Spring Semester, 2018 Independent Project (Degree Project), 60 higher education credits Master of Fine Arts in Contemporary Performative Arts Academy of Music and Drama, University of Gothenburg Spring Semester 2018 Author: Georgios Giokotos Title: Time as a Tool Supervisors: Gorki Glaser-Müller, Dimitrios Papadopoulos Examiner: Anne Södergren ABSTRACT Key words: artistic research, time, performative arts, documentary, 60 seconds This is an experiential story of how I came up with the idea of investigating the topic of time; how I met fifty-nine artists from all over the world in order to create a documentary collecting their answers to the following question: ‘If you had access for 60 seconds to the TV screens of the whole world, what would you choose to communicate through your art?’; how I presented my documentary and what I have experienced over the last few years living with that idea. 2 UNIVERSITY OF GOTHENBURG ACADEMY OF MUSIC AND DRAMA TIME AS A TOOL Georgios Giokotos Degree Project, Master of Fine Arts in Contemporary Performative Arts Spring semester 2018 3 TABLE OF CONTENTS INTRODUCTION 6 No starting point 6 Hippolytus or The inspiration vol.1 6 AIM AND RESEARCH QUESTIONS 10 SETTING THE SCENE 11 Artistic Research 11 The skeptical artist or How to find place for artistic research? 12 Art regarding time 14 Marina Abramovic 14 Tehching Hsieh 15 Lucy Engelman & Daniel Mullen