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Wool & Fine Fiber Book
WOOL & FINE FIBER BOOK tactile perspectives from our land CONTENTS WOOL & FINE FIBER BOOK / PART ONE INTRODUCTORY Amanda , Ed & Carrie Sparrevohn Erin Maclean PAGES: Gabrielle Mann & John Ham Bungalow Farm Angora Mann Family Farm Kirabo Pastures Sacramento, CA • Why would you use this Bolinas, CA Upper Lake, CA book? & Who might use this Hopland Research book? Ariana & Casey Mazzucchi Catherine Lawson and Extension Center Casari Ranch Blue Barn Farm Hopland, CA • How might you use this Point Arena, CA El Dorado, CA book? & Examples of Janet Heppler Blending Audrey Adams Dan Macon Nebo-Rock Ranch Tombstone Livestock Flying Mule Farm & Textiles • Natural Dyes ~ Sanger, CA Auburn, CA Covelo, CA Creating Another Layer Barbara & Ron Fiorica Dana Foss Jean Near • Annual Production, Caprette Cashmere Royal Fibers Utopia Ranch Quantity, Color, and & Love Spun Homespun Dixon, CA Redwood Valley, CA Price List Wilton, CA Deb Galway Jim Jensen • Acknowledgements Beverly Fleming Menagerie Hill Ranch Jensen Ranch Ewe & Me 2 Ranch Vacaville, CA Tomales, CA PRODUCER PAGES: Cotati, CA Dru Rivers Alexis & Gillies Robertson Bodega Pastures Full Belly Farm Skyelark Ranch Bodega, CA Guinda, CA Brooks, CA WOOL & FINE FIBER BOOK / PART TWO Julie & Ken Rosenfeld Leslie Adkins Mary Pettis-Sarley Sandra Charlton Renaissance Ridge Alpacas Heart Felt Fiber Farm Twirl Yarn Sheepie Dreams Organics Mount Aukum, CA Santa Rosa, CA Napa, CA Santa Cruz, CA Katie & Sascha Grutter Lynn & Jim Moody Maureen Macedo Sandy Wallace GC Icelandics Blue Oak Canyon Ranch Macedo’s -
Fiber Art Network/ Fiber Art Now Brand 7,100 Is the Only Organization of Its Kind
MEDIA KIT F IBER A RT Fiber N ETWORK NowArt CONNECT WITH THE WORLDWIDE FIBER ART + TEXTILE COMMUNITY! Fiber NowArt Jen Moniz 413-222-0720 Marcia Young 413-222-0720 VOL 8 | ISSUE 4 | SUMMER 2019 VOL 8 | ISSUE 3 | SPRING 2019 A publication of the A publication of the F IBER F IBER ART ART [email protected] NETWORK NETWORK [email protected] FIBERARTNOW.NET BOOK SERIES BOOK OUR e REACH SUMMER 2020 103,400 Includes four fiber art-focused Facebook pages 27,200 6,680 THE FIBER ART NETWORK/ FIBER ART NOW BRAND 7,100 IS THE ONLY ORGANIZATION OF ITS KIND. Fiber Art Now 6,000 Readership Circulation base We are both a magazine and a membership organization that has been serving with more eyes as a result of shared the fiber art, textiles, and mixed-media space for almost a decade. copies and our digital issues We leverage every part of our organization to benefit our media partners. This includes our print and digital publication subscribers, organization members, eNewsletter (8x per month) 22,000 Instagram and Facebook communities, Twitter feed, eNewsletter subscribers, and website ads. Our readership and followers are hungry to learn about new materials and supplies, eager to read about exhibitions and conferences, and excited about taking 172,380 classes to improve their skills. They include arts professionals, hobbyists, museum TOTAL AUDIENCE professionals, collectors, curators, executive directors, and teachers. In short, we bring our entire audience to bear in support of our media partners’ Website 220,000 Monthly page growth and sales. If you are in the fine craft niche, then we have built a vehicle for views you to reach your target audience. -
30297-Nidderdale 2012 Schedule 5:Layout 1
P R O G R A M M E (Time-table will be strictly adhered to where possible) ORDER OF JUDGING: Approx. 08.00 a.m. Breeding Hunters (commencing with Ridden Hunter Class) 09.00 a.m. Sheep Dog Trials 09.00 a.m. Carcass Class 09.00 a.m. Dogs Approx. 09.00 a.m. Riding and Turnout Approx. 09.00 a.m. Coloured Horse/Pony In-hand 09.15 a.m. Young Farmers’ Cattle 09.30 a.m. Dry Stone Walling Ballot 09.30 a.m. Beef Cattle (Local) 09.45 a.m. Sheep Approx. 10.00 a.m. All Other Cattle Judging commences Approx. 10.00 a.m. Children’s Riding Classes Approx. 10.00 a.m. Heavy Weight Agricultural Horses 10.00 a.m. Goats 10.00 a.m. Produce, Home Produce and Crafts (Benching 09.45 a.m.) 10.00 a.m. Flowers, Vegetables and Farm Crops (Benching 09.45 a.m.) 10.00 a.m. Poultry, Pigeons and Rabbits 10.30 a.m. ‘Pateley Pantry’ Stands Approx. 10.45 a.m. Mountain & Moorland 11.00 a.m. Pigs Approx. 11.00 a.m. Ridden Coloured 11.00 a.m. Trade Stands 1.15 p.m. Junior Shepherd/Shepherdess Classes (judged at the sheep pens) Approx. 2.00 p.m. Childrens’ Pet Classes (judged in the cattle rings) 2.00 p.m. Sheep - Supreme Championship MAIN RING ATTRACTIONS: 08.00-12.00 Judging - Horse and Pony classes 12.00-12.35 Inch Perfect Trials Display Team 12.35-12.55 Terrier Racing 12.55-1.30 ATV Manoeuvrability Test 1.30-2.00 Young Farmers Mascot Football 2.00-2.20 Parade of Fox Hounds by West of Yore Hunt & Claro Beagles 2.20-3.00 Inch Perfect Trials Display Team 3.00-3.30 GRAND PARADE AND PRESENTATION OF TROPHIES (Excluding Sheep, Goats, Pigs, Produce and WI) Parade of Tractors celebrating 8 decades of Nidderdale Young Farmers Club 3.30- Show Jumping OTHER ATTRACTIONS: Meltham & Meltham Mills Band playing throughout the day 12.00-12.15 St Cuthbert’s Primary School Band 12.15-1.15 Lofthouse & Middlesmoor Silver Band Forestry Exhibition Heritage Marquee Small Traders/Craft Marquee Pateley Pantry Marquee with Cookery Demonstrations 11.00 a.m. -
World Bank Document
Repcrit No. 519a-NEP FILE COPY Agyricultural Sector Survey of Nepal: The General Report (In l-wo Volumes) Public Disclosure Authorized Volume II: Annexes 1-8 Deccmber 20, 1974 South Asia Projects Department Noit for Public Use Public Disclosure Authorized Public Disclosure Authorized Doclment of the International Bank for Reconstruction and Development Public Disclosure Authorized lnteinational Development Association This report was prepared for official use only by the Bank Group. It may not be ptiblished, quoted or cited without Bank Group authorization. The Bank Group does not accept responsibility for the accuracy or completeness of the report. CURRENCY EQUIVALENTS US$1 = Nepalese Rupees (Rs) 10.56 Rs 1 US$0.094 = Indian Rupees (IR) 0.726 Rs 1,000,000 = US$94.340 WEIGHTS AND MEASURES Metric System 1 kilogram (kg) = 2.20 pounds 1 quintal = 100 kg = 220 pounds 1 metric ton (m ton) = 1,000 kg = 2,204.62 pounds = 0.98 long ton 1 meter (m) = 39.37 inches = 3.28 feet = 1.09 yards 1 kilometer (km) = 0.62 mile 1 bigha = 0.68 ha 2 = 1.7 acres 1 hectare (ha) 2 = 10,000 m = 2.47 acres 1 square kilometer (km ) = 100 ha = 0.39 square mile Crop Year: June 1 - May 31 Financial Year: July 16 - July 15 (exact dates vary with lunar calendar) ABBREVIATIONS AND ACRONYMS ADBN Agricultural Development Bank of Nepal ANC = Agricultural Marketing Corporation CEDA = Center for Economic 1)evelopment and Administration, Tribhuvan University DA = Department of Agriculture DF = Department of Forestry DIHM = Department of Irrigation, llydrology and Meteorology -
Sheep & Goat Catalogue
CIRENCESTER MARKET Rare, Native & Traditional Breeds Show & Sale of Cattle, Sheep, Pigs, Goats & Poultry SHEEP & GOAT CATALOGUE SATURDAY 4TH AUGUST 2018 SHOW TIMES Cotswold Sheep Show – Friday 3rd August 2018 at 5.00 p.m. Oxford Sandy & Black Pigs Show - Friday 3rd August 2018 at 4.30 p.m. SALE TIMES Poultry Sale - 10.00 a.m. Cotswold Sheep - 11.00 a.m. General Sheep - Follows Cotswold Sheep Sale Cattle - Follows Sheep Sale at Approx 12.45 p.m. Pigs - Follows Cattle Sale at Approx 1.45 p.m. Flowering Trees, Shrubs & Plants at Approx 12 noon. LIVESTOCK SALE CENTRE BIO-SECURITY MEASURES Purchasers are requested to wear clean footwear and clothes when attending the sale. All livestock vehicles should be fully cleaned and disinfected before coming to the Market Site. METHOD OF SALE All Cattle, Sheep, Goats, Pigs, Horses & Poultry will be sold in £’s (pounds) and strictly in catalogue order, unless any alteration is authorised and announced by the Auctioneers. All Poultry will be subject to 10% Buyers Premium. CONDITIONS OF SALE The sale is held subject to the Auctioneer's General terms and Conditions of Sale and to the Auction Conditions of Sale recommended for use at Markets by the Livestock Auctioneers Association. These Conditions will be displayed in full at the Sale Premises. CATALOGUE ENTRIES Whilst every effort has been made to ensure that the descriptions are accurate no guarantee is given or implied. Buyers should note that lots may be withdrawn and other lots added prior to the sale day. Buyers are advised to contact the Auctioneers prior to the sale to confirm a particular lots inclusion since neither the Vendor nor the Auctioneers will be responsible for abortive expenses in respect of withdrawn lots. -
What Is FIBER ART a Bit of History
What is FIBER ART A bit of history The Fiber Art, also called Art Fabric, Texil Art or Textile Art, is a current of Contemporary Art. This artistic expression began with the futurist avant-garde who controversially introduced in their works the most heterogeneous materials. Between 1920 and 1933 at the Bauhaus founded by Walter Gropius, spread in the discipline of weaving, research and experimentation with artificial silk, chenille, cellophane, metal and works by Anni Albers. The Fiber Art was born in the 50s, following the American Expressionism in the USA, Canada, Japan and Europe. The most important moment in the development of this art was in the 60s and 70s. At that time, creativity in the textile field, passes through an expressive and exciting phase: the search goes around and artists produce the more dissimilar works, using many techniques and experimental forms. What is flexible is textiles The field is really vast: yarn, rope, paper, textiles, fibers, not spun, felt, metal wires, plastic, plastic nets, plastic weaving with reeds, herbs, twigs ... everything falls into Fiber Art. Among the techniques there are also included the painting and printing on fabric, made with molds and from different materials: toothpicks, rubber bands, lace used as matrices, with reserves of yarn leaves or herbs, hand- sewn or by machine. Each artist has his own vehicle of expression: installations, weaving with all flexible materials, assemblage of material on sewn layers, with crochet hook or metal wires, knitted with ropes of paper or with newspaper cut into strips and yarns, embroidery on paper or evanescent film etc. -
California and the Fiber Art Revolution
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UNL | Libraries University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2004 California and the Fiber Art Revolution Suzanne Baizerman Oakland Museum of California, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Baizerman, Suzanne, "California and the Fiber Art Revolution" (2004). Textile Society of America Symposium Proceedings. 449. https://digitalcommons.unl.edu/tsaconf/449 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. California and the Fiber Art Revolution Suzanne Baizerman Imogene Gieling Curator of Crafts and Decorative Arts Oakland Museum of California Oakland, CA 510-238-3005 [email protected] In the 1960s and ‘70s, California artists participated in and influenced an international revolution in fiber art. The California Design (CD) exhibitions, a series held at the Pasadena Art Museum from 1955 to 1971 (and at another venue in 1976) captured the form and spirit of the transition from handwoven, designer textiles to two dimensional fiber art and sculpture.1 Initially, the California Design exhibits brought together manufactured and one-of-a kind hand-crafted objects, akin to the Good Design exhibitions at the Museum of Modern Art in New York City. -
On the Bookshelf CRUCIAL to the CANON One of My Favorite Chapters Was the Discussion on the Buttons Chosen for the Coat
on the bookshelf CRUCIAL to the CANON One of my favorite chapters was the discussion on the buttons chosen for the coat. “!is is a proper garment made with proper attention to details. Buttons mattered immensely,” Noonan wrote. She goes into great detail about the history of buttons, including the legendary craftsmen that make them for their living. She recounts when buttons were introduced in clothing and when they were #rst used to fasten children’s garments, an innovation that “dramatically improved the infant mortality rate during the Middle Ages.” !roughout the book there are fascinating tidbits of information about the history of various tailors that make the clothes of kings and queens, movie stars, and world leaders. !ere is a certain small club that commissions these bespoke tailors to create their exclusive clothing. According to Noonan, “Cloth #ends can even have their name or other words woven into the pinstripe of their suit fabric.” I was glad she included a discussion about the present-day “explosion in disposable apparel.” Noonan makes note of the current sweatshop TEIN conditions and of the rivers polluted with dyes S and pesticides at the insistence of fast-fashion D WEIN D R that spurs consumers’ demands. “We toss four RICHA times as many textiles in the trash today as we The vicuña has the distinction of producing the did in 1980,” and “we buy more than twice as many clothes as we did in the mid-1990s.” The Coat Route: She also makes mention of the current textile Craft, Luxury & Obsession industry and their research developing polyester fabrics, trimmings, and develop, and what role did they play? !e rich pool of understanding on the Trail of a $50,000 Coat zippers that are biodegradable. -
208 Otley Show
WHARFEDALE AGRICULTURAL SOCIETY – FOUNDED 1796 208th OTLEY SHOW President: N. Houseman, Esq. Champion Pedigree Shorthorn 1949 YFC Dairy Cow Judging 1939 Champion Sheep Judging 1949 Champion Swaledale 1949 Saturday, 20th May 2017 CATTLE & SHEEP SCHEDULE th Entries close 20 April Chartered Accountants WISH EVERY SUCCESS TO THE 208th OTLEY SHOW HON. ACCOUNTANTS AND AUDITORS TO WHARFEDALE AGRICULTURAL SOCIETY ● LAURENCE BENTLEY, F.C.A. DAVID EADON, F.C.A. OTLEY BUILDING SOCIETY CHAMBERS WESLEY STREET Tel: 01943 462518 e-mail: [email protected] Website: www.bfebrays.co.uk 2 WHARFEDALE AGRICULTURAL SOCIETY’S 208th ANNUAL SHOW Held under the Society’s Regulations governing the Show General Introduction All communications must be addressed to: The Show Secretary, Mrs Janet M. Raw, 15 Bridge Street, Otley, West Yorkshire, LS21 1BQ, Tel: 01943 462541 or 07961 966952. Cheques and postal orders should be made payable to: Wharfedale Agricultural Society. The Secretary will not acknowledge receipt of entries but will forward all numbers etc. at least 7 days prior to the Show. In case any mistake has been made, exhibitors MUST AT ONCE inform the Secretary and return all correspondence. ALL CATTLE AND SHEEP must be on the Showground NOT LATER THAN 9.15 a.m. Loaded wagons will be admitted to the Showground for unloading, after which wagons must be parked in their allocated areas. Drivers are asked to co-operate with the Show Management in order to reduce congestion and confusion in the Showground as space is limited. In case of necessity, a Tractor Service will be provided free of charge by the Society. -
Natural Fiber a Spin.Off Directory! Sponsored By
Winter 2016 Special Advertising Section Natural Fiber A Spin.Off Directory! Sponsored by The Nubby Silk Yarn Collection: ThePink Nubby Beds Silk YarnBrown Collection: Mountain Lights Pretty Place Looking Glass Falls ThePink Nubby Beds Silk YarnBrown Collection: Mountain Lights PrettyBat Cave Place LookingSliding Rock Glass Splash Falls WhitePink Beds Tail Deer Brown Mountain Lights Echoview Dryer Balls PrettyBat Cave Place LookingSliding Rock Glass Splash Falls Echoview Dryer Balls BatWhite Cave Tail Deer Sliding Rock Splash White Tail Deer Echoview Dryer Balls ANGORA GOAT, PHOTO PROVIDED BY BILL LANE: MOHAIR AND MORE The Biltmore Homespun Yarn Series: TheCoolidge Biltmore Red Homespun Inspired YarnDevil's Series: Courthouse Fire CoolidgeAsheville BluesRed Inspired Tune I Devil'sSliding CourthouseRock Splash Fire . Echoview Baby Blanket AshevilleThe Biltmore Blues Homespun Tune II Yarn Series: elcome to Spin Off ’s annual fiber directory, our one-stop guide to fiber resources throughout the Asheville Blues Tune I Devil'sSliding CourthouseRock Splash Fire Echoview Baby Blanket Coolidge Red Inspired world. Supporting the shepherds, farmers, and horticulturists who preserve the rare breeds of sheep, Asheville Blues Tune II Sliding Rock Splash W Asheville Blues Tune I cultivate shades of natural colored cotton, and nurture the silk worms means that we will continue to have Echoview Baby Blanket Asheville Blues Tune II Echoview is a Weaverville, NC, based innovative fiber choices when it comes time to select a fiber for a project. So enjoy your ability to choose your fiber, and Echoviewprocessing is and a Weaverville, manufacturing NC, hub. based Our innovativeproducts are fiber the enjoy poring over these listings and fantasizing about your next foray into the land of natural fiber. -
Textiles - an Art Form for the 90'S: Advancing Fiber with New Concepts & Marketing Strategies
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 1998 Textiles - An Art Form For the 90's: Advancing Fiber With New Concepts & Marketing Strategies Elizabeth Gaston Fashion Institute of Technology, New York City Laura Hill Fashion Institute of Technology, New York City Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Gaston, Elizabeth and Hill, Laura, "Textiles - An Art Form For the 90's: Advancing Fiber With New Concepts & Marketing Strategies" (1998). Textile Society of America Symposium Proceedings. 166. https://digitalcommons.unl.edu/tsaconf/166 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Textiles - An Art Form For the 90's: Advancing Fiber With New Concepts & Marketing Strategies by Elizabeth Gaston and Laura Hill This panel discussion provided a forum for an exploration of the place and meaning of contemporary textile art. It was one of several concurrent panels held on the final afternoon of the Sixth Biennial Textile Society of America Symposium. Textiles An Art Form For the 90's brought together artists and enthusiasts from many backgrounds and with different perspectives. Four participants presented formal papers accompanied by slides. This was followed by a panel discussion. The chairperson was Patricia Malarcher, editor of Surface Design Journal. She shared the viewpoint of the media. -
View Resume/Vita
Email: [email protected] LinkedIn : https://www.linkedin.com/in/eulandasanders EDUCATION: 1997 Doctorate of Philosophy Human Resources and Family Sciences, University of Nebraska-Lincoln Dissertation Title: African American Appearance: Cultural Analysis of Slave Women’s Narratives Advisor: Joan Laughlin, Ph.D. 1994 Masters of Arts Design, Merchandising and Consumer Sciences, Colorado State University Thesis Title: AutoCAD for Hand-Knitted Garment Production: Art Deco Design Advisor: Diane Sparks, Ed.D. 1990 Bachelor of Science Apparel and Merchandising, Colorado State University Honors: Cum Laude 1987 Associate of Arts Liberal Arts, Lamar Community College Honors: President’s List and Graduation Student Speaker ACADEMIC POSITIONS: August 2012 - forward Professor and Donna R. Danielson Endowed Professorship in Textiles and Clothing, Department of Apparel, Events and Hospitality Management (AESHM), College of Human Sciences, Iowa State University Current: Teaching 60%, Research/Creative Scholarship 20%, Service 20% Lead the development of the apparel design and product development programs Mentor tenure-track and non-tenure track faculty in apparel design and product development Recruit, mentor, and advise top graduate students into the department Manage the Digital Apparel & Textile Studio (DATS) 1 June 2016 – forward Equity Advisor, College of Human Sciences, Iowa State University Chair the CHS Committee on Diversity, Equity, and Community (DEC) and represents the CHS on the ISU Committee on Diversity Coordinate regularly with