DOCSLIB.ORG

2015/16 Season Overview Fall Season November 14 – 22, 2015 Four Seasons Centre the Winter’S Tale* for the Performing Arts

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2015/16 Season Overview Fall Season November 14 – 22, 2015 Four Seasons Centre the Winter’S Tale* for the Performing Arts 2015/16 Season Overview Fall Season November 14 – 22, 2015 Four Seasons Centre The Winter’s Tale* for the Performing Arts November 25 – Four Seasons Centre Romeo and Juliet December 5, 2015 for the Performing Arts Holiday Season December 12, 2015 – Four Seasons Centre The Nutcracker January 3, 2016 for the Performing Arts Winter Season March 2 – 6, 2016 Four Seasons Centre La Sylphide for the Performing Arts March 9 – 13, 2016 Four Seasons Centre Cacti* & Rubies & The for the Performing Arts Four Temperaments March 16 – 20, 2016 Four Seasons Centre Romeo and Juliet for the Performing Arts Summer Season June 4 – 12, 2016 Four Seasons Centre Le Petit Prince† for the Performing Arts June 15 – 19, 2016 Four Seasons Centre Giselle for the Performing Arts June 7, 2016 Four Seasons Centre MAD HOT BALLET Gala for the Performing Arts Touring October 1 – 3, 2015 Montréal, Québec the second detail & Spectre de la Rose & Chroma April 7 – 9, 2016 National Arts Centre La Sylphide Ottawa, Ontario World Ballet Day October 1, 2015 † World Premiere * Company Premiere North American Premiere The Winter’s Tale Ballet in a Prologue and Three Acts Choreography: Christopher Wheeldon Staged by: Jacquelin Barrett and Anna Délicia Trévien Music: Joby Talbot Set & Costume Design: Bob Crowley Lighting Design: Natasha Katz Projection Design: Daniel Brodie Silk Effects Design: Basil Twist Premiere: The Royal Ballet, Covent Garden, London, UK, April 10, 2014 The National Ballet of Canada Premiere: November 14, 2015 A co-production of The National Ballet of Canada and The Royal Ballet (UK). Generously supported by The Monument Trust. Lead philanthropic support for The Winter’s Tale is provided in part by The Catherine and Maxwell Meighen Foundation, Richard M. Ivey, C.C., an anonymous friend of the National Ballet and The Producers’ Circle. The Producers’ Circle: John & Claudine Bailey, David Binet, Susanne Boyce & Brendan Mullen, Gail Drummond & Bob Dorrance, Sandra Faire & Ivan Fecan, Kevin & Roger Garland, The William & Nona Heaslip Foundation, Rosamond Ivey, Hal Jackman Foundation, Anna McCowan-Johnson & Donald K. Johnson, O.C., Judy Korthals & Peter Irwin, Judith & Robert Lawrie, Mona & Harvey Levenstein, Joan & Jerry Lozinski, The Honourable Margaret Norrie McCain, C.C., Julie Medland, Sandra Pitblado & Jim Pitblado, C.M., Lynda & Jonas Prince, Susan Scace & Arthur Scace, C.M., Q.C., Sandra L. Simpson and Noreen Taylor & David Staines, O.C. Performance Dates: November 14 – 22, 2015 Four Seasons Centre for the Performing Arts Following the international success of Alice’s Adventures in Wonderland, renowned British choreographer Christopher Wheeldon returns with The Winter’s Tale, a ballet that is as lavishly imagined and entertaining as his earlier work. Based on the classic play by Shakespeare, The Winter’s Tale is a story of the deterioration of a marriage and the complex emotions that follow. With an original score by Joby Talbot, set and costumes design by Bob Crowley and lighting design by Natasha Katz, the ballet is an engaging and deeply touching reflection on love, jealousy and the nature of family. Quotes “ /5 In embracing the king-sized emotions of The Winter’s Tale, Christopher Wheeldon has produced the most heartfelt and resonant full-length ballet seen in decades… his greatest triumph.” The Times, 2014 “Christopher Wheeldon’s new three-act version of Shakespeare’s The Winter’s Tale is a triumph. It is contemporary and classical, traditional and modern, narrative and abstract. It feels like something entirely new.” The Telegraph, 2014 “Christopher Wheeldon rises to the challenge of translating Shakespeare into dance, creating one of most fully achieved story ballets to be staged at Covent Garden in years.” The Guardian, 2014 “Like the play, the ballet has taken us through a large arc of human experience.” The New York Times, 2014 Page 2 of 2 Christopher Wheeldon Choreographer, The Winter’s Tale Internationally acclaimed choreographer Christopher Wheeldon has received many awards for his work including the Martin E. Segal Award, American Choreography Award, London Critics’ Circle Award and two Olivier Awards. Mr. Wheeldon studied at The Royal Ballet School and joined The Royal Ballet in 1991, winning the Gold Medal at the Prix de Lausanne the same year. In 1993, he joined New York City Ballet and began his choreographic career with New York City Ballet in 1997 when he created Slavonic Dances for the company’s annual showcase. In 2000, he retired from dance to concentrate on choreography and served as New York City Ballet's first Artist-in-Residence, creating two ballets, Polyphonia and Variations Sérieuses. In 2001, Mr. Wheeldon was named New York City Ballet's first Resident Choreographer and from 2007 to 2010, he was Artistic Director and Co-Founder of Morphoses/The Wheeldon Company. He has choreographed such works as Morphoses, After the Rain, An American in Paris and The Nightingale and the Rose. In 2010, his new version of The Sleeping Beauty had its premiere with The Royal Danish Ballet. His full-length ballet Alice’s Adventures in Wonderland was created as a co-production of The National Ballet of Canada and The Royal Ballet and premiered at the Royal Opera House in 2011. His production of Cinderella (San Franciso Ballet & Dutch National Ballet) won the 2013 Benois De La Danse. In 2014, Mr. Wheeldon created a full-length version of The Winter’s Tale, a second co-production between The National Ballet of Canada and The Royal Ballet and will direct and choreograph a musical version of An American in Paris which premiered in Paris at the Théâtre du Châtelet and is Broadway bound in 2015. Romeo and Juliet Presented by Chloé Fragrances Choreography: Alexei Ratmansky Music: Sergei Prokofiev Set, Costume and Properties Design: Richard Hudson Lighting Design: Jennifer Tipton Premiere: The National Ballet of Canada, November 16, 2011 Lead philanthropic support for Romeo and Juliet is provided by Sandra Pitblado & Jim Pitblado, C.M., with additional generous support from Sandra Faire & Ivan Fecan, The Catherine and Maxwell Meighen Foundation, an anonymous friend of the National Ballet and Walter Carsen, O.C. Performance Dates: November 25 – December 5, 2015 March 16 – 20, 2016 Four Seasons Centre for the Performing Arts Few of the many Shakespeare works that have been re-imagined for ballet have had the lasting impact and been embraced with as much affection as Romeo and Juliet. The story of two young lovers whose passion is tragically thwarted by the enmity of their respective families has inspired numerous choreographers over the decades, attracted by the enduring power of its themes and narrative and by its potential for dramatic and evocative dancing. Celebrated Russian choreographer Alexei Ratmansky, in his adaptation of the play, has given the familiar story a fresh and compelling re-telling. Created for The National Ballet of Canada in 2011, his version stays true to the play’s theatricality, romance and tragedy, plumbing the characters’ emotional depths and complexity with rare sensitivity. Mr. Ratmansky has created a Romeo and Juliet that is at once bracing and modern in its choreographic vigor, yet timeless in its dramatic urgency. Quotes “Gorgeous dancing fuelled by intricate choreography... the balcony pas de deux was ravishing." Los Angeles Times, 2014 “Finally, a Romeo and Juliet for our time” Los Angeles Register, 2014 “Of the six versions I have seen by choreographers alive today, this is much the best.” The New York Times, 2013 “Ratmansky’s Romeo and Juliet is a choreographic delight, rich in detail, subtle in its musicality and always dramatically expressive…. a Romeo and Juliet with soul." Toronto Star, 2013 Page 2 of 2 Alexei Ratmansky Choreographer, Romeo and Juliet Born in St. Petersburg, Russia, Alexei Ratmansky is a choreographer and former ballet dancer. He is Artist-in-Residence at American Ballet Theatre and former Artistic Director of the Bolshoi Ballet, having trained under Pyotr Pestov and Alexandra Markeyeva at the Bolshoi Ballet Academy. Prior to his appointment as Artistic Director, Mr. Ratmansky was a Principal Dancer with the Kiev Ballet, Canada’s Royal Winnipeg Ballet and The Royal Danish Ballet. Mr. Ratmansky has created ballets for the Mariinsky Ballet, Paris Opéra Ballet, The Royal Danish Ballet, Royal Swedish Ballet, New York City Ballet, San Francisco Ballet, The National Ballet of Canada, Australian Ballet, Dutch National Ballet, Teatro alla Scala, Kiev Ballet and the State Ballet of Georgia, as well as for Mikhail Baryshnikov, Nina Ananiashvili, Wendy Wheelan and Diana Vishneva. His 2003 work, The Bright Stream, created for the Bolshoi Ballet, led to his appointment as Artistic Director of the company the following year. For the Bolshoi, he choreographed full-length productions of The Bolt (2005) and Lost Illusions (2011) and re-staged Le Corsaire (2007) and Flames of Paris (2008). His works for Mariinsky Ballet include Cinderella (2002) and Little Humpbacked Horse (2009). In 2011, he created Psyche for Paris Opéra Ballet, Romeo and Juliet for the National Ballet and in 2013, he created Opera for Teatro alla Scala and The Tempest, a co-production between the National Ballet and American Ballet Theatre. The Critics’ Circle in London named the Bolshoi Ballet Best Foreign Company under Mr. Ratmansky’s direction in 2005 and 2007 and he received their National Dance Award for The Bright Stream. He was awarded the 2005 Prix Benois de la Danse for his choreography of Anna Karenina for The Royal Danish Ballet. In 2011, Mr. Ratmansky received the New York Dance and Performance Award for Outstanding Production for The Bright Stream. He was named a MacArthur Fellow and was selected as a Rolex Mentor by the Rolex Mentor and Protégé Arts Initiative in 2013. His ballets for New York City Ballet include Russian Seasons, Concerto DSCH and Namouna and for American Ballet Theatre, On the Dnieper, Seven Sonatas, Dumbarton and The Nutcracker.
Load more

Recommended publications
  • People Features Performances
    People 8 Viktoria Tereshkina CATHERINE PAWLICK catches up with the Mariinsky ballerina in St Petersburg 26 Gillian Lynne and Miracle in the Gorbals VIKI WESTALL meets up with the veteran choreographer in Birmingham 60 Ciro Tamayo LUCÍA CHILIBROSTE interviews Ballet de Uruguay’s outstanding dancer 67 1st Job CARLOS PONS GUERRA skypes Tamara Chilirojo - aka Kevin García Montagut - in New York City Features 25 Comment: Company Saved But Few Rejoice BRUCE MICHELSON analyses a less than satisfactory outcome 32 Critics’ Choice Dance Europe’s writers, along with guest critics, select the highs and lows from last season 65 Tanzmesse DWAYNE HOLLIDAY gets a taste of the mega dance event in Düsseldorf 68 Positano WENDY PERRON reports on this year’s Positano Performances Premia la Danza Léonide Massine 14 Coppélia DEBORAH WEISS and MIKE DIXON weigh up 70 Shawbrook different casts in ENB’s revival of Ronald Hynd’s DIARMAID O’MEARA visits a terpsichorean production hideaway in Ireland contents contents 18 Push GERARD DAVIS savours a hypnotic marriage 6 ENTRE NOUS 73 AUDITIONS AND JOBS 20 Julidans DAVIDE COCCHIARA considers some of the 81 INTERNATIONAL DIARY highlights in this year’s Amsterdam festival 83 DANCE ON SCREEN 23 Biarritz 85 EXHIBITIONS AND EVENTS FRANÇOIS FARGUE reports on an alliance formed by three French companies 86 PEOPLE PAGE Front cover: Mariinsky Ballet - Viktoria Tereshkina as Juliet in Romeo and Juliet Photos: Erik Tomasson; Andrew Ross; Dance Europe → Photo: E. Kauldhar/Dance Europe. DANCE EUROPE October 2014 3 Performances DANCE EUROPE Founded in 1995 ISSN: 1359-9798 30 Solo for Two MIKE DIXON on Osipova and Vasiliev outside P.O.
    [Show full text]
  • Study Guide for Teachers and Students
    Melody Mennite in Cinderella. Photo by Amitava Sarkar STUDY GUIDE FOR TEACHERS AND STUDENTS 1 TABLE OF CONTENTS PRE AND POST-PERFORMANCE ACTIVITIES AND INFORMATION Learning Outcomes & TEKS 3 Attending a ballet performance 5 The story of Cinderella 7 The Artists who Created Cinderella: Choreographer 11 The Artists who Created Cinderella: Composer 12 The Artists who Created Cinderella Designer 13 Behind the Scenes: “The Step Family” 14 TEKS ADDRESSED Cinderella: Around the World 15 Compare & Contrast 18 Houston Ballet: Where in the World? 19 Look Ma, No Words! Storytelling in Dance 20 Storytelling Without Words Activity 21 Why Do They Wear That?: Dancers’ Clothing 22 Ballet Basics: Positions of the Feet 23 Ballet Basics: Arm Positions 24 Houston Ballet: 1955 to Today 25 Appendix A: Mood Cards 26 Appendix B: Create Your Own Story 27 Appendix C: Set Design 29 Appendix D: Costume Design 30 Appendix E: Glossary 31 2 LEARNING OUTCOMES Students who attend the performance and utilize the study guide will be able to: • Students can describe how ballets tell stories without words; • Compare & contrast the differences between various Cinderella stories; • Describe at least one dance from Cinderella in words or pictures; • Demonstrate appropriate audience behavior. TEKS ADDRESSED §117.106. MUSIC, ELEMENTARY (5) Historical and cultural relevance. The student examines music in relation to history and cultures. §114.22. LANGUAGES OTHER THAN ENGLISH LEVELS I AND II (4) Comparisons. The student develops insight into the nature of language and culture by comparing the student’s own language §110.25. ENGLISH LANGUAGE ARTS AND READING, READING (9) The student reads to increase knowledge of own culture, the culture of others, and the common elements of cultures and culture to another.
    [Show full text]
  • 1 Engaging Minds, Informing Practice Tutors and Presenters Alice White, MA, BA (Hons) Embracing Social Media Alice Graduated
    Engaging Minds, Informing Practice Tutors and Presenters Alice White, MA, BA (Hons) Embracing Social Media Alice graduated from Trinity Laban Conservatoire of Music and Dance in 2015 with a First Class Honours degree in Contemporary Dance, and went on to gain an MA in Dance Performance at the University of Chichester. Currently the Lead Press and Communications Officer at the Royal Academy of Dance, Alice has previously worked in marketing and communications at organisations such as Trinity Laban and The Place, gaining an in depth and confident understanding of social media strategy. Amelia Wilkinson, MSc Physiotherapy (pre-reg), MSc Dance Science, BA (Hons) Sociology, APPI certified Pilates Instructor Enhancing Silver Swans® Provision Amelia originally trained as a dancer at The Royal Ballet School and is now a dance science educator, physiotherapist and Pilates instructor. Her expertise in health and wellbeing is informed by both her dance for health and physiotherapy research. Most recently she examined community dwelling stroke survivors’ perceptions of upper limb dysfunction and its impact on quality of life. She currently works as a Health and Performance Enhancement Tutor across two Centre for Advanced Training programmes and delivers dance science CPD courses across the UK and internationally for the RAD. Caroline Palmer, ARAD (Dip. PDTC) Analysing Discovering Repertoire Choreographic Style with Benesh Notation Caroline trained in classical ballet in London with Andrew Hardie and Maria Fay. She danced professionally for 10 years mainly with the Deutsche Opera in Dusseldorf. In 1979 Caroline retrained as a teacher at the Royal Academy of Dance and subsequently taught on the degree course at Laban, London.
    [Show full text]
  • British Ballet Charity Gala
    BRITISH BALLET CHARITY GALA HELD AT ROYAL ALBERT HALL on Thursday Evening, June 3rd, 2021 with the ROYAL BALLET SINFONIA The Orchestra of Birmingham Royal Ballet Principal Conductor: Mr. Paul Murphy, Leader: Mr. Robert Gibbs hosted by DAME DARCEY BUSSELL and MR. ORE ODUBA SCOTTISH BALLET NEW ADVENTURES DEXTERA SPITFIRE Choreography: Sophie Laplane Choreography: Matthew Bourne Music: Wolfgang Amadeus Mozart – Gran Partita and Eine kleine Nachtmusik Music: Excerpts from Don Quixote and La Bayadère by Léon Minkus; Dancers: Javier Andreu, Thomas Edwards, Grace Horler, Evan Loudon, Sophie and The Seasons, Op. 67 by Alexander Glazunov Martin, Rimbaud Patron, Claire Souet, Kayla-Maree Tarantolo, Aarón Venegas, Dancers: Harrison Dowzell, Paris Fitzpatrick, Glenn Graham, Andrew Anna Williams Monaghan, Dominic North, Danny Reubens Community Dance Company (CDC): Scottish Ballet Youth Exchange – CDC: Dance United Yorkshire – Artistic Director: Helen Linsell Director of Engagement: Catherine Cassidy ENGLISH NATIONAL BALLET BALLET BLACK SENSELESS KINDNESS Choreography: Yuri Possokhov THEN OR NOW Music: Piano Trio No. 1, Op. 8 by Dmitri Shostakovich, by kind permission Choreography: Will Tuckett of Boosey and Hawkes. Recorded by musicians from English National Music: Daniel Pioro and Heinrich Ignaz Franz von Biber – Passacaglia for solo Ballet Philharmonic, conducted by Gavin Sutherland. violin, featuring the voices of Natasha Gordon, Hafsah Bashir and Michael Dancers: Emma Hawes, Francesco Gabriele Frola, Alison McWhinney, Schae!er, and the poetry of
    [Show full text]
  • Text Pages Layout MCBEAN.Indd
    Introduction The great photographer Angus McBean has stage performers of this era an enduring power been celebrated over the past fifty years chiefly that carried far beyond the confines of their for his romantic portraiture and playful use of playhouses. surrealism. There is some reason. He iconised Certainly, in a single session with a Yankee Vivien Leigh fully three years before she became Cleopatra in 1945, he transformed the image of Scarlett O’Hara and his most breathtaking image Stratford overnight, conjuring from the Prospero’s was adapted for her first appearance in Gone cell of his small Covent Garden studio the dazzle with the Wind. He lit the touchpaper for Audrey of the West End into the West Midlands. (It is Hepburn’s career when he picked her out of a significant that the then Shakespeare Memorial chorus line and half-buried her in a fake desert Theatre began transferring its productions to advertise sun-lotion. Moreover he so pleased to London shortly afterwards.) In succeeding The Beatles when they came to his studio that seasons, acknowledged since as the Stratford he went on to immortalise them on their first stage’s ‘renaissance’, his black-and-white magic LP cover as four mop-top gods smiling down continued to endow this rebirth with a glamour from a glass Olympus that was actually just a that was crucial in its further rise to not just stairwell in Soho. national but international pre-eminence. However, McBean (the name is pronounced Even as his photographs were created, to rhyme with thane) also revolutionised British McBean’s Shakespeare became ubiquitous.
    [Show full text]
  • Nobel Week Stockholm 2018 – Detailed Information for the Media
    Nobel Week Stockholm • 2018 Detailed information for the media December 5, 2018 Content The 2018 Nobel Laureates 3 The 2018 Nobel Week 6 Press Conferences 6 Nobel Lectures 8 Nobel Prize Concert 9 Nobel Day at the Nobel Museum 9 Nobel Week Dialogue – Water Matters 10 The Nobel Prize Award Ceremony in Stockholm 12 Presentation Speeches 12 Musical Interludes 13 This Year’s Floral Decorations, Concert Hall 13 The Nobel Banquet in Stockholm 14 Divertissement 16 This Year’s Floral Decorations, City Hall 20 Speeches of Thanks 20 End of the Evening 20 Nobel Diplomas and Medals 21 Previous Nobel Laureates 21 The Nobel Week Concludes 22 Follow the Nobel Prize 24 The Nobel Prize Digital Channels 24 Nobelprize org 24 Broadcasts on SVT 25 International Distribution of the Programmes 25 The Nobel Museum and the Nobel Center 25 Historical Background 27 Preliminary Timetable for the 2018 Nobel Prize Award Ceremony 30 Seating Plan on the Stage, 2018 Nobel Prize Award Ceremony 32 Preliminary Time Schedule for the 2018 Nobel Banquet 34 Seating Plan for the 2018 Nobel Banquet, City Hall 35 Contact Details 36 the nobel prize 2 press MeMo 2018 The 2018 Nobel Laureates The 2018 Laureates are 12 in number, including Denis Mukwege and Nadia Murad, who have been awarded the Nobel Peace Prize Since 1901, the Nobel Prize has been awarded 590 times to 935 Laureates Because some have been awarded the prize twice, a total of 904 individuals and 24 organisations have received a Nobel Prize or the Sveriges Riksbank Prize in Economic Sciences in Memory of Alfred Nobel
    [Show full text]
  • Russia Uncovered: Moscow & St Petersburg
    For Expert Advice Call A unique occasion deserves a unique experience. 01722 744 695 https://www.weekendalacarte.co.uk/special-occasion-holidays/destinations/russia/russia-uncovered/ Russia Uncovered: Moscow & St Petersburg Break available: May - September 7 Night Break Highlights With private tours from start to finish you will come away from this holiday having explored two of its greatest cities; St ● Private Hermitage tour with exclusive early access avoiding Petersburg, the Venice of the North, and the Capital Moscow with the queues the dramatic Kremlin at its heart with a day in the countryside at ● Private tour of Peter Paul Fortress with the Romanov family the "Russian Vatican". Experience and contrast the aristocratic tombs beauty of St Petersburg and the confident modern city of Moscow ● Private tour of the beautiful Peterhof Palace with its with as many of the Palaces, Museums and cultural delights as fountains, returning by Hydrofoil you wish as we can tailor-make all our breaks to you. With the ● Private Tour of Catherine's & Paul's palaces with traditional Bolshoi Ballet based in Moscow and the Mariinsky in St Russian tasting menu lunch Petersburg add in a world class ballet performance and you will ● Private River and Canal Floodlight Night Tour to see St indeed come home full to the brim with cultural wonders. This Petersburg Palaces & Cathederals ● private tour allows you to beat the queues into all the historic Private Moscow city floodlight tour ● Private Kremlin tour and visit the Diamond fund sites, to have exclusive early access to the Hermitage so you ● Visit the amazing Moscow Metro with private guide can enjoy its treasures without the crowds, and the ability to ● Visit the Russian Vatican, Sergiev Posad with private guide go at your own pace.
    [Show full text]
  • Production Electrician [email protected] | 631-903-3192 | Justinmpetito.Com
    Justin M. Petito | Production Electrician [email protected] | 631-903-3192 | justinmpetito.com ELECTRICS EXPERIENCE Production Electrician Charlie and the Chocolate Factory Tour NETworks Presentations Japhy Weideman, LD Winter 2019 Luminature Philadelphia Zoo Ken Billington, LD Fall 2019 The Color Purple Tour Troika Entertainment Tess James, ALD Fall 2019 Blue Man Group Speechless Tour NETworks Presentations Jen Schriever, LD Summer 2019 Falsettos – 1st National Tour NETworks Presentations Jeff Croiter, LD Winter 2019 A Bronx Tale – 1st National Tour NETworks Presentations Howell Binkley, LD Fall 2018 Fellow Travelers Bay Street Theater Ken Billington, LD Summer 2018 Frost/Nixon Bay Street Theater Ken Billington, LD Summer 2018 Gala Fundraiser Bay Street Theater Scott Schwartz, Dir Summer 2018 Evita Bay Street Theater Mike Billings, LD Summer 2018 The Last Five Years Rubicon Theatre Mike Billings, LD Winter 2015 Head Electrician The Phantom of the Opera - North American Tour NETworks Presentations Paule Constable, LD Summer 2017 Once the Musical - North American Tour NETworks Presentations Natasha Katz, LD Fall 2016-Spring 2017 The New Sincerity Bay Street Theater Mike Billings, LD Summer 2015 Five Presidents Bay Street Theater Mike Billings, LD Summer 2015 Grey Gardens Bay Street Theater Robert Wierzel, LD Summer 2015 Gala Fundraiser Bay Street Theater Mike Billings, LD Summer 2015 Twelfth Night Bay Street Theater Scott Schwartz, Dir Summer 2015 Commencement Eve Pops Concert: South Pacific Rockefeller Arts Center Jefferson Westwood,
    [Show full text]
  • Royal Opera House Performance Review 2006/07
    royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 1 Royal Opera House Performance Review 2006/07 The Royal Ballet - The Royal Opera royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 2 Contents 01 TH E ROYA L BA L L E T PE R F O R M A N C E S 02 TH E ROYA L OP E R A PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 3 3 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 01 TH E ROYA L BA L L E T PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 4 4 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 GI S E L L E NU M B E R O F PE R F O R M A N C E S 6 (15 matinee and evening 19, 20, 28, 29 April) AV E R A G E AT T E N D A N C E 91% CO M P O S E R Adolphe Adam, revised by Joseph Horovitz CH O R E O G R A P H E R Marius Petipa after Jean Coralli and Jules Perrot SC E N A R I O Théophile Gautier after Heinrich Meine PRO D U C T I O N Peter Wright DE S I G N S John Macfarlane OR I G I N A L LI G H T I N G Jennifer Tipton, re-created by Clare O’Donoghue STAG I N G Christopher Carr CO N D U C T O R Boris Gruzin PR I N C I PA L C A S T I N G Giselle – Leanne Benjamin (2) / Darcey Bussell (2) / Jaimie Tapper (2) Count Albrecht – Edward Watson (2) / Roberto Bolle (2) / Federico Bonelli (2) Hilarion – Bennet Gartside (2) / Thiago Soares (2) / Gary Avis (2) / Myrtha – Marianela Nuñez (1) / Lauren Cuthbertson (3) (1- replacing Zenaida Yanowsky 15/04/06) / Zenaida Yanowsky (1) / Vanessa Palmer (1) royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 5 5 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 LA FI L L E MA L GA R D E E NU M B E R O F PE R F O R M A N C E S 10 (21, 25, 26 April, 1, 2, 4, 5, 12, 13, 20 May 2006) AV E R A G E AT T E N D A N C E 86% CH O R E O G R A P H Y Frederick Ashton MU S I C Ferdinand Hérold, freely adapted and arranged by John Lanchbery from the 1828 version SC E N A R I O Jean Dauberval DE S I G N S Osbert Lancaster LI G H T I N G John B.
    [Show full text]
  • Miami City Ballet 37
    Miami City Ballet 37 MIAMI CITY BALLET Charleston Gaillard Center May 26, 2:00pm and 8:00pm; Martha and John M. Rivers May 27, 2:00pm Performance Hall Artistic Director Lourdes Lopez Conductor Gary Sheldon Piano Ciro Fodere and Francisco Rennó Spoleto Festival USA Orchestra 2 hours | Performed with two intermissions Walpurgisnacht Ballet (1980) Choreography George Balanchine © The George Balanchine Trust Music Charles Gounod Staging Ben Huys Costume Design Karinska Lighting Design John Hall Dancers Katia Carranza, Renato Penteado, Nathalia Arja Emily Bromberg, Ashley Knox Maya Collins, Samantha Hope Galler, Jordan-Elizabeth Long, Nicole Stalker Alaina Andersen, Julia Cinquemani, Mayumi Enokibara, Ellen Grocki, Petra Love, Suzette Logue, Grace Mullins, Lexie Overholt, Leanna Rinaldi, Helen Ruiz, Alyssa Schroeder, Christie Sciturro, Raechel Sparreo, Christina Spigner, Ella Titus, Ao Wang Pause Carousel Pas de Deux (1994) Choreography Sir Kenneth MacMillan Music Richard Rodgers, Arranged and Orchestrated by Martin Yates Staging Stacy Caddell Costume Design Bob Crowley Lighting Design John Hall Dancers Jennifer Lauren, Chase Swatosh Intermission Program continues on next page 38 Miami City Ballet Concerto DSCH (2008) Choreography Alexei Ratmansky Music Dmitri Shostakovich Staging Tatiana and Alexei Ratmansky Costume Design Holly Hynes Lighting Design Mark Stanley Dancers Simone Messmer, Nathalia Arja, Renan Cerdeiro, Chase Swatosh, Kleber Rebello Emily Bromberg and Didier Bramaz Lauren Fadeley and Shimon Ito Ashley Knox and Ariel Rose Samantha
    [Show full text]
  • View Playbill
    MARCH 1–4, 2018 45TH ANNIVERSARY SEASON 2017/2018 Great Artists. Great Audiences. Hancher Performances. WORK LIGHT PRODUCTIONS PRESENTS BOOK BY BERRY GORDY MUSIC AND LYRICS FROM THE LEGENDARY MOTOWN CATALOG BASED UPON THE BOOK TO BE LOVED: MUSIC BY ARRANGEMENT WITH THE MUSIC, THE MAGIC, THE MEMORIES SONY/ATV MUSIC PUBLISHING OF MOTOWN BY BERRY GORDY MOTOWN® IS USED UNDER LICENSE FROM UMG RECORDINGS, INC. STARRING KENNETH MOSLEY TRENYCE JUSTIN REYNOLDS MATT MANUEL NICK ABBOTT TRACY BYRD KAI CALHOUN ARIELLE CROSBY ALEX HAIRSTON DEVIN HOLLOWAY QUIANA HOLMES KAYLA JENERSON MATTHEW KEATON EJ KING BRETT MICHAEL LOCKLEY JASMINE MASLANOVA-BROWN ROB MCCAFFREY TREY MCCOY ALIA MUNSCH ERICK PATRICK ERIC PETERS CHASE PHILLIPS ISAAC SAUNDERS JR. ERAN SCOGGINS AYLA STACKHOUSE NATE SUMMERS CARTREZE TUCKER DRE’ WOODS NAZARRIA WORKMAN SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN PROJECTION DESIGN DAVID KORINS EMILIO SOSA NATASHA KATZ PETER HYLENSKI DANIEL BRODIE HAIR AND WIG DESIGN COMPANY STAGE SUPERVISION GENERAL MANAGEMENT EXECUTIVE PRODUCER CHARLES G. LAPOINTE SARAH DIANE WORK LIGHT PRODUCTIONS NANSCI NEIMAN-LEGETTE CASTING PRODUCTION MANAGEMENT TOUR BOOKING AGENCY TOUR MARKETING AND PRESS WOJCIK | SEAY CASTING PORT CITY TECHNICAL THE BOOKING GROUP ALLIED TOURING RHYS WILLIAMS MOLLIE MANN ORCHESTRATIONS MUSIC DIRECTOR/CONDUCTOR DANCE MUSIC ARRANGEMENTS ADDITIONAL ARRANGEMENTS ETHAN POPP & BRYAN CROOK MATTHEW CROFT ZANE MARK BRYAN CROOK SCRIPT CONSULTANTS CREATIVE CONSULTANT DAVID GOLDSMITH & DICK SCANLAN CHRISTIE BURTON MUSIC SUPERVISION AND ARRANGEMENTS BY ETHAN POPP CHOREOGRAPHY RE-CREATED BY BRIAN HARLAN BROOKS ORIGINAL CHOREOGRAPHY BY PATRICIA WILCOX & WARREN ADAMS STAGED BY SCHELE WILLIAMS DIRECTED BY CHARLES RANDOLPH-WRIGHT ORIGNALLY PRODUCED BY KEVIN MCCOLLUM DOUG MORRIS AND BERRY GORDY The Temptations in MOTOWN THE MUSICAL.
    [Show full text]
  • People on the Cover Media Performances
    Bolshoi stars THE DREAM 40 Stuttgart Ballet - Friedemann Vogel and Miriam Kacerova in MacMillan's Mayerling. © Emma Kauldhar Contents People Media 10 Friedemann Vogel 63 Force of Nature Natalia EMMA KAULDHAR talks with the Stuttgart ROBERT PENMAN reviews the latest Ballet principal about his career spanning two dance documentary at the Curzon decades Performances 30 Jacopo Tissi AMANDA JENNINGS catches up with the 26 He Takes Her By The Bolshoi leading soloist guesting in London Hand... GERARD DAVIS visits Wuppertal to catch Alyona Kovalyova 36 an early piece by Pina Bausch CATHERINE PAWLICK meets the Bolshoi first soloist in Moscow 40 Mayerling PREMIERE ALISON KENT appraises a new production Johan Kobborg 68 of MacMillan's harrowing ballet in Stuttgart MIKE DIXON meets the dancer/ choreographer preparing a new Romeo and Cinderella-in-the-Round Juliet for Cojocaru and Polunin in Verona 46 MIKE DIXON reports on ENB's latest production away from the proscenium arch On The Cover Front cover: The Royal Ballet The Legend of Love DEBUTS - Fumi Kaneko in Frederick 18 Fonteyn - A Celebration 50 Ashton's Birthday Offering, LYDIA RADETSKY appreciates an Margot Fonteyn - A MIKE DIXON savours a gala to celebrate Celebration on 8 June 2019. enduring Soviet ballet enhanced by the memory of The Royal Ballet's indelible © Emma Kauldhar by Alyona Kovalyova outstanding debuts The Bolshoi Ballet’s First Soloist, courtesy of the ROH legend GRISHKO®Brand Ambassador Leotard, Art. DA 1901MP GRISHKO® Europe distribution center Find us: grishko-world.com Mesh skirt, Art. DA 1908 Mikulandska 4/122, 11000 Praha, 1 Follow us: @grishkoworld Jacopo Tissi + 420 224 934 293 Write us: [email protected] The Bolshoi Ballet’s Leading Soloist Leggings, Art.
    [Show full text]