All-Star Superman #1, Cover This Needs to Be
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
All Batman References in Teen Titans
All Batman References In Teen Titans Wingless Judd boo that rubrics breezed ecstatically and swerve slickly. Inconsiderably antirust, Buck sequinedmodernized enough? ruffe and isled personalties. Commie and outlined Bartie civilises: which Winfred is Behind Batman Superman Wonder upon The Flash Teen Titans Green. 7 Reasons Why Teen Titans Go Has Failed Page 7. Use of teen titans in batman all references, rather fitting continuation, red sun gauntlet, and most of breaching high building? With time throw out with Justice League will wrap all if its members and their powers like arrest before. Worlds apart label the bleak portentousness of Batman v. Batman Joker Justice League Wonder whirl Dark Nights Death Metal 7 Justice. 1 Cars 3 Driven to Win 4 Trivia 5 Gallery 6 References 7 External links Jackson Storm is lean sleek. Wait What Happened in his Post-Credits Scene of Teen Titans Go knowing the Movies. Of Batman's television legacy in turn opinion with very due respect to halt late Adam West. To theorize that come show acts as a prequel to Batman The Animated Series. Bonus points for the empire with Wally having all sorts of music-esteembody image. If children put Dick Grayson Jason Todd and Tim Drake in inner room today at their. DUELA DENT duela dent batwoman 0 Duela Dent ideas. Television The 10 Best Batman-Related DC TV Shows Ranked. Say is famous I'm Batman line while he proceeds to make references. Spoilers Ahead for sound you missed in Teen Titans Go. The ones you essential is mainly a reference to Vicki Vale and Selina Kyle Bruce's then-current. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Archives - Search
Current Auctions Navigation All Archives - Search Category: ALL Archive: BIDDING CLOSED! Over 150 Silver Age Comic Books by DC, Marvel, Gold Key, Dell, More! North (167 records) Lima, OH - WEDNESDAY, November 25th, 2020 Begins closing at 6:30pm at 2 items per minute Item Description Price ITEM Description 500 1966 DC Batman #183 Aug. "Holy Emergency" 10.00 501 1966 DC Batman #186 Nov. "The Jokers Original Robberies" 13.00 502 1966 DC Batman #188 Dec. "The Ten Best Dressed Corpses in Gotham City" 7.50 503 1966 DC Batman #190 Mar. "The Penguin and his Weapon-Umbrella Army against Batman and Robin" 10.00 504 1967 DC Batman #192 June. "The Crystal Ball that Betrayed Batman" 4.50 505 1967 DC Batman #195 Sept. "The Spark-Spangled See-Through Man" 4.50 506 1967 DC Batman #197 Dec. "Catwoman sets her Claws for Batman" 37.00 507 1967 DC Batman #193 Aug. 80pg Giant G37 "6 Suspense Filled Thrillers" 8.00 508 1967 DC Batman #198 Feb. 80pg Giant G43 "Remember? This is the Moment that Changed My Life!" 8.50 509 1967 Marvel Comics Group Fantastic Four #69 Dec. "By Ben Betrayed!" 6.50 510 1967 Marvel Comics Group Fantastic Four #66 Dec. "What Lurks Behind the Beehive?" 41.50 511 1967 Marvel Comics Group The Mighty Thor #143 Aug. "Balder the Brave!" 6.50 512 1967 Marvel Comics Group The Mighty Thor #144 Sept. "This Battleground Earth!" 5.50 513 1967 Marvel Comics Group The Mighty Thor #146 Nov. "...If the Thunder Be Gone!" 5.50 514 1969 Marvel Comics Group The Mighty Thor #166 July. -
Existentialism of DC Comics' Superman
Word and Text Vol. VII 151 – 167 A Journal of Literary Studies and Linguistics 2017 Re-theorizing the Problem of Identity and the Onto- Existentialism of DC Comics’ Superman Kwasu David Tembo University of Edinburgh E-mail: [email protected] Abstract One of the central onto-existential tensions at play within the contemporary comic book superhero is the tension between identity and disguise. Contemporary comic book scholarship typically posits this phenomenon as being primarily a problem of dual identity. Like most comic book superheroes, superbeings, and costumed crime fighters who avail themselves of multiple identities as an essential part of their aesthetic and narratological repertoire, DC Comics character Superman is also conventionally aggregated in this analytical framework. While much scholarly attention has been directed toward the thematic and cultural tensions between two of the character’s best-known and most recognizable identities, namely ‘Clark Kent of Kansas’ and ‘Superman of Earth’, the character in question is in fact an identarian multiplicity consisting of three ‘identity-machines’: ‘Clark’, ‘Superman’, and ‘Kal-El of Krypton’. Referring to the schizoanalysis developed by the French theorists Gilles Deleuze and Félix Guattari in Anti- Oedipus. Capitalism and Schizophrenia (orig. 1972), as well as relying on the kind of narratological approach developed in the 1960s, this paper seeks to re-theorize the onto- existential tension between the character’s triplicate identities which the current scholarly interpretation of the character’s relationship with various concepts of identity overlooks. Keywords: Superman, identity, comic books, Deleuze and Guattari, schizoanalysis The Problem of Identity: Fingeroth and Dual Identities Evidenced by the work of contemporary comic book scholars, creators, and commentators, there is a tradition of analysis that typically understands the problem of identity at play in Superman, and most comic book superheroes by extension, as primarily a problem of duality. -
DOWNLOAD Superman.Pdf
EXT. FARMLAND John and Martha Kent lay in the field, looking at the stars. Martha looks from her wedding ring to John. MARTHA John? JOHN Yes? MARTHA I've been meaning to tell you- JOHN Oh my god... He stares up, astonished. She looks to where he's looking: a meteor cutting through the sky. It hits the ground a few miles away, causing a small explosion. John and Martha look at each other. CUT TO: Their red truck pulling up to the crater. John slams the door behind him as he runs up to its edge. MARTHA Don't get too close. JOHN Someone could be hurt. MARTHA Just... be careful... John nods and turns to venture down into the large crash site. Martha waits, biting her nails. She paces impatiently across the field. He returns a few seconds later, carrying something in his arms. Close in on baby Clark. Created using Celtx 2. TITLE: SUPERMAN It fades into a black screen. All we hear is the muffled sounds of panic and alarms. They slowly get clearer and clearer until we CUT TO: INT. AIRPLANE The passengers scramble for their seatbelts and their oxygen masks. 25 YEARS LATER The pilots try everything they can to get control of the plane back. They flick switches and tap dials. They attempt to talk over the noise. Suddenly, the plane rocks. It stabilizes. PILOT What's going on? (To co-pilot) Did you do that? The co-pilot shakes his head. The passengers quiet down as they feel the change in movement. -
4. the Superman/Kent Hypothesis: on the Epistemological Limit Between Human and Superhuman
Page no.57 4. The Superman/Kent hypothesis: On the epistemological limit between human and superhuman. Alexandros Schismenos PhD Scholar Philosophy of Science University of Ioannina Greece ORCID iD: http://orcid.org/0000-0001-8490-4223 E-Mail: [email protected] Abstract Everybody knows that Superman is Clark Kent. Nobody knows that Superman is Clark Kent. Located between these two absolute statements is the epistemological limit that separates the superhero fictitious universe from our universe of causal reality. The superheroic double identity is a secret shared by the superhero and the reader of the comic or the viewer of the movie, and quite often the superhero winks at the outside world, thus breaking the 4th wall and establishing this collusive relationship. However, in our hypothesis, we are interested in Superman not as a fictitious archetype, but rather as a fictitious metaphor. We are not interested in his double identity as the matrix of superheroic attributes and narratives, but rather as the differential limit between superhuman and human within the fictional universe. Because, the reader or the viewer may share the secret identity with Superman and also with Spiderman or Batman or any other superhuman, but the secret equivalence of Superman and Clark Kent contains another hidden antithesis. Keywords Epistemology; Superman; Nostalgia; Ubermensch; Cognition Vol 3 No 1 (2015) ISSUE – March ISSN 2347-6869 (E) & ISSN 2347-2146 (P) The Superman/Kent hypothesis by Alexandros Schismenos Page No. 57-65 Page no.58 The Superman/Kent hypothesis: On the epistemological limit between human and superhuman Everybody knows that Superman is Clark Kent. -
What Superman Teaches Us About the American Dream and Changing Values Within the United States
TRUTH, JUSTICE, AND THE AMERICAN WAY: WHAT SUPERMAN TEACHES US ABOUT THE AMERICAN DREAM AND CHANGING VALUES WITHIN THE UNITED STATES Lauren N. Karp AN ABSTRACT OF THE THESIS OF Lauren N. Karp for the degree of Master of Arts in English presented on June 4, 2009 . Title: Truth, Justice, and the American Way: What Superman Teaches Us about the American Dream and Changing Values within the United States Abstract approved: ____________________________________________________________________ Evan Gottlieb This thesis is a study of the changes in the cultural definition of the American Dream. I have chosen to use Superman comics, from 1938 to the present day, as litmus tests for how we have societally interpreted our ideas of “success” and the “American Way.” This work is primarily a study in culture and social changes, using close reading of comic books to supply evidence. I argue that we can find three distinct periods where the definition of the American Dream has changed significantly—and the identity of Superman with it. I also hypothesize that we are entering an era with an entirely new definition of the American Dream, and thus Superman must similarly change to meet this new definition. Truth, Justice, and the American Way: What Superman Teaches Us about the American Dream and Changing Values within the United States by Lauren N. Karp A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts Presented June 4, 2009 Commencement June 2010 Master of Arts thesis of Lauren N. Karp presented on June 4, 2009 APPROVED: ____________________________________________________________________ Major Professor, representing English ____________________________________________________________________ Chair of the Department of English ____________________________________________________________________ Dean of the Graduate School I understand that my thesis will become part of the permanent collection of Oregon State University libraries. -
{Download PDF} Justice League of America: the Silver Age Vol. 3 1St
JUSTICE LEAGUE OF AMERICA: THE SILVER AGE VOL. 3 1ST EDITION PDF, EPUB, EBOOK none | 9781401268626 | | | | | Justice League of America: The Silver Age Vol. 3 1st edition PDF Book Fawcett Publications, Inc. For those unfamiliar with the concept, Earth-Two was a parallel dimension where the superheroes who debuted in the Golden Age of Comics resided, while Earth-One was where the superheroes who debuted in the Silver Age resided. Len Wein became the regular writer with , and for three issues, we get 33 heroes: the JLA, the Justice Society of Earth-2, the long-forgotten Seven Soldiers of Victory, and a few honorary members like Metamorpho and Zatanna. Even a Marvel Zombie like myself couldn't resist these classic covers. Comics Buyer's Guide Black Hand Nekron. Archived from the original on April 26, Entertainment Weekly. The beginning is harder to figure out. Mike W. It solidified once and for all the importance of superhero groups, and in the process provided a playground where DC's characters could attract new fans while entertaining established admirers. Lionel Luthor Chloe Sullivan. Martian Manhunter. Vixen would take over the team, with Plastic Man rejoining the group. Len Wein wrote a three-part fill-in story for Justice League of America [66] that ran from 35 to Rarely featured in most of the stories, Superman and Batman did not even appear on the cover most of the time. Justice League characters. A follow-up limited series, entitled I Can't Believe It's Not the Justice League , soon was prepared, although it was delayed due to the events shown in the Identity Crisis limited series, but was eventually released as the second arc in JLA: Classified. -
DC One Million Omnibus
DC One Million Omnibus FORMAT FILE [ebook, pdf, epub, mobi pocket, audiobook, txt, doc, ppt, jpeg, chm, xml, azw, pdb, kf8, prc, tpz] Link Read Online : Read DC One Million Omnibus Link Download : Download DC One Million Omnibus Book Detail : Amazon Business : For business-only pricing, quantity discounts and FREE Shipping. Register a free business account Description Book : In the 853rd century--one million months after the publication of ACTION COMICS #1--Earth remains safe, thanks to the heroics of the JLA of the future. The ancestors of Batman, Superman, Wonder Woman, The Flash and others remain united in combating forces of evil, but perhaps have never met anything as deadly as the sentient super-computer Solaris, the Tyrant Sun. As this villainous threat becomes too much to handle, these heroes of the future turn to the only group they know can help: the original JLA. Written in the middle of Grant Morrison's smash-hit run on JLA, DC ONE MILLION was the first of the game-changing writer's mind-bending DC crossovers. With art by Val Semeiks and Prentis Rollins, the entire DC ONE MILLION series is reprinted here, along with every crossover issue and tie-in. This massive omnibus edition is a must-have for collectors of Grant Morrison's DC work. Includes the following issues: DC ONE MILLION 1-4, ACTION COMICS 1,000,000, ADVENTURES OF SUPERMAN 1,000,000, AQUAMAN 1,000,000, AZRAEL 1,000,000, BATMAN 1,000,000, BATMAN:SHADOW OF THE BAT 1,000,000, CATWOMAN 1,000,000, CHASE 1,000,000, CHRONOS 1,000,000, CREEPER 1,000,000, DETECTIVE COMICS -
My Back Pages | the Comics Journal
Archived version from NCDOCKS Institutional Repository http://libres.uncg.edu/ir/asu/ Column -- "My Back Pages" By: Craig Fischer Fischer, C. (2013). “My Back Pages." The Comics Journal, February 4, 2013. Version of record available at: http:// www.tcj.com/my-back-pages/ My Back Pages | The Comics Journal Blog Features Columns Reviews Listings TCJ Archive ← Seep, You Seepers Of The Seeping Gore Cactus Face → Zap: An Unpublished Spain Rodriguez Interview In celebration of the release of the Comics Journal Library book of Zap Monsters Eat Critics interviews, we present this unpublished interview with the late Spain Rodriguez. It does not appear in the Zap Interviews book. Continue reading → My Back Pages BY CRAIG FISCHER FEB 4, 2013 Don Draper: “In Greek, ‘nostalgia’ literally means ‘the pain from an old wound.’ It’s a twinge in your heart far more powerful than memory alone.” 1. In 1992, I was dawdling my way through a Ph.D. program in English at the University of Illinois. I had trouble focusing on my work that year, because back in my hometown of Buffalo, New York, my mother was dying of cancer. She was first diagnosed with breast cancer in 1985, while I was still living at home but poised to start graduate school at Illinois in the fall. When my parents told me about the cancer, I said that I wouldn’t go to graduate school, that I would stay and care for my mom, but they said “No.” They were insistent that I begin my adult life and career, and they also realized that my offer to remain in Buffalo was based as much on my fear of an unknown direction for my life as it was in some sort of noble self-sacrifice. -
Comic Book Journalists Beyond Clark Kent It’S a Different Era of Anti-Heroes and Realism, but the Reporter Is Still an Effective Device, Comics Insiders Say
138 Matty Roth runs into trouble in Brian Wood’s title DMZ #17 (May 2007). Comic Book Journalists Beyond Clark Kent It’s a different era of anti-heroes and realism, but the reporter is still an effective device, comics insiders say. Bill Knight Professor of Journalism Department of English and Journalism Western Illinois University [email protected] The public respects journalists and holds “the press” in low esteem, according to several surveys – much like Congress’ approval ratings that are low collectively while individual incumbents usually are re-elected. Americans seem dissatisfied with institutions but appreciative of people they know who happen to make up those institutions. A We Media/Zogby Interactive poll released on February 29, 2008, showed that 70% of Americans believe journalism to be important to their communities, but 64% are dissatisfied with its quality. In popular culture, journalists are often featured in novels, films, and other forms of entertainment, but one of pop culture’s most enduring uses of the journalist is in comic books. 139 However, comics’ often shallow journalist characters – embodied by the milquetoast version of Clark Kent – recently have evolved into more full-bodied roles: weak or vain, blustery or cynical, realistic or at least somewhat more credible for twenty-first century audiences. In the last few years, running characters or situations that expand the role of journalists in comic books range from DMZ’s Matty Roth and Transmetropolitan’s Spider Jerusalem to Phantom Jack’s Jack Baxter, Deadline’s Kat Farrell, and Front Line’s Ben Urich and Sally Floyd. This year is the seventy-first anniversary of the publication of Action Comics No.