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Governance of Steel and Kryptonite Politics in Contemporary Public Education Reform James Liebman
Florida Law Review Volume 69 Article 2 Issue 2 Volume 69, Issue 2 (2017) March 2017 Governance of Steel and Kryptonite Politics in Contemporary Public Education Reform James Liebman Elizabeth Cruikshank Follow this and additional works at: https://scholarship.law.ufl.edu/flr Part of the Education Law Commons Recommended Citation James Liebman and Elizabeth Cruikshank, Governance of Steel and Kryptonite Politics in Contemporary Public Education Reform, 69 Fla. L. Rev. 365 (2017). Available at: https://scholarship.law.ufl.edu/flr/vol69/iss2/2 This Article is brought to you for free and open access by UF Law Scholarship Repository. It has been accepted for inclusion in Florida Law Review by an authorized editor of UF Law Scholarship Repository. For more information, please contact [email protected]. Liebman and Cruikshank: Governance of Steel and Kryptonite Politics in Contemporary Publi GOVERNANCE OF STEEL AND KRYPTONITE POLITICS IN CONTEMPORARY PUBLIC EDUCATION REFORM James S. Liebman*, Elizabeth Cruikshank**, Christina Ma*** Abstract Entrenched bureaucracies and special-interest politics hamper public education in the United States. In response, school districts and states have recently adopted or promoted reforms designed to release schools from bureaucratic control and empower them to meet strengthened outcome standards. Despite promising results, the reforms have been widely criticized, including by the educationally disadvantaged families they most appear to help. To explain this paradox, this Article first considers the governance alternatives to bureaucracy that the education reforms adopt. It concludes that the reforms do not adopt the most commonly cited alternatives to bureaucracy—marketization, managerialism, or professionalism/craft— and that none of those models effectively frees public education of special-interest politics. -
The Cw Arrowverse and Myth-Making, Or the Commodification of Transmedia Franchising
PRODUCTIONS / MARKETS / STRATEGIES THE CW ARROWVERSE AND MYTH-MAKING, OR THE COMMODIFICATION OF TRANSMEDIA FRANCHISING CHARLES JOSEPH Name Charles Joseph Arrowverse, a shared narrative space based on DC-inspired Academic centre University of Rennes 2 original series which provided the network with a fertile E-mail address [email protected] groundwork to build upon. The CW did not hesitate to capitalize on its not-so-newfound superhero brand to KEYWORDS induce a circulation of myth, relying on these larger-than- The CW; DC comics; Arrowverse; transmedia; convergence; life characters at the heart of American pop culture to superhero; myth. fortify its cultural and historical bedrock and earn its seat along the rest of the Big 4. This paper aims to decipher how The CW pioneered new technology-based tools ABSTRACT which ultimately changed the American media-industrial The CW’s influence over the American network television landscape of the early 2010s, putting these tools to the landscape has never ceased to grow since its creation test with the network’s superhero series. It will thus also in 2006. The network’s audience composition reflects address how the Arrowverse set of characters has triggered The CW’s strategies to improve its original content as cross-media and transmedia experimentations, how The well as diversifying it, moving away from its image as a CW stimulated rapport with its strong fan base, as well network for teenage girls. One of the key elements which as how the network has been able to capitalize on the has supported this shift was the development of the superhero genre’s evocative capacities. -
Anime: Fortress of Solitude Or Kryptonite?
Honors Thesis Honors Program 5-2015 Anime: Fortress of Solitude or Kryptonite? Oscar King IV [email protected] Follow this and additional works at: https://digitalcommons.lmu.edu/honors-thesis Part of the Japanese Studies Commons, and the Other Film and Media Studies Commons Recommended Citation King, Oscar IV, "Anime: Fortress of Solitude or Kryptonite?" (2015). Honors Thesis. 110. https://digitalcommons.lmu.edu/honors-thesis/110 This Honors Thesis is brought to you for free and open access by the Honors Program at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Honors Thesis by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. King IV 1 Anime: Fortress of Solitude or Kryptonite A thesis submitted in partial satisfaction of the requirements of the University Honors Program of Loyola Marymount University by Oscar King IV April 29, 2016 Anime: King IV 2 Fortress of Solitude or Kryptonite By: Oscar King IV Mentor: Dr. Charlotte D’Evelyn ASPA 2015 Cover art by: Matt Mulfinger King IV 3 Table of Contents Thesis Page 4 Chapter 1: Introduction Page 5 Chapter 2: Worldwide Consumption Page 10 Chapter 3: The Fairy Tale Effect Page 12 Chapter 4: Otaku Characterizations Page 21 Chapter 5 Otaku Scholars and Heroes Page 24 Chapter 6: Conventions, Fanfics, and Cosplay Page 27 Chapter 7: Dislocated People Page 33 Chapter 8: Anime: Fortress of Solitude or Kryptonite Page 38 Bibliography Page 39 King IV 4 THESIS Anime is simultaneously therapeutic and toxic. -
Comic Book Journalists Beyond Clark Kent It’S a Different Era of Anti-Heroes and Realism, but the Reporter Is Still an Effective Device, Comics Insiders Say
138 Matty Roth runs into trouble in Brian Wood’s title DMZ #17 (May 2007). Comic Book Journalists Beyond Clark Kent It’s a different era of anti-heroes and realism, but the reporter is still an effective device, comics insiders say. Bill Knight Professor of Journalism Department of English and Journalism Western Illinois University [email protected] The public respects journalists and holds “the press” in low esteem, according to several surveys – much like Congress’ approval ratings that are low collectively while individual incumbents usually are re-elected. Americans seem dissatisfied with institutions but appreciative of people they know who happen to make up those institutions. A We Media/Zogby Interactive poll released on February 29, 2008, showed that 70% of Americans believe journalism to be important to their communities, but 64% are dissatisfied with its quality. In popular culture, journalists are often featured in novels, films, and other forms of entertainment, but one of pop culture’s most enduring uses of the journalist is in comic books. 139 However, comics’ often shallow journalist characters – embodied by the milquetoast version of Clark Kent – recently have evolved into more full-bodied roles: weak or vain, blustery or cynical, realistic or at least somewhat more credible for twenty-first century audiences. In the last few years, running characters or situations that expand the role of journalists in comic books range from DMZ’s Matty Roth and Transmetropolitan’s Spider Jerusalem to Phantom Jack’s Jack Baxter, Deadline’s Kat Farrell, and Front Line’s Ben Urich and Sally Floyd. This year is the seventy-first anniversary of the publication of Action Comics No. -
Kirby Letterhead
SUPERGIRL IN THE BRONZE AGE! October 2015 No.84 $ 8 . 9 5 Supergirl TM & © DC Comics. All Rights Reserved. 0 9 Pre-Crisis Supergirl I Death of Supergirl I Rebirths of Supergirl I Superwoman ALAN BRENNERT interview I HELEN SLATER Supergirl movie & more super-stuff! 1 82658 27762 8 Volume 1, Number 84 October 2015 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow TM DESIGNER Rich Fowlks COVER ARTISTS Karl Heitmueller, Jr., with Stephen DeStefano Bob Fingerman Dean Haspiel Kristen McCabe Jon Morris Jackson Publick COVER DESIGNER Michael Kronenberg PROOFREADER John Morrow SPECIAL THANKS Cary Bates Elliot S. Maggin Alan Brennert Andy Mangels ByrneRobotics.com Franck Martini BACK SEAT DRIVER: Editorial by Michael Eury . .2 Glen Cadigan Jerry Ordway FLASHBACK: Supergirl in Bronze . .3 and The Legion George Pérez The Maid of Might in the ’70s and ’80s Companion Ilya Salkind Shaun Clancy Anthony Snyder PRINCE STREET NEWS: The Sartorial Story of the Sundry Supergirls . .24 Gary Colabuono Roger Stern Oh, what to wear, what to wear? Fred Danvers Jeannot Szwarc DC Comics Steven Thompson THE TOY BOX: Material (Super) Girl: Pre-Crisis Supergirl Merchandise . .26 Jim Ford Jim Tyler Dust off some shelf space, ’cause you’re gonna want this stuff Chris Franklin Orlando Watkins FLASHBACK: Who is Superwoman? . .31 Grand Comics John Wells Database Marv Wolfman Elliot Maggin’s Miracle Monday heroine, Kristen Wells Robert Greenberger BACKSTAGE PASS: Adventure Runs in the Family: The Saga of the Supergirl Movie . .35 Karl Heitmueller, Jr. Hollywood’s Ilya Salkind and Jeannot Szwarc take us behind the scenes Heritage Comics Auctions FLASHBACK: Crisis on Infinite Earths #7 . -
IN the BRONZE AGE! BRONZE the in , Bronze AGE and Beyond and AGE Bronze I
Superman and Bizarro TM & © DC Comics. All Rights Reserved. 0 1 No.62 Feb. 201 3 $ 8 . 9 5 1 82658 27762 8 COMiCs JULIUS SCHWARTZ SUPERMAN DYNASTY • PRIVATE LIFE OF CURT SWAN • SUPERMAN FAMILY • EARTH-TWO SUPERMAN • WORLD OF KRYPTON • MAN OF TOMORROW • ATOMIC SKULL & more! IN THE BRONZE AGE! , bROnzE AGE AnD bEYOnD i . Volume 1, Number 62 February 2013 Celebrating the Best ® Comics of the '70s, Comics’ Bronze Age and Beyond! '80s,'90s, and Beyond! EDITOR-IN-CHIEF Michael “Don’t Call Me Chief!” Eury PUBLISHER John “Morgan Edge” Morrow DESIGNER Rich “Superman’s Pal” Fowlks COVER ARTISTS José Luis García-López and Scott Williams COVER COLORIST Glenn “Grew Up in Smallville” Whitmore COVER DESIGNER Michael “Last Son of Krypton” Kronenberg BACK SEAT DRIVER: Editorial by Michael Eury . .2 A dedication to the man who made us believe he could fly, Christopher Reeve PROOFREADER Rob “Cub Reporter” Smentek FLASHBACK: The Julius Schwartz Superman Dynasty . .3 SPECIAL THANKS Looking back at the Super-editor(s) of the Bronze Age, with enough art to fill a Fortress! Murphy Anderson Dennis O’Neil SUPER SALUTE TO CARY BATES . .18 CapedWonder.com Luigi Novi/Wikimedia Cary Bates Commons SUPER SALUTE TO ELLIOT S! MAGGIN . .20 Kurt Busiek Jerry Ordway Tim Callahan Mike Page BACKSTAGE PASS: The Private Life of Curt Swan . .23 Howard Chaykin Mike Pigott Fans, friends, and family revisit the life and career of THE Superman artist Gerry Conway Al Plastino DC Comics Alex Ross FLASHBACK: Superman Calls for Back-up! . .38 Dial B for Blog Bob Rozakis The Man of Steel’s adventures in short stories Tom DeFalco Joe Rubinstein FLASHBACK: Superman Family Portraits . -
Superman and Perry Mason, Their Respective Owners Own the Copyrights and Such
A SUPERMAN & PERRY MASON ADVENTURE By Bruce Kanin Originally written October 2016 Revised July 2018 1 THE ADVENTURES OF SUPERMAN / PERRY MASON © 2018 Bruce Kanin Disclaimer The original stories presented herein are Copyright © 2018 Bruce Kanin. All rights reserved. With regard to other aspects, such as those related to The Adventures of Superman and Perry Mason, their respective owners own the copyrights and such. These other aspects have merely borrowed here for the purposes of telling a story. 2 THE ADVENTURES OF SUPERMAN / PERRY MASON © 2018 Bruce Kanin 3 THE ADVENTURES OF SUPERMAN / PERRY MASON © 2018 Bruce Kanin 4 THE ADVENTURES OF SUPERMAN / PERRY MASON © 2018 Bruce Kanin INTRODUCTION BACK IN THE FIRST HALF OF THE 1950S, just before the television series The Adventures of Superman moved from black & white to color, CBS television produced what is termed a “backdoor pilot” for a new lawyer series called Perry Mason. The pilot occurred in two parts, with the first part being a special hour-long broadcast of The Adventures of Superman (normally presented as half-hour episodes) and the second being an hour-long pilot for Perry Mason. Unfortunately, the people behind Perry Mason decided to scrap their pilot after realizing that the intrepid lawyer and his stories should be wholly based on science, not science fiction and fantasy, which is what The Adventures of Superman involved. This also meant scrapping the backdoor pilot – the special hour-long episode of The Adventures of Superman. Of course, none of the above actually happened. No, it didn’t, but it is a “fun” way of imagining how these two beloved television series could be linked with one another. -
Queer Postfeminism, Intersectionality and Female Superheroes in Supergirl Maxine De Wulf Helskens, Frederik Dhaenens, Sarah Van Leuven
DiGeSt Journal of Diversity and Gender Studies Superheroines and superstereotypes? Queer postfeminism, intersectionality and female superheroes in Supergirl Maxine De Wulf Helskens, Frederik Dhaenens, Sarah Van Leuven DiGeSt Journal of Diversity and Gender Studies, Volume 8, Issue 1 Print ISSN: 2593-0273. Online ISSN: 2593-0281 Content is licensed under a Creative Commons BY DiGeSt is hosted by Ghent University Website: https://ojs.ugent.be/digest DiGeSt: Journal of Diversity and Gender Studies 8(1) – Spring 2021 Superheroines and superstereotypes? Queer postfeminism, intersectionality and female superheroes in Supergirl Maxine De Wulf Helskens Centre for Cinema and Media Studies (CIMS) & Centre for Journalism Studies (CJS), Ghent University Department of Communication Sciences [email protected] Frederik Dhaenens Centre for Cinema and Media Studies (CIMS), Ghent University Department of Communication Sciences [email protected] Sarah Van Leuven Centre for Journalism Studies (CJS), Ghent University Department of Communication Sciences [email protected] Abstract Since the new millennium, there has been a remarkable increase in audio-visual adaptations of superhero comic books (Garcia-Escriva, 2018). Whereas these adaptations used to include predominantly male superheroes, they have started to feature more female superheroes (Curtis & Cardo, 2018). An increase, however, does not imply diverse and rounded representations, since women in superhero movies tend to be depicted in stereotypical and sexualized ways (Kaplan, Miller & Rauch, 2016). Even though previous research has addressed the genre's politics of gender representation, there is a need for research that looks at televised female superheroes from a queer postfeminist lens. Therefore, this study conducted a textual analysis, informed by queer postfeminism and intersectionality theory, to explore how leading female superheroes in the series Supergirl are represented. -
Batman/Superman Vol. 6 Pdf, Epub, Ebook
BATMAN/SUPERMAN VOL. 6 PDF, EPUB, EBOOK Peter J. Tomasi | 224 pages | 11 Apr 2017 | DC Comics | 9781401268190 | English | United States Batman/Superman Vol. 6 PDF Book April 21, Joshua Williamson , Rafa Sandoval. Joe: America's Elite among others. All told, I'd round the overall quality of this collection to 3 stars. Add to Wish List. Then Joe Casey phones in a story about a Durlan who comes to earth to wipe out the last Kryptonian. Batman and Superman are raised to be dictators of the world, eliminating all opposition and killing people who would otherwise be their friends. President Lex Luthor declares Superman and Batman enemies of the state, claiming that a Kryptonite asteroid headed for Earth is connected to an evil plot by Superman. Enlarge cover. The art was nice as well. Tweet Clean. While I could tell they were running out of ideas, the comics were still fun, especially the one-or-two-page stories at the end. Until you earn points all your submissions need to be vetted by other Comic Vine users. Darkseid makes a deal with them in one reality to send them back through time to stop the supervillains who raised them from altering history. World Finest. Books by Joe Casey. Frank Tieri actually writes a winning story here. Matt rated it liked it Jun 05, Darkseid kidnaps Kara, intending her to be the new leader of the Female Furies. It was a dumb ending to a dumbed down reboot of one of the greatest graphic novel series of all time. Joshua Williamson wrote "Fright Night" issue Jan 18, Ben Truong rated it liked it Shelves: comics , superheroes , trade- paperback. -
X-Men, Dragon Age, and Religion: Representations of Religion and the Religious in Comic Books, Video Games, and Their Related Media Lyndsey E
Georgia Southern University Digital Commons@Georgia Southern University Honors Program Theses 2015 X-Men, Dragon Age, and Religion: Representations of Religion and the Religious in Comic Books, Video Games, and Their Related Media Lyndsey E. Shelton Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/honors-theses Part of the American Popular Culture Commons, International and Area Studies Commons, and the Religion Commons Recommended Citation Shelton, Lyndsey E., "X-Men, Dragon Age, and Religion: Representations of Religion and the Religious in Comic Books, Video Games, and Their Related Media" (2015). University Honors Program Theses. 146. https://digitalcommons.georgiasouthern.edu/honors-theses/146 This thesis (open access) is brought to you for free and open access by Digital Commons@Georgia Southern. It has been accepted for inclusion in University Honors Program Theses by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. X-Men, Dragon Age, and Religion: Representations of Religion and the Religious in Comic Books, Video Games, and Their Related Media An Honors Thesis submitted in partial fulfillment of the requirements for Honors in International Studies. By Lyndsey Erin Shelton Under the mentorship of Dr. Darin H. Van Tassell ABSTRACT It is a widely accepted notion that a child can only be called stupid for so long before they believe it, can only be treated in a particular way for so long before that is the only way that they know. Why is that notion never applied to how we treat, address, and present religion and the religious to children and young adults? In recent years, questions have been continuously brought up about how we portray violence, sexuality, gender, race, and many other issues in popular media directed towards young people, particularly video games. -
The Evolution of Superman As a Reflection of American Society
Bellarmine University ScholarWorks@Bellarmine Undergraduate Theses Undergraduate Works 4-26-2020 Dissecting the Man of Steel: The Evolution of Superman as a Reflection of American Society Marie Gould [email protected] Follow this and additional works at: https://scholarworks.bellarmine.edu/ugrad_theses Part of the Children's and Young Adult Literature Commons, Literature in English, North America Commons, Modern Literature Commons, Political History Commons, Social History Commons, and the United States History Commons Recommended Citation Gould, Marie, "Dissecting the Man of Steel: The Evolution of Superman as a Reflection of American Society" (2020). Undergraduate Theses. 45. https://scholarworks.bellarmine.edu/ugrad_theses/45 This Honors Thesis is brought to you for free and open access by the Undergraduate Works at ScholarWorks@Bellarmine. It has been accepted for inclusion in Undergraduate Theses by an authorized administrator of ScholarWorks@Bellarmine. For more information, please contact [email protected], [email protected]. Dissecting the Man of Steel: The Evolution of Superman as a Reflection of American Society by Marie Gould Advisor: Dr. Aaron Hoffman Readers: Dr. Casey Baugher Dr. Kathryn West 1 Table of Contents Abstract 2 Introduction 2 Objectives 4 Methodology 4 Chapter 1: Creation Years (1938-1939) 6 Chapter 2: World War II (1941-1945) 12 Chapter 3: The 50s and 60s (1950-1969) 17 Chapter 4: The 70s and 80s (1970-1989) 22 Chapter 5: The 90s and 2000s (1990-2010) 27 Conclusion 31 Bibliography 33 2 Abstract Since his debut during the Great Depression in 1938, Superman has become an American cultural icon. His symbol is not only known throughout the nation, but the world as well. -
GRANT MORRISON Great Comics Artists Series M
GRANT MORRISON Great Comics Artists Series M. Thomas Inge, General Editor Marc Singer GRANT MORRISON Combining the Worlds of Contemporary Comics University Press of Mississippi / Jackson www.upress.state.ms.us The University Press of Mississippi is a member of the Association of American University Presses. Copyright © 2012 by University Press of Mississippi All rights reserved Manufactured in the United States of America First printing 2012 ∞ Library of Congress Cataloging-in-Publication Data Singer, Marc. Grant Morrison : combining the worlds of contemporary comics / Marc Singer. p. cm. — (Great comics artists series) Includes bibliographical references and index. ISBN 978-1-61703-135-9 (cloth : alk. paper) — ISBN 978- 1-61703-136-6 (pbk. : alk. paper) — ISBN 978-1-61703-137-3 (ebook) 1. Morrison, Grant—Criticism and interpretation. 2. Comic books, strips, etc.—United States—History and criticism. I. Title. PN6727.M677Z86 2012 741.5’973—dc22 2011013483 British Library Cataloging-in-Publication Data available Contents vii Acknowledgments 3 Introduction: A Union of Opposites 24 CHAPTER ONE Ground Level 52 CHAPTER TWO The World’s Strangest Heroes 92 CHAPTER THREE The Invisible Kingdom 136 CHAPTER FOUR Widescreen 181 CHAPTER FIVE Free Agents 221 CHAPTER SIX A Time of Harvest 251 CHAPTER SEVEN Work for Hire 285 Afterword: Morrison, Incorporated 293 Notes 305 Bibliography 317 Index This page intentionally left blank Acknowledgments This book would not have been possible without the advice and support of my friends and colleagues. Craig Fischer, Roger Sabin, Will Brooker, and Gene Kannenberg Jr. generously gave their time to read the manuscript and offer feedback. Joseph Witek, Jason Tondro, Steve Holland, Randy Scott, the Michigan State University Library Special Collections, and the George Washington University Gelman Library provided me with sources and images.