U.S. History Study Guide Black History
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Changing the Face of Medicine Site Support Notebook—Contents Page
Changing the Face of Medicine Site Support Notebook—Contents Page (Note: The Site Support Notebook is also available at http://www.ala.org/publicprograms/changingthefaceofmedicine Click on “Site Support Notebook” ) Instructions for assembling exhibition units and replacing panels, and detailed instructions for operating the interactive kiosks will be distributed separately for later insertion into this notebook. Front notebook pocket: Information on The National Library of Medicine Front manila insert: Workshop agenda (front) ; coordinator contact list (back) Back notebook pocket: ALA Public Programs brochure; Cultural Programs survey; application forms for ALA Jewish literature reading and discussion program Section 1 (blue tab)----General Section 3 (green)-Programming Troubleshooting 1 Exhibition support materials 24 Exhibition itinerary 2 Exhibition themes 25 Electronic discussion list Programming ideas 26 for exhibit coordinators 4 Grants for programming 28 Security and insurance 5 Telling legislators 5 Section 4 (yellow)----Resources Americans with Disabilities Act 6 Books and videos 29 Web sites 30 Section 2 (clear)------ Publicity Films 31 (This section is also on CD and online) Exhibition text 32 Official exhibition credits 7 Publicity approval 8 Section 5 (red) --------Logistics Permitted publicity images 8 Exhibit shipping and receiving 54 PR image captions & credits 9 Exhibition/kiosk Guidelines for image use 10 condition report form 55 PR to announce library selection 11 Final report form 60 Calendar listing/media alert 13 -
VIRTUAL SYMPOSIUM and LECTURESHIP of the W
SUNDAY, JULY 18, 2021 18, JULY SUNDAY, 3:00–5:00 PM ET 2021 VIRTUAL SYMPOSIUM AND LECTURESHIP of the W. Montague Cobb/NMA Health Institute A CME PROGRAM TABLE OF CONTENTS Cobb Events at a Glance . 3 Scientific Planning Committee . 4 Disclosures of Commercial Relationships . 4 Accreditation Statement . 5 Letter from the Chief Executive Officer . 5 Statement of Credit and Purpose . 6 Learning Objectives . 7 Statement of Needs Assessment . 8 Agenda . 9 Award Recipients . 10 Speaker Biographies . 11 ABOUT THE COBB INSTITUTE The W. Montague Cobb/National Medical Association close partnership with Morehouse School of Medicine and (NMA) Health Institute (The Cobb Institute)—a 501(c)(3) the Association for Academic Minority Physicians (AAMP), in Washington, DC—engages in innovative research and the Institute also provides opportunities for early career knowledge dissemination for the reduction and elimination doctorates to receive intensive mentoring and networking of racial and ethnic health disparities. Founded in 2004, the in the areas of research, policy and practice. With funding Institute is named in honor of the late William Montague from governmental agencies such as the National Institutes Cobb M.D., Ph.D., LL.B., physician, anthropologist, of Health (NIH) as well as significant in-kind contributions, distinguished professor of medicine and anatomy at the the Institute continues to cultivateLogo a trusted and proven Howard University School of Medicine, and noted architect network of diverse stakeholders committed to solving of the National -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
Literary Miscellany
Literary Miscellany A Selection from Recent Acquisitions and Stock Including Prose and Poetry from the 17th - 20th Centuries Association Copies and Letters Fine Printing, Illustrated Books, Film Material, And Varia of Other Sorts Catalogue 306 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.reeseco.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. -
Preliminary Pages for Dissertation
POLITICS AND POVERTY: WOMEN’S REPRODUCTIVE RIGHTS IN ARKANSAS, 1942-1980 Except where reference is made to the work of others, the work described in this dissertation is my own or was done in collaboration with my advisory committee. This dissertation does not include proprietary or classified information. _________________________ Melanie Kay Welch Certificate of Approval: ______________________ ________________________ David C. Carter Ruth C. Crocker, Chair Professor Professor History History ______________________ ________________________ Tiffany A. Thomas George T. Flowers Assistant Professor Dean History Graduate School POLITICS AND POVERTY: WOMEN’S REPRODUCTIVE RIGHTS IN ARKANSAS, 1942-1980 Melanie K. Welch A Dissertation Submitted to the Graduate Faculty of Auburn University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Auburn, Alabama May 9, 2009 POLITICS AND POVERTY: WOMEN’S REPRODUCTIVE RIGHTS IN ARKANSAS 1942-1980 Melanie K. Welch Permission is granted to Auburn University to make copies of this dissertation at its discretion, upon request of individuals or institutions and at their expense. The author reserves all publication rights. _________________________ Signature of Author _________________________ Date of Graduation iii VITA Melanie Kay Welch, a daughter of John B. and Sandra Kay (Inness) Welch, was born November 6, 1976, in Little Rock, Arkansas. She graduated from Mayflower High School in 1995. She entered the University of Central Arkansas in Conway, Arkansas in 1994 and graduated magna cum laude with a Bachelor of Arts degree in history in 1999. She entered the Masters program in history at Auburn University in August 2000. She changed to the direct-track Ph. D. program in history at Auburn in 2001, majoring in Modern American history, with minor fields in Early American history and archival studies. -
A Tough Little Patch of History": Atlanta's Marketplace for Gone with the Wind Memory
Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History 8-2-2007 "A Tough Little Patch of History": Atlanta's Marketplace for Gone with the Wind Memory Jennifer Word Dickey Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Dickey, Jennifer Word, ""A Tough Little Patch of History": Atlanta's Marketplace for Gone with the Wind Memory." Dissertation, Georgia State University, 2007. https://scholarworks.gsu.edu/history_diss/4 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “A TOUGH LITTLE PATCH OF HISTORY”: ATLANTA’S MARKETPLACE FOR GONE WITH THE WIND MEMORY By JENNIFER W. DICKEY Under the Direction of Clifford M. Kuhn ABSTRACT Since the 1936 publication of Gone with the Wind and the 1939 release of David O. Selznick’s film version of the book, the city of Atlanta has been associated in the public mind with Margaret Mitchell’s tale of the Old South, the Civil War and Reconstruction. The work of Mitchell and Selznick created images that shaped the public’s understanding of southern history and of Atlanta’s identity. This dissertation examines a series of attempts to capitalize on the fame and popularity of Gone with the Wind in museums in the Atlanta area. Focusing on the interpretive efforts of three entities—the Atlanta History Center, Clayton County, and the Margaret Mitchell House, Inc.—this study reveals the problematic nature of Mitchell’s and Selznick’s work and the impact that the book and film have had on shaping Atlanta’s identity and the public memory of the South. -
Atlanta's Marketplace for Gone with the Wind Memory Jennifer Word Dickey
Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History 8-2-2007 "A Tough Little aP tch of History": Atlanta's Marketplace for Gone with the Wind Memory Jennifer Word Dickey Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Dickey, Jennifer Word, ""A Tough Little aP tch of History": Atlanta's Marketplace for Gone with the Wind Memory." Dissertation, Georgia State University, 2007. https://scholarworks.gsu.edu/history_diss/4 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “A TOUGH LITTLE PATCH OF HISTORY”: ATLANTA’S MARKETPLACE FOR GONE WITH THE WIND MEMORY By JENNIFER W. DICKEY Under the Direction of Clifford M. Kuhn ABSTRACT Since the 1936 publication of Gone with the Wind and the 1939 release of David O. Selznick’s film version of the book, the city of Atlanta has been associated in the public mind with Margaret Mitchell’s tale of the Old South, the Civil War and Reconstruction. The work of Mitchell and Selznick created images that shaped the public’s understanding of southern history and of Atlanta’s identity. This dissertation examines a series of attempts to capitalize on the fame and popularity of Gone with the Wind in museums in the Atlanta area. Focusing on the interpretive efforts of three entities—the Atlanta History Center, Clayton County, and the Margaret Mitchell House, Inc.—this study reveals the problematic nature of Mitchell’s and Selznick’s work and the impact that the book and film have had on shaping Atlanta’s identity and the public memory of the South. -
TRANS-SLATER-Rodney-Memories
The David and Barbara Pryor Center for Arkansas Oral and Visual History University of Arkansas 365 N. McIlroy Ave. Fayetteville, AR 72701 (479) 575-6829 Arkansas Memories Project Rodney Slater Interviewed by Scott Lunsford March 15, 2006 Washington, DC Copyright 2010 Board of Trustees of the University of Arkansas. All rights reserved. Objective Oral history is a collection of an individual's memories and opinions. As such, it is subject to the innate fallibility of memory and is susceptible to inaccuracy. All researchers using these interviews should be aware of this reality and are encouraged to seek corroborating documentation when using any oral history interview. The Pryor Center's objective is to collect audio and video recordings of interviews along with scanned images of family photographs and documents. These donated materials are carefully preserved, catalogued, and deposited in the Special Collections Department, University of Arkansas Libraries, Fayetteville. The transcripts, audio files, video highlight clips, and photographs are made available on the Pryor Center Web site at http://pryorcenter.uark.edu. The Pryor Center recommends that researchers utilize the audio recordings and highlight clips, in addition to the transcripts, to enhance their connection with the interviewee. Transcript Methodology The Pryor Center recognizes that we cannot reproduce the spoken word in a written document; however, we strive to produce a transcript that represents the characteristics and unique qualities of the interviewee's speech pattern, style of speech, regional dialect, and personality. For the first twenty minutes of the interview, we attempt to transcribe verbatim all words and utterances that are spoken, such as uhs and ahs, false starts, and repetitions. -
HOLLYWOOD's WEST: the American Frontier in Film, Television, And
o HOLLYWOOD’S WEST WEST*FrontMtr.pmd 1 8/31/05, 4:52 PM This page intentionally left blank HOLLYWOOD’S WEST The American Frontier in o Film, Television, and History EDITED BY PETER C. ROLLINS JOHN E. O’CONNOR THE UNIVERSITY PRESS OF KENTUCKY WEST*FrontMtr.pmd 3 8/31/05, 4:52 PM Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2005 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508–4008 www.kentuckypress.com 0908070605 54321 “Challenging Legends, Complicating Border Lines: The Concept of ‘Frontera’ in John Sayles’s Lone Star” © 2005 by Kimberly Sultze. Library of Congress Cataloging-in-Publication Data Hollywood’s West : The American frontier in film, television, and history / edited by Peter C. Rollins and John E. O'Connor. p. cm. Includes bibliographical references and index. ISBN 0-8131-2354-2 (hardcover : alk. paper) 1. Western films—United States—History and criticism. 2. Western television programs—United States. I. O'Connor, John E. II. Rollins, Peter C. PN1995.9.W4A44 2005 791.436'278--dc22 2005018026 This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. -
Black Chronicle: an American History Textbook Supplement. Bulletin No. 91546
DOCUMENT RESUME ED 354 179 SO 022 617 AUTHOR Kailin, Clarence S. TITLE Black Chronicle: An American History Textbook Supplement. Third Edition. Bulletin No. 91546. INSTITUTION Wisconsin State Dept. of Public Instruction, Madison. SPONS AGENCY Department of Education, Washington, DC. PUB DATE 91 NOTE 151p.; Photographs may not reproduce clearly. For the first and second editions of this document, see ED 170 236 and ED 200 506. AVAILABLE FROMConsultant, Race Equity Programs, Equity and Multicultural Education Section, Wisconsin Department of Public Instruction, 125 South Webster Street, P.O. Box 7841, Madison, WI 53707-7841. PUB TYPE Historical Materials (060) EDRS TRICE MF01/PC07 Plus Postage. DESCRIPTORS *Black History; Curriculum Enrichment; *History Instruction; Instructional Materials; *Racial Relations; Secondary Education; Social Studies; *United States History IDENTIFIERS African Americans ABSTRACT This book, a revision and updating of a work first published under the same title in 1974, presents a detailed chronological history of African Americans in the United States. The description begins with the origins of Homo sapiens in Africa, and traces the African American story from slavery in North America through the U.S. Civil War, the Depression, and the protest era of the 1960s to the opening of the 1990s decade. A bibliography of nearly 750 resources divides relevant works into such topics as general history, the Post-Reconstruction era, and works focused on legal and cultural subjects. Included in the book are notes about the author, a foreword, and the prefaces to the first, second, and third editions. Black and white photographs portraying leading figures and events in African American history also are included.(LBG) *********************************************************************** Reproductions supplied by EDRS are the best that can be made * from the original document. -
Women's History Resource Guide
Arkansas State Archives Arkansas Digital Archives Arkansas State Archives resource guides Guides and finding aids Women's history resource guide Follow this and additional works at: https://digitalheritage.arkansas.gov/resource-guides Part of the United States History Commons Recommended Citation Women's history resource guide, Arkansas State Archives, Little Rock, Arkansas. Use and reproduction of images held by the Arkansas State Archives without prior written permission is prohibited. For information on reproducing images held by the Arkansas State Archives, please call 501-682-6900 or email at [email protected]. Arkansas women's history resource guide, Arkansas State Archives, Little Rock, Arkansas. Arkansas women’s history resource guide Contents Books ............................................................................................................................................................. 1 Journal Articles .............................................................................................................................................. 3 Manuscripts .................................................................................................................................................. 5 Microfilm ..................................................................................................................................................... 15 Newspapers ............................................................................................................................................... -
Finding Aid to the Historymakers ® Video Oral History with Dr. Edith Irby Jones
Finding Aid to The HistoryMakers ® Video Oral History with Dr. Edith Irby Jones Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Jones, Edith Irby, 1927-2019 Title: The HistoryMakers® Video Oral History Interview with Dr. Edith Irby Jones, Dates: March 10, 2008 and May 10, 2010 Bulk Dates: 2008 and 2010 Physical 7 Betacame SP videocasettes uncompressed MOV digital video Description: files (3:13:23). Abstract: Internal medicine physician Dr. Edith Irby Jones (1927 - ) integrated the University of Arkansas College of Medicine in 1950. In addition to practicing medicine, Jones served as president of the National Medical Association and on the faculty of the Baylor College of Medicine. Jones was interviewed by The HistoryMakers® on March 10, 2008 and May 10, 2010, in Houston, Texas. This collection is comprised of the original video footage of the interview. Identification: A2008_041 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Pioneering medical physician Dr. Edith Irby Jones was born on December 23, 1927 to Mattie Buice Irby, a maid, and Robert Irby, a farmer. As a child, Jones witnessed her older sister die due to a typhoid epidemic and was encouraged to pursue a career as a medical physician. She attended Langston Elementary School and Langston Secondary School both in Hot Springs, Arkansas. In 1944, Jones’ high school teacher helped her obtain a scholarship to attend Knoxville College in Knoxville, Tennessee where she majored in chemistry, biology and physics. While Knoxville, Tennessee where she majored in chemistry, biology and physics.