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The Immigrant in Contemporary Irish Literature
From Byzantium to Ballymun A review of Literary visions of multicultural Ireland: the immigrant in contemporary Irish literature. Ed. Pilar Villar-Argáiz. Manchester: Manchester University Press, 2014. Pb 2015. 273 pps. A book like Literary visions of multicultural Ireland: the immigrant in contemporary Irish literature has been long-awaited, and since its publication the topic of migrations has become more burning than ever. That the phenomenon of immigration is more striking in Ireland than in many other countries is due to several factors, the most striking of which would be that Ireland has (1) known a centuries-long history of emigration, (2) an almost equally long history of being colonized and (3) a small population on a much divided island. In The Ex-Isle of Erin (1997) O’Toole punningly catches the inversion of the above situation as the tradition of ‘exile’ has been replaced by mass immigration while the country has been ‘un-islanded’ in its embrace by the EU’s vaster network of (mainly) continental countries. This densely printed book contains 18 contributions divided over four parts: Part I deals with ‘Irish multiculturalisms: obstacles and challenges’; Part II ‘‘Rethink[s] Ireland’ as a postnationalist community’; Part III focuses on ‘‘The return of the repressed’: ‘performing’ Irishness through intercultural encounters’; Part IV, finally, looks at ‘Gender and the city’. In this review I will first present the Irish sociological background as sketched by the contributors, then discuss each of the literary genres scrutinized in this book and conclude with a general assessment. That Ireland has undergone major changes since Mary Robinson became president is obvious. -
New Writing from Irelandfromwriting New New Writing from Ireland Ireland Literatureirelandexchange
New Writing from Ireland New Writing from Ireland Ireland Literature Exchange Ireland Literature Ireland Literature Exchange – Promoting Irish literature abroad Welcome Welcome to the 2007 edition of New Writing from Ireland This year’s expanded catalogue contains an even wider cross-section of newly Finally, there are poetry collections by some of Ireland’s most established poets published titles of Irish interest. - Peter Fallon, Seán Lysaght, Gerard Smyth, Francis Harvey, Liam Ó Muirthile and Cathal Ó Searcaigh. New collections also appear from a generation of The fiction section includes novels by several new voices including débuts younger poets, including Nick Laird, John McAuliffe, Alan Gillis and from Karen Ardiff, Alice Chambers and Julia Kelly. We also list books by a Mary O’Donoghue. number of established and much-loved authors, e.g. Gerard Donovan, Patrick McCabe and Joseph O’Connor, and we are particularly pleased this year to We hope that you enjoy the catalogue and that many international publishers present a new collection by the short story writer, Claire Keegan, and a new will apply to Ireland Literature Exchange for translation funding. play by Sebastian Barry. Sinéad Mac Aodha Rita McCann Children’s books have always been a particular strength of Irish writing. There Director Programme Officer are books here from, amongst others, Conor Kostick, Deirdre Madden, Eileen O’Hely and Enda Wyley. A former magician’s rabbit, a mysterious notebook, giant venomous spiders and a trusted pencil are just some of the more colourful elements to be found in the children’s fiction category. Inclusion of a book in this catalogue does not indicate that it has been approved for a translation subsidy by ILE. -
Neill Lecture Theatre, Trinity Long Room Hub)
MONDAY 22 JULY 9:30: Fóram iarchéimithe | Postgraduate Forum (Neill Lecture Theatre, Trinity Long Room Hub) 11:00: Osclaíonn clárú | Registration opens (Arts Building 2nd Floor) 12:00: Cruinniú Gnó IASIL | IASIL Executive Meeting (Neill Lecture Theatre, Trinity Long Room Hub) 14:30: Fáilte agus Lánseisiún | Welcome and Keynote (Burke Theatre, Arts Building 1st Floor) ‘Framing Irish Poetry: Groarke, Flynn, O’Reilly’ Matthew Campbell (University of York) 16:00: Tae/Caife | Tea/Coffee 16:30: Lánphainéal | Plenary Panel (Burke Theatre, Arts Building 1st Floor) ‘50 Years of The Critical Ground’ Angela Bourke, Patricia Coughlan, Michael Kenneally, Chris Morash, Shaun Richards, Eve Patten (Cathaoirleach|Chair) 18:00: Fáiltiú | Welcome Reception (Lower Concourse, Arts Building 1st Floor) 19:00: Léamh Ficsin Dhuais Rooney | Rooney Prize Fiction Reading (Burke Theatre, Arts Building 1st Floor) Hugo Hamilton, Caitriona Lally, Kevin Power, Carlo Gébler (Cathaoirleach|Chair) Chuir an Dr Peter Rooney tacaíocht fhial ar fáil don léamh seo | The reading is generously supported by Dr Peter Rooney 1 TUESDAY 23 JULY 9:30: Seisiún Painéal 1 | Panel Session 1 (Mis)Representations: Oscar Wilde on Film (Neill Lecture Theatre, Trinity Long Room Hub) The Happy Prince: Biography, Boys, and Binaries Helena Gurfinkel (Cathaoirleach|Chair) Oscar Wilde, Postmodern Identities and Brian Gilbert’s Graham Price Wilde Sexual representation and the zeitgeist: Wilde, film, Julie-Ann Robson and A Man of No Importance Writing Art (TRiSS Seminar Room, Arts Building 6th Floor) -
Full Text of 'Joyce House' Letter and Signatories
Full text of ‘Joyce house’ letter and signatories As writers, artists, and scholars of Irish literature and culture, we call upon Josepha Madigan, the Minister for Culture, Heritage and the Gaeltacht, and Owen Keegan, Dublin City Manager, to intervene to save, for the nation and the world, the house at 15 Usher's Island, known to all as Joyce's house of "The Dead", and prevent any deterioration of its fabric. In the decades since Joyce's death, too many of the places that are rendered immortal in his writing have been lost to the city. Let us not repeat this mistake today. 15 Usher's Island is not just another house connected with Joyce. Built in 1775, its upper floors were rented by Joyce's great-aunts in the 1890s and the writer himself often visited them there. Most importantly, it is the setting of "The Dead", widely considered Joyce's and indeed the world's greatest short story. The atmosphere in the house and the way the rooms are configured are mostly untouched since Joyce's time. Turning it into a 56-room hostel would destroy the uniquely valuable interior which still maintains the character of the house so splendidly described in the story. Usher's Island has the potential to become a worthwhile site of literary pilgrimage, a way to inform and inspire new generations of Joyce readers. As we approach the centenary of Ulysses in 2022, we believe that saving this unique piece of our national heritage is within the power of the Government and the national institutions and that it should be an urgent priority. -
The Yellow Nib 11
The Yellow Nib No 11 Spring 2016 Edited by Leontia Flynn Frank Ormsby The Yellow Nib Edited by Leontia Flynn and Frank Ormsby. Editorial Board: Fran Brearton Edna Longley Peter McDonald David Wheatley Editorial Assistants: Caitlin Newby Martin Cromie Printed by: CDS Typeset by: Stephen Connolly Subscriptions: Gerry Hellawell The Seamus Heaney Centre for Poetry School of English Queen’s University Belfast Belfast BT7 1NN Northern Ireland www.theyellownib.com Subscription Rates £10/€12 per year, for two issues (Great Britain & Ireland) €20/$25 per year (rest of world) Plus P&P Back Issues Numbers 1 – 5 and number 7 are available. £5/€6 per back issue (Great Britain & Ireland) €10/$15 per back issue (rest of world) Plus P&P ISBN 978-1-909131-37- 8 ISSN 1745-9621 Contents Hannah Lowe Four Poems.................................................................................6 Peter McDonald Herne the Hunter.......................................................................11 Carol Rumens Four Poems................................................................................18 John Redmond The Big Freeze..........................................................................26 Oliver Mort Painting in the Abstract..........................................................27 Owen Gallagher We Are Closing In Five Minutes!...........................................28 Byron Benyon Two Poems................................................................................29 Faye Boland Miss Marple..............................................................................31 -
Remembering Not to Forget Shane Murphy (University of Aberdeen) A
Remembering Not to Forget Shane Murphy (University of Aberdeen) A Review of Michael Parker, Northern Irish Literature 1956-1975 and Northern Irish Literature 1975-2006 (Houndmills: Palgrave, 2007), ISBN: 9780333604151, 386pp, 9780230553057, pp368 When searching for a way to impose a meaningful order upon reality, we rely on memory for ‘the provision of symbolic representations and frames which can influence and organize both our actions and our conceptions of ourselves’ (Misztal, 13). However, in the aftermath of the Belfast Agreement and the creation of the Northern Ireland Assembly historical accounts produced by the media and governmental institutions have been underscored by a pronounced and predominant process of selective forgetting whereby the awkward sectarian complexities of the Troubles have been erased or archived. Hence, as Colin Graham’s recent research has documented, a recurrent trope has emerged in Northern Irish culture of ‘an ache which notices, knows, but can barely comment on the cauterisation of the dark complexity of the past”; hence, “the difficult and the embarrassingly recent past, or the irritatingly non-conforming present, is archived’ (568). Excessive remembrance may lead to madness, but forgetfulness carries its own inherent dangers, and Northern Irish writers and visual artists have consistently guarded against any politically expedient embrace of amnesia. For example, contrary to those who wished to forgive and forget amidst euphoric post-conflict jubilation, the poet Michael Longley weighed in with prudent counsel, arguing that ‘amnesty isn't amnesia’ and that ‘[i]n order to make sure it doesn’t happen again’, he states ‘you’ve got to remember it in great detail. -
Post-Agreement Northern Irish Literature
NEW DIRECTIONS IN IRISH AND IRISH AMERICAN LITERATURE POST-AGREEMENT NORTHERN IRISH LITERATURE Lost in a Liminal Space? Birte Heidemann New Directions in Irish and Irish American Literature Series editor Claire Culleton Kent State University Kent , OH , USA Aim of the Series: New Directions in Irish and Irish American Literature promotes fresh scholarship that explores models of Irish and Irish American identity and examines issues that address and shape the contours of Irishness and works that investigate the fl uid, shifting, and sometimes multivalent discipline of Irish Studies. Politics, the academy, gender, and Irish and Irish American culture, among other things, have not only inspired but affected recent scholarship centred on Irish and Irish American literature. The series’ focus on Irish and Irish American literature and culture contributes to our twenty-fi rst century understanding of Ireland, America, Irish Americans, and the creative, intellectual, and theoretical spaces between. More information about this series at http://www.springer.com/series/14747 Birte Heidemann Post-Agreement Northern Irish Literature Lost in a Liminal Space? Birte Heidemann Postdoctoral Researcher University of Bremen , Germany New Directions in Irish and Irish American Literature ISBN 978-3-319-28990-8 ISBN 978-3-319-28991-5 (eBook) DOI 10.1007/978-3-319-28991-5 Library of Congress Control Number: 2016939246 © The Editor(s) (if applicable) and The Author(s) 2016 The author(s) has/have asserted their right(s) to be identifi ed as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. -
Northern Irish Elegy
Northern Irish Elegy Naomi Marklew Thesis submitted for degree of Doctor of Philosophy to the Department of English Studies Durham University 2011 Abstract This thesis proposes that Northern Irish elegy is a distinctive genre of contemporary poetry, which has developed during the years of the Troubles, and has continued to be adapted and defined during the current peace process. It argues that the practice of writing elegy for the losses of the Troubles has established a poetic mode in which Northern Irish poets have continued to work through losses of a more universal kind. This thesis explores the contention that elegy has a clear social and political function, providing a way in which to explore some of the losses experienced by a community over the past half-century, and helping to suggest ideas of consolation. Part one focuses on three first generation Northern Irish elegists: Seamus Heaney, Michael Longley and Derek Mahon. Heaney is considered in a chapter which takes in a poetic career, through which might be traced the development of Northern Irish elegy. Following this are two highly focused studies of the elegies of Longley and Mahon. The place of artifice in elegy is considered in relation to Longley's Troubles elegies, while Mahon’s irony is discussed in relation to his elegiac need for community. Part two looks at a second generation, represented by Ciaran Carson and Paul Muldoon. Carson's elegies for Belfast are read in a discussion of the destruction and reconstruction that occurs during the process of remembering. This study explores the idea that elegies might also be written for places and temporal spaces. -
Summaries of Book Club Kit Titles “A”
Summaries of Book Club Kit Titles “A” Alchemist, The – Paula Coelho Every few decades a book is published that changes the lives of its readers forever. The Alchemist is such a book. With over a million and a half copies sold around the world, The Alchemist has already established itself as a modern classic, universally admired. Paulo Coelho's charming fable, now available in English for the first time, will enchant and inspire an even wider audience of readers for generations to come. The Alchemist is the magical story of Santiago, an Andalusian shepherd boy who yearns to travel in search of a worldly treasure as extravagant as any ever found. From his home in Spain he journeys to the markets of Tangiers and across the Egyptian desert to a fateful encounter with the alchemist. The story of the treasures Santiago finds along the way teaches us, as only a few stories have done, about the essential wisdom of listening to our hearts, learning to read the omens strewn along life's path, and, above all, following our dreams. Added before December 2010 Alice I Have Been – Melanie Benjamin Part love story, part literary mystery, Melanie Benjamin’s spellbinding historical novel leads readers on an unforgettable journey down the rabbit hole, to tell the story of a woman whose own life became the stuff of legend. Her name is Alice Liddell Hargreaves, but to the world she’ll always be known simply as “Alice,” the girl who followed the White Rabbit into a wonderland of Mad Hatters, Queens of Hearts, and Cheshire Cats. -
Coming May 2020 from the Bestselling Authors of the Colour of Time HEAD of ZEUS New Titles: January–June 2020
HEAD OF ZEUS New Titles: January–June 2020 Coming May 2020 from the bestselling authors of The Colour of Time RECENT SUCCESSES in FICTION FICTION Fiction/Literary The Mystery of Love Andrew Meehan Meehan’s writing is fast, An original, witty and unsentimental evocation of the furious and very funny. relationship between Oscar and Constance Wilde. Liz Nugent, author Constance Wilde’s marriage has ended. Oscar is in prison and she has fled to Italy with their children to escape of Unravelling Oliver London gossip and public disapproval. Here she reflects on her marriage to Oscar, the confusion between his private and public self, and whether she always knew that their marriage was founded on a different kind of love. Despite her family’s warnings, her frustration with her impossible husband’s spending and drinking, his affairs and his disastrous prison sentence, Constance remains loyal and loving. Their story is told from Constance’s perspective, with Oscar’s interjections presented as footnotes. Andrew Meehan gives a voice to a woman often forgotten, and explores the pain and frustration of living in the shadow of a complex man.This is a vivid, salty masterwork of empathy and imagination. ANDREW MEEHAN is a well-known script writer and former Head of Development at the Irish Film Board. His fiction writing has been anthologised in Town and Country: The Faber Book of New Irish Stories and Winter Pages. His first novel, One Star Awake, was published in 2017. He is based in Dublin and Glasgow. andrew_meehan_esq @AndrewMeehanesq FEBRUARY 2020 Fiction • 228x145mm • 240pp • E 9781789544879 • HB 9781789544886 £18.99 • XTPB 9781789544893 £12.99 • Rights: UK/COM (xUSA, xCAN) 5 Fiction/Literary Where Are We Now? Glenn Patterson Glenn Patterson has A moving, funny and topical novel about lost love, written a decorous book growing older and the realities of life in a society that about a big, indecorous is still coming to terms with thirty years of violence. -
Exploring the Productive Encounter Between the Poetic and the Political in Northern Ireland During the Troubles
Sarah Bufkin Cultural Studies--Honors Thesis 7 Nov At the Frontiers of Writing: Exploring the Productive Encounter Between the Poetic and the Political in Northern Ireland during the Troubles Sarah Bufkin Cultural Studies Honors Thesis Fall 2013 1 Sarah Bufkin Cultural Studies--Honors Thesis 7 Nov Table of Contents Introduction………………………………………………………………………………………………………………………….…..3 Chapter 1 The Belfast Group as a Collective Assemblage of Enunciation………………………………………………….11 Chapter 2 John Hewitt Stakes Out the Protestant Territorial Claim…………………………………………………………..26 Chapter 3 Louis MacNeice Revels in Contradiction and Displacement………………………………………………………47 Chapter 4 A Quest for Civil Rights Devolves into a Violent Sectarianism……………………………………………………89 Chapter 5 Understanding the Political Possibilities Internal to the Poem’s Act of Enunciation………………..133 Chapter 6 Seamus Heaney Names His (Catholic) Nation…………………………………………………………………………175 Chapter 7 Derek Mahon Attempts to Escape His Unionist Roots…………………………………………………………….218 Conclusion…………………………………………………………………………………………………………………………….246 2 Sarah Bufkin Cultural Studies--Honors Thesis 7 Nov Introduction You were silly like us; your gift survived it all: The parish of rich women, physical decay, Yourself. Mad Ireland hurt you into poetry. Now Ireland has her madness and her weather still, For poetry makes nothing happen: it survives In the valley of its making where executives Would never want to tamper, flows on south From ranches of isolation and the busy griefs, Raw towns that we believe and die in; it survives, A way of happening, a mouth.1 So W.H. Auden wrote in his elegy for W.B. Yeats. His view that poetry does not do political work is one shared by many people, poets included. While some lines of verse may be held aloft as a rallying cry and others might memorialize those who have fallen, few sonnets directly exert a revolutionary fervor. -
Culture After Conflict: Between Remembrance and Reconciliation
CULTURE AFTER CONFLICT: BETWEEN REMEMBRANCE AND RECONCILIATION BIOGRAPHIES WELCOME ADDRESS: SIR GEORGE QUIGLEY Sir George Quigley is the Chairperson of the IBIS advisory board. He obtained a PH.D. in medieval ecclesiastical history from Queens University, Belfast. Entering the Northern Ireland Civil Service he was Permanent Secretary, successively, of the Departments of Manpower Services, Commerce, Finance, and Finance and Personnel. In 1989 he became Chairman of Ulster Bank. He also served on the Main Board of Nat West and as Chairman of the Royal Bank of Scotland Pension Fund. His roles in public life in Northern Ireland have included Chairmanship of the NI Economic Council and the Royal Group of Hospitals and conduct of a Review of the Parades Commission. In the Republic he has been President of the Economic and Social Research Institute. His current appointments include the Chairmanship of Bombardier Aerospace Northern Ireland and of Lothbury Property Trust. In 2009 he was elected a Member of the Royal Irish Academy. SESSION 1: LEGACIES OF CONFLICT Pat Cooke worked for Ireland's state heritage service for over twenty years, where he was director of both Kilmainham Gaol and the Pearse Museum. He took over as Director of the MA in Cultural Policy and Arts Management in 2006. As a heritage sector manager, he pioneered the use of museums and historic properties in Ireland as sites for major art projects. His experience in the heritage field includes producing cultural and historical exhibitions and audio-visual presentations, and the management of historic sites in line with best principles of conservation practice.