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36TH CAIRO INTERNATIONAL FILM FESTIVAL PROGRAMME November (9-18)
36TH CAIRO INTERNATIONAL FILM FESTIVAL PROGRAMME November (9-18) • No children are allowed. • Unified prices for all tickets: 20 EGP. • 50% discount for students of universities, technical institutes, and members of artistic syndicates, film associations and writers union. • Booking will open on Saturday, November 8, 2014 from 9am- 10pm. • Doors open 15 minutes prior to screenings • Doors close by the start of the screenings • No mobiles or cameras are allowed inside the screening halls. 1 VENUES OF THE FESTIVAL Main Hall – Cairo Opera House 1000 seats - International Competition - Special Presentations - Festival of Festivals (Badges – Tickets) Small Hall – Cairo Opera House 340 seats - Prospects of Arab Cinema (Badges – Tickets) - Films on Films (Badges) El Hanager Theatre - El Hanager Arts Center 230 seats - Special Presentations - Festival of Festivals (Badges – Tickets) El El Hanager Cinema - El Hanager Arts Center 120 seats - International Cinema of Tomorrow - Short films Competition - Student Films Competition - Short Film classics - Special Presentations - Festival of festivals (Badges) Creativity Cinema - Artistic Creativity Center 200 seats - International Critic’s Week - Feature Film Classics (Badges) El Hadara 1 75 seats - The Greek Cinema guest of honor (Badges) 2 El Hadara 2 75 seats - Reruns of the Main Hall Screenings El Hanager Foyer- El Hanager Arts Center - Gallery of Cinematic Prints Exhibition Hall- El Hanager Arts Center - Exhibition of the 100th birth anniversary of Barakat El- Bab Gallery- Museum of Modern Art - -
Redirected from Films Considered the Greatest Ever) Page Semi-Protected This List Needs Additional Citations for Verification
List of films considered the best From Wikipedia, the free encyclopedia (Redirected from Films considered the greatest ever) Page semi-protected This list needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be chall enged and removed. (November 2008) While there is no general agreement upon the greatest film, many publications an d organizations have tried to determine the films considered the best. Each film listed here has been mentioned in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources focus on American films or we re polls of English-speaking film-goers, but those considered the greatest withi n their respective countries are also included here. Many films are widely consi dered among the best ever made, whether they appear at number one on each list o r not. For example, many believe that Orson Welles' Citizen Kane is the best mov ie ever made, and it appears as #1 on AFI's Best Movies list, whereas The Shawsh ank Redemption is #1 on the IMDB Top 250, whilst Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. None of the surveys that produced these citations should be viewed as a scientif ic measure of the film-watching world. Each may suffer the effects of vote stack ing or skewed demographics. Internet-based surveys have a self-selected audience of unknown participants. The methodology of some surveys may be questionable. S ometimes (as in the case of the American Film Institute) voters were asked to se lect films from a limited list of entries. -
List of Films Considered the Best
Create account Log in Article Talk Read View source View history Search List of films considered the best From Wikipedia, the free encyclopedia Main page This list needs additional citations for verification. Please Contents help improve this article by adding citations to reliable sources. Featured content Current events Unsourced material may be challenged and removed. (November Random article 2008) Donate to Wikipedia Wikimedia Shop While there is no general agreement upon the greatest film, many publications and organizations have tried to determine the films considered the best. Each film listed here has been mentioned Interaction in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources Help About Wikipedia focus on American films or were polls of English-speaking film-goers, but those considered the Community portal greatest within their respective countries are also included here. Many films are widely considered Recent changes among the best ever made, whether they appear at number one on each list or not. For example, Contact page many believe that Orson Welles' Citizen Kane is the best movie ever made, and it appears as #1 Tools on AFI's Best Movies list, whereas The Shawshank Redemption is #1 on the IMDB Top 250, whilst What links here Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. Related changes None of the surveys that produced these citations should be viewed as a scientific measure of the Upload file Special pages film-watching world. Each may suffer the effects of vote stacking or skewed demographics. -
Evropska Unija U Crnoj Gori SADRŽAJ / CONTENTS
Evropska unija u Crnoj Gori SADRŽAJ / CONTENTS 3-4 O FESTIVALU / ABOUT THE FESTIVAL 6. Zarad nečuvene dobiti / For the Sake of an Outrageous Profit 7. Gando / Gando 8 . Džinovski robovi – Slonovi kao dio turističke industrije / Giant Slaves - Elephants in Tourism Industry 9. Odjek / Echo 10 . Lekcija iz Ekologije / Ecology Lesson 11. Gonič kamila / Sarevo 13 . Sjutra / Tomorrow 14 . Pacifički losos. Crvena riba / Sockeye Salmon. Red Fish 15 . Eko-ljubav / Ecolove 16 . Minja i klimatske promjene / Minja and Climate Change 17 . Sunčani dan / A Sunny Day 19 . Čovjek / The Human 20 . ... Ja sam voda / ...I am Water 21 . Speleonaut. Pod kamenim nebom / Speleonaut. Under the Stone Sky 22 . Tragovi / Traces 24 . Jonino otkrovenje / Revelation of Jonah 25 . Ovačik / Ovacik 26 . Grudi / Breasts 28 . Zemlja je plava kao pomorandža / The Earth is Blue as an Orange 29 . Andrej Tarkovski. Film kao molitva / Andrey Tarkovsky. A Cinema Prayer 30 . Zemlja meda / Honeyland 32 . Proleće na poslednjem jezeru / Spring on the Last Lake 34 . Promotivno turistički filmovi / Promotional and Tourism Films 37 . Žiri / Jury 44 . Produkcioni tim festivala / Festival production team 2 Crna Gora). Promo-turističke filmove ocjenjivaće tročlani žiri u sastavu: Oskar VI GREEN MONTENEGRO Huter, direktor TO Cetinje, Vanja Vukojičić, direktor TO Pljevlja i Emil Kukalj, INTERNATIONAL FILM FEST 2020 direktor TO Bar. Organizator ovogodišnjeg festivala je Centar za multimedijalnu produkciju Green Montenegro International Film Fest (GMIFF) je konceptualni filmski (www.cezam.me) u saradnji sa Opštinom Žabljak, uz podršku Ministarstva za festival na temu zaštite životne sredine koji postaje prepoznat kao centar održivi razvoj i turizam, Delegacije Evropske unije u Crnoj Gori, Ministarstva ekološkog identiteta države Crne Gore te kao pokretač konkretnih akcija i kulture, Agencije za zaštitu prirode i životne sredine, JU Nacionalnih parkova održivih ideja na planu zaštite i očuvanja prirodnih resursa naše zemlje. -
'Man on Wire', 'Searching for Sugar Man
From the Academy Award® Winning Producers of ‘MAN ON WIRE’, ‘SEARCHING FOR SUGAR MAN’ and ‘ONE DAY IN SEPTEMBER’ AUDIENCE AWARD: WORLD CINEMA DOCUMENTARY A COURAGEOUS MISSION. A DEADLY GAME. AN EXTRAORDINARY FRIENDSHIP. ★★★★ ‘TERRIFFIC. ‘CAPTIVATING AS GRIPPING AS ANY AND EMOTIONAL. HIGH-CONCEPT FULL OF TWISTS HOLLYWOOD THRILLER’ AND TURNS’ THE GUARDIAN SCREEN INTERNATIONAL A FILM BY NADAV SCHIRMAN GLOBAL SCREEN PRESENTS AN A-LIST FILMS PASSION PICTURES AND RED BOX FILMS PRODUCTION IN CO-PRODUCTION WITH TELEPOOL AND URZAD PRODUCTIONS IN ASSOCIATION WITH THE DOCUMENTARY COMPANY YES DOCU SKY ATLANTIC BASED ON THE BOOK ‘SON OF HAMAS’ BY MOSAB HASSAN YOUSEF ORIGINAL MUSIC MAX RICHTER DOP HANS FROMM (BVK) GIORA BEJACH RAZ DAGAN EDITORS JOELLE ALEXIS SANJEEV HATHIRAMANI LINE PRODUCER RALF ZIMMERMANN CO-PRODUCERS OMRI UZRAD BRITTA MEYERMANN EXECUTIVE PRODUCERS THOMAS WEYMAR SHERYL CROWN MAGGIE MONTEITH PRODUCERS NADAV SCHIRMAN JOHN BATTSEK SIMON CHINN WRITTEN & DIRECTED BY NADAV SCHIRMAN greenprince_poster_a1_artwork.indd 1 27/01/2014 16:21 A feature documentary from the makers of SEARCHING FOR SUGARMAN, MAN ON WIRE, ONE DAY IN SEPTEMBER and THE CHAMPAGNE SPY A-List Films, Passion Pictures and Red Box Films present THE GREEN PRINCE Written & Directed by Nadav Schirman Produced by Nadav Schirman, John Battsek, Simon Chinn Running Time: 95 mins Press Contact North American Sales World Sales Acme PR Submarine Entertainment Global Screen GmbH Nancy Willen Josh Braun [email protected] 310 963 3433 917 687 3111 +49 89 24412950 [email protected] [email protected] www.globalscreen.de AWARDS & PRESS CLIPPINGS WINNER Audience Award Best World Documentary Sundance International Film Festival 2014 "Terrific.. -
2018 Community Cinema Conference & Film Society of the Year Awards Yourself on Screen
2018 Community Cinema Conference & Film Society of the Year Awards 7 — 9 September 2018 The Void (Sheffield Hallam University) and Showroom Workstation, Sheffield Yourself on Screen with the support of the BFI, awarding funds from The National Lottery What’s on Friday evening: Join film lecturer Dr. Emmie McFadden in The Void (part of Sheffield Hallam University) at 6.00pm for a fresh look at the classic Jimmy Stewart film Harvey – accompanied by a masterclass discussing depictions of mental health in film. Join us at Fusion Organic Café afterwards for excellent drinks, canapés and catching up. Our Friday night event is generously supported by our friends at WRS Insurance. Saturday daytime: The weekend begins in earnest with welcomes and introductions from the Cinema For All team. For our keynote session this year we are absolutely delighted to welcome Dr. Anandi Ramamurthy, Reader in Post- Colonial Cultures and Senior Lecturer in Media at Sheffield Hallam University, who will be joining us to talk about Palestinian Cinema. We are also incredibly excited to premiere Vote 100: Born a Rebel, a short film Cinema For All has made in collaboration with the Yorkshire Film Archive, the North West Film Archive and the North East Film Archive, and supported by the Women’s Vote Centenary Grant Scheme. The film is a celebration of women in civic life since the start of women’s suffrage in the UK, told through archive footage of women across the North of England. Following the morning session, delegates can choose between panels and workshops (including a very exciting Danny Leigh Film Discovery Masterclass) in the Creative Lounge, and a selection of fantastic films in Cinema 3. -
SLOVO Honeyland
SLOVO Film review Honeyland Tamara Kotevska, Ljubomir Stefanov, 2018 Screenwriters: Tamara Kotevska, Ljubomir Stefanov Place: North Macedonia Studios: Trice Films, Apolo Media Length: 87 minutes Language: Balkan Gagauz Turkish Alex Figurski, University College London. Honeyland is a film from the countryside gone global. Set in the rural Balkans, a woman tending to wild bees has her way of life disrupted by rowdy new neighbours, bringing with them the demands of modernity and need for greater yields. And so this uniquely North Macedonian documentary – featuring a variety of cultural references and showcasing the country’s glorious stone-washed landscapes – carries an ecological message of worldwide relevance: Is our consumerism destroying the planet? The protagonist is Hatidže Muratova, a lone beekeeper in the near-abandoned village of Bekirlija. She is completely at one with her surroundings. She hikes up and down steep mountains, facing wild bees with minimal protective gear. She harvests the honey using wisdom passed on by previous generations and keeps her hive well-fed: “half for them, half for me”. Every so often, she travels to Skopje, the capital, to sell her produce directly to the market stall vendors, bringing back bananas and chestnut-coloured hair dye. Her quiet life is disturbed when a large family moves in next door, with the intention of earning extra income by producing their own honey. However, without Hatidže’s local knowledge and driven by consumer demand for ever increasing quantities of honey, they pay little attention to the damage they are doing to the beehive and the environment around them. Contrasting the lives of Hatidže and the family next door, Honeyland is a film about a traditional way of life which we may feel we can never go back to and, on the other hand, a mass consumption culture which cannot be sustainable for long. -
Exploring Trauma Through Fantasy
IN-BETWEEN WORLDS: EXPLORING TRAUMA THROUGH FANTASY Amber Leigh Francine Shields A Thesis Submitted for the Degree of PhD at the University of St Andrews 2018 Full metadata for this thesis is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this thesis: http://hdl.handle.net/10023/16004 This item is protected by original copyright This item is licensed under a Creative Commons Licence https://creativecommons.org/licenses/by-nc-nd/4.0/ 4 Abstract While fantasy as a genre is often dismissed as frivolous and inappropriate, it is highly relevant in representing and working through trauma. The fantasy genre presents spectators with images of the unsettled and unresolved, taking them on a journey through a world in which the familiar is rendered unfamiliar. It positions itself as an in-between, while the consequential disturbance of recognized world orders lends this genre to relating stories of trauma themselves characterized by hauntings, disputed memories, and irresolution. Through an examination of films from around the world and their depictions of individual and collective traumas through the fantastic, this thesis outlines how fantasy succeeds in representing and challenging histories of violence, silence, and irresolution. Further, it also examines how the genre itself is transformed in relating stories that are not yet resolved. While analysing the modes in which the fantasy genre mediates and intercedes trauma narratives, this research contributes to a wider recognition of an understudied and underestimated genre, as well as to discourses on how trauma is narrated and negotiated. -
Paradise Now and Route 181. by Richard Porton
Roads to Somewhere: Paradise Now and Route 181. By Richa...http://www.cinema-scope.com/cs24/fea_porton_paradise.htm Search Roads to Somewhere: Articles in this Section Roads to Somewhere: Paradise Now and Route 181 Paradise Now and Route 181 by Richard Porton By Richard Porton and in the magazine... In the midst of some melancholy ruminations in Edward Said: The Last Waving Good-bye to Toronto: Don Owen’s Notes for Interview (2004), the late literary critic and political commentator remarks that a Film About Donna & Gail by Steve Gravestock the “useless” strategy of suicide bombing, embraced by some despairing Deadpan in Nulltown: On the Trail of Follow Me Palestinians since the advent of the second intifada, mirrors the useless and Quietly by B. Kite and Bill Krohn ineffectual policies of the Israeli state. Said’s explication is much more lucid and straightforward than many of the speculations concerning suicide missions that have recently appeared in the popular press. Far too many commentators appeal to vulgar assumptions concerning Islamic conceptions of Jihad, or what the French political scientist Olivier Roy rightly terms “the clichéd references to the seventy-two houris, or perpetual virgins, who are expecting the martyr.” Roy points out, in the midst of potted explanations of suicide attacks, many mainstream pundits invoke hoary notions of “Koranic Martyrdom” instead of nationalist and ethnic motivations. Yet Roy’s own attempt to explain these missions by appealing to a “Western tradition of individual and pessimistic revolt” seems equally myopic in its failure to address concrete political realities. His new clichés summing up “globalized Islam” have proved, perhaps unsurprisingly, appealing to conservative commentators eager to blame Western radicalism, instead of Islam, for the rash of suicide attacks—e.g. -
Understanding the Israeli-Palestinian Conflict
Understanding the Israeli-Palestinian Conflict Global Classroom Workshops made possible by: THE Photo Courtesy of Bill Taylor NORCLIFFE FOUNDATION A Resource Packet for Educators Compiled by Kristin Jensen, Jillian Foote, and Tese Wintz Neighbor And World May 12, 2009 Affairs Council Members HOW TO USE THIS RESOURCE GUIDE Please note: many descriptions were excerpted directly from the websites. Packet published: 5/11/2009; Websites checked: 5/11/2009 Recommended Resources Links that include… Lesson Plans & Charts & Graphs Teacher Resources Audio Video Photos & Slideshows Maps TABLE OF CONTENTS MAPS 1 FACT SHEET 3 TIMELINES OF THE CONFLICT 4 GENERAL RESOURCES ON THE ISRAELI-PALESTINIAN CONFLICT 5 TOPICS OF INTEREST 7 CURRENT ARTICLES/EDITORIALS ON THE ISRAELI-PALESTINIAN CONFLICT 8 (Focus on International Policy and Peace-Making) THE CRISIS IN GAZA 9 RIPPED FROM THE HEADLINES: WEEK OF MAY 4TH 10 RELATED REGIONAL ISSUES 11 PROPOSED SOLUTIONS 13 ONE-STATE SOLUTION 14 TWO-STATE SOLUTION 14 THE OVERLAPPING CONUNDRUM – THE SETTLEMENTS 15 CONFLICT RESOLUTION TEACHER RESOURCES 15 MEDIA LITERACY 17 NEWS SOURCES FROM THE MIDEAST 18 NGOS INVOLVED IN ISRAELI-PALESTINIAN RELATIONS 20 LOCAL ORGANIZATIONS & RESOURCES 22 DOCUMENTARIES & FILMS 24 BOOKS 29 MAPS http://johomaps.com/as/mideast.html & www.cia.gov/library/publications/the-world-factbook/geos/is.html Other excellent sources for maps: From the Jewish Virtual Library - http://www.jewishvirtuallibrary.org/jsource/History/maptoc.html Foundation for Middle East Peace - http://www.fmep.org/maps/ -
Modern Palestinian Filmmaking in a Global World Sarah Frances Hudson University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 5-2017 Modern Palestinian Filmmaking in a Global World Sarah Frances Hudson University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Near and Middle Eastern Studies Commons, and the Visual Studies Commons Recommended Citation Hudson, Sarah Frances, "Modern Palestinian Filmmaking in a Global World" (2017). Theses and Dissertations. 1872. http://scholarworks.uark.edu/etd/1872 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Modern Palestinian Filmmaking in a Global World A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Sarah Hudson Hendrix College Bachelor of Arts in English Literature, 2007 University of Arkansas Master of Arts in Comparative Literature and Cultural Studies, 2011 May 2017 University of Arkansas This thesis/dissertation is approved for recommendation to the Graduate Council: ____________________________________________ Dr. Mohja Kahf Dissertation Director ____________________________________________ Dr. Ted Swedenburg Committee Member ____________________________________________ Dr. Keith Booker Committee Member Abstract This dissertation employs a comprehensive approach to analyze the cinematic accent of feature length, fictional Palestinian cinema and offers concrete criteria to define the genre of Palestinian fictional film that go beyond traditional, nation-centered approaches to defining films. Employing Arjun Appardurai’s concepts of financescapes, technoscapes, mediascapes, ethnoscapes, and ideoscapes, I analyze the filmic accent of six Palestinian filmmakers: Michel Khleifi, Rashid Masharawi, Ali Nassar, Elia Suleiman, Hany Abu Assad, and Annemarie Jacir. -
Negotiating Dissidence the Pioneering Women of Arab Documentary
NEGOTIATING DISSIDENCE THE PIONEERING WOMEN OF ARAB DOCUMENTARY STEFANIE VAN DE PEER Negotiating Dissidence Negotiating Dissidence The Pioneering Women of Arab Documentary Stefanie Van de Peer For Richie McCaffery Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © Stefanie Van de Peer, 2017 Edinburgh University Press Ltd The Tun – Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ Typeset in Monotype Ehrhardt by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY A CIP record for this book is available from the British Library ISBN 978 0 7486 9606 2 (hardback) ISBN 978 0 7486 9607 9 (webready PDF) ISBN 978 1 4744 2338 0 (epub) The right of Stefanie Van de Peer to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Contents List of Figures vi Acknowledgements vii Introduction 1 1 Ateyyat El Abnoudy: Poetic Realism in Egyptian Documentaries 28 2 Jocelyne Saab: Artistic-Journalistic Documentaries in Lebanese Times of War 55 3 Selma Baccar: Non-fiction in Tunisia, the Land of Fictions 83 4 Assia Djebar: