March of History
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ecce Friedell Zum 130
FORSCHUNG ................................................................................................................ Renate Reschke Ecce Friedell Zum 130. Geburtstag und zum 70. Todestag von Egon Friedell Alfred Polgar hat Friedell (1878–1938) eine »selten gewordene Spielart des moder- nen Kulturmenschen« genannt. Er war ein Multitalent: Doktor der Philosophie, Dra- maturg, Literaturwissenschaftler, Kabarettist, Schauspieler, Schriftsteller und Autor einer der geistreichsten Kulturgeschichten, mit der er zu den großen Kultur- historikern gehört. Er verkörpert wie nur wenige die Moderne des 20. Jahrhun- derts. Als die Gestapo ihn 1938 verhaften will, springt er aus dem Fenster seiner Wiener Wohnung. An ihn ist zu erinnern. Mit dem anzüglichen »Ecce«, das dem Dichterfreund Peter Al- tenberg galt: Ecce Poeta. Ein paar Semester Berlin KULTURWISSENSCHAFT Ecce Friedell. Die Friedrich-Wilhelms-Universität hat Egon Fried- mann, seit 1916 offiziell Friedell, nur selten gesehen. Er hatte sich nach mehreren erfolglosen Abiturversu- chen am 16.11.1897 an der Alma mater berolinensis für Philosophie und Germanistik unter der Nummer »2267/88. Rektorat« eingeschrieben, wurde aber bereits am 18.4.1899 wegen »Unfleiß« und »Nichtan- nahme der Vorlesungen« aus dem Studentenregister Abb. 2 gelöscht (Abb. 1). Man bescheinigte ihm nur, dass er Egon Friedell als Student der Philosophischen Fakultät nicht ganz unbekannt (Annemarie Kotab, Friedell-Archiv Kufstein) war. Ob er überhaupt und welche Vorlesungen er besucht hat, darüber lässt sich nur mutmaßen. Sein dern als Möglichkeit, zu denken, was »noch niemand Interesse galt jedenfalls der Geschichte und Literatur, gedacht hat, was recht eigentlich die Aufgabe des der Philosophiegeschichte und den alten Sprachen. So menschlichen Denkens und der Wissenschaft ist.« ist zu vermuten, dass er in dieser Richtung das eine oder andere Angebot genutzt haben wird. -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit „Die Figuren des Helmut Qualtinger in der Tradition des Wiener Volksstücks“ Verfasser Elias Natmessnig angestrebter akademischer Grad Magister der Philosophie (Mag. phil) Wien, 2009 Studienkennzahl lt. A 317 Studienblatt: Studienrichtung lt. Theater- Film- und Medienwissenschaften Studienblatt: Betreuerin / Betreuer: Univ. Prof. Dr. Christian Schulte 1 2 Inhalt Inhalt........................................................................................................................................... 3 1) Einleitung............................................................................................................................... 7 2) Inspirationen der Jugend...................................................................................................... 10 3) Das Volksstück .................................................................................................................... 15 3.1) Das Wiener Volksstück................................................................................................. 18 3.1.1) Johann Nepomuk Nestroy...................................................................................... 19 3.1.2) Zwischen Nestroy und Kraus................................................................................. 22 3.1.3) Karl Kraus.............................................................................................................. 24 3.2) Die Erneuerer ............................................................................................................... -
Out of the Wasteland: Hope for a Greener World Transcript
Out of the Wasteland: Hope for a greener world Transcript Date: Tuesday, 23 June 2009 - 12:00AM Location: St. Paul's Cathedral Out of the Wasteland: Hope for a greener world Rt Revd and Rt Hon Dr Richard Chartres Bishops are often accused of talking rubbish. Tonight is probably the first occasion on which a bishop intends to talk rubbish. 'Sweet Thames, run softly till I end my song, Sweet Thames, run softly, for I speak not loud or long.' You will recognise those encouraging lines from T.S.Eliot's poem The Wasteland, published soon after the First World War in 1922.It is one of the genuinely prophetic statements of the 20th century not in the sense that it foretells things to come but in that it is a 'forth-telling' from a level of awareness of what was buried beneath the surface of a civilisation, which in the 1920's appeared to have recovered its hectic pace and gaiety but which in reality was exhausted - a wasteland. 'What are the roots that clutch, what branches grow Out of this stony rubbish? Son of man, You cannot say, or guess, for you know only A heap of broken images, where the sun beats, And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water.' There had of course been a profound crisis of faith for more than a century before the dreadful self-mutilation of Europe in the Great War. Widespread loss of awareness of the presence of the divine had created a vacuum in which political religions had established themselves. -
„Ödön Von Horváths Werk Im Spiegel Der Realen Sozialen Verhältnisse Der Weimarer Republik“
DIPLOMARBEIT Titel der Diplomarbeit „Ödön von Horváths Werk im Spiegel der realen sozialen Verhältnisse der Weimarer Republik“ Verfasserin Doris Rosa Zisser angestrebter akademischer Grad Magistra der Philosophie (Mag. Phil.) Wien, 2013 Studienkennzahl lt. Studienblatt: A 332 Studienrichtung lt. Studienblatt: Deutsche Philologie Betreuer: Doz. Mag. Dr. Klaus Kastberger 2 Inhalt 1. Vorwort ........................................................................................................... 5 2. Rezeptionsgeschichte. Ein Überblick ........................................................... 7 2.1 Von den Anfängen bis in die siebziger Jahre ........................................ 7 2.2 Zur Sprache der Horváthschen Figuren ................................................ 9 2.3 Die Rezeption in den achtziger Jahren – das Werk im geistesgeschichtlichen und sozialen Kontext ................................................. 11 2.4 Die psychoanalytische Interpretation der neunziger Jahre ............... 13 2.5 Gegenwart .............................................................................................. 15 3. Biografische Daten ....................................................................................... 16 3.1 Der Ausgangspunkt – die Donaumonarchie ....................................... 16 3.2 Kindheit und Jugend Ödön von Horváths – die Jahre bis 1920 ........... 18 3.3 Erste schriftstellerische Versuche – 1920 bis 1924 ................................ 21 Exkurs: Berlin in den Zwanziger Jahren ...................................................... -
Download Teachers' Notes
INTRODUCTION About these Teacher’s Notes These notes suggest practical activities to enhance student learning in the HSC Contemporary Australian theatre topic area. They also provide students with reflections on professional practice surrounding the creation of contemporary Australian theatre. The notes were originally written to support and accompany the playreading and discussion of Stolen, staged at Riverside Theatres, Parramatta, in June 2013, and were written by director Anni Finsterer. The activites at the end of these pack were part of these original notes collated by Amy Matthews. In 2016 National Theatre of Parramatta has re‐staged the work under the director Vicki Van Hout. The notes from designers and sketches have been added to incorporate information from this new production. National Theatre of Parramatta STOLEN CAST and Creatives CREATIVES Directed By Vicki Van Hout Designed By Imogen Ross Lighting and Video Designer Toby K Composer and Sound Designer Phil Downing Production Manager Annette Rowlison Stage Manager Carl Sciberras Assistant to the Director Bianca ‘Bee’ Cruse CAST Shirley Henrietta Baird Ann Matilda Brown Jimmy Mathew Cooper Ruby Berthalia Selina Reuben Sandy Kerri Simpson National Theatre of Parramatta STOLEN Directors note: Vicki Van Hout Stolen at it’s core is a provocation to the importance of acting with humanity. Stolen follows the lives of 5 characters who have been affected by careless governance, from it’s leaders down to the smallest common denominator, the individuals who enforced this predicament upon them. Why is Stolen relevant? It serves as a reminder how not to act. As a reminder that young lives are the adults of our future. -
Resurrecting the Women of the Waste Land
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2020 Resurrecting the Women of The Waste Land Angela Rose Granados West Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Celtic Studies Commons, European History Commons, Literature in English, British Isles Commons, Other Classics Commons, and the Women's Studies Commons Recommended Citation West, Angela Rose Granados, "Resurrecting the Women of The Waste Land" (2020). Undergraduate Honors Theses. Paper 1527. https://scholarworks.wm.edu/honorstheses/1527 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Resurrecting the Women of The Waste Land A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in the Department of English from The College of William and Mary by Angela Rose Granados West Accepted for Honors Henry Hart ________________________________________ Henry Hart, Thesis Director Christopher MacGowan ________________________________________ Christopher MacGowan, Committee Chair ________________________________________ Suzanne Raitt ________________________________________ Leisa Meyer Williamsburg, VA May 8, 2020 West 2 INTRODUCTION When The Waste Land was published in 1922, it marked the end of seven and a half years of T.S. Eliot’s attempts to match the potency of his most significant work to date: “The Love Song of J. Alfred Prufrock.” In the interlude between his two greatest works, Eliot had married, settled quite permanently in England, and begun to fear that his potential as a poet, once so promising, was all for naught. -
Kulturgeschichte Der Neuzeit
Kulturgeschichte der Neuzeit Die Krisis der europäischen Seele von der schwarzen Pest bis zum Ersten Weltkrieg Bearbeitet von Egon Friedell 1. Auflage 2005. Taschenbuch. 864 S. Paperback ISBN 978 3 423 30061 2 Format (B x L): 12,4 x 19,1 cm Gewicht: 507 g Weitere Fachgebiete > Geschichte > Europäische Geschichte schnell und portofrei erhältlich bei Die Online-Fachbuchhandlung beck-shop.de ist spezialisiert auf Fachbücher, insbesondere Recht, Steuern und Wirtschaft. Im Sortiment finden Sie alle Medien (Bücher, Zeitschriften, CDs, eBooks, etc.) aller Verlage. Ergänzt wird das Programm durch Services wie Neuerscheinungsdienst oder Zusammenstellungen von Büchern zu Sonderpreisen. Der Shop führt mehr als 8 Millionen Produkte. dtv »Friedells >Kulturgeschichte< nimmt in der Historienschrei- bung eine besondere Rolle ein — als einer der eigenwilligsten und faszinierendsten jener Exkurse in die Vergangenheit, die es vermögen, uns frühere Zeiten und Erscheinungen nahezubringen. Durch seine Gabe einer ebenso klugen und klaren wie leuchtenden Sprache verstand er ein Gedanken- gebäude wie die Kantsche Philosophie nicht minder genial zu umreißen als dem Zeitgeist des Rokoko oder des zweiten Kaiserreichs lebendige Existenz einzuhauchen. Mit einer unglaublichen Belesenheit, einem bestrickenden Witz, ei- nem exakt wissenschaftlichen Verstand und wahrhaft subti- len Kunstgeschmack gibt er unzählige Aspekte der kulturel- len Entwicklung des europäischen — und amerikanischen — Menschen von der Renaissance bis zum Ersten Weltkrieg. Er stellt ihn in seine äußere und geistige Umwelt, schildert seinen Alltag, seine Tracht und Sitte mit derselben evokati- ven Frische wie die großen ideologischen Strömungen der Zeit. In Friedell stand noch einmal die berauschende Fiktion vom universalen Menschen vor uns auf. « (Hilde Spiel) Egon Friedell (bis 1916 Friedmann) wurde am 21. -
Vienna Bifold.Indd
Festivals February 21–March 16, 2014 Featuring the Vienna Philharmonic Orchestra and Vienna State Opera Music, Film, Art, Panel Discussions, and More Terry Linke Vienna Philharmonic Orchestra A glittering cultural jewel at the heart of Europe, Vienna has for centuries drawn artists, dreamers, and innovators from all corners of the continent to its dazzling intellectual and artistic life. With its famed art salons and co ee houses, Vienna supported a unique culture in which artists and scientists, fi rebrands and aesthetes, met and freely exchanged ideas. From this hothouse atmosphere emerged revolutionary breakthroughs in psychology, literature, art, and music, reverberating around Europe and indeed the world. Carnegie Hall salutes Vienna’s extraordinary artistic legacy with Vienna: City of Dreams, a three-week citywide festival that features symphonic and operatic masterpieces, chamber music, and lieder, as well as new sounds that are emerging from this historic cultural capital. The festival is bookended by seven concerts in Stern Auditorium / Perelman Stage by the renowned Vienna Philharmonic Orchestra and Vienna State Opera, led by esteemed conductors Franz Welser-Möst, Daniele Gatti, Andris Nelsons, and Zubin Mehta. The residency includes concert performances of both Alban Berg’s Wozzeck and Richard Strauss’s Salome, marking only the second time in their history that the Viennese musicians have performed opera in concert at Carnegie Hall. Other festival highlights include a Beethoven violin sonata cycle with Leonidas Kavakos and pianist Enrico Pace, Schubert’s great Die schöne Müllerin with baritone Matthias Goerne and pianist Christoph Eschenbach, a Discovery Day that focuses on Schubert’s fi nal years, and a Carnegie Hall–commissioned new work by Austrian composer Georg Friedrich Haas to be premiered by Ensemble ACJW. -
Travellers of the Wasteland
Travellers Of The Wasteland Scott Wylie Roberts Travellers of the Wasteland First Published 2009 First Printing August 2009 Copyright © Scott Wylie Roberts, 1986, 2009 Illustrations copyright © J D Neal, Martin Siesto, Zhu Baije (www.nightsoil.co.uk/zhu/), 2009 Cover art and illustrations copyright © Daniel Heald, 2002 All art used with permission Regul is copyright © Rick Burlow and used with permission All Rights Reserved Proofreading by Jacqui Mofield and Tiffany McLeod Advice and feedback by Rick Burlow, Matthew Hunt, and the Dragonsfoot Workshop (dragonsfoot.org) Special thanks to Tiffany McLeod Typeset in Soutane and Soutane Black Printed by Lulu.com Ysgthru Mundi http://stores.lulu.com/ysgthrumundi [email protected] This work is protected by copyright law. Any reproduction or unauthorised use of the material or artwork presented herein is prohibited without express permission. 2 Travellers of the Wasteland "It is not down on any map; true places never are." - Moby Dick (Herman Melville) 3 Travellers of the Wasteland Foreword When I was in high school, Fighting Fantasy was my gateway drug to Dungeons & Dragons . Instead of doing my homework, I drew coloured maps of the world of Sceptre. I also wrote an adventure, strongly influenced by The Voyage of the Dawn Treader, The Shamutanti Hills , The Goonies and a scattering of science fiction novels. What if I had run campaigns in Travellers of the Wasteland , instead of the next game world I created, for the next ten years? I’d like to think it would have turned out a fair bit like this game. In writing this, I feel like I have come home after a long sojourn in distant lands; that I have reconnected with what got me into fantasy and gaming in the first place. -
The Long Shadow of Emmy Wellesz with a Translation of Her ‘Buddhist Art in Bactria and Gandhāra’
The long shadow of Emmy Wellesz with a translation of her ‘Buddhist Art in Bactria and Gandhāra’ Karl Johns Emilia Franciska Stross (1889-1987) had married Egon Josef Wellesz (1885-1974) in Vienna in August 1908. She was known as Emmy both informally and in documents such as the university records. As it was published in the summary article below, her dissertation exemplifies work being done in Josef Strzygowski’s ‘I. Kunsthistorisches Institut der Universität Wien’ during the time when Heinrich Glück (1889-1930) was active there. Since her life and career were intertwined with that of her husband, she also provides evidence of the influence of art historians on musicology in the early 20th century. Emmy Wellesz had been a favourite student of Eugenie Schwarzwald at the famous private girl’s school founded and led by her, and was then enrolled at the university in the department led by Josef Strzygowski while also attending the teaching of Max Dvořák. She was employed as ‘Assistentin’ to Strzygowski and earned her doctorate with the aforementioned study and then herself taught at the Schwarzwaldschule. As is well known, her sometime fellow teachers there among others included Adolf Loos, Egon Friedell, Oskar Kokoschka and Arnold Schoenberg. When Schoenberg cancelled his classes there, Egon Wellesz is thought to have become his earliest private student. They were nonetheless not as close as others. Aside from their differences in style and attitude to voice, drama, orchestration and other elements, it might actually have been the very sociability of Egon Wellesz that to some degree alienated Arnold Schönberg. -
Personal Music Collection
Christopher Lee :: Personal Music Collection electricshockmusic.com :: Saturday, 25 September 2021 < Back Forward > Christopher Lee's Personal Music Collection | # | A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | | DVD Audio | DVD Video | COMPACT DISCS Artist Title Year Label Notes # Digitally 10CC 10cc 1973, 2007 ZT's/Cherry Red Remastered UK import 4-CD Boxed Set 10CC Before During After: The Story Of 10cc 2017 UMC Netherlands import 10CC I'm Not In Love: The Essential 10cc 2016 Spectrum UK import Digitally 10CC The Original Soundtrack 1975, 1997 Mercury Remastered UK import Digitally Remastered 10CC The Very Best Of 10cc 1997 Mercury Australian import 80's Symphonic 2018 Rhino THE 1975 A Brief Inquiry Into Online Relationships 2018 Dirty Hit/Polydor UK import I Like It When You Sleep, For You Are So Beautiful THE 1975 2016 Dirty Hit/Interscope Yet So Unaware Of It THE 1975 Notes On A Conditional Form 2020 Dirty Hit/Interscope THE 1975 The 1975 2013 Dirty Hit/Polydor UK import {Return to Top} A A-HA 25 2010 Warner Bros./Rhino UK import A-HA Analogue 2005 Polydor Thailand import Deluxe Fanbox Edition A-HA Cast In Steel 2015 We Love Music/Polydor Boxed Set German import A-HA East Of The Sun West Of The Moon 1990 Warner Bros. German import Digitally Remastered A-HA East Of The Sun West Of The Moon 1990, 2015 Warner Bros./Rhino 2-CD/1-DVD Edition UK import 2-CD/1-DVD Ending On A High Note: The Final Concert Live At A-HA 2011 Universal Music Deluxe Edition Oslo Spektrum German import A-HA Foot Of The Mountain 2009 Universal Music German import A-HA Hunting High And Low 1985 Reprise Digitally Remastered A-HA Hunting High And Low 1985, 2010 Warner Bros./Rhino 2-CD Edition UK import Digitally Remastered Hunting High And Low: 30th Anniversary Deluxe A-HA 1985, 2015 Warner Bros./Rhino 4-CD/1-DVD Edition Boxed Set German import A-HA Lifelines 2002 WEA German import Digitally Remastered A-HA Lifelines 2002, 2019 Warner Bros./Rhino 2-CD Edition UK import A-HA Memorial Beach 1993 Warner Bros. -
(1963): Full Issue
Studies in English Volume 4 Article 12 1963 Vol. 4 (1963): Full issue Journal Editors University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/ms_studies_eng Part of the American Literature Commons, and the English Language and Literature Commons Recommended Citation Editors, Journal (1963) "Vol. 4 (1963): Full issue," Studies in English: Vol. 4 , Article 12. Available at: https://egrove.olemiss.edu/ms_studies_eng/vol4/iss1/12 This Complete Issue is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Studies in English by an authorized editor of eGrove. For more information, please contact [email protected]. PR13.M5.v4 Editors: Vol. 4 (1963): Full issue Studies in English The University of Mississippi Department of English Published by eGrove, 1963 1 Studies in English, Vol. 4 [1963], Art. 12 The University of Mississippi Studies in English Volume Four University, Mississippi 1963 https://egrove.olemiss.edu/ms_studies_eng/vol4/iss1/12 2 Editors: Vol. 4 (1963): Full issue The University of Mississippi Studies in English EDITOR John Pilkington, Jr. ADVISORY BOARD A. Wigfall Green James E. Savage James W. Webb The University of Mississippi Studies in English is published annually by the Department of English of the University of Mississippi, University, Mississippi. The subscription price for each volume is two dollars. Published by eGrove, 1963 3 Studies in English, Vol. 4 [1963], Art. 12 CONTENTS A Crawford Bibliography --------------------------------------------------- 1 John Pilkington, Jr. A Note on William Archer and The Pall Mall Gazette, 1888--------------------------------------------- 21 Joseph O. Baylen Cooper’s Prairie as Wasteland—.--------------------------------------- 27 Evans Harrington Echoes of Shakespeare’s Sonnets, Epitaph, and Elegiac Poems of the First Folio in Milton’s “On Shakespear.