Buck Clayton the Golden Days of Jazz Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Buck Clayton the Golden Days of Jazz Mp3, Flac, Wma Buck Clayton The Golden Days Of Jazz mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Golden Days Of Jazz Country: Germany Released: 1974 Style: Swing MP3 version RAR size: 1379 mb FLAC version RAR size: 1424 mb WMA version RAR size: 1389 mb Rating: 4.7 Votes: 736 Other Formats: AA MP2 RA XM DXD AU WMA Tracklist Hide Credits Christopher Columbus Alto Saxophone – Lem DavisBaritone Saxophone – Charlie FowlkesBass – Walter A PageDrums – Jo JonesGuitar – Freddie GreenPiano – Sir Charles ThompsonTenor 25:42 Saxophone – Julian DashTrombone – Henderson Chambers, Urbie GreenTrumpet – Buck Clayton, Joe NewmanWritten-By – Razaf*, Berry* Don't Be That Way Alto Saxophone – Lem DavisBaritone Saxophone – Charlie FowlkesBass – Milt B1 HintonDrums – Jo JonesGuitar – Freddie GreenPiano – Billy KyleTenor Saxophone – 8:40 Coleman HawkinsTrombone – Trummy Young, Urbie GreenTrumpet – Buck Clayton, Joe NewmanWritten-By – Goodman*, Sampson*, Parish* Undecided Alto Saxophone – Lem DavisBaritone Saxophone – Charlie FowlkesBass – Milt B2 HintonDrums – Jo JonesGuitar – Freddie GreenPiano – Billy KyleTenor Saxophone – 9:30 Coleman HawkinsTrombone – Trummy Young, Urbie GreenTrumpet – Buck Clayton, Joe NewmanWritten-By – Shavers*, Robin* Rock-A-Bye Basie Alto Saxophone – Lem DavisBaritone Saxophone – Charlie FowlkesBass – Milt C1 HintonDrums – Jo JonesGuitar – Freddie GreenPiano – Al WashlonTenor Saxophone – 8:10 Buddy Tate, Coleman HawkinsTrombone – Bennie Green, Dick Harris*Trumpet – Buck Clayton, Ruby BraffWritten-By – Basie*, L. Young*, Collins* Jumpin' At The Woodside Alto Saxophone – Lem DavisBass – Walter PageClarinet – Woody HermanDrums – Jo C2 JonesGuitar – Steve Jordan Piano – Jimmy Jones Tenor Saxophone – Al Cohn, Julian 10:36 DashTrombone – Trummy Young, Urbie GreenTrumpet – Buck Clayton, Joe Thomas Written-By – Basie* Blue And Sentimental Alto Saxophone – Lem DavisBaritone Saxophone – Charlie FowlkesBass – Milt D1 HintonDrums – Jo JonesGuitar – Freddie GreenPiano – Billy KyleTenor Saxophone – 6:30 Coleman HawkinsTrombone – Trummy Young, Urbie GreenTrumpet – Buck Clayton, Joe NewmanWritten-By – Basie*, Livingston*, David* Broadway Alto Saxophone – Lem DavisBaritone Saxophone – Charlie FowlkesBass – Milt D2 HintonDrums – Jo JonesGuitar – Freddie GreenPiano – Al WashlonTenor Saxophone – 9:20 Buddy Tate, Coleman HawkinsTrombone – Bennie Green, Dick Harris*Trumpet – Buck Clayton, Ruby BraffWritten-By – Bird*, Woode*, McRae* Companies, etc. Phonographic Copyright (p) – CBS Schallplatten GmbH Phonographic Copyright (p) – CBS Inc. Copyright (c) – CBS Schallplatten GmbH Credits Design [Cover] – Jürgen Schug Liner Notes – Clay Sherman Notes A: New York, 16 December 1953 B1, B2, D1: New York, 13 August 1954 C1, D2: New York, 15 March 1955 C2: New York, 31 March 1954 Sleeve: © 1974 CBS Schallplatten GmbH, Germany / ℗ 1974 CBS Schallplatten GmbH, Germany Label: ℗ 1974 CBS, Inc. Made in Holland Barcode and Other Identifiers Rights Society: GEMA Other (Record 1 label): 53443 Other (Record 2 label): 53444 Matrix / Runout (A-side label): S 88031-1 Matrix / Runout (B-side label): S 88031-2 Matrix / Runout (C-side label): S 88031-3 Matrix / Runout (D-side label): S 88031-4 Other versions Category Artist Title (Format) Label Category Country Year Buck The Golden Days Of Jazz (2xLP, 88 031 CBS 88 031 Netherlands 1974 Clayton Comp) The Golden Days Of Jazz Columbia Buck (Swingin' Buck Clayton Jams JC2L 614 Special JC2L 614 US 1978 Clayton Count Basie & Benny Products Goodman) (2xLP, Comp) Related Music albums to The Golden Days Of Jazz by Buck Clayton Buck Clayton & Buddy Tate - Buck & Buddy Buck Clayton - One For Buck Buck Clayton With Humphrey Lyttelton And His Band - 1964 Trummy Young And His Lucky Seven - Behind The Eight Bar / Rattle And Roll Buck Clayton - The Huckle-Buck And Robbins' Nest (A Buck Clayton Jam Session) Billie Holiday - Lady Sings The Blues Various - Atlantic Jazz Kansas City Il Sestetto Di Hot Lips Page / Buck Clayton All-Stars - Trumpet Time.
Recommended publications
  • The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
    04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS
    [Show full text]
  • The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
    4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18
    [Show full text]
  • Swingville Label Discography
    Swingville Label Discography: 2000 Series: SVLP 2001 - Coleman Hawkins and The Red Garland Trio - Coleman Hawkins and The Red Garland Trio [1960] It’s a Blue World/I Want to Be Loved/Red Beans/Bean’s Blues/Blues For Ron SVLP 2002 - Tiny In Swingville - Tiny Grimes with Richardson [1960] Annie Laurie/Home Sick/Frankie & Johnnie/Down with It/Ain’t Misbehaving/Durn Tootin’ SVLP 2003 - Tate's Date - Buddy Tate [1960] Me ‘n’ You/Idling/Blow Low/Moon Dog/No Kiddin’/Miss Ruby Jones SVLP 2004 - Callin' the Blues - Tiny Grimes [1960] Reissue of Prestige 7144. Callin’ the Blues/Blue Tiny/Grimes’ Times/Air Mail Special SVLP 2005 – Coleman Hawkins’ All Stars - Coleman Hawkins with Joe Thomas and Vic Dickenson [1960] You Blew Out the Flame/More Bounce to the Vonce/I’m Beginning to See the Light/Cool Blue/Some Stretching SVLP 2006 - The Happy Jazz of Rex Stewart - Rex Stewart [1960] Red Ribbon/If I Could Be with You/Four or Five Times/Rasputin/Please Don’t Talk About me When I’m Gon/San/You Can Depend on Me/I Would Do Most Anything For You/Tell Me/Nagasaki SVLP 2007 - Buck Jumpin' - Al Casey [1960] Buck Jumpin’/Casey’s Blues/Don’t Blame Me/Ain’t Misbehavin’/Honeysuckle Rose/Body & Soul/Rosetta SVLP 2008 - Swingin' with Pee Wee - Pee Wee Russell [1960] What Can I Say Dear/Midnight Blue/Very Thought of You/Lulu’s Back in Town/I Would Do Most Anything For You/Wrap Your Troubles in Dreams/Englewood SVLP 2009 - Yes Indeed! - Claude Hopkins [1960] It Don’t Mean a Thing/Willow Weep For Me/Yes Indeed/Is It So/Empty Bed Blues/What Is This Thing Called Love/Morning Glory SVLP 2010 – Rockin’ in Rhythm - Swingville All Stars (Al Sears, T.
    [Show full text]
  • “Big Chief” Moore, in New York a Few Weeks Earlier on January 16
    WIND12413 ITF Douglas Yeo ITA.qxp_Layout 1 5/22/17 11:24 AM Page 1 July 2017/ Volume 45, Number 3 / $11.00 Denson Paul Pollard — Page 36 Douglas Yeo Depends on Yamaha “Yamaha trombones are the most flexible, finely engineered and well-made instruments INTERNATIONALINTERNATIONAL I have ever played. They allow my musical voice to be expressed beautifully every time I have a trombone in my hands.” Douglas Yeo Visit 4wrd.it/yeoITA2 for details World-renowned Bass Trombonist ASSOCIATION JOURNAL THETHE QUARTERLYQUARTERLY PUBLICATIONPUBLICATION OFOF THETHE ITAITA Take it, Big Chief! An Appreciation of Russell Moore Photo credit: Timothy Hutchens INTERNATIONAL TROMBONE ASSOCIATION JOURNAL The Quarterly Publication of the ITA Volume 45, Number 3 / July 2017 General News — Page 6 The International Trombone Association is Dedicated to the Artistic Advancement of Trombone Teaching, Performance, and Literature. Contents Features Take It, Big Chief: An Appreciation of Russell Moore ITA JOURNAL STAFF by Douglas Yeo .............................................................. 18 Managing Editor A Conversation with Denson Paul Pollard Diane Drexler by Douglas Yeo ................................................................ 36 3834 Margaret Street, Madison, WI 53714 USA / [email protected] Associate Editors Feature Stories – Bruce Gunia Departments [email protected] Announcements ...................................................................... 2 Jazz – Antonio Garcia President’s Column - Ben van Dijk ..........................................
    [Show full text]
  • The Saxophone in China: Historical Performance and Development
    THE SAXOPHONE IN CHINA: HISTORICAL PERFORMANCE AND DEVELOPMENT Jason Pockrus Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 201 8 APPROVED: Eric M. Nestler, Major Professor Catherine Ragland, Committee Member John C. Scott, Committee Member John Holt, Chair of the Division of Instrumental Studies Benjamin Brand, Director of Graduate Studies in the College of Music John W. Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Pockrus, Jason. The Saxophone in China: Historical Performance and Development. Doctor of Musical Arts (Performance), August 2018, 222 pp., 12 figures, 1 appendix, bibliography, 419 titles. The purpose of this document is to chronicle and describe the historical developments of saxophone performance in mainland China. Arguing against other published research, this document presents proof of the uninterrupted, large-scale use of the saxophone from its first introduction into Shanghai’s nineteenth century amateur musical societies, continuously through to present day. In order to better describe the performance scene for saxophonists in China, each chapter presents historical and political context. Also described in this document is the changing importance of the saxophone in China’s musical development and musical culture since its introduction in the nineteenth century. The nature of the saxophone as a symbol of modernity, western ideologies, political duality, progress, and freedom and the effects of those realities in the lives of musicians and audiences in China are briefly discussed in each chapter. These topics are included to contribute to a better, more thorough understanding of the performance history of saxophonists, both native and foreign, in China.
    [Show full text]
  • 6. Count Basie's Cleveland Connections
    6. Count Basie's Cleveland Connections illiam Basie, pianist and bandleader, was not a In his autobiography, Good Morning Blues, Basie Clevelander, but he certainly perfonned recalled he married the girl from Cleveland in 1943 in Wfrequently in Cleveland and hired a number of Seattle. Their honeymoon was a series ofone-night band Clevelanders to play in his swinging band. Basie' s appearances. strongest tie to Cleveland is frequently forgotten. He The Basie band was working in New York when Katy married a girl from Cleveland and their only child was was about to have a baby. She returned to Cleveland and born here. stayed with her parents. Katy and Bill Basie's only child, Diane Basie, was born in Cleveland. He rushed to Catherine Morgan Basie Cleveland to be with his wife and Catherine Morgan left Cleveland daughter. at the age of 16 in 1931 to become a Later, when they rejoined Basie in dancer. She joined a very popular New York, he said he had vivid vaudeville act, the Whitman Sisters. memories of seeing Katy getting off She was one of three girls in the the plane from Cleveland carrying dance company who called their baby. He said, "It was a special themselves "The Snake Hips thrill bringing my family home from Queens." When they appeared at the the airport that day, Old Base, his Lafayette Theatre in New York City, wife and daughter." there was a jazz band from Kansas They moved into an apartment City on the same bill. The young building near New York' s Central dancer from Cleveland noticed the Park.
    [Show full text]
  • Jazzletter 5
    Nr. 5 März 2002 ► swissjazzorama jazzletter Das Schweizer Jazzmuseum Liebe Leserinnen liebe Leser Q£ Auch in dieser Ausgabe stellen wir O keinen Musiker ins Zentrum, sondern den am 22. November letzten Jahres in Genf verstorbenen Norman Granz, ei­ □ nen Impresario und Schallplatten Pro­ LU duzenten von einmaligem Zuschnitt. Er war sozusagen der Erfinder der be­ rühmten Jazz at the Philharmonie- Konzerte. Granz brachte die grossen Jazz- Koryphäen der 40er- und 5Oer-Jahre auf die Bühnen der grossen Konzert­ säle, wo man bis anhin nur klassische Musik nach Noten spielte, und Hess sie über die sogenannten Jazzstandards improvisieren. Dass dies ohne Noten ablief, versteht sich von selbst. M it diesem Jam-Session-Jazz setzte er be­ wusst einen Gegenpol zu einer Musik, bei der jede Note für jedes Instrument vom Komponisten vorausbestimmt ist. Vorausbestimmt bei den Granzschen Konzerten war lediglich das musikali­ sche Thema und die Tonart. Wir freuen uns, mit Pierre Bouru einen A utoren gewonnen zu haben, dem es auf Grund seiner langjährigen Zusammenarbeit mit Granz gelang, das Bild einer Persönlichkeit zu zeich­ nen, die - ohne selbst Musiker zu sein - den Gang der Jazzgeschichte nach­ haltig beeinflusst hat. Von Jammin’ the Blues zu Pablo: Norman Granz (6. August 1918-22. November 2001 ) Kaum einem Jazzfan ist der Name Norman ren vielfältiger Natur: lokaler Konzertorgani­ Granz kein Begriff. Als etwa zwanzigjähriger sator, Schallplattenproduzent, Produzent des Philosophie- und Jusstudent begeisterte sich Kultfilmes Jammin’ the Blues, Organisator
    [Show full text]
  • LP Inventory
    Allen Red Ride, Red, Ride RCA $ 5 Allen Red With Coleman Hawkins Smithsonian $ 5 Allen Red Live at the Roundtable Forum Records $ 5 Allen Steve With Gus Bivona - Music For Swingers Mercury $ 5 Allison Mose Ever Since The World Ended Blue Note $ 5 Alpert Herb Going Places A&M Records $ 5 Alpert Herb South of the Border A&M Records $ 5 Armstrong Louis Ambassador Satch Columbia Hi Fidelity $ 5 Armstrong Louis With the Dukes of Dixieland Audio Fidelity $ 5 Armstrong Louis Greatest Of Columbia Records $ 5 Armstrong Louis Hot Fives and Hot Sevens Columbia Masterpieces $ 5 Armstrong Louis Live Recording Polskie Records $ 5 Armstrong Louis Plays W.C. Handy Columbia $ 5 Armstrong Louis The Greatest of L. Armstrong Columbia $ 5 Armstrong Louis The Hot 5’s and Hot 7’s Columbia Masterpieces $ 5 Armstrong Louis Giants of Jazz Series Time-Life $ 10 Armstrong Louis Town Hall Concert RCA $ 5 Artin Tom Condon’s Hot Lunch Slide Records $ 5 Astaire Fred Starring Fred Astaire Columbia $ 5 Auld George Manhattan Coral Records $ 5 Ballou Monte Moving Willie’s Grave $ 5 Barefield Eddie Indestructible Eddie Barefield Famous Records $ 5 Barnet Charlie Best Of MCA $ 5 Basie Count Basie's Basement feat. Jimmy Rushing $ 5 Basie Count Basie's Best Columbia $ 5 Basie Count Best Of Decca $ 5 Basie Count Blues By Basie Columbia (set of four ’78 discs $ 10 Basie Count Good Morning Blues $ 5 Basie Count In Kansas City 1930-32 RCA $ 5 Basie Count The Count RCA Camden $ 5 Basie Count The Count’s Men $ 5 Basie Count & Duke Ellington Great Jazz 1940 Jazz Anthology $ 5 Basie
    [Show full text]
  • Vanguard Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1953 to 1982, a Phono-Log from 1963, and Various Other Sources
    Discography Of The Vanguard Label Vanguard Records was established in New York City in 1947. It was owned by Maynard and Seymour Solomon. The label released classical, folk, international, jazz, pop, spoken word, rhythm and blues and blues. Vanguard had a subsidiary called Bach Guild that released classical music. The Solomon brothers started the company with a loan of $10,000 from their family and rented a small office on 80 East 11th Street. The label was started just as the 33 1/3 RPM LP was just gaining popularity and Vanguard concentrated on LP’s. Vanguard commissioned recordings of five Bach Cantatas and those were the first releases on the label. As the long play market expanded Vanguard moved into other fields of music besides classical. The famed producer John Hammond (Discoverer of Robert Johnson, Bruce Springsteen Billie Holiday, Bob Dylan and Aretha Franklin) came in to supervise a jazz series called Jazz Showcase. The Solomon brothers’ politics was left leaning and many of the artists on Vanguard were black-listed by the House Un-American Activities Committive. Vanguard ignored the black-list of performers and had success with Cisco Houston, Paul Robeson and the Weavers. The Weavers were so successful that Vanguard moved more and more into the popular field. Folk music became the main focus of the label and the home of Joan Baez, Ian and Sylvia, Rooftop Singers, Ramblin’ Jack Elliott, Doc Watson, Country Joe and the Fish and many others. During the 1950’s and early 1960’s, a folk festival was held each year in Newport Rhode Island and Vanguard recorded and issued albums from the those events.
    [Show full text]
  • Emmett Berry
    1 The TRUMPET of EMMETT BERRY Solographer: Jan Evensmo Last updated: July 18, 2019 2 Born: Macon, Georgia, July 23, 1915 Died: June 22, 1993 Introduction: Emmett Berry was an excellent swing trumpeter but possibly suffered by being overshadowed by the charismatic Roy Eldridge with a related style. It was quite obvious that he should be a candidate for a solography on internet! Early history: Raised in Cleveland, Ohio; began ‘gigging’ with local bands, then joined J. Frank Terry’s Chicago Nightingales in Toledo, Ohio (1932), left Terry in Albany, New York, in 1933and ‘gigged’ mainly in that area during the following three years. Joined Fletcher Henderson in late 1936, and remained until Fletcher disbanded in June 1939. With Horace Henderson until October 1940, briefly with Earl Hines, then with Teddy Wilson’s sextet from May 1941 until July 1942, then joined Raymond Scott at C.B.S. With Lionel Hampton from spring of 1943, week with Teddy Wilson in August 1943, briefly with Don Redman and Benny Carter, then again rejomed Teddy Wilson c. November 1943. With John Kirby Sextet from summer 1944 until January 1945, Eddie Heywood, February until October 1945, then joined Count Basie. Left Basie in 1950. (ref. John Chilton). Message: I met Emmett Berry’s daughter Christina at the National Jazz Museum of Harlem a few years ago, seeking information about her father. I promised her a solography, it has taken some time, but here it is. Hopefully you are happy with this tribute to your father, Christina! 3 EMMETT BERRY SOLOGRAPHY FLETCHER HENDERSON & HIS ORCHESTRA NYC.
    [Show full text]
  • The Prestige All Stars Basie Reunion Mp3, Flac, Wma
    The Prestige All Stars Basie Reunion mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Basie Reunion Country: US Released: 1965 Style: Swing, Big Band MP3 version RAR size: 1771 mb FLAC version RAR size: 1365 mb WMA version RAR size: 1946 mb Rating: 4.4 Votes: 430 Other Formats: AIFF TTA WAV VOC MPC AHX WMA Tracklist A1 Blues I Like To Hear 7:24 A2 Love Jumped Out 5:51 A3 John's Idea 9:15 B1 Baby Don't Tell On Me 7:52 B2 Roseland Shuffle 9:38 Credits Baritone Saxophone – Jack Washington Bass – Eddie Jones Drums – Jo Jones Guitar – Freddie Green Piano – Nat Pierce Recorded By – Rudy Van Gelder Tenor Saxophone – Paul Quinichette Trumpet – Buck Clayton, Shad Collins Notes Remastered 1996 by Phil De Lancie (Fantasy Studios, Berkeley). Other versions Category Artist Title (Format) Label Category Country Year The Prestige All Basie Reunion (LP, Prestige SVLP - 2037 SVLP - 2037 US 1965 Stars Mono, RE) Swingville The Prestige All Basie Reunion (LP, PRLP 7147 Prestige PRLP 7147 US 1958 Stars Mono, Dee) The Prestige All Basie Reunion (LP, Prestige SVST - 2037 SVST - 2037 US 1965 Stars RE) Swingville The Prestige All PRST 7147 Basie Reunion (LP) Prestige PRST 7147 US 1965 Stars Paul Quinichette, Paul Quinichette, Buck Buck Clayton, Shad Clayton, Shad Collins, Collins, Jack Jack Washington, Washington, Freddie Green, Eddie PR-7147 Prestige PR-7147 US 1996 Freddie Green, Jones, "Philly" Joe Eddie Jones, "Philly" Jones, Nat Pierce - Joe Jones, Nat Basie Reunion (LP, Pierce Album, RE) Related Music albums to Basie Reunion by The Prestige All
    [Show full text]
  • John Eckert Musician
    John Eckert Musician John Eckert is one of the busiest freelance trumpet players on the East Coast. He can play it all: jazz, latin, pop, classical, even opera. John juggles his engagements, often working one or two recording or rehearsal sessions during a day followed by a bebop big-band gig or an evening at the Carlyle with Bobby Short later that same night. John has played on concert stages worldwide as well as in orchestra pits of operas and Broadway shows. He is equally comfortable in the lead trumpet chair of a big band or small jazz ensemble, and enjoys playing all types of music with all kinds of musicians. "The variety just presents itself," says John, explaining how he can play Benny Goodman or Stan Kenton arrangements one day, then work with the Simon & Garfunkle Reunion Band, the Smithsonian Jazz Orchestra, Deodato's 2001 Orchestra, or the Metropolitan Opera Orchestra the next. "1 remember liking music at an early age, maybe 3 or 4," John recalls. A child ofthe 1940s, he grew up in New Jersey. "We had a piano and my mother played a little, but I was always whistling and singing songs 1 heard on the radio." At the age often John began studying trumpet and playing in the grade school band. A few years later when his sister, influenced by her trumpet-playing boyfriend, began bringing home jazz records, the sounds ofChet Baker, Shorty Rogers, and other proponents of the West Coast jazz sound caught his attention. By his second year in high school, he and some friends had formed a small jazz ensemble and began playing weddings and other parties.
    [Show full text]