Buck Clayton Swing Band

Total Page:16

File Type:pdf, Size:1020Kb

Buck Clayton Swing Band L (ft, S UIIIVERSITYOF NEWHAMPSHIRE OURSEVENTY.SECOND PROGRAM THE BUCKCLAYTON SWINGBAND SPONSOREDBY THEDEPAFTMENT OF MUSIC ANDTHE NEW HAMPSHIRE LIBRARYOF TRADINONALJAZ 8 PM MONDAY ocToBER 1s, 1990 STBAFFORDROOM MEMORIALUNION DURHAM,NEW HAMPSHIBE THEARTISTS THEBUCK CLAYTON SWING BAND Big bandshave been relatively rare in lhe intimatesening of this series.However, contraryto publishedreports, lhey havenot beenplaced on lhe endangeredspecies lisl: theirbreeding habitat has simply moved lrom lhe commercialscene lo lhe educalional, wherelhey are in tactf lourishingin greatnumbers - witnesslhe plethoraof highschool and collegecompetitions and testivals. Nevertheless, these well-intenlioned and otten lruitlulventures ol necessitytend lo lunctionwithout direct contact with eitherindividual artislsrepresenting living continuity with the unfoldingof lhe tradition,or ensembles activelymaintaining its vitalityal a prolessionallevel. Tonightall comeslogether in a dramaticallyunique manner. This is neithera groupot youngplayers respectlully re-crealing lhe neglecledarl of an earlierperiod, nor a noslal- gia bandtrading off the nameof a deparledleader and the lreasuredmemories of his audience.Rather, it is a bandwhose membership crosses lhe generations,organized in 1987by a manwhose insights as lo the nalureof big bandswing are totally authoritative, sincehe was in the centerol the aclivitywhich delined it overa half-centuryago. The best sourcelor informationon WilburDorsey Clayton's eventful lile is, quitenaturally, his autobiography, Buck Clayton'sJazz l,yold(wrinen with Nancy Miller Ellion and publishedby lhe OxfordUniversily Press in 1986-7);a few detailshere will providea bit ol contexl,and provokecuriosity Buckwas bornin Parsons,Kansas, in 1911.He is bestknown lor histrumpet wod( with CountBasie from 1936-1943 (in lhe bandthal includedLester Young, Herschel Evans, Jo Jones,Dickie wells, and Harry"Sweets" Edison), and hiselegant conlributions on the BillieHoliday recordings lrom the sameperiod; but he wasthere when Benny Goodman look swinglo CarnegieHall in 1938,and, rnosl unusually, he hadearlier led a bandlor lwo yearsentertaining the internationalsel in Shanghai(l!!).Atter service in WorldWar ll, Buckworked mostly with a wide rangeol smallgroups - EddieCondon, Sidney Bechet, JazzAt ThePhilharmonic, etc.-, visitingEurope regularly, and alsotouring Auslralia and Africa. By 1970,health problems ended his lrumpel playing, bul havingalso been a composer/ arrangerthroughout his career,he lumedlo lhis areafor hiscreative outlet. In lhe mid- 80s, he loundhimselt in demandas a wrilerfor youngmusicians like Howard Alden, Dan Barretl,and LorenSchoenberg; eventually, he decidedthal he wouldlind evengreater satisfaclionin wrilingiust for himself, distilling all of that experience,wisdom, and creative energyinto a visionunaffected by the requirementsol others.Thus, a bandwas bom lo a 76-yearold,and its debutalbum (A Swingin'Drcan\ wonthe presligiousFrench Grard Prix du Dique. Pages(unavailable) could be filledwith lhe pedigreeof lhe band'spersonnel. For starl- ers, ByronStripling played the litle rolein the musicalSatcf,tno,'Lew Tabackin co'leads an internationally-knownbig bandwith hiswile, Toshiko Akiyoshi; Joe Temperleysuc- ceededlhe venerableHarry Carney with the Ellingtonband; there is no morebroadly experiencedpianist on theplanet lhan Dlck Katz. It is no exaggerationto stalethat tonight we will experiencelhe trulhabout swing, articulatedby a prophet,and realized by the elect. Believe! L CJ'+= S THE BUCK CLAYTON SWINGBAND Saxophones Trumpets TEDNASH BYRONSTRIPLING LEWTABACKIN RANDYSANDKE DOUGLAWRENCE JOHNECKERT JOETEMPERLEY Rhythm Trombones DICKKATZ - piano BOBBYPRING JAMESCHIRILLO - guitar MATTFINDERS MURRAYWALL - bass DENNISMACKREL - drums BUCKCLAYTON - leader,composer, arranger Tapo recorders and d,,rn€,raa,,t€ not permltted due to coartrsctuslarrangen'p'nrs. Your cao,€.rt|.lon ls rcquested. THESEBIES TheUNH Traditional Jazz Series began in 1979.lt promotesthe enioyment and understandingol the art throughconcerts leaturing musicians ol regional,national, and internationalprominence. The programrepresents a uniqueendeavor to expand interestand honoroutstanding talent and achievement. Musicianswishing lo do so are encouragedto offertheir recordings lor saleor mail orderduring intermission; a brief announcemenl may be made.The sponsorshave no linancialinterest in suchsales beyond oflering a courlesyservice to the arlislsand the Dublic. ProgramNotes-Paul Verretle Production-DavidSeiler THESCHEDULE September10 Mllt Hlnton & ClarkTerry Octobel 15 Buck Clayton Blg Band November19 DlckHyman February4 Johnny Mlnce Malch 4 DaveWhltney Oulntet Aplll 1 HowardAlden-Dan Barren Qulntet May 6 ParamountJazz Band The ART GALLERY Paul CreativeArts Center Mon.-Wed.,10-4; Thurs., 10-8; Sat. and Sun., 1-5 ClosedFridays and University holidays. Forfurther inlormati0n, please call (603) 862-3712. Theexhibition ofMilt Hintons's photographs is{unded in part by the New Hampshire Library otTraditional Jaz. .
Recommended publications
  • The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
    04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS
    [Show full text]
  • TOSHIKO AKIYOSHI NEA Jazz Master (2007)
    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. TOSHIKO AKIYOSHI NEA Jazz Master (2007) Interviewee: Toshiko Akiyoshi 穐吉敏子 (December 12, 1929 - ) Interviewer: Dr. Anthony Brown with recording engineer Ken Kimery Dates: June 29, 2008 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript 97 pp. Brown: Today is June 29th, 2008, and this is the oral history interview conducted with Toshiko Akiyoshi in her house on 38 W. 94th Street in Manhattan, New York. Good afternoon, Toshiko-san! Akiyoshi: Good afternoon! Brown: At long last, I‟m so honored to be able to conduct this oral history interview with you. It‟s been about ten years since we last saw each other—we had a chance to talk at the Monterey Jazz Festival—but this interview we want you to tell your life history, so we want to start at the very beginning, starting [with] as much information as you can tell us about your family. First, if you can give us your birth name, your complete birth name. Akiyoshi: To-shi-ko. Brown: Akiyoshi. Akiyoshi: Just the way you pronounced. Brown: Oh, okay [laughs]. So, Toshiko Akiyoshi. For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 Akiyoshi: Yes. Brown: And does “Toshiko” mean anything special in Japanese? Akiyoshi: Well, I think,…all names, as you know, Japanese names depends on the kanji [Chinese ideographs]. Different kanji means different [things], pronounce it the same way. And mine is “Toshiko,” [which means] something like “sensitive,” “susceptible,” something to do with a dark sort of nature.
    [Show full text]
  • The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
    4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18
    [Show full text]
  • Swingville Label Discography
    Swingville Label Discography: 2000 Series: SVLP 2001 - Coleman Hawkins and The Red Garland Trio - Coleman Hawkins and The Red Garland Trio [1960] It’s a Blue World/I Want to Be Loved/Red Beans/Bean’s Blues/Blues For Ron SVLP 2002 - Tiny In Swingville - Tiny Grimes with Richardson [1960] Annie Laurie/Home Sick/Frankie & Johnnie/Down with It/Ain’t Misbehaving/Durn Tootin’ SVLP 2003 - Tate's Date - Buddy Tate [1960] Me ‘n’ You/Idling/Blow Low/Moon Dog/No Kiddin’/Miss Ruby Jones SVLP 2004 - Callin' the Blues - Tiny Grimes [1960] Reissue of Prestige 7144. Callin’ the Blues/Blue Tiny/Grimes’ Times/Air Mail Special SVLP 2005 – Coleman Hawkins’ All Stars - Coleman Hawkins with Joe Thomas and Vic Dickenson [1960] You Blew Out the Flame/More Bounce to the Vonce/I’m Beginning to See the Light/Cool Blue/Some Stretching SVLP 2006 - The Happy Jazz of Rex Stewart - Rex Stewart [1960] Red Ribbon/If I Could Be with You/Four or Five Times/Rasputin/Please Don’t Talk About me When I’m Gon/San/You Can Depend on Me/I Would Do Most Anything For You/Tell Me/Nagasaki SVLP 2007 - Buck Jumpin' - Al Casey [1960] Buck Jumpin’/Casey’s Blues/Don’t Blame Me/Ain’t Misbehavin’/Honeysuckle Rose/Body & Soul/Rosetta SVLP 2008 - Swingin' with Pee Wee - Pee Wee Russell [1960] What Can I Say Dear/Midnight Blue/Very Thought of You/Lulu’s Back in Town/I Would Do Most Anything For You/Wrap Your Troubles in Dreams/Englewood SVLP 2009 - Yes Indeed! - Claude Hopkins [1960] It Don’t Mean a Thing/Willow Weep For Me/Yes Indeed/Is It So/Empty Bed Blues/What Is This Thing Called Love/Morning Glory SVLP 2010 – Rockin’ in Rhythm - Swingville All Stars (Al Sears, T.
    [Show full text]
  • Buck Clayton the Golden Days of Jazz Mp3, Flac, Wma
    Buck Clayton The Golden Days Of Jazz mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Golden Days Of Jazz Country: Germany Released: 1974 Style: Swing MP3 version RAR size: 1379 mb FLAC version RAR size: 1424 mb WMA version RAR size: 1389 mb Rating: 4.7 Votes: 736 Other Formats: AA MP2 RA XM DXD AU WMA Tracklist Hide Credits Christopher Columbus Alto Saxophone – Lem DavisBaritone Saxophone – Charlie FowlkesBass – Walter A PageDrums – Jo JonesGuitar – Freddie GreenPiano – Sir Charles ThompsonTenor 25:42 Saxophone – Julian DashTrombone – Henderson Chambers, Urbie GreenTrumpet – Buck Clayton, Joe NewmanWritten-By – Razaf*, Berry* Don't Be That Way Alto Saxophone – Lem DavisBaritone Saxophone – Charlie FowlkesBass – Milt B1 HintonDrums – Jo JonesGuitar – Freddie GreenPiano – Billy KyleTenor Saxophone – 8:40 Coleman HawkinsTrombone – Trummy Young, Urbie GreenTrumpet – Buck Clayton, Joe NewmanWritten-By – Goodman*, Sampson*, Parish* Undecided Alto Saxophone – Lem DavisBaritone Saxophone – Charlie FowlkesBass – Milt B2 HintonDrums – Jo JonesGuitar – Freddie GreenPiano – Billy KyleTenor Saxophone – 9:30 Coleman HawkinsTrombone – Trummy Young, Urbie GreenTrumpet – Buck Clayton, Joe NewmanWritten-By – Shavers*, Robin* Rock-A-Bye Basie Alto Saxophone – Lem DavisBaritone Saxophone – Charlie FowlkesBass – Milt C1 HintonDrums – Jo JonesGuitar – Freddie GreenPiano – Al WashlonTenor Saxophone – 8:10 Buddy Tate, Coleman HawkinsTrombone – Bennie Green, Dick Harris*Trumpet – Buck Clayton, Ruby BraffWritten-By – Basie*, L. Young*, Collins*
    [Show full text]
  • “Big Chief” Moore, in New York a Few Weeks Earlier on January 16
    WIND12413 ITF Douglas Yeo ITA.qxp_Layout 1 5/22/17 11:24 AM Page 1 July 2017/ Volume 45, Number 3 / $11.00 Denson Paul Pollard — Page 36 Douglas Yeo Depends on Yamaha “Yamaha trombones are the most flexible, finely engineered and well-made instruments INTERNATIONALINTERNATIONAL I have ever played. They allow my musical voice to be expressed beautifully every time I have a trombone in my hands.” Douglas Yeo Visit 4wrd.it/yeoITA2 for details World-renowned Bass Trombonist ASSOCIATION JOURNAL THETHE QUARTERLYQUARTERLY PUBLICATIONPUBLICATION OFOF THETHE ITAITA Take it, Big Chief! An Appreciation of Russell Moore Photo credit: Timothy Hutchens INTERNATIONAL TROMBONE ASSOCIATION JOURNAL The Quarterly Publication of the ITA Volume 45, Number 3 / July 2017 General News — Page 6 The International Trombone Association is Dedicated to the Artistic Advancement of Trombone Teaching, Performance, and Literature. Contents Features Take It, Big Chief: An Appreciation of Russell Moore ITA JOURNAL STAFF by Douglas Yeo .............................................................. 18 Managing Editor A Conversation with Denson Paul Pollard Diane Drexler by Douglas Yeo ................................................................ 36 3834 Margaret Street, Madison, WI 53714 USA / [email protected] Associate Editors Feature Stories – Bruce Gunia Departments [email protected] Announcements ...................................................................... 2 Jazz – Antonio Garcia President’s Column - Ben van Dijk ..........................................
    [Show full text]
  • MM Discography -- Others Updated 2016
    MONDAY MICHIRU DISCOGRAPHY -- OTHERS 1976 Toshiko Akiyoshi & Lew Tabackin Big Band "Insights" album (RCA) -- vocals 1980 Toshiko Akiyoshi Trio & Flute Quartet "Tuttie Flutie" album (Discomate Records) -- flute 1991 System 7 "Freedom Fights" single (Ten Records) -- vocals 1992 "Jazz Hip Jap" compilation CD (NEC Avenue) -- co-writer, arranger & vocals 1993 United Future Organization "United Future Organization" album and single "My Foolish Dream" (Brownswood Records) -- co-writer and vocals BBF & Zum Zum Allstars "Zum Zum Paradise" album (Ki/oon Sony Records) -- co-writer and vocals "Jazz Hip Jap 2" compilation CD (NEC Avenue) -- co-writer, arranger and vocals 1994 Remix Trax Vol. 6 "Japanese New Vibes" compilation album (Meldac) -- co-writer and vocals DJ Krush "Krush" album (Chance Records) -- co-writer and vocals "Yeah!" compilation CD (Kitty) -- song licensed from "Maiden Japan" album Audio Sports "Strange Fruits" album (All Access) -- co-writer and vocals Kyoto Jazz Massive "Kyoto Jazz Massive" album (For Life) -- vocals "Cool Struttin' Volume 3" compilation album (Amber/Polydor) -- song licensed from "Maiden Japan" album Picasso "Breakfast Newspaper" album (Kitty) -- lyrics and vocals 1995 Eiki Nonaka "a-key" album (Mercury Records) -- writer and vocals "Cutie Collection" compilation album (Media Remoras) -- co-writer and vocal production "Jazz Moments by Heineken Volume 1" album (Polydor) -- compiled by myself "Denz da Denz Vol. 2" compilation CD (Basic Beats) -- song licensed from "Adoption Agency" album Mondo Grosso "Born Free"
    [Show full text]
  • Get It Now on Newsstands and by Subscription
    JAZZ IMPROV ® MAGAZINE WITH CD FREE GET IT NOW ON NEWSSTANDS AND BY SUBSCRIPTION JAZZIMPROV.COM OCTOBER 2006 The Ultimate Directory of NY Area Jazz Club, Concert & Event Listings Interviews with: Performance Reviews: Ravi Coltrane Grassella Oliphant, Ralph Towner, Jack Kleinsinger Hilary Kole and others Chris McNulty Pat Metheny Don Sickler on Jazz Icons DVD Release Elise Wood Ira Gitler’s Apple Chorus Jazz Club Profile: THE RIVER ROOM Plenty of Reviews of Cool CDs Including: Thelonious Monk & John Coltrane, Oliver Lake, Lew Tabackin, Mark Elf, Bruce Williams and others! RAVI PAT ELISE KEVIN COLTRANE METHENY WOOD MAHOGANY with at OSPAC Carnegie Alice Coltrane Remembering Jazz Fest Hall NJPAC John Hicks October 21 Photo Gallery October 22 Inside Live Performance Reviews Live Performan voices of Gras’ quintet were audible and defined. Chertkoff and Simmons was palpable, if only by Grassella Oliphant Quintet The group rendered interpretations of a host of the smiles they shot at each other throughout the Live at Johnny’s On The Green standards and jazz tunes. Norman Simmons on evening. Among the other compositions that I at The Short Hills, NJ Golf Course piano, Takashi Otsuka on bass, and Oliphant on enjoyed tremendously this evening were the August 25, 2006 drums provided the rock solid foundation and ballad interpretations of “Old Folks” and “Easy accompaniment for the interpretation of the Living”, the swinging version of “I Remember By Winthrop Bedford straight-ahead swinging music, Bossas, and bal- You,” “All Blues” (in 3/4 time) and others. lads that comprised the music for three foot- Meanwhile, 40 years after recording his own In the 1960s among the many activities that tapping sets.
    [Show full text]
  • The Saxophone in China: Historical Performance and Development
    THE SAXOPHONE IN CHINA: HISTORICAL PERFORMANCE AND DEVELOPMENT Jason Pockrus Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 201 8 APPROVED: Eric M. Nestler, Major Professor Catherine Ragland, Committee Member John C. Scott, Committee Member John Holt, Chair of the Division of Instrumental Studies Benjamin Brand, Director of Graduate Studies in the College of Music John W. Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Pockrus, Jason. The Saxophone in China: Historical Performance and Development. Doctor of Musical Arts (Performance), August 2018, 222 pp., 12 figures, 1 appendix, bibliography, 419 titles. The purpose of this document is to chronicle and describe the historical developments of saxophone performance in mainland China. Arguing against other published research, this document presents proof of the uninterrupted, large-scale use of the saxophone from its first introduction into Shanghai’s nineteenth century amateur musical societies, continuously through to present day. In order to better describe the performance scene for saxophonists in China, each chapter presents historical and political context. Also described in this document is the changing importance of the saxophone in China’s musical development and musical culture since its introduction in the nineteenth century. The nature of the saxophone as a symbol of modernity, western ideologies, political duality, progress, and freedom and the effects of those realities in the lives of musicians and audiences in China are briefly discussed in each chapter. These topics are included to contribute to a better, more thorough understanding of the performance history of saxophonists, both native and foreign, in China.
    [Show full text]
  • 6. Count Basie's Cleveland Connections
    6. Count Basie's Cleveland Connections illiam Basie, pianist and bandleader, was not a In his autobiography, Good Morning Blues, Basie Clevelander, but he certainly perfonned recalled he married the girl from Cleveland in 1943 in Wfrequently in Cleveland and hired a number of Seattle. Their honeymoon was a series ofone-night band Clevelanders to play in his swinging band. Basie' s appearances. strongest tie to Cleveland is frequently forgotten. He The Basie band was working in New York when Katy married a girl from Cleveland and their only child was was about to have a baby. She returned to Cleveland and born here. stayed with her parents. Katy and Bill Basie's only child, Diane Basie, was born in Cleveland. He rushed to Catherine Morgan Basie Cleveland to be with his wife and Catherine Morgan left Cleveland daughter. at the age of 16 in 1931 to become a Later, when they rejoined Basie in dancer. She joined a very popular New York, he said he had vivid vaudeville act, the Whitman Sisters. memories of seeing Katy getting off She was one of three girls in the the plane from Cleveland carrying dance company who called their baby. He said, "It was a special themselves "The Snake Hips thrill bringing my family home from Queens." When they appeared at the the airport that day, Old Base, his Lafayette Theatre in New York City, wife and daughter." there was a jazz band from Kansas They moved into an apartment City on the same bill. The young building near New York' s Central dancer from Cleveland noticed the Park.
    [Show full text]
  • Jazzletter 5
    Nr. 5 März 2002 ► swissjazzorama jazzletter Das Schweizer Jazzmuseum Liebe Leserinnen liebe Leser Q£ Auch in dieser Ausgabe stellen wir O keinen Musiker ins Zentrum, sondern den am 22. November letzten Jahres in Genf verstorbenen Norman Granz, ei­ □ nen Impresario und Schallplatten Pro­ LU duzenten von einmaligem Zuschnitt. Er war sozusagen der Erfinder der be­ rühmten Jazz at the Philharmonie- Konzerte. Granz brachte die grossen Jazz- Koryphäen der 40er- und 5Oer-Jahre auf die Bühnen der grossen Konzert­ säle, wo man bis anhin nur klassische Musik nach Noten spielte, und Hess sie über die sogenannten Jazzstandards improvisieren. Dass dies ohne Noten ablief, versteht sich von selbst. M it diesem Jam-Session-Jazz setzte er be­ wusst einen Gegenpol zu einer Musik, bei der jede Note für jedes Instrument vom Komponisten vorausbestimmt ist. Vorausbestimmt bei den Granzschen Konzerten war lediglich das musikali­ sche Thema und die Tonart. Wir freuen uns, mit Pierre Bouru einen A utoren gewonnen zu haben, dem es auf Grund seiner langjährigen Zusammenarbeit mit Granz gelang, das Bild einer Persönlichkeit zu zeich­ nen, die - ohne selbst Musiker zu sein - den Gang der Jazzgeschichte nach­ haltig beeinflusst hat. Von Jammin’ the Blues zu Pablo: Norman Granz (6. August 1918-22. November 2001 ) Kaum einem Jazzfan ist der Name Norman ren vielfältiger Natur: lokaler Konzertorgani­ Granz kein Begriff. Als etwa zwanzigjähriger sator, Schallplattenproduzent, Produzent des Philosophie- und Jusstudent begeisterte sich Kultfilmes Jammin’ the Blues, Organisator
    [Show full text]
  • LP Inventory
    Allen Red Ride, Red, Ride RCA $ 5 Allen Red With Coleman Hawkins Smithsonian $ 5 Allen Red Live at the Roundtable Forum Records $ 5 Allen Steve With Gus Bivona - Music For Swingers Mercury $ 5 Allison Mose Ever Since The World Ended Blue Note $ 5 Alpert Herb Going Places A&M Records $ 5 Alpert Herb South of the Border A&M Records $ 5 Armstrong Louis Ambassador Satch Columbia Hi Fidelity $ 5 Armstrong Louis With the Dukes of Dixieland Audio Fidelity $ 5 Armstrong Louis Greatest Of Columbia Records $ 5 Armstrong Louis Hot Fives and Hot Sevens Columbia Masterpieces $ 5 Armstrong Louis Live Recording Polskie Records $ 5 Armstrong Louis Plays W.C. Handy Columbia $ 5 Armstrong Louis The Greatest of L. Armstrong Columbia $ 5 Armstrong Louis The Hot 5’s and Hot 7’s Columbia Masterpieces $ 5 Armstrong Louis Giants of Jazz Series Time-Life $ 10 Armstrong Louis Town Hall Concert RCA $ 5 Artin Tom Condon’s Hot Lunch Slide Records $ 5 Astaire Fred Starring Fred Astaire Columbia $ 5 Auld George Manhattan Coral Records $ 5 Ballou Monte Moving Willie’s Grave $ 5 Barefield Eddie Indestructible Eddie Barefield Famous Records $ 5 Barnet Charlie Best Of MCA $ 5 Basie Count Basie's Basement feat. Jimmy Rushing $ 5 Basie Count Basie's Best Columbia $ 5 Basie Count Best Of Decca $ 5 Basie Count Blues By Basie Columbia (set of four ’78 discs $ 10 Basie Count Good Morning Blues $ 5 Basie Count In Kansas City 1930-32 RCA $ 5 Basie Count The Count RCA Camden $ 5 Basie Count The Count’s Men $ 5 Basie Count & Duke Ellington Great Jazz 1940 Jazz Anthology $ 5 Basie
    [Show full text]