ISEA Annual Report 2003.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Italy, World War II and South African Poetry
English Literature [online] ISSN 2420-823X Vol. 3 – December 2016 [print] ISSN 2385-1635 Italy, World War II and South African Poetry Marco Fazzini (Università Ca’ Foscari Venezia, Italia) Abstract The focus of this article is Guy Butler, Chris Mann and Memory. Details and texts of poetry, but also fragments of letters, drawings, notebooks, images, photos and a more general visual ico- nography pertaining to these two South African poets’ life and work will be used to show the way in which Butler and Mann had something important in common: War and Italy. Guy Butler took part in World War II in Italy, whereas Chris Mann indirectly experienced World War II conflict in our country. Their experience has been indelibly recorded both in their personal memories and in their writings: poems, diaries and prose pieces. Keywords Italy. South Africa. World War II. Poetry. It would be impossible for me to describe all the possible routes and sec- ondary paths this topic can lead to, because I would be forced to discuss at least four or five or, possibly, six different South African poets who have had diverse links and influences through and from Italy. I could, for instance, easily refer to F.T. Prince, Guy Butler, Patrick Cullinan, Stephen Watson, Douglas Livingstone and Chris Mann. For example: I recently read Douglas Livingstone’s private diary, which he kept during his 1992 trip to Italy to launch a book of his poems translated into Italian, Il sonno dei miei leoni. The diary is full of dates, impressions, drafts, poems, descrip- tions of places and people, and would be a rich source of discussion. -
The Image of Water in the Poetry of Euphrase Kezilahabi the Image of Water in the Poetry of Euphrase Kezilahabi
THE IMAGE OF WATER IN THE POETRY OF EUPHRASE KEZILAHABI THE IMAGE OF WATER IN THE POETRY OF EUPHRASE KEZILAHABI KATRIINA RANNE Studia Orientalia 118 THE IMAGE OF WATER IN THE POETRY OF EUPHRASE KEZILAHABI KATRIINA RANNE Helsinki 2016 The Image of Water in the Poetry of Euphrase Kezilahabi Katriina Ranne Studia Orientalia, vol. 118 Copyright © 2016 by the Finnish Oriental Society Editor Lotta Aunio Co-Editor Sari Nieminen Advisory Editorial Board Axel Fleisch (African Studies) Jaakko Hämeen-Anttila (Arabic and Islamic Studies) Tapani Harviainen (Semitic Studies) Arvi Hurskainen (African Studies) Juha Janhunen (Altaic and East Asian Studies) Hannu Juusola (Middle Eastern and Semitic Studies) Klaus Karttunen (South Asian Studies) Kaj Öhrnberg (Arabic and Islamic Studies) Heikki Palva (Arabic Linguistics) Asko Parpola (South Asian Studies) Simo Parpola (Assyriology) Rein Raud (Japanese Studies) Saana Svärd (Assyriology) Jaana Toivari-Viitala (Egyptology) Typesetting Lotta Aunio Sari Nieminen ISSN 0039-3282 ISBN 978-951-9380-90-2 Picaset Oy Helsinki 2016 CONTENTS PREFACE ...........................................................................................................ix ACKNOWLEDGEMENTS .....................................................................................xi 1. INTRODUCTION ............................................................................................. 1 1.1 Untouched water ...............................................................................................1 1.2 Kezilahabi and his splash in poetry -
Apartheid, Liberalism and Romance a Critical Investigation of the Writing of Joy Packer
UNIVERSITY OF UMEÅ DISSERTATION ISSN 0345-0155 ISBN 91-7191-140-5 From the Department of English, Faculty of Humanities, Umeå University, Sweden Apartheid, Liberalism and Romance A Critical Investigation of the Writing of Joy Packer AN ACADEMIC DISSERTATION which will, on the proper authority of the Chancellor’s Office of Umeå University for passing the doctoral examination, be publicly defended in hörsal F, Humanisthuset, on Friday, 23rd February 1996, at 3.15 p.m. John A Stotesbury Umeå University Umeå 1996 Abstract This is the first full-length study of the writing of the South African Joy Packer (1905-1977), whose 17 works of autobiography and romantic fiction were primarily popular. Packer’s writing, which appeared mainly between 1945 and 1977, blends popular narrative with contemporary social and political discourses. Her first main works, three volumes of memoirs published between 1945 and 1953, cover her experience of a wide area of the world before, during and after the Second World War: South Africa, Britain, the Mediterranean and the Balkans, and China. In the early 1950s she also toured extensive areas of colonial "Darkest Africa." When Packer retired to the Cape with her British husband, Admiral Sir Herbert Packer, after an absence of more than 25 years, she adopted fiction as an alternative literary mode. Her subsequent production, ten popular romantic novels and a further three volumes of memoirs, is notable for the density of its sociopolitical commentary on contemporary South Africa. This thesis takes as its starting-point the dilemma, formulated by the South African critic Dorothy Driver, of the white woman writing within a colonial environment which compels her to adopt contradictory, ambivalent and oblique discursive stances and strategies. -
Critical Commentary on Gabriel Okara╎s Postwar Ode, •Ÿthe
University of Massachusetts Boston ScholarWorks at UMass Boston Africana Studies Faculty Publication Series Africana Studies 1-1-2011 'Clearing the Forest': Critical Commentary on Gabriel Okara’s Postwar Ode, ‘The Dreamer’ Chukwuma Azuonye University of Massachusetts Boston, [email protected] Follow this and additional works at: http://scholarworks.umb.edu/africana_faculty_pubs Part of the African Languages and Societies Commons, Comparative Literature Commons, and the English Language and Literature Commons Recommended Citation Azuonye, Chukwuma, "'Clearing the Forest': Critical Commentary on Gabriel Okara’s Postwar Ode, ‘The Dreamer’" (2011). Africana Studies Faculty Publication Series. Paper 1. http://scholarworks.umb.edu/africana_faculty_pubs/1 This Article is brought to you for free and open access by the Africana Studies at ScholarWorks at UMass Boston. It has been accepted for inclusion in Africana Studies Faculty Publication Series by an authorized administrator of ScholarWorks at UMass Boston. For more information, please contact [email protected]. ‘Clearing the Forest’: Critical Commentary on Gabriel Okara’s Postwar Ode, ‘The Dreamer’ Chukwuma Azuonye Professor of African & African Diaspora Literatures University of Massachusetts Boston And now the dreamer, with machete, Word-sharpened, is clearing the forest Of its macro-stench and venality To sow the seed that would send its roots, Unshaken by wind or storm, to its expected greatness. [Gabriel Okara, “The Dreamer,” 2006) Introduction A large body of the poetry of Gabriel Okara (b. April 24, 1921) was lost in the confusion that came with the sudden end of the Biafran war of independence from Nigeria (July 6, 1967-January 12, 1970). But a slim gathering of his verse, The Fisherman’s Invocation and Other Poems (ed. -
Experience 5)&7*#3"/$:0'4065)"'3*$"Μ4$6-563"-%*7&34*5: Africa
EXPERIENCE 5)&7*#3"/$:0'4065)"'3*$"µ4$6-563"-%*7&34*5: AFRICA $&-"5*/(5)& 7*#3"/$:0' GUIDE 2010 AND CULTURE ARTS 4065)"'3*$"4 $6-563"-%*7&34*5: ARTSANDCULTURE $EPARTMENT ARTSANDCULTURE !RTSAND#ULTURE $EPARTMENT 2%05",)#/&3/54(!&2)#! !RTSAND#ULTURE 5FM ARTS AND CULTURE GUIDE 2010 2%05",)#/&3/54(!&2)#! XXXEBDHPW[B Ditsong: Kruger Museum AFRICA In compiling this guide to the institutions and events that represent the incredibly broad and varied spectrum of the South African cultural scene, the Department of Arts and Culture has received the generous assistance of a number of organisations and individuals. The Department would like to thank each of these for their time, effort and valuable input, all of which were absolutely essential in making this publication as complete, accurate and appealing as possible. Angelique Kidjo (Benin) Freshlyground’s lead singer, Zolani Mahola National Department of Arts and Culture: 2010 Project Management Office Duduzile Mazibuko - Content Advisor and 2010 Project Manager Communications Department: Lisa Combrinck - Editor and Head of Communications Premi Appalraju - Content Development Corney Wright - Product Development James Mathibeng - Photography and DAC Administration Editorial services: ACKNOWLEDGEMENTS: DeskLink Media Team Design and Layout: Amadou & Mariam (Mali) Mariam & Amadou DeskLink Media Luthuli Nyathi, Sizakele Shingange Project Management: Chris Watterson Printed by: Colorpress (PTY) Ltd FOREWORD .*/*45&30'"354"/%$6-563& .4-6-69*/(8"/" At last, the FIFA 2010 World Cup™ is here. South Africa’s six long and busy years of preparation are finally coming to fruition. We have no doubt that South Africa and Africa are ready to offer the world an unforgettable occasion, creating festive hubs to which fans can flock to share their appreciation of the beautiful game and to experience African arts and culture. -
IDEOLOGY Second Mrican Writers' Conference Stockh01m1986
IDEOLOGY Second Mrican Writers' Conference Stockh01m1986 Edited by with an lin"Coductory essay by Kii-sten B-olst Peitersen Per W&stbei-g Seminar Proceedings No. 28 Scandinavian Institute of African Studjes Seminar Proceedings No. 20 CRITICISM AND IDEOLOGY Second African Writers9 Conference Stockholm 1986 Edited by Kirsten Holst Petersen with an introductory essay by Per Wastberg Scandinavian Institute of African Studies, Uppsala 1988 Cover: "Nairobi City Centre", painting by Ancent Soi, Kenya, reproduced with the permission of Gunter PCus. ISSN 0281 -00 18 ISBN 91-7106-276-9 @ Nordiska afrikainstitutet, 1988 Phototypesetting by Textgruppen i Uppsala AB Printed in Sweden by Bohuslaningens Boktryckeri AB, Uddevalla 1988 Foreword The first Stockholm conference for African writers was held in 1967, at Hasselby Castle outside Stockholm, to discuss the role of the writer in mo- dern African Society, especially the relationship of his or her individuality to a wider social commitment. It was arranged on the initiative of Per Wastberg, well-known for having introduced much of African literature to the Swedish public. On Per Wastberg's initiative the Second Stockholm Conference for Afri- can Writers was arranged almost twenty years later. This time the Scandi- navian Institute of African Studies was again privileged to arrange the con- ference in cooperation with the Swedish Institute. We extend our gratitude to the Swedish Institute, the Swedish Interna- tional Development Authority (SIDA), and the Ministry for Foreign Af- fairs for generous financial support. We wish to thank our former Danish researcher Kirsten Holst Petersen for her skilful work in arranging the con- ference and editing this book. -
Dennis Compleate-Poems
Dennis poem, 27/2/09 Moon, lighting this night Zocalo‘s vast expanse, you give our world new hope. 3/11/2007 Revised to: Moon lighting this night Zocalo‘s jubilant space you speak of new hope. 3/12/2007 A common hate enriched our love and us: Brutus poem, 20/3/09 Escape to parasitic ease disgusts; discreet expensive hushes stifled us the plangent wines became acidulous Rich foods knotted to revolting clots of guilt and anger in our queasy guts remembering the hungry comfortless. In drafty angles of the concrete stairs or seared by salt winds under brittle stars we found a poignant edge to tenderness, and, sharper than our strain, the passion against our land‘s disfigurement and tension; hate gouged out deeper levels for our passion– a common hate enriched our love and us. 1963 *** )rutus poem, 21/3/09 Dennis: "While at Northwestern University in 1973, I was invited to Madison to speak at an anti-apartheid rally at the University of Wisconsin. Unable to go, I sent this poem instead. I said, at the end, 'be glad' - to honour those who sacrificed, for their willingness to engage in civil disobedience, burning their passbooks. On March 21 1960, at Green Street in the Port Elizabeth city centre, we had a meeting of radical teachers (Teachers League of South Africa), and afterwards we listened to the radio and were shocked to hear live reports coming from Sharpeville, reports of the killing of unarmed people in a protest at the ghetto called Sharpeville - named after the supervisor, Mr Sharpe. -
Fall 2017 Volume 13
AFRICANA STUDIES DEPARTMENT NEWSLETTER Fall 2017 Volume 13 CHAIR’S REMARKS As the story States, the Caribbean, and Latin Charlotte region. The date is special teller-in-chief of America, our curriculum privileges for Charlotte. It marks the first year the Africana Africana-centered epistemology. It of the fatal shooting of Keith L. Studies emphasizes history and culture, Scott by police officer Brentley Department, one business and entrepreneurship, Vinson, an incident that triggered of my most health and the environment, as well days of protest in the city and on our enjoyable tasks as policies on economic campus. is editing and development, education, race, producing the stratification, social justice, and As we journey on to our unfolding department’s diversity. Our experiential learning future, I must express my heartfelt newsletter. It is courses also bring real life situations gratitude to my colleagues (faculty an annual into the classroom. In our alumni, and staff), university administrators, booklet of information covering the story of the relevance of students, alumni, and community faculty, students, alumni, and Africana Studies degree is told every partners for their fervent belief in general departmental news and day. As creative and trans- our mission. With the dedication, events. The newsletter is also an disciplinary thinkers, globally-aware resourcefulness, and talents of these historical record that documents our and locally-relevant graduates, our stakeholders, I am convinced that reaction to the events around us alumni are to be found in a wide our best years still lie ahead. locally and in the larger society. I range of professions, from banking/ AO am therefore very delighted to finance to social service sectors. -
South Africa in the Global Imaginary: an Introduction
South Africa in the Global Imaginary: An Introduction Leon de Kock English, South Africa 1. The Elements in Play What I want to write about is the penetration, expansion, skir- mishing, coupling, mixing, separation, regrouping of peoples and cultures—the glorious bastardisation of men and women mutually shaped by sky and rain and wind and soil....Andeverywhereis exile; we tend to forget that now. The old ground disappears, ex- propriated by blood as new conflicting patterns emerge. Breyten Breytenbach, Dog Heart, Introductions to South African literary culture conceived as an entity have a peculiar trademark: They apologize for attempting to do the impossible 1 and then go ahead anyway. This gesture, ranging from rhetorical genu- flection to anxious self-examination to searing critique of others who have dared to undertake what should not be attempted lightly, reveals a signifi- cant fault line in the field of South African literary studies, although field is a problematic metaphor here, like almost every other metaphor one cares to use. Literary ‘‘fields’’—entities, groupings—require some reason other than the mere convenience of geography for their existence: they need mini- mal convergence in the domains of origin, language, culture, history, and nationalism (contested or not) to become, in some sense, cohesive and inter- referential. But in the South African case each of these domains fragments . See, for example, Gray (: ); Van Wyk Smith (: i–iii); Chapman (: xx); Wade (: –); and Jolly and Attridge (: ). Poetics Today : (Summer ). Copyright © by the Porter Institute for Poetics and Semiotics. Downloaded from http://read.dukeupress.edu/poetics-today/article-pdf/22/2/263/458140/22.2de_kock01.pdf by guest on 25 September 2021 264 Poetics Today 22:2 into heterogeneity the moment one looks more closely at the literary ob- jects at hand. -
Light on Shades: Complex Constructions of Identity in the Poetry of Chris Mann
Light on shades: complex constructions of identity in the poetry of Chris Mann Molly Brown, Department of English, University of Pretoria, South Africa All rights strictly reserved. © The Author 2011 Permissions: [email protected] Author’s paper subsequently published in the English Academy Review, Volume 28, no 1, May 2011, pp. 64-72. Chris Mann openly acknowledges the importance for his writing of the Zulu concept of the shades. This paper examines his use of this key aspect of Zulu spirituality and argues that its presence in his poetry allows him to affirm a consciously-created African identity. By doing this, it will be suggested that Mann both subverts the rigidly physical categorizations of racial politics and creates a third space in which he places himself at once between and beside `the assumed “polarities” of conflict’ (Bhabha 1999). In one of his earliest poems `Whistling in the dark’ (1977, 16-17), Chris Mann evokes a dinner party at which the conversation `turns to them’ (l.4). The poet speaker, refusing to collude with the unthinking acceptance of the colonial binaries of self and other conveyed by this telling use of the third person plural, attempts to counter it by wearily responding `once more, that we are they and they/ are we’ (ll. 22-23). Faced then with `perplexity/ and indignation’ (ll.23-24), he can only regret that Even with the window open and the rock of a calm mountain filling half the night, neither side can allow myself to be me. (ll. 28-32) The shifting pronouns in these pained and painful lines clearly reveal that issues of South African identity are seemingly inextricably bound to what 1 Malvern van Wyk Smith calls the `complex dialectic of appropriation and resistance’ (1990, 66). -
English Literature [Print] ISSN 1594-1930
[online] ISSN 2420-823X English Literature [print] ISSN 1594-1930 General Editor Flavio Gregori Edizioni Ca’ Foscari - Digital Publishing Università Ca’ Foscari Venezia Dorsoduro 3246 30123 Venezia http://edizionicafoscari.unive.it/it/edizioni/riviste/english-literature/ English Literature Rivista annuale | Annual Journal Direzione scientifica | General editor Flavio Gregori (Università Ca’ Foscari Venezia, Italia) Comitato scientifico | Editorial board Paolo Bertinetti (Università degli Studi di Torino, Italia) Silvia Bigliazzi (Università degli Studi di Verona, Italia) Ma- riaconcetta Costantini (Università degli Studi “G. d’Annunzio”, Italia) Mariarenata Dolce (Università del Salento, Italia) Lidia De Michelis (Università degli Studi di Milano, Italia) Antonella Riem (Università degli Studi di Udine, Ita- lia) Biancamaria Rizzardi (Università di Pisa, Italia) Maristella Trulli (Università degli Studi di Bari «Aldo Moro», Italia) Comitato di lettura | Advisory board Isabelle Bour (Université Paris 3, Sorbonne Nouvelle, France) Paul Crosthwaite (The University of Edinburgh, UK) Co- ral Ann Howells (University of Reading, UK) Peter Hunt (Cardiff University-Prifysgol Caerdydd, UK) Allan Ingram (University of Northumbria at Newcastle, UK) Jason Lawrence (University of Hull, UK) John Mullan (University College London, UK) Jude V. Nixon (Salem State University, USA) John Sutherland (University College London, UK) Laurence Talairach-Vielmas (Université Toulouse 2 Le Mirail, France) Direttore responsabile Lorenzo Tomasin Direzione e redazione | Head office Università Ca’ Foscari Venezia | Dorsoduro 3246 | 30123 Venezia, Italy | [email protected] Editore Edizioni Ca’ Foscari - Digital Publishing | Dorsoduro 3859/A, 30123 Venezia, Italia | [email protected] Stampa Logo srl, via Marco Polo 8, 35010 Bogoricco (PD) English Literature is a journal founded by the Associazione Nazionale dei Docenti di Anglistica (ANDA). -
ISEA Annual Report Dec 2011 3 Ii F2 .Pub
Institute for the Study of English in Africa Rhodes University P. O. Box 94 Grahamstown 6140 Republic of South Africa Telephone: 0466038565 Fax: 0466038566 E-Mail: [email protected] © ISEA, Rhodes University, December 2011 Not to be reproduced in any form without permission from the director of the isea Professor Laurence Wright ISEA Director 1990-2011 CONTENTS Board of Management 7 Staff 8 Conspectus 10 Staff News 18 Donors 18 ISEA Publications 18 The DALRO Poetry Prizes 20 Other Publications 21 Poems and Poetry Performances 24 Conferences and Public Lectures 26 Research 27 Secondary Schools Language Project 28 Masters in Creative Writing 31 Campus Creative Writing Programme 31 Shakespeare Society 33 Wordfest 2011 33 Distinguished Visitors 36 Graduate Supervision and Examining 36 Degrees in Progress (Staff) 36 External Responsibilities 36 Conclusion 38 ISEA BOARD OF MANAGEMENT The Vice-Chancellor (ex-officio) * Prof R Boswell (Deputy Dean of Humanities) Chair * Prof L S Wright (Director) Dr S Fourie (Rhodes University Council) * Department of English Language and Linguistics: Prof R D Adendorff Dictionary Unit for South African English: Ms E J Wolvaardt National English Literary Museum: Ms B Thomas Anthropology: Ms J Owen Drama: Prof A Buckland Education Faculty: Dr D Wilmot * Department of English: Prof D Klopper Journalism and Media Studies: Prof G J E G Berger (Alt. Prof A Garman) * School of Languages: Prof R H Kaschula * Member of Executive Committee ISEA — 7 STAFF Director Prof L S Wright, BA Hons (Rhodes), MA (Warwick), D Phil (Oxon)