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Igor Gorbunov the MUSEUM EXPOSITION: COLOR PLASTIC SPACE

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Igor Gorbunov the MUSEUM EXPOSITION: COLOR PLASTIC SPACE Igor Gorbunov THE MUSEUM EXPOSITION: COLOR PLASTIC SPACE (in the context of project culture of the last 30 years) У Г В й и р о т и з о п е Р Vitebsk P. M. Masherov name MAD 2017 The Ministry of education of the Republic of Belarus Educational establishment «Vitebsk State Universidad P. M. Masherov» Igor Gorbunov У THE MUSEUM EXPOSITION:Г COLOR PLASTICВ SPACE (in the context of project йculture of the last 30 years)и Monographр о т и з о п е Р Vitebsk P. M. Masherov name MAD 2017 1 UDC 72.012:747:069.3 BBC 85.110.5 + 85.127.5 + 79.17 G 67 Printed by the decision of scientific-methodological Council of the educational establishment of "the Vitebsk State University named after P. M. Masherov. Protocol No. 2016 g. Approved by the Council for science and technology of P. M. Masherov name MAD. Protocol No. ... Author: Associate Professor of design of MAD named P. Masherov, Ph.d. Igor Gorbunov У Г В й и р о т и R e TS w e n e n t s: Professor of Arts and crafts Moscowз State Pedagogical University, doctor of pedagogical sciences, PhD A.a. Kovalev; researcher WILDEBEEST Research Centre Belarusian culture, language and literature of the Academy of Sciences of Belarus, doctor of musicology A.n. Kulagin Gorbunov, I.v. о G 67 This museum: color, plastic, space (in the context of the design culture of the last 30 years): monograph/I.v. Gorbunov. -Vitebsk: VSU name P. m. Masherov, 2016. -169 p.: ill. п The monograph is a separate copyright research exhibition experience in the context of its mass elements, such as color, plastic and space. Disclosed the relationship of these elements in the construction of a modern Museum, innovative designers and artists from the fieldе of Museum design. Investigated causes and principles of the exterior of buildings museums, methods of exhibiting the artifacts in the Museum. The monograph is addressed to museum workers and students of art majors: "interior design. Design subject- spatial Wednesday, heads creative studios, directors of museums, specialists in the field of theory and methodology of design and faculty specialties of museum management. UDC 72.012:747:069.3 РBC 85.110.5 + 85.127.5 + 79.17 © Gorbunov i.v., 2017 © VSU name P. Masherov, 2017 2 TABLE of CONTENTS PREFACE........................................................................... 4 CHAPTER 1. THE MUSEUM EXPOSITION IN THE SYSTEM FORMOOBRAZUJU-ERAL ITEMS ...................................................................... 7 1.1. International Expositions museums ... ... ... ... ... ... ... ... .... 11 1.2. Organization of the internal space of the Museum ... ... ... ... ... ... ... ... ... 14 1.3. Plastic solution exhibits new techniques and problem of typology of museums ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... 17 CHAPTER 2. NEW TRENDS IN THE CREATION MUSEUM AND EXHIBITION COMPLEX WORLD AND FEATURES ITS ARTISTIC AND AESTHETIC APPEARANCE ... ... .... У 22 2.1. Color and plastic modern Museum in the context of the Organization exposure ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ...Г 22 2.2. Influence of color on Interior and exterior building structure ... ... .... 23 2.3. Aesthetic impact on the Viewer ... ... ... ... ... ... ... ... ... ... ... ... ... 24 2. 4. Museums of Australia, Israel, China, South Korea and Japan.........В 26 2.5. The Scandinavian countries and England ... ... ... ... ... ... ... ... ... ... ... ... ... ... 30 2.6. Central Europe. The Museum as a new phenomenon ... ... ... ... ... ... ... ... 33 2.7. The architecture of museums in United States, South America and Canada ... ... ... ... ... й 34 2.8. Museums of the Americas ... ... ... ... ... ... ... ... ... ... ... ... ... 36 2.9. The influence of Russian museums on theи development of the Belarusian Museum design ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... .... 40 CHAPTER 3 requirements for subject-SPATIALр ENVIRONMENT of MODERN INTERIOR MUSEUM ....................................................................................... 46 3.1. The functional basis of architectural оInterior Design Museum ... 46 3.1.1.General provisions ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... 46 3.1.2. Methods of building exposureт ... ... ... ... ... ... 58 3.1.3. The functional program ... ... ... ... ... ... ... ... ... ... ... ... ... ... 61 3.1.4.Exhibitionwork, jekspozicionyjcomplexи . Techniquesandtypology 62 3.1.5Design featuresз of the exposition. ... ... ... ... ... ... ... ... 68 CONCLUSION ……. BIBLIOGRAPHY... ...о ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... .... 87 GLOSSARY............................... 93 APPLICATION...........................................................................п е Р 3 PREFACE The first decadeThe TWENTY-FIRST century gave humankind an opportunity to make a technological breakthrough in the architecture. The main element of this phenomenon in architectural design and such (designing) became the technological possibilities of the use of new materials and, as a consequence, the creation of unique, its plastic buildings museums of new generation. In each case we are dealing with an innovative project absolutely does not look like a stereotypical draft past decades because modern museum exhibition is not only the Interior, as we are accustomed to think in my time, but also the building of the museum itself, its appearance. Elements of its forms are not only outlines of buildings, but also the color of plastic its foreign form, in close collaboration with the surrounding landscape. Latest interior design personificirujutsja technologies and make contemporary architects to create something that was beyond the architect of past eras. Today has changed our opinion about the Museum, in which we see a special "institution", predicting the future and showing great past. Its outer structure is variable and impozantna. Influences on her light, color of the building itself, its plastic solution and new technologies.У Today in sphere of designing and creating museums appeared different Symbioses: Ship-Museum, tunnel, Museum-batiskaf Museum, sculptureand specific structure and plastic art historians and theorists minds design Museum exhibitions in Russia, trying to somehow organize these differentГ directions amid rapidly evolving Museum-exhibition of technologies and design. In due time to the issue of art designing museum displays native researchers asked 1960-ies. As a result of scientific activity centres muzeevedcheskoj works appeared the collectiveВ works of "History Museums in the USSR" and "essays on the history of Museum business. exposure Issues received synthesis in monographs A.i. Mykhailivska" The Museum Exposition (Organization and technology) "(1964) and R.r. Kliksa" Artistic design Exposition "(1978). These works still have not lost their relevance. (?!) й The main purpose of this publication is to provide a detailed analysis of the forming process of museums around the world to sample the most original objects of their branch structure in the context of the exterior and Interior colors, plastic solutions volumes fromи the point of view of architectonics and surrounding area in their close collaboration. Shows the thirty largest museum objects in different countries and detailed analysis of the structure of one ofр these objects, as the most successful side of the internal organization and colour-plastic solutions-the Salvador Dalí Museum in the city. Saint Petersburg (FL. United States). This choice is not accidental, and is associated with positive criticizing many critics at home and abroad. Now considered a benchmarkо of the museum complex in relationship to all its members. This scientific work is a synthesis and reworked material on specialization, not affecting structural moments the architectural organтization (engineering calculations, communication, technical- economic calculations, etc.), and pursuing its aim to give a detailed analysis of its Museum exhibition in terms of color, shape, and space. Stop for a quote. "Creating a museum exhibition-the process is usually long. So, speaking about the changes,и you must also take into account the museum projects and plans, not yet implemented, including those which may not be implemented. Often expressed in pure form new trends, and even the new Museumз philosophy ",-writes O.v. Veselickij in his scientific work [6]. As has already been noted, the findings focus on the study of the great heritage of the Leningrad school exposure period (1970-1980) [45, s. 8]. I might add that the major synthesis of scientific papers in Russia since 2004 year is not observed,о in this regard, our research in Belarus are rather rekomendatelno-informative for students and muzeevedov as well as retirees, with an interval of 10 years two monographies dedicated to the species structureп of diorama art and architecture museum exhibition [38; 45]. Thus, topical study of this matter in the light of the latest complex processes in the world of architecture, which in recent years has become the scene of disputes and the fall of old outdated design practices against the backdrop of developmentе and construction extremely complex conceptual objects from Australia to Norway, and from Moscow to Toronto. Let's follow their path of development on the most vivid examples from world practice. Research methodology design activity in the work is based
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