Broadcast Bulletin Issue Number 94
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												  14.12.18-FINAL.PdfTHIssue 59 | 14 December 2018 Welcome Welcome to the final school newsletter of the term. As the term draws to a close, please really does allow the heart of our school can I send my heartfelt thanks and community to shine. gratitude for your support over what seems to have been the busiest of I would like to send warm wishes for terms. From coming alongiS to support Week a very Merry Christmas and I look our sporting teams in all weathers and forward to welcoming your children donating to our many charitable causes, back to school in the New Year. to attending our music events in your MrsBest Kwishes Mackenzie, over the Head festive season. droves and even joining in with our THS Voices choir; the festive season Charitable giving at Christmastime We are so proud to have donated difference to somebody’s Christmas. on Thursday to fill up two trolleys’ almost 800 Christmas gifts and food worth of donations for another In total, we collected 623 food items for items to disadvantaged families across • local foodbank. the Hebron Church and 175 children’s Teesside this December. •toys for Mission Christmas. In addition: Christmas Jumper Day raised We launched our charity drives for £232.72 for Save the Children. Year 11 students raised almost both the Trussell Trust foodbank £100.00 for Shelter by performing A sincere and heartfelt thank you scheme, based at the Hebron Church their very own take on the for every donation made; I have no in Stockton, and TFM Radio’s Mission • traditional Nativity.
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												  Broadcast Bulletin Issue Number 38* Ofcom broadcast bulletin Issue number 38 4 July 2005 Ofcom broadcast bulletin 38 4 July 2005 Contents Introduction 3 Standards cases In Breach 4 Resolved 6 Other programmes not in breach/outside remit 11 2 Ofcom broadcast bulletin 38 4 July 2005 Introduction The Communications Act 2003 allows for the codes of the legacy regulators to remain in force until such time as Ofcom developed its own Code. Ofcom consulted in 2004 on its new Code. Ofcom’s Broadcasting Code has now been published and will take effect from 25 July 2005 (with the exception of Rule 10.17 which comes into effect on 1 July 2005). The Broadcasting Code can be found at http://www.ofcom.org.uk/tv/ifi/codes/bcode/ The codes and rules currently in force for broadcast content are: Advertising and Sponsorship Code (Radio Authority) News & Current Affairs Code and Programme Code (Radio Authority) Code on Standards (Broadcasting Standards Commission) Code on Fairness and Privacy (Broadcasting Standards Commission) Programme Code (Independent Television Commission) Programme Sponsorship Code (Independent Television Commission) Rules on the Amount and Scheduling of Advertising From time to time adjudications relating to advertising content may appear in the bulletin in relation to areas of advertising regulation which remain with Ofcom (including the application of formal sanctions by Ofcom). Copies of the full adjudications for Upheld and Not Upheld Fairness and Privacy cases can be found on the Ofcom website: www.ofcom.org.uk 3 Ofcom broadcast bulletin 38 4 July 2005 Standards cases In Breach The Best of James Stannage The Hits,16 March 2005, 03:20 Introduction This programme mixed music with highlights of the presenter’s late night ‘phone-in, originally broadcast on Key 103 FM (Manchester).
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												  Jazz and Radio in the United States: Mediation, Genre, and PatronageJazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition.
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												  Broadcast Bulletin Issue Number 93O fcom Broadcast Bulletin Issue number 93 24 September 2007 Ofcom Broadcast Bulletin, Issue 93 24 September 2007 Contents Introduction 3 Standards cases In Breach 4 Not in breach 12 Fairness & Privacy cases Upheld in part 14 Not Upheld 44 Other programmes not in breach/outside remit 73 2 Ofcom Broadcast Bulletin, Issue 93 24 September 2007 Introduction Ofcom’s Broadcasting Code (“the Code”) took effect on 25 July 2005 (with the exception of Rule 10.17 which came into effect on 1 July 2005). This Code is used to assess the compliance of all programmes broadcast on or after 25 July 2005. The Broadcasting Code can be found at http://www.ofcom.org.uk/tv/ifi/codes/bcode/ The Rules on the Amount and Distribution of Advertising (RADA) apply to advertising issues within Ofcom’s remit from 25 July 2005. The Rules can be found at http://www.ofcom.org.uk/tv/ifi/codes/advertising/#content From time to time adjudications relating to advertising content may appear in the Bulletin in relation to areas of advertising regulation which remain with Ofcom (including the application of statutory sanctions by Ofcom). 3 Ofcom Broadcast Bulletin, Issue 93 24 September 2007 Standards cases In Breach House of Fun 7/8 May 2007, around midnight Introduction House of Fun is a free-to-air adult entertainment channel featuring female presenters - known as “babes” – who invite viewers to call them on premium rate phone lines for sexual conversation. A complainant said the output broadcast around midnight on 7/8 May 2007 was too sexually explicit for un-encrypted transmission, particularly in a segment at 00:27.
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												  Channel Positioning Music PolicyINTRODUCING BOX TELEVISION 11 INTRODUCING BOX TELEVISION CONTENTS 1. Box TV & Our Shareholders 2. The UK Market 3. How Box TV Makes Music TV 4. The Box TV Channels 5. Beyond the Channels 6. Summary 22 INTRODUCING BOX TELEVISION 1. BOX TELEVISION & OUR SHAREHOLDERS 33 INTRODUCING BOX TELEVISION BASICS Box Television is the UK’s No.1 music TV broadcaster, delivering a greater market share than Viacom with fewer channels. Box Television has over 20 years of experience in music TV broadcast. Its portfolio includes 7 music TV channels in the UK: Kiss, Kerrang!, The Box, Smash Hits, Magic, Heat & 4Music. Box Television is a 50:50 joint venture between Channel 4 & Bauer Media, two of the UK’s biggest media companies. 4 INTRODUCING BOX TELEVISION SHAREHOLDERS Channel 4 is a leading British Public Service broadcaster. It is the second largest commercial broadcaster in the UK with revenues of £1bn. It is renowned for its dedicated focus on the hard to reach youth market and its quest to innovate & champion new voices. Like the BBC, Channel 4 is owned by the British Government. Bauer Media is a division of the Bauer Media Group, Europe’s largest privately owned publishing Group, employing over 6,400 people. The Group is a worldwide media empire reaching over 200m consumers in 17 countries. Bauer has a heritage stretching back over 130 years and owns some of the largest media assets in each of its markets. 5 INTRODUCING BOX TELEVISION SHAREHOLDER INTERNATIONAL PRESENCE 570OVER 300OVER 50OVER MAGAZINES DIGITAL PRODUCTS RADIO & TV STATIONS 4 CONTINENTS 17 COUNTRIES 200 MILLION REACH 66 INTRODUCING BOX TELEVISION UK2.
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												  Statement of Media Content Policy 2016.Pdf14 CHANNEL 4 ANNUAL REPORT 2016 REMIT PERFORMANCE 2016 PARALYMPICS Channel 4’s remit to stand up for diversity and inspire change in people’s lives drives us to take on creative risk and challenges that others wouldn’t. The Rio 2016 Paralympics exemplifies the kind of creative alchemy that our remit can trigger. YES I CAN AWARDED: CAMPAIGN MAGAZINE’S CAMPAIGN OF THE YEAR SHOTS MAGAZINE’S GLOBAL AD OF THE YEAR CHANNEL 4 ANNUAL REPORT 2016 15 2/3 48% OF OUR ON-AIR PRESENTING OF THE UK POPULATION TEAM WERE DISABLED. REACHED WITH OUR PARALYMPIC COVERAGE London 2012 was a watershed moment for Paralympic sport, and the Rio 2016 Paralympics went even further in raising >40m 1.8m the profile of disability sport and positively VIEWS ACROSS ALL SOCIAL APPEARING IN HALF OF THE PLATFORMS. UK’S FACEBOOK FEEDS AND improving public perceptions of disability in WITH OVER 1.8 MILLION SHARES, the UK and around the world. ‘YES I CAN’ WAS THE MOST SHARED OLYMPIC/PARALYMPIC It also established a new international AD GLOBALLY THIS YEAR. benchmark for Paralympics coverage. The UK is now considered an exemplar for its approach to the Games by the International Paralympic Committee and Channel 4 has shared this success story with broadcasters around the world since the 2012 Games. Preparing for Rio 2016 following the success of London 2012 was no small order, however we saw it as more of an opportunity than a risk – because taking creative risks pushes The result was a three-minute film featuring OUR RIO COVERAGE boundaries in the pursuit of positive change, 140 disabled people with a band specifically Taking on the ratings challenge of an away which is part of Channel 4’s DNA.
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												  The Safety of Electrical Goods in the UK Follow-UpHouse of Commons Business, Energy and Industrial Strategy Committee The safety of electrical goods in the UK: follow-up Second Report of Session 2019 Report, together with formal minutes relating to the report Ordered by the House of Commons to be printed 29 October 2019 HC 156 Published on 1 November 2019 by authority of the House of Commons Business, Energy and Industrial Strategy Committee The Business, Energy and Industrial Strategy Committee is appointed by the House of Commons to examine the expenditure, administration, and policy of the Department for Business, Energy and Industrial Strategy. Current membership Rachel Reeves MP (Labour, Leeds West) (Chair) Vernon Coaker MP (Labour, Gedling) Drew Hendry MP (Scottish National Party, Inverness, Nairn, Badenoch and Strathspey) Stephen Kerr MP (Conservative, Stirling) Peter Kyle MP (Labour, Hove) Mr Ian Liddell-Grainger MP (Conservative, Bridgwater and West Somerset) Sir Patrick McLoughlin MP (Conservative, Derbyshire Dales) Albert Owen MP (Labour, Ynys Môn) Mark Pawsey MP (Conservative, Rugby) Antoinette Sandbach MP (Independent, Eddisbury) Anna Turley MP (Labour (Co-op), Redcar) Powers The Committee is one of the departmental select committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No 152. These are available on the internet via www.parliament.uk. Publication Committee reports are published on the Committee’s website at www.parliament.uk/beis and in print by Order of the House. Evidence relating to this report is published on the inquiry publications page of the Committee’s website. Committee staff The current staff of the Committee are Gary Calder (Media Officer), Ian Cruse Committee Specialist), Rebecca Davies (Clerk), Matthew Eaton (Committee Assistant), Alison Groves (Second Clerk), James McQuade (Senior Committee Assistant), Becky Mawhood and Ashleigh Morris (Committee Specialists).
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												  Crock of Gold: a Few Rounds with Shane MacgowanMAGNOLIA PICTURES, HANWAY FILMS BBC MUSIC WARNER MUSIC ENTERTAINMENT INFINITUM NIHIL / NITRATE FILM JOHNNY DEPP PRESENTS IN ASSOCIATION WITH BBC MUSIC, WARNER MUSIC AND HANWAY FILMS With Participation of Screen Ireland A NITRATE FILM / INFINITUM NIHIL PRODUCTION CROCK OF GOLD: A FEW ROUNDS WITH SHANE MACGOWAN Directed by Julien Temple 124 minutes Official Selection 2020 San Sebastian International Film Festival – World Premiere FINAL PRESS NOTES Distributor Contact: Press Contact NY/Nat’l: Press Contact LA/Nat’l: George Nicholis Steve Beeman Michael Lawson Rebecca Fisher Falco Ink [email protected] Magnolia Pictures 475 Park Avenue South (212) 924-6701 phone New York, NY 10016 [email protected] (212) 445-7100 phone [email protected] 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com Foreword If future generations look back at what it was truly like to be both human and alive in the late 20th century, they will be hard put to find a more powerful and enlightening testament than the songs of Shane McGowan. In a world where music has become increasingly sanitized and unable to venture beneath the surface clichés of human emotion, Shane’s songs stand out in ever greater relief. None has bared their soul like Shane McGowan. His unique ability to plumb the dark recesses of the human soul, while in the very same breath celebrating its capacity to find healing transcendence, in both love and the sublime mysteries of existence, goes a long way to making sense of who we actually are.
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												  Order 2010 Certificate of Ownership UnderTOWN & COUNTRY PLANNING (DEVELOPMENT MANAGEMENT PROCEDURE) (ENGLAND) ORDER 2010 CERTIFICATE OF OWNERSHIP UNDER ARTICLE 12 Certificate C: This Ownership Certificate is for use with applications and appeals for planning permission only . Two copies must be signed and dated and they in turn must be accompanied by two duly signed copies of the Agricultural Holdings Certificate in order for your planning application to be considered. I certify that: • The applicant cannot issue a Certificate A or B in respect of the accompanying application • The applicant has given the requisite notice to the persons specified below being persons who on the 21 days before the date of the application were owners of any part of the land to which the application relates. Owner’s name Address at which notice was served Date on which notice was served See appended list See appended list See appended list • The applicant has taken all reasonable steps open to them to find out the names and addresses of the other owners of the land, or of a part of it, but have has been unable to do so. These steps were as follows:- 1. Requested information from Land Registry 2. Conducted extensive enquiries both in the field and through solicitors, who conducted Title searches and investigations. • Notice of the application as attached to this Certificate, has been published in the Scarborough News, Teesside Gazette and Northern Echo on Thursday 18 th September 2014 and in the Whitby Gazette on Friday 19 th September 2014. Notices were also displayed in every parish within which there is situated any part of the land to which the application relates from the 16 th September 2014.
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												  Historic Environment Audit for the S&DR 1830 Branch Line ToHistoric Environment Audit for the S&DR 1830 Branch Line to Middlesbrough On behalf of Middlesbrough Council April 2018 The Stockton & Darlington Railway – Middlesbrough Branch Line Historic Environment Audit The Stockton & Darlington Railway – Middlesbrough Branch Line Historic Environment Audit Summary This report commissioned by Middlesbrough Council takes forward one of the recommendations from the S&DR Heritage Audit prepared in 2016 on behalf of the County Durham, Stockton and Darlington authorities to extend the project along the S&DR branch lines which dated between 1825 and 1830. The audit is designed to pull together key and core information to inform future development work along the route of the 1830 Middlesbrough branch line. The report also includes recommendations for heritage led regeneration along the 1830 corridor and the site of the world’s first planned railway town at St. Hilda’s; this includes enhanced access with interpretation along the 1830 route and distinctive high quality residential uses on the site of the planned new town and new sustainable uses for the surviving new town buildings such as the Old Town Hall, The former Ship Inn and the Captain Cook inn. Figure 1. The route of the 1830 S&DR branch line from Bowesfield Lane in Stockton to Middlesbrough terminating at a new port on the Tees Historic Background Middlesbrough before 1830 comprised a farm surrounded by swampy marshland. Earlier it had been the location of a monastic cell originally founded in 686 A.D. and dedicated to St. Archaeo-Environment Ltd for Middlesbrough Council 2 The Stockton & Darlington Railway – Middlesbrough Branch Line Historic Environment Audit Hilda.
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												  Metro Radio Is Very Much in Touch with ‘Love of Life Round Here’1 2 With Key 103 & Magic 1152’s weekly audience of 532,000 we can fill the Manchester Arena capacity 25 times! Source: RAJAR, Key 103 TSA. 6 Months, PE Sep 2012. Key 103 & Magic 1152 = Bauer Manchester 3 AUDIENCE POTENTIAL : 2,445,000 Male = 1,211,000 Female = 1,234,000 Source: RAJAR, Key 103 TSA. 6 Months, PE Sep 2012. 4 “Key 103 & Magic 1152 – Still Manchester’s Number One” • Key 103 and Magic 1152 retain their position as the commercial market leader in Greater Manchester with 532,000 listeners tuning into the stations each week. • Key 103’s Mike and Chelsea is Manchester’s most listened to commercial Breakfast show with 320,000 listeners tuning in each week, and OJ Borg’s Home time show continues to grow, increasing the station’s share in the afternoon to 8.9% (from 8) • In our core 25–44 demographic Key 103 remains number 1 for reach & share commercially, with a 17% higher share than Capital and 97.2% higher share for the demo than Smooth Source: RAJAR, Key 103 TSA. 6 Months, PE Sep 2012. Key 103 & Magic 1152 = Bauer Manchester 5 Combined Audience Mixed of adult contemporary music with unrivalled news and sports coverage, phone-ins and local information 61% 53% 47% 44% 39% 34% 22% Men Wome n 15 -24 25- 44 45+ ABC1 C2DE This shows a breakdown of our demographic here at Key103 & Magic 1152 to show a representation of the type of listeners we have and potential customers you could have. Breakdown by gender, age & social class in percentages respectively.
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												  Celebrating 40 Years of Commercial Radio With01 Cover_v3_.27/06/1317:08Page1 CELEBRATING 40 YEARS OF COMMERCIAL RADIOWITHRADIOCENTRE OFCOMMERCIAL 40 YEARS CELEBRATING 01 9 776669 776136 03 Contents_v12_. 27/06/13 16:23 Page 1 40 YEARS OF MUSIC AND MIRTH CONTENTS 05. TIMELINE: t would be almost impossible to imagine A HISTORY OF Ia history of modern COMMERCIAL RADIO music without commercial radio - and FROM PRE-1973 TO vice-versa, of course. The impact of TODAY’S VERY privately-funded stations on pop, jazz, classical, soul, dance MODERN BUSINESS and many more genres has been nothing short of revolutionary, ever since the genome of commercial radio - the pirate 14. INTERVIEW: stations - moved in on the BBC’s territory in the 1960s, spurring Auntie to launch RADIOCENTRE’S Radio 1 and Radio 2 in hasty response. ANDREW HARRISON From that moment to this, independent radio in the UK has consistently supported ON THE ARQIVAS and exposed recording artists to the masses, despite a changing landscape for AND THE FUTURE broadcasters’ own businesses. “I’m delighted that Music Week 16. MUSIC: can be involved in celebrating the WHY COMMERCIAL RadioCentre’s Roll Of Honour” RADIO MATTERS Some say that the days of true ‘local-ness’ on the UK’s airwaves - regional radio for regional people, pioneered by 18. CHART: the likes of Les Ross and Alan Robson - are being superseded by all-powerful 40 UK NO.1 SINGLES national brands. If that’s true, support for the record industry remains reassuringly OVER 40 YEARS robust in both corners of the sector. I’m delighted that Music Week can be involved in celebrating the RadioCentre’s 22.