Annual Report
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Saskatchewan Discovery Guide
saskatchewan discovery guide OFFICIAL VACATION AND ACCOMMODATION PLANNER CONTENTS 1 Contents Welcome.........................................................................................................................2 Need More Information? ...........................................................................................4 Saskatchewan Tourism Zones..................................................................................5 How to Use the Guide................................................................................................6 Saskatchewan at a Glance ........................................................................................9 Discover History • Culture • Urban Playgrounds • Nature .............................12 Outdoor Adventure Operators...............................................................................22 Regina..................................................................................................................... 40 Southern Saskatchewan.................................................................................... 76 Saskatoon .............................................................................................................. 158 Central Saskatchewan ....................................................................................... 194 Northern Saskatchewan.................................................................................... 276 Events Guide.............................................................................................................333 -
2018 January February
JANUARY / FEBRUARY, VOL. 30, NO. 1 Catchment No. 1 (2010) 2 CALLING ALL EMERGING WRITERS Are you interested in honing your critical art writing skills? Would you like to produce essays and reviews for art publications? APPLY TODAY for a spot in CARFAC SASK's NEW Critical Art Writing Mentorship Program with the chance for publication in BlackFlash Magazine! Deadline February 16, 2018 open to for more info Saskatchewan 306.522.9788 residents only [email protected] PRESENTED BY CARFAC SASK & BLACKFLASH MAGAZINE WITH FUNDING FROM 3 ContentsVol. 30 No. 1 JANUARY/FEBRUARY 2018 Has the Artist Been Heard? Feature article by Grant McConnell 4-7 CARFAC SASK Newsletter Who Dis? Meet the mentorship pairs 8 The CARFAC SASK Newsletter is published six times per year: January/February CARFAC Way Back 9-10 March/April May/June Welcome: New Staff Member July/August CARFAC SASK Newsletter Editor 11 September/October November/December Upcoming CARFAC Workshops 12-13 Deadline for copy is the 20th day of the month before publication. Introducing: Rent-a-Mentor Program 14-15 March/April deadline: February 20 Send to: [email protected] Exhibitions & Events 16-17 News 18 © CARFAC Saskatchewan 2017 Calls & Opportunities 19 Individual authors also hold copyright to their work. Written permission is Education & Workshops 20 required to reprint. Residencies 21 Grants and Awards 22-24 Note: Due to time and space restrictions all submissions cannot be thoroughly checked or all information Membership 25 printed. Use contact listed. Staff, Board, Contact 26 Material published in the CARFAC Saskatchewan Newsletter reflects the In Remembrance: Ursulina Stepan 27 view of the author and not necessarily the view of CARFAC Saskatchewan. -
Contributors
Contributors Andres Ajens is a Chilean poet, essayist, and translator. His latest works include /E (Das Kapital, 2015) and Bolivian Sea (Flying Island, 2015). He co-directs lntemperie Ediciones (www.intemperie. cl) and Mar con Soroche (www.intemperie.cl/soroche.htm). In English: quase ftanders, quase extramadura, translated by Erin Moure from Mas intimas mistura (La Mano Izquierda, 2008), and Poetry After the Invention ofAmerica: D on't L ight the Flower, translated by Michelle Gil-Montero (Palgrave Macmillan, 2011). Mike Borkent holds a doctorate from and teaches at the University of British Columbia. His research focuses on cognitive approaches to multimodal literatures, focusing on North American visual poetry and graphic narratives. He recently co-edited the volume Language and the Creative Mind (CSLI 2013) with Barbara Dancygier and Jennifer Hinnell, and has authored several articles and reviews on poetry, comics, and criticism. He was also the head developer and co-author of CanLit Guides (www. canlitguides.ca) for the journal Canadian L iterature (2011-14). Hailing from Africadia (Black Nova Scotia), George Elliott Clarke is a founder of the field of African-Canadian literature. Revered as a poet, he is currently the (4th) Poet Laureate of T oronto (2012-15). The poems appearing here are from his epic, "Canticles," due out in November 2016 from Guernica Editions. Ruth Cuthand was born in Prince Albert and grew up in various communities throughout Alberta and Saskatchewan. With her Plains Cree heritage, Cuthand's practice explores the frictions between cultures, the failures of representation, and the political uses of anger. Her mid-career retrospective exhibition, Back Talk, curated by Jen Budney from the Mendel Art Gallery in Saskatoon, has been touring Canada since 2011. -
Changing Horizons
Changing Horizons SASKATCHEWAN ARTS BOARD 2015-2016 ANNUAL REPORT MISSION: VALUES: TABLE OF CONTENTS: The Saskatchewan Arts Board recognizes, • Accessibility — We are committed to Letter of Transmittal 2 encourages and supports the arts to enrich providing accessible and user-friendly Message from the Chair 3 community well-being, creativity, diversity and services for our clients. Message from the Chief Executive Officer 4 prosperity. • Diversity — We are committed to building Board & Staff 5 an organization that reflects the ever- VISION: Stories 6 increasing diversity of the people of A creative society where the arts, artistic Saskatchewan and which embraces a In Memory 35 expression and innovation play a dynamic role broad scope of creativity and artistic Strategic Plan 36 and are accessible to everyone in expression through the arts. Permanent Collection: New Acquisitions 38 Saskatchewan. • Accountability — Our policies and Permanent Collection: Works on Loan 40 processes are transparent and reflect a Grants & Funding 42 commitment to effective stewardship for Jurors, Assessors & Advisors 46 the public trust we hold. Management Responsibility for Financial Information 48 • Collaboration — We recognize greater Auditor's Report 48 outcomes will be achieved through Financial Statements 49 collaboration, partnerships and the engagement of clients, staff and Notes to the Financial Statements 51 stakeholders. • Excellence — Our commitment to focusing on our clients and going above and beyond to support excellence in the arts. • Adaptability — Our ability to think differently, innovate and continuously evolve in order to support our clients and the dynamic role of the arts within a creative society. Cover Image: Gabriela García-Luna Blue Wheat , 2011 Giclée print on paper Photo courtesy of the artist The Saskatchewan Arts Board provides opportunities to change horizons for people across Saskatchewan. -
2017 Annual Report
20 17 ANNU AL REPOR T Gaining M omentum resulted in lasting, YWCA childcare provided A message respectful and empowering quality education to more relationships with our than 300 children. from our community’s most vulnerable women and In reflection, this past year children. Our YWCA provided the YWCA Regina CEO Outreach team worked a platform to Speak the with nearly 200 women and Change Loudly, children this year, opportunities to Act the supporting them in feeling Change Deliberately and a MOMENTUM secure in their homes and momentum to Expect the relationships, and sharing Change to Begin Now. We The past year sped by us with them the knowledge have always been an with a force that caused a and resources needed to example of audacity and shift in conversations in our create successful futures perseverance, thanks to the community and across the for themselves. synergy and determination country, and the YWCA of folks of the YWCA Regina saw great This year also saw community. With this as momentum in our important work toward our foundation, we are movement as well. As we Reconciliation. We optimistic about the continued to confront the acknowledged that our systemic changes to come. systems and assumptions systems and communities that perpetuate gender- are broken as racism Melissa based inequities, social against Indigenous people Coomber-Bendtsen media campaigns such as prevails throughout. YWCA Chief Executive Officer #MeToo simultaneously Regina demonstrated its provided a platform that commitment to action and highlighted the magnitude reconciliation through our of these vulnerabilities. YWCA Big Sisters' Shared Journeys program, which Throughout the year, the supported young people in stories of trauma and having conversations about silencing that we hear in reconciliation. -
Goose Lane Editions Fall 2018 Where to Begin? with a Heartbeat
Goose Lane Editions Fall 2018 Where to begin? With a heartbeat. A word. An image. Fall 2018. A season of provocation, of entertainment, of complete absorption. A season of ideas. And of emotion. “This is where the heart of feminism beats.” — Annie Lennox on Powered by Love This fall our selection of new titles includes books destined for everyone’s reading list: a provocative (and yes, decidedly controversial) book on the myths of mammography by investigative journalist Renée Pellerin; a memoir of a river by one of Canada’s best nature writers, Wayne Curtis; and the first of two volumes on the Great Trail by hiker extraordinaire Michael Haynes. “Blunt, honest and well-researched.” — Flurt on F-Bomb Readers will be entranced by fabled lawman Strother Purcell in Ian Weir’s deadpan revisionist western and pulled into the undertow of history in Paul Carlucci’s ravaged high-rise of the north. In icehouse poetry, renowned poet Patricia Young and first-book author Dominque Bernier-Cormier will encourage readers to cast their gaze on a pungent, pulsating universe. Full stop. And then, with much ado, we’ll unveil a dazzling array of illustrated books, including three distinctive books of photography. ...Everything Remains Raw records the evolution of the Toronto hip hop scene through graffiti, magazine shoots, and behind-the-scenes documentary photographs. The Lost City documents the vanished neighbourhoods of Saint John razed by the progress of “urban development” in arresting, black-and-white photographs by Ian MacEachern. In One Wave, Ned Pratt transforms the Newfoundland landscape into distillations of form and colour — without a hint of nostalgia. -
Exhibit Honours Aboriginal Women
APRIL 2011 VOLUME 14 - NUMBER 4 FREE Exhibit honours Aboriginal women A photo of Amber Redman and painting of Daleen Bosse are part of the exhibit The Recog- nition of Place: Strength and Endurance of Aboriginal Women. (Photos by John Lagimodiere) ANOTHER TERM Tammy Cook Searson has been re-elected Chief of the Lac La Ronge Indian Band. - Page 13 GOODQUESTIONS Youngreportersaredigginginto the issue of homelessness in Regina. - Page 14 ART FOR CASH ByDarla Read DeanWhitebearishelpingpaint For Eagle Feather News a few masterpieces for some worthy causes in Saskatoon. new travelling, pilot exhibit is highlighting the many - Page 15 contributions and achievements of First Nations and Métis women. It also honours the lives of two First Nations women who SEIZING OPPORTUNITY Awere murdered. PeggyVermettetoldanUrban After many years of dreams and planning, Sasipenita Aboriginal Strategy gathering officially opened last month. that opportunity is knocking. The idea for the exhibit, The Recognition of Place: -Page 23 Strength & Endurance of Aboriginal Women, came about when Monica Goulet was working on her Master of Business NAIG BID Administration in 2005. She was working on an exhibit about CourageBearishopingtosee Anne Frank, and says many people asked her why there the 2014 North American wasn’t an exhibit telling the stories of Aboriginal people. InidigenousGamesinRegina. Goulet says that’s exactly the intent of this exhibit by - Page 26 Sasipenita. “It is hoped that this pilot exhibit will spark a movement, Welcome to our a collective heartbeat that will inspire and instil a sense of Arts & Entertainment Issue pride and profound respect forAboriginal women,” explains Coming In May: Goulet. -
39 Years Conserving the River Valley
39 Years Conserving the River Valley 2 0 1 7 - 2 0 1 8 ANNUAL REPORT Message from the Today, by anyone’s measure, the Meewasin Valley Project comprised of Crown Land, and that 50% of Meewasin’s – first envisioned by master planner Raymond Moriyama Conservation Zone is outside the City of Saskatoon. Chair and Interim CEO in 1978 – has been an outstanding success when one As a result, Meewasin entered the new fiscal year sees what has been accomplished in the 67 square km April 1, 2018 with optimism. The City of Saskatoon, The 2017-2018 fiscal of the Meewasin Conservation Zone. Meewasin has although only obligated to provide Meewasin with year was challenging yet grown in its 39 years to become one of the most popular $557,000, committed $1.34 million to a $3.8 million rewarding. Meewasin was and appreciated organizations in the Saskatoon region. Meewasin status quo budget. And April 10, 2018, the created four decades Yet over time, Meewasin’s future has been of concern Government of Saskatchewan tabled a budget providing ago in 1979 by an Act as the funding provided by the statutory formula, when Meewasin with $500,000 in funding, the same amount of the Government indexed to the cost of inflation, has dropped from $36 per allocated to Meewasin by the Government in 2017. This of Saskatchewan. capita in the early 1980s to now less than $7 per capita. funding added to the city contribution and $647,000 Colin Tennent, Chair Doug Porteous, The people wanted a In response, Meewasin has had to gradually reduce its Interim CEO from the University of Saskatchewan flowed through conserved river valley, programs and services. -
City of Moose Jaw South Hill Local Area Plan
2015 City of Moose Jaw South Hill Local Area Plan Prepared for: City of Moose Jaw Planning and Development Services Provided by: Prairie Wild Consulting Co. 0 Acknowledgements South Hill Community Association Through a dynamic and collaborative process, the residents, businesses and neighbours of South Hill, together with their Council and staff can take pride in the development of this document known as the South Hill Local Area Plan. The involvement of many South Hillers and the wider community members of Moose Jaw, in the development and review of the South Hill Local Area Plan are gratefully acknowledged. Residents and stakeholders were a part of five community engagement sessions and an open house. These residents and stakeholders are an important source of community information and opinions about the future of South Hill. We would also like to extend our appreciation to: City of Moose Jaw Moose Jaw Housing Authority Committee 1 Table of Contents Acknowledgements ............................................................................................................................................................................................................................... 1 Table of Contents .................................................................................................................................................................................................................................. 2 Section 1: Welcome to Local Area Planning ........................................................................................................................................................................................ -
Annual Report 100 Years of Heart
2004 2005 Annual Report 100 Years of HeART PART OF OUR LIVES The Honourable Dr. Lynda Haverstock Lieutenant Governor of Saskatchewan Your Honour: The Saskatchewan Arts Board is pleased to submit its annual report for the fiscal year April 1, 2004 to March 31, 2005. The Saskatchewan Arts Board’s financial statements are included and have been audited by the provincial auditor. Respectfully submitted on behalf of the Saskatchewan Arts Board, The Honourable Joan Beatty Colleen M. Bailey Minister Responsible for Chair Culture, Youth and Recreation Saskatchewan Arts Board TABLE OF CONTENTS PART of our Province 1 PART of our Memory 5 PART of our Community 6 PART of Learning 9 PART of Work 12 PART of Well-being 14 PART of our Identity 16 PART of Achievement 20 PART of our Celebrations 22 Management Responsibility for Financial Information 32 Auditor’s Report 32 Financial Statements 33 Notes to Financial Statements 37 The past year has been an exciting one for the arts in our province. 2005 marks Saskatchewan’s 100th birthday and we are pleased that the arts are a prominent part of many of your centennial celebrations. The arts have played an important role in the lives of Saskatchewan people for these many decades and it’s great to see this recognized in our 100th year. This year’s annual report introduces the theme PART of Our Lives, which we have adopted to highlight the importance of the arts in the daily lives of all Saskatchewan people. Regardless of where we live, our culture or our age, the arts inspire us and make the places we call home unique. -
Indigenous History: Indigenous Art Practices from Contemporary Australia and Canada
Sydney College of the Arts The University of Sydney Doctor of Philosophy 2018 Thesis Towards an Indigenous History: Indigenous Art Practices from Contemporary Australia and Canada Rolande Souliere A thesis submitted in partial fulfilment of requirements for the degree of Doctor of Philosophy at Sydney College of the Arts, University of Sydney This is to certify that to the best of my knowledge, the content of this thesis is my own work. This thesis has not been submitted for any degree or other purposes. I certify that the intellectual content of this thesis is the product of my own work and that all the assistance received in preparing this thesis and sources have been acknowledged. Rolande Souliere i ACKNOWLEDGEMENTS I would like to thank Dr. Lynette Riley for her assistance in the final process of writing this thesis. I would also like to thank and acknowledge Professor Valerie Harwood and Dr. Tom Loveday. Photographer Peter Endersbee (1949-2016) is most appreciated for the photographic documentation over my visual arts career. Many people have supported me during the research, the writing and thesis preparation. First, I would like to thank Sydney College of the Arts, University of Sydney for providing me with this wonderful opportunity, and Michipicoten First Nation, Canada, especially Linda Petersen, for their support and encouragement over the years. I would like to thank my family - children Chloe, Sam and Rohan, my sister Rita, and Kristi Arnold. A special thank you to my beloved mother Carolyn Souliere (deceased) for encouraging me to enrol in a visual arts degree. I dedicate this paper to her. -
A Translocal Approach to Dialogue-Based Art
University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2017 A Translocal Approach to Dialogue-based Art KNOWLES, RACHELLE MARIE VIADER http://hdl.handle.net/10026.1/10269 University of Plymouth All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. A translocal approach to dialogue-based art by Rachelle Marie Viader Knowles A thesis submitted to Plymouth University in partial fulfilment for the degree of DOCTOR OF PHILOSOPHY August 2017 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author's prior consent. Acknowledgements First and foremost, I would like to thank my supervisors, Dr Sarah Bennett (Director of Studies) and Dr Geoff Cox (Second Supervisor). At every step of this journey, Sarah and Geoff have supported, provoked, challenged and pushed my thinking always a step further than I thought it or I could go. I am deeply grateful for the attention, diligence and commitment they have given to this process and the exceptional support they have given to me. Thank you. The experience of undertaking this PhD has been one of joyful collegiality and friendship with a group of peers beyond anything I could have hoped for.