Topos in Utopia a Peregrination to Early Modern Utopianism’S Space
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Varieties of Modernist Dystopia
Towson University Office of Graduate Studies BETWEEN THE IDEA AND THE REALITY FALLS THE SHADOW: VARIETIES OF MODERNIST DYSTOPIA by Jonathan R. Moore A thesis Presented to the faculty of Towson University in partial fulfillment of the requirements for the degree Master of Arts Department of Humanities Towson University Towson, Maryland 21252 May, 2014 Abstract Between the Idea and the Reality Falls the Shadow: Varieties of Modernist Dystopia Jonathan Moore By tracing the literary heritage of dystopia from its inception in Joseph Hall and its modern development under Aldous Huxley, George Orwell, Samuel Beckett, and Anthony Burgess, modern dystopia emerges as a distinct type of utopian literature. The literary environments created by these authors are constructed as intricate social commentaries that ridicule the foolishness of yearning for a leisurely existence in a world of industrial ideals. Modern dystopian narratives approach civilization differently yet predict similarly dismal limitations to autonomy, which focuses attention on the individual and the cultural crisis propagated by shattering conflicts in the modern era. During this era the imaginary nowhere of utopian fables was infected by pessimism and, as the modern era trundled forward, any hope for autonomous individuality contracted. Utopian ideals were invalidated by the oppressive nature of unbridled technology. The resulting societal assessment offers a dark vision of progress. iii Table of Contents Introduction: No Place 1 Chapter 1: Bad Places 19 Chapter 2: Beleaguered Bodies 47 Chapter 3: Cyclical Cacotopias 72 Bibliography 94 Curriculum Vitae 99 iv 1 Introduction: No Place The word dystopia has its origin in ancient Greek, stemming from the root topos which means place. -
Church Trends in Latin America
A PROLADES Study, Reflection & Discussion Document DRAFT COPY - NOT FOR PUBLICATION Church Trends in Latin America Compiled and Edited by Clifton L. Holland, Director of PROLADES Last revised on 21 December 2012 Produced by PROLADES Apartado 1525-2050, San Pedro, Costa Rica Telephone: 506-2283-8300; FAX 506-234-7682 E-mail: [email protected] Internet: www.prolades.com 2 CONTENTS Introduction: Defining the “full breadth of Christianity in Latin America” I. A General Overview of Religious Affiliation in Latin America and the Caribbean by Regions and Countries, 2010………………………………………………………………….. 5 II. The Western Catholic Liturgical Tradition……………………………………………………. 10 A. Introduction………………………………………………………………………………………... 10 B. The period of Roman Catholic hegemony in Latin America, 1500-1900…………………………. 18 (1) The Holy Office of the Inquisition in the Americas…………………………………………… 18 (2) Religious Liberty in Latin America after Independence………………………………………. 26 (3) Concordats……………………………………………………………………………………. 32 C. The period of accelerated religious change in Latin America, 1800 to date……………………… 36 D. Defections from the Roman Catholic Church in Latin America since 1950; the changing religious marketplace………………………………………………………………... 41 (1) Defections to Protestantism…………………………………………………………………… 42 (2) Defections to Marginal Christian groups……………………………………………………... 60 (3) Defections to independent Western Catholic movements…………………………………….. 60 (4) Defections to non-Christian religions………………………………………………………… 61 (5) Defections to secular society (those with no -
Ideal Cities
国際シンポジウム「イタリアの都市における文化的表象」 (国際言語文化研究所 研究所重点プログラム「風景・空間の表象,記憶,歴史」) Ideal Cities Raffaele MILANI Reflections on the subject of antiquity and the future In the history of art, we find many recurrences of antiquity, since it is a source of instruction and a model for subsequent aesthetic developments. In his studies of Neoclassical and Romantic aesthetics and poetics, Rosario Assunto1 illustrates that antiquity itself can be experienced as the future. It can be said that memory underpins all innovation and gives authenticity to new and, at times, shocking forms. Antiquity is present in artworks in the play of fantastic forms we find in masterpieces. This presence entails the reinterpretation of images from the Classicism of the Romans to that of the age of Charlemagne, from Humanism to the Enlightenment, from the Renaissance of the modern era to the Renaissance of the postmodern era. Even the Greeks reinvented their past in an “archeology of nostalgia”, to use John Boardman’s2 expression. Greek antiquity features myth, history, imagination, and personifications in an amalgam of meanings and symbols. Classicism is synonymous with values considered to be universal: perfection, proportion, equilibrium, harmony, grace, and intensity and naturalness of figures. In this sense, we can speak of a future dimension of Classicism, according to Salvatore Settis, who studies the phases of the Western artistic tradition. He argues that the more we see the “classical” not as a dead culture we inherited and for which we can take no credit but as something surprising to be recreated each day and as a powerful stimulus to understand the “other”, the more we will be able to mould future generations3. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G. Phd, Mphil, Dclinpsychol) at the University of Edinburgh
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Desire for Perpetuation: Fairy Writing and Re-creation of National Identity in the Narratives of Walter Scott, John Black, James Hogg and Andrew Lang Yuki Yoshino A Thesis Submitted to The University of Edinburgh for the Degree of Doctor of Philosophy Department of English Literature 2013 Abstract This thesis argues that ‘fairy writing’ in the nineteenth-century Scottish literature serves as a peculiar site which accommodates various, often ambiguous and subversive, responses to the processes of constructing new national identities occurring in, and outwith, post-union Scotland. It contends that a pathetic sense of loss, emptiness and absence, together with strong preoccupations with the land, and a desire to perpetuate the nation which has become state-less, commonly underpin the wide variety of fairy writings by Walter Scott, John Black, James Hogg and Andrew Lang. -
In Versions of Saint Brendan's Travels
PARADISE (?) IN VERSIONS OF SAINT BRENDAN’S TRAVELS Leif Søndergaard Syddansk Universitet Abstract Travel accounts were the most popular genre during the Middle Ages. Travelling went in all directions but preferably to the East, where Paradise was believed to be located. Paradise was hidden behind an ocean, a wall of fire or insurmountable mountains and thus inacces- sible. Saint Brendan’s voyage went west and the vast majority of scholars have claimed that Saint Brendan arrived in Paradise even if the various texts lack evidence for it, and in several ways. I characterize this apparent Paradise in the Navigatio version as a “fake Paradise,” because it is located to the west in contrast to the long tradition of Paradise descriptions and the mappae mundi where Paradise is always situated to the east. I call the Promised Land in the vernacular Voyage version a “pseudo-Paradise” despite the Christian elements, primarily because of its location and because Saint Brendan claims that he had been there. Key words: Travel account, Saint Brendan, Paradise, Promised Land, Garden of Eden, Mappa mundi, Land of Cockaigne. Resumen Los relatos de viajes fueron el género más popular durante la Edad Media. El viajero partía 13 en todas direcciones, pero preferiblemente hacia el este, donde se creía que se localizaba el Paraíso. Éste se escondía tras un océano, una muralla de fuego o montañas inaccesibles, por lo que era inalcanzable. El viaje de San Brendano se dirigió hacia el oeste, y una amplia mayoría de especialistas ha destacado, aun sin textos que lo evidencien, que el santo llegó al Paraíso. -
Six Canonical Projects by Rem Koolhaas
5 Six Canonical Projects by Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Rem Koolhaas Architecture Prize for the year 2000. This book, which builds on six canonical projects, traces the discursive practice analyse behind the design methods used by Koolhaas and his office + OMA. It uncovers recurring key themes—such as wall, void, tur montage, trajectory, infrastructure, and shape—that have tek structured this design discourse over the span of Koolhaas’s Essays on the History of Ideas oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles archi manifest in other works by Koolhaas as both practical re- Ingrid Böck applications and further elaborations. In addition to Koolhaas’s individual genius, these textual and material layers are accounted for shaping the very context of his work’s relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which OMA has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas. Ingrid Böck is a researcher at the Institute of Architectural Theory, Art History and Cultural Studies at the Graz Ingrid Böck University of Technology, Austria. “Despite the prominence and notoriety of Rem Koolhaas … there is not a single piece of scholarly writing coming close to the … length, to the intensity, or to the methodological rigor found in the manuscript -
For People Who Love Early Maps Early Love Who People for 143 No
143 INTERNATIONAL MAP COLLECTORS’ SOCIETY WINTER 2015 No.143 FOR PEOPLE WHO LOVE EARLY MAPS JOURNAL ADVERTISING Index of Advertisers 4 issues per year Colour B&W Altea Gallery 57 Full page (same copy) £950 £680 Half page (same copy) £630 £450 Art Aeri 47 Quarter page (same copy) £365 £270 Antiquariaat Sanderus 36 For a single issue 22 Full page £380 £275 Barron Maps Half page £255 £185 Barry Lawrence Ruderman 4 Quarter page £150 £110 Flyer insert (A5 double-sided) £325 £300 Collecting Old Maps 10 Clive A Burden 2 Advertisement formats for print Daniel Crouch Rare Books 58 We can accept advertisements as print ready artwork saved as tiff, high quality jpegs or pdf files. Dominic Winter 36 It is important to be aware that artwork and files Frame 22 that have been prepared for the web are not of sufficient quality for print. Full artwork Gonzalo Fernández Pontes 15 specifications are available on request. Jonathan Potter 42 Advertisement sizes Kenneth Nebenzahl Inc. 47 Please note recommended image dimensions below: Kunstantiquariat Monika Schmidt 47 Full page advertisements should be 216 mm high Librairie Le Bail 35 x 158 mm wide and 300–400 ppi at this size. Loeb-Larocque 35 Half page advertisements are landscape and 105 mm high x 158 mm wide and 300–400 ppi at this size. The Map House inside front cover Quarter page advertisements are portrait and are Martayan Lan outside back cover 105 mm high x 76 mm wide and 300–400 ppi at this size. Mostly Maps 15 Murray Hudson 10 IMCoS Website Web Banner £160* The Observatory 35 * Those who advertise in the Journal may have a web banner on the IMCoS website for this annual rate. -
Literary Convention in Paul Muldoon's Madoc
ABSTRACT MULLINS, MATTHEW RYAN. 20th Century Texts—19th Century Narratives: Literary Convention in Paul Muldoon’s Madoc: A Mystery and Ishmael Reed’s Flight to Canada. (Under the direction of Thomas Lisk.) This thesis explores how Paul Muldoon and Ishmael Reed use literary and historical conventions to comment on the value of literary conventions in the context of contemporary literature and culture. Muldoon uses poetic conventions in Madoc: A Mystery, while Reed uses slave narrative conventions in Flight to Canada. The value of reexamining these conventions in a contemporary context is to see their persisting importance and influence in literature and culture, and also to see where, perhaps, they may have fallen short as is the case with some of the slave narrative conventions appropriated by Reed. No previous research has placed Madoc and Flight to Canada side by side. By placing these two texts side by side, we can get a better idea of the irreducible complexity of language. Both Muldoon and Reed use language that can only be reduced to a lowest common denominator that is, in itself, complex. Both authors also offer a revisionist history that questions capital “T” truth, and the concepts of time and history in general. And, in both texts, America is critiqued for falling short of its once-ripe New World aspirations. By appropriating literary conventions, Muldoon and Reed pull two hundred years into the span of a few hundred pages, and use convention to challenge convention while learning from convention in the process. 20th Century Texts—19th Century Narratives: Literary Convention in Paul Muldoon’s Madoc: A Mystery and Ishmael Reed’s Flight to Canada. -
Avant La Lettre: Contradictory Affinities in Antonio Flores, Juan Bautista Amorós (Silverio Lanza) and Ángel Ganivet
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen's University Research Portal Avant la Lettre: Contradictory Affinities in Antonio Flores, Juan Bautista Amorós (Silverio Lanza), and Ángel Ganivet Lawless, G. (2018). Avant la Lettre: Contradictory Affinities in Antonio Flores, Juan Bautista Amorós (Silverio Lanza), and Ángel Ganivet. Modern Languages Open, (1), [13]. DOI: 10.3828/mlo.v0i0.180 Published in: Modern Languages Open Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights Copyright 2018 the author. This is an open access article published under a Creative Commons Attribution License (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium, provided the author and source are cited. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:06. -
Recent Publications 1984 — 2017 Issues 1 — 100
RECENT PUBLICATIONS 1984 — 2017 ISSUES 1 — 100 Recent Publications is a compendium of books and articles on cartography and cartographic subjects that is included in almost every issue of The Portolan. It was compiled by the dedi- cated work of Eric Wolf from 1984-2007 and Joel Kovarsky from 2007-2017. The worldwide cartographic community thanks them greatly. Recent Publications is a resource for anyone interested in the subject matter. Given the dates of original publication, some of the materi- als cited may or may not be currently available. The information provided in this document starts with Portolan issue number 100 and pro- gresses to issue number 1 (in backwards order of publication, i.e. most recent first). To search for a name or a topic or a specific issue, type Ctrl-F for a Windows based device (Command-F for an Apple based device) which will open a small window. Then type in your search query. For a specific issue, type in the symbol # before the number, and for issues 1— 9, insert a zero before the digit. For a specific year, instead of typing in that year, type in a Portolan issue in that year (a more efficient approach). The next page provides a listing of the Portolan issues and their dates of publication. PORTOLAN ISSUE NUMBERS AND PUBLICATIONS DATES Issue # Publication Date Issue # Publication Date 100 Winter 2017 050 Spring 2001 099 Fall 2017 049 Winter 2000-2001 098 Spring 2017 048 Fall 2000 097 Winter 2016 047 Srping 2000 096 Fall 2016 046 Winter 1999-2000 095 Spring 2016 045 Fall 1999 094 Winter 2015 044 Spring -
One Goal, Two Methods Belgian and Dutch CICM Missionaries in Mongolia and Gansu During the Late Nineteenth Century
One Goal, two Methods Belgian and Dutch CICM missionaries in Mongolia and Gansu during the late nineteenth century Word count (excluding references): 25’508 Research Master Thesis: 30 ECTS Supervisor: Prof. Dr. Jos Gommans 25-12-2019 Thidrek Vossen (胡岺憧) ) Leiden University, s2095939 Motetpad 9, Nijmegen [email protected] - +31613932668 Inhoud Preface and acknowledgements ............................................................................................................. 2 Introduction ............................................................................................................................................. 3 Previous research ................................................................................................................................ 4 Method, sources and language ........................................................................................................... 8 Structure ............................................................................................................................................ 10 Ch. 1: The Historical and Spatial context of Scheut .............................................................................. 11 The Nineteenth Century Global Changes .......................................................................................... 11 The Chinese North-West: A Spatial consideration ............................................................................ 14 A Short Frontier History................................................................................................................ -
1 4 Henry Stead Swinish Classics
Pre-print version of chapter 4 in Stead & Hall eds. (2015) Greek and Roman Classics and the British Struggle for Social Reform (Bloomsbury). 4 Henry Stead Swinish classics; or a conservative clash with Cockney culture On 1 November 1790 Edmund Burke’s Reflections on the Revolution in France was published in England. The counter-revolutionary intervention of a Whig politician who had previously championed numerous progressive causes provided an important rallying point for traditionalist thinkers by expressing in plain language their concerns 1 Pre-print version of chapter 4 in Stead & Hall eds. (2015) Greek and Roman Classics and the British Struggle for Social Reform (Bloomsbury). about the social upheaval across the channel. From the viewpoint of pro- revolutionaries, Burke’s Reflections gave shape to the conservative forces they were up against; its publication provoked a ‘pamphlet war’, which included such key radical responses to the Reflections as Mary Wollstonecraft’s A Vindication of the Rights of Man (1790) and Tom Paine’s The Rights of Man (1791).1 In Burke’s treatise, he expressed a concern for the fate of French civilisation and its culture, and in so doing coined a term that would haunt his counter-revolutionary campaign. Capping his deliberation about what would happen to French civilisation following the overthrow of its nobility and clergy, which he viewed as the twin guardians of European culture, he wrote, ‘learning will be cast into the mire, and trodden down under the hoofs of a swinish multitude’. This chapter asks what part the Greek and Roman classics played in the cultural war between British reformists and conservatives in the periodical press of the late 1810s and early 1820s.