Kerrisdale Cameras: Used List
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Nikon F3 Instruction Manual
Nomenclature 1. Shutter-speed dial locking button 2. Depth-of-field preview button 3. Mirror lockup lever 4. Neckstrap eyelet 5. Self-timer LED 6. Backup mechanical release lever 7. Expose memory lock button 8. Lens mounting flange 9. Reflex mirror 14. ADR window 15. Film rewind knob 16. ASA/ISO film speed/Exposure compensation dial 17. Sync terminal 18. Lens mounting index 19. Lens release button 20. Meter coupling lever release button 21. Meter coupling lever 22. Viewfinder illuminator 10. Motor drive coupling 11. Motor drive positioning hole 12. Film rewind button 13. Memo holder 23. Tripod/Motor drive coupling socket 24. Motor drive electrical contacts 25. Battery chamber lid 26. Motor drivecoupling cover 27. Depth-of-field indicators/Mounting ring 28. Focusing ring 29. Aperture ring 30. Meter coupling ridge 31. Finder mounting/release levers 32. Exposure compensation scale 33. Exposure compensation index 34. Film rewind crank 35. Hot-shoe contacts 36. Accessory shoe 37. Camera back lock lever 38. Exposure compensation locking button 39. ASA/ISO film-speed scale 40. Eyepiece shutter lever 41. Viewfinder eyepiece 42. Shutter speed index 43. Aperture/Focusing index 44. Meter coupling shoe 45. Distance scale 46. Aperture-direct-readout scale 47. Viewfinder illuminator button 48. Self-timer lever 49. Self-timer ON index 50. Power switch ON index 51. Power switch 52. Multiple exposure lever 53. Shutter release button 54. Frame counter 55. Film advance lever 56. Shutter-speed scale 57. Shutter speed dial 58. Film plane indicator TABLE OF -
Film Camera That Is Recommended by Photographers
Film Camera That Is Recommended By Photographers Filibusterous and natural-born Ollie fences while sputtering Mic homes her inspirers deformedly and flume anteriorly. Unexpurgated and untilled Ulysses rejigs his cannonball shaming whittles evenings. Karel lords self-confidently. Gear for you need repairing and that film camera is photographers use our links or a quest for themselves in even with Film still recommend anker as selections and by almost immediately if you. Want to simulate sunrise or sponsored content like walking into a punch in active facebook through any idea to that camera directly to use film? This error could family be caused by uploads being disabled within your php. If your phone cameras take away in film photographers. Informational statements regarding terms of film camera that is recommended by photographers? These things from the cost of equipment, recommend anker as true software gizmos are. For the size of film for street photography life is a mobile photography again later models are the film camera that is photographers stick to. Bag check fees can add staff quickly through long international flights, and the trek on entire body from carrying around heavy gear could make some break down trip. Depending on your goals, this concern make digitizing your analog shots and submitting them my stock photography worthwhile. If array passed by making instant film? Squashing ever more pixels on end a sensor makes for technical problems and, in come case, it may not finally the point. This sounds of the rolls royce of london in a film camera that is by a wide range not make photographs around food, you agree to. -
Express Camera Auction 27Th June 2018 at 10:00
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Express Camera Auction 27th June 2018 at 10:00 Viewing 26th June 2018 10:00-16:00 For enquiries relating to the sale: Saleroom One Please contact: 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 Fax: 0871 714 6905 Email: [email protected] www.specialauctionservices.com Austin Mike Spencer Farahar Express Cameras Cameras Bid Here Without Being Here All you need is your computer and an internet connection and you can make real-time bids in real-world auctions at the-saleroom.com. You don’t have to be a computer whizz. All you have to do is visit www.the-saleroom.com and register to bid - its just like being in the auction room. A live audio feed means you hear the auctioneer at the same time as other bidders. You see the lots on your computer screen as they appear in the auction room and the auctioneer is aware of your bids the moment you make them. Just register and click to bid! 7. Kodak Retina Cameras, 13. 35mm Film Strip Projectors, models include, Retina Ib with 50mm Ellis & Newton Ltd with Leech series f/2.8 Schneider-Kreuznach lens (G), II 3’’ lens, Pullin Optics with Pulnar 4’’ Retina IIa (2) and a Retinette Ib (100mm) f/2.8 lens, both in wooden £40-60 carry cases £30-50 14. A Kodascope Model C 1. Four TLR Cameras, models Projector, including lens, reels, in include, Rolleicord II with triostar makers case £20-40 7.5cm f/3.5 lens, a Mamiyaflex with Sekor 7.5cm f3.5 lens, a Ricoh super 44 with Riken 6cm f/3.5 lens and a Semiflex with a Berthot 75mm f/4.5 lens £50-70 8. -
Farewell to the Kodak DCS Dslrs
John Henshall’s Chip Shop FAREWELL TO THE KODAK DCS John Henshall looks at Kodak’s legacy as the end of its DSLR production is announced . hen Kodak introduced the the world’s first totally portable Digital W Camera System – the DCS – in 1991 it established Eastman Kodak as the world leader of professional digital image capture. Fourteen years later, Kodak has just announced that it is ending production 1992: DCS200 of Digital Single Lens Reflex cameras. The DCS was a product launched ahead of its potential market, but one which indelibly marked the start of the future of photography. Kodak was smart. It housed its DCS in something photographers were already at home with: a Nikon F3 camera body. All the F3’s functions were retained, and the DCS used standard Nikon lenses. Only the 1991: The original Kodak DCS [100] and DSU 2005: Last of the line – the DCS ProSLR/c focusing screen was changed. A new Kodak-produced digital The relative sensitivity of the camera back was fixed to the Nikon F3 DCS camera back was ISO100. body. A light sensitive integrated circuit Exposure could be ‘pushed’ by – Charge Coupled Device – was fitted one, two or three ƒ-stops to into its film plane. ISO200, 400 or 800 on an This CCD image sensor had an individual shot-by-shot basis. incredible 1.3 million individual pixels It was not necessary to m o c . – more than four times as many as in expose a whole ‘roll of film’ at e r t n television cameras – arranged in a the same ISO rating, as was e c - i 1024 x 1280 pixel rectangle measuring necessary when shooting film. -
Hugostudio List of Available Camera Covers
Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII -
Quack Spring 2016
Spring 2016 - Vol. 14, Issue 2 All contents © 2016 E.J. Peiker Welcome to the quarterly newsletter from E.J. Peiker, Nature Photographer and www.EJPhoto.com . In this quarterly publication, I share with fellow photographers my photographic experiences, photo equipment reviews, photo and processing tips, and industry news. I also inform subscribers about upcoming workshops and products that I offer. Please feel free to forward this to other photographers and interested parties but please do so only by forwarding this newsletter in its entirety. All content is copyrighted by E.J. Peiker and may not be reproduced. If you would like to be added to the mailing list, unsubscribe, or access back issues, please visit: www.ejphoto.com/newsletter.htm Everglades Sunset (Sony a7R II, Loxia 50mm) New Gear Announcements The first three months of the year always hosts a number of electronics, photography and videography trade shows. In line with these shows, the camera equipment manufacturers use this period for many new gear announcements. Let's take a quick look at some of the most notable cameras and lenses announced so far this year that might be of interest to the nature photographer. Cameras Every Leap Year brings with it an extra day in February, another edition of the Summer Olympics and the latest high end super fast shooting professional DSLR flagship cameras from Canon and Nikon 2016 is no exception to this trend. Canon introduced the EOS 1Dx Mark II and Nikon introduced the D5 action/sports orients DSLRs. These cameras offer a very similar feature set. -
SB-22S’S Built-In Sensor Measures the Flash Illumination Reflected Back from the in This Mode, the Flash Always Fires at Full Output
Preparation TTL Auto Flash t Mode Non-TTL Auto Flash ˙ Mode Manual Flash ƒ Mode The built-in TTL auto flash sensor in cameras so equipped measures the illumination The SB-22s’s built-in sensor measures the flash illumination reflected back from the In this mode, the flash always fires at full output. Manual flash photography is recommended Set the SB-22s’s POWER switch to OFF, then slide down the battery provided by the SB-22s that is reflected back from the subject. This measurement is made subject, automatically controlling the flash output to give you the correct exposure. when shooting subjects in which the correct exposure is difficult to obtain in the TTL or 1 chamber lid in the direction of the arrow and lift it off. through-the-lens and when the light is sufficient to ensure proper exposure, the camera This is called the Non-TTL Auto Flash A mode. A choice of four shooting apertures at Non-TTL Auto Flash mode or when you want to exercise your creative preferences. 11 sends a signal to the SB-22s to stop firing. TTL Auto Flash TTL mode* provides simple 16 A1 to A4 are available, covering a variety of shooting distances. 22 and effective flash operation, recommended for users with little experience with flash. Set your camera’s exposure mode to Aperture-priority auto (A) or Manual (M). m 0.6 0.91.3 2 3 5 7 10 Autofocus Speedlight ft 23468 1215 20 30 40 1 ● Set your camera’s metering system to any setting. -
Price List and Camera Models
I’m Back® GmbH Digital Back for 35mm Analog Cameras Carlo Maderno 24 6900 Lugano Switzerland Cell.: +41 789 429 998 www.imback.eu [email protected] I’m Back® 35mm Digital Back Details: Sensor: 16Mega CMOS Sensor Panasonic 34120 Display: 2.0"capacitive touch screens Picture System: Focusing screen Auto White: yes Video Resolution: UHD24(2880*2160) QHD30(2560*1440) Balance: yes 108OP60/30 720P120/60/30 VGA240 Auto Eve: yes Video nal aspect: Focusing screen/Vintage Picture ip: yes Picture Size: 20M 16M 12M 10M 8M 5M 3M VGA WIFI: yes Video Format: MP4 H.264 Remote: yes Picture Format: JPG & RAW Language EN FR ES PT DE IT CN RU JP Storage Capacity: Max 64Gb Battery: 3.7V 2.700mAh USB Interface: USB TYPE-C Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture IBP I'm Back PRO All main Brands 299 IBU Universal Cover All main Brands 49 CA1 Dedicated Cover Canon F-1 69 Canon A Canon A1 CA2 Dedicated Cover 49 Canon AE1 Canon AE1 program Canon FT CA3 Dedicated Cover 49 Canon FTB CA4 Dedicated Cover Canon eos300 69 CN1 Dedicated Cover Contax II 49 Contax G1 CN2 Dedicated Cover 79 CN3 Dedicated Cover Contax RTS 49 CN4 Dedicated Cover Contax G2 79 I’m Back GmbH | Via Carlo Maderno 24 | CH – 6900 Lugano |IDI: CHE-216.910.630 | [email protected] | www.imback.eu Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture DN1 Dedicated Cover -
Modern Classic Slrs Series : Nikon F3 AF - Full Specifications
Modern Classic SLRs Series : Nikon F3 AF - Full Specifications Specifications Type of camera 35mm single-lens-reflex Picture format: 24mm x 36mm (standard 35mm film format) Lens mount: Nikon bayonet mount Lenses: Autofocus operation:AF-Nikkor 80mm f/2.8 and 200mm f/3.5 IF-ED; focus-aid operation: more than 30 Nikkor and Nikon Series E lenses with a maximum apeture of f/3.5 or faster; manual operation: more than 60 Nikkor and Nikon Series E lenses available. Focus detecting system: TTL image displacement detecting system by SPDs built into AF-Finder DX-1 Brightness range for autofocus/focus aid operation: Appox EV 4~EV 20 (at ASA/ISO 100) Focus information display: Visible in the viewfinder via red LEDs; two red arrows light up to indicate correct focus in autofocus/focus-aid operation, right or left hand arrows indicate out-of-focus image (too near or too far), red X glows to when autofocus/focus-aid is impossible or subject is out of focus to a great extent. Focus lock buttons: Two buttons provided on AF-Nikkor lens barrel; either locks lens distance setting during autofocus operation. Exposure control system>: Apeture priority automatic exposure or manual override and backup mechanical control; through the lens, full apeture metering via silicon photodiode (SPD) with centreweighted metering pattern and metering circuits incorporated into the camera body; meter works with all viewfinders. Metering range: EV 1 to EV18 at ASA/ISO 100 with f/1.4 lens or EV 3 to EV 20 at ASA/ISO 100 with f/2.8 lens. -
Second-Hand-Artikel Stand 21.11.2019
Calumet Photographic - Second-Hand-Artikel Stand 21.11.2019 * Mit Diff.-Best. bezeichenete Artikel werden nach § 25a UStG als Gebrauchtwaren differenzbesteuert. Daten Beschreibung Zustand Artikelnr. Steuer-Art Excl MwST incl. MwSt. Shop Berlin 030 257 571 0 Arca Swiss Discovery 4x5 mit 150mm Zust.:A SN:xxx 150mm Copal, 3xPFK,Case 19B0137D1 Diff.-Best. 999,01 B.I.G. Nikon N-AF DG 1,4 Auto Teleconverter Zust.:A SN:xxx 19B0127D6 Diff.-Best. 40,00 Bowens Wabenreflektor mit Wabe + Engstrahl+Wabe Zust.:AB 17B0085D10 Diff.-Best. 59,00 Calumet Hintergrund Aufhängung CAL6095 Zust.:AB SN: 19B04424 MwSt. 100,84 120,00 Canon EF 50mm 1,8 STM Zust.:B S/N:4615110153 19B0651D3 Diff.-Best. 59,00 Canon 430 EX II Blitz, Tasche Zust.:AB S/N:483569 19B0649D2 Diff.-Best. 129,00 Canon 430 EX Blitz, Fuß, Tasche Zust.:AB SN:513917 19B0436D5 Diff.-Best. 49,00 Canon 430 EX II Blitz+OVP Zust.:AB S/N:852942 19B0555D4 Diff.-Best. 176,00 Canon Batteriegriff BG-E21 f. Canon EOS 6D Mark II Zust.:AB S/N:400009230 19B0576D2 Diff.-Best. 80,00 Canon Batteriegriff BG-E21 f. Canon EOS 6D Mark II Zust.:AB S/N:5000000254 19B0643D2 Diff.-Best. 130,00 Canon Batteriegriff BG-E7 f. EOS 7D Zust.:A SN:400009230 19B0336D2 Diff.-Best. 29,00 Canon EF 100 mm/2,8 L Macro IS USM Zust.:AB S/N:3945425 19B0661D2 Diff.-Best. 709,00 Canon EF 100 mm/2,8 L Macro IS USM+OVP+Zub. Zust.:A S/N:6538250 19B0577D4 Diff.-Best. -
Digitális Fotokamerák
DIGITÁLIS FOTOKAMERÁK 2020 augusztus blzs ver. 1.1 TARTALOMJEGYZÉK 1. A digitális kameragyártás általános helyzete…………………………...3 2. Középformátum………………………………………………………...6 2.1 Hátfalak……………………………………………………………..9 2.2 Kamerák…………………………………………………………...18 3. Kisfilmes teljes képkockás formátum………………………………….21 3.1 Tükörreflexesek……………………………………………………22 3.2 Távmérősek………………………………………………………...31 3.3 Kompaktok…………………………………………………………33 3.4 Tükörnélküli cserélhető objektívesek………………………………35 4. APS-C formátum……………………………………………………….42 4.1 Tükörreflexesek…………………………………………………….43 4.2 Kompaktok………………………………………………………….50 4.3 Tükörnélküli cserélhető objektívesek……………………………….53 5. Mikro 4/3-os formátum…………………………………………………60 5.1 Olympus…………………………………………………………….61 5.2 Panasonic…………………………………………………………...64 6. „1 col”-os formátum……………………………………………………69 6.1 Cserélhető objektívesek…………………………………………….69 6.2 Beépített objektívesek………………………………………………71 7. „Nagyszenzoros” zoom-objektíves kompaktok………………………..75 8. „Kisszenzoros” zoom-objektíves kompaktok………………………….77 8.1 Bridge kamerák…………………………………………………….78 8.2 Utazó zoomos ( szuperzoomos ) kompaktok……………………….81 8.3 Strapabíró ( kaland- víz- ütés- porálló ) kompaktok………………..83 9. A kurrens kamerák összefoglalása……………………………………...87 9.1 Technológia szerint…………………………………………………87 9.2 Gyártók szerint……………………………………………………..89 10. Gyártók és rendszereik………………………………………………....90 10.1 Canon……………………………………………………………...91 10.2 Sony……………………………………………………………….94 10.3 Nikon……………………………………………………………...98 10.4 Olympus………………………………………………………….101 10.5 Panasonic………………………………………………………...104 -
Fujica Stx-1 4
FUJICA STX-1 This camera manual library is for reference and historical purposes, all rights reserved. This page is copyright by M. Butkus, NJ. This page may not be sold or distributed without the expressed permission of the producer On-line camera manual library This is the full text and images from the manual. If you find this manual useful, how about a donation of $3 to: M. Butkus, 29 Lake Ave., High Bridge, NJ 08829-1701 This will help me to continue to host this site, buy new manuals, and pay their shipping costs. It'll make you feel better, won't it? If you use Pay Pal, use the link below. Use the above address for a check, M.O. or cash. Back to my main Camera Manual page CLICK HERE FOR PDF MANUAL MADE FROM THIS FILE CONTENTS Part 2, Advanced Techniques 1 Changing the Lens .. .... Part 1, Fundamentals 2. Exposure Correction : . Names and Functions of Parts. 3. Utilizing the Lens Depth of Field Special Features 4. Using the Self Timer. ... 1. Basic Steps. 5. Infrared Photography 2. Battery Insertion . 6. Taking flash pictures 3. Film Loading . 7 Accessories for the FUJICA STX-1 4. Setting the Film Speed. 8. Care and Storage of your FUJICA STX-1 5. Setting the Shutter Speed . 9 Specifications 6 Focus the Lens and Frame Your Picture 7 Correct Exposure . 8 Holding the Camera and Releasing the Shutter .... .... 9 Rewinding Film and Unloading Film Names and functions of the parts 1. Film Advance Lever 8. Shutter Release. Lock 2. Shutter Speed Selector Dial/ASA film 9.