THEExhibition has been promotecl by the Cardiff Scheme Committee of the Royal Camhrian Academy of Arts, and the profits derived from it are to he devoted to the purposes of the permanent estahlishment of the Academy in C1rdiff.
On the settlement of the institution in Cardiff it is the intention of the Council to hold Annual Exhibitions of Works of Fine Art, for the reception of which Galleries will be erected, with Studios, J,ecture Hall, and other Any corrections or information likely to be of use requisites for an Art School, the tuition in which, given in issuing subsequent editions may be sent to the by members of the Academy, will be free to all students passing a certain standard entrance examination. Director, Mr. T . H. THOMAS, RC.A., marked The Academy, although instituted for the encouragement "Catalogue." of the Arts of Painting, Sculpture, and Architecture, will also, in ~o far as is practicable, give encouragement to the _\rt of Mu,~ic at its Annu:il Exhibitions.
The Royal Cambrian Academy. haying for its object the increase of the feeling for Fine Art in \·\'ales, confidently hopes for the generous aid of all mt..;rested in culture in the J'rincipality. A CATALOGUE
OF 1.'HE
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~ ~"> CARDIF F PUBLIC HALL , 0 ~ i.. Q ..~ 0 \ ~ ~ ! f N AID OP 'fHE r uNn ro1~ ESTABLISHING T HF. t
AT CARDI FF.
SECOND-======EDITION .
CARDIFF
SOU TH Vhu:s PR1~ ·1•1,iG W ORKS,- 72, SA1wr MA RY S TREE T ,
rR84. FINEART LOAN EXHIBITION.
PRESIDENTS: C.R. M. Talbot , Esq., M.P., Lord-Lieutenijnt David Davies, Esq., M.P.
of Glamorgan \Villiam Davies, Esq.1 M.P. His Grace the Duke of l3eaufort. K.G. Lewis LI. Dillwyn, Esq., M.P. Th e Most Hon tlie Marquess of 8ute, K.T. Samuel Holland , Esq., M.P. Th e Right Hon the Earl of Cawd or Charles H. James, Esq., M.P. The Riaht Hon the Earl of Dunraven, K.P. Morgan Lloyd, Esq., M.P. The Right H on the Lord Richard Grosvenor, W. F . Maitland, Esq., M.P. M.P. Lewi s Pugh Pugh, Esq., M.P. Th e Right Hon Viscount Emlyr., M.P. W . R. H . Powell, Esq .. M.P. Th e Right Rev the Lord Bishop of L\andaff J. H . Puleston, Esq., M.P. Th e Right Rev the Lo1·d Bishop of St. David's John Roberts, Esq .. M.P. Th e Right Hon the Lord Windsor Henry Richarci.,.Esq., M.P. The Right Hon the Lord Raglan Stuart Rendel, Esq., M.P. The Right Hon the Lord Tredegar S. C. Evans Wiliiaras , Esq., !\1.P. The Right Hon the Lord !{omilly Col. C. K. Kemeys-Tynte The Ri ght Hon the Lord .\l>erdare W.W. Fitzwilliam Hume Dick, Esq. The Right Hon the Lord Trevor J. T. D. Llewelyn, Esq .. J.P. The Right Hon the Lord VYimbournc,i J •tdge B. T. WiUiams, Q.C. The Right Hoil the Lord Kensington, M.P. J l. W. B. Davis, Esq., R.A . ..-11H-::1~1i411t Hon A. J. Munrlella, M.P. I .. Alma Tad<>ma, Esq., R.A., Hou RC.A .
Th t: Right Hon G. Osborne Morgan, :\1f. P. 1 l ubert Herko1ne r1 Esq .1 R.A. The Hon . Fred. Hanbury Tracy, M.P. IL S. Marl,s. Esq., R.A., Hon R.C.A. Sir R. A. Cunliffe, Bart., M.P. J. E. 1',lillias, Esq., R.A., Hon R.C.A. Sir 1-1.llussey Vivian, Bart., M.P. Henry T. Wells, Esq., R.A. Sir Edward J. Reed, K.C.13 .. M.P. G. T. Clark, Esq., J.P. Sir Fred erick Leighton. P.R.A., Hon RC.A . Frederick Tay ler, Esq., Ex-Pres. R.S.P.W.C Sir W. Fettes Douglas, P.R.S.A. J. D. Linton, Es4., V.J'.R.I. Sir Noel Paton, Qut::en's Limuer for Scotland Lewis ;\[orris , Es Sir George A. M3.cfarren, Prin. R.A.M. Frederick \Vedmore1 Esq. General Yorke, C.B. Henry Harben, Es,1. Col. E. S. Hill, C.B. Edwiu H ayes, R.H ..-\. .. KC.A. Th e Very Rev C. ].Vaughan, Deanof Llandaff Jonathan Hutchinson. Esq .. F.R.C.S., F.R.S. and Master of tbe Temple W. L.Thomas,Esq,:11.R.l. !Jirector"Graphic. Tb e Right Rev Bishop Hedley Samuel Birch, Esq., LI..D., D.C.L. William Agnew, Esq., M.P. Principal V. Jones. Cardiff H. G. Allen. Esq., M.P. Professor Rhys, Oxford W . S. Caine, Esq., M.P. PdncipaJ Jayne, Lampeter E . H. Carbut t, Esq., M.P. Knighton Warren, Esq., A.R.C.A. Joh ·, Corbett, Esq., M.P . Principal C. T. Edwards, Aberystwith . VICE-PRESIDENTS. The. Worshipfu l the Mayor of Cardiff(Rohert William Adams, Esq:, C.E. Bird, Esq.) . Thornton Andrews, Esq., Swansea Th e Worshipful the Mayor of Swansea Rev. W . Conybeare Bruce, '.\1.A, tRobert D. Burnie, Esq.) \Valter Bache, Esq.1 ·London The Worshipful the Mayor o! Bangor (Major Edward Bath, Esq., J.P. Platt ). L. J. Graham Cbrke, Esq., A.R.C.A. The Worshipful the Mayor of Carmarthen J. Nichol Stradling Carne, Esq., D.C .L:, (John Jenkyn Jones , Esq .) J .P., St. Donal 's Th e Worshipful the Mayor of Cardigan john Cory. Esq_,, J.P .,. Vaindre Hall (Joseph Rees, Esq.) · R. G. Cawker, Esq , ~wansea The Worshipful the Mayor of Brecon (John Alderman Richan! Cory, J.P., Card i ft Morgan, Esq.) Herbert Cory, Esq., Vaindre Hall Th e Worshipful the Mayor of Haverford west Robert Capper, Esq .= Swansea (Samuel Thomas, Esq.) Charles Conway, Esq .. J,P. Th e Worshipful the Mayor of Neath (Rowland John Stuar t Corbett, Esq., J.P . . ~homas, Es Captain R. Short, R.C.A., F.A.S., Chairman Mr. E. B. Reece fbmbtrs of tbt ~D1Jal Mr. J. Thomas Phillips, Neath Mr. E. J. Neweli, M.A. Mr. J. Pyke Thompson, Chair man Mr. H. C. Harris , A.R.I.B.;\. Mr. J. L. Treharne, c.l.R.C.S., L.S.A., Professor Newton Parker Principal V . Jones Mr.]. Horman Chairman Mr. T . W. Proger Professor Powell Mr. H. D. Pearce, Merthyr Mr. F. P. Adey Mr. Pettig1 ew Mr. Frederick Wedmore Councillor H. Chapma n, Swansea Mr. J. Bush, B.Sc. Mr. Ivor Roberts Mr. Walter Hug hes, Penarth Mr. W. Mr. T, J. Lean fl.Daw Mr. lohn Storric1 Curator CanliffMuselllll Mr. T. Jones-Parry, Ellesmere Mr. T. Jenkyn David Professor Claude Thompson Mr. William Frame , A.R.l.B.A. Mr. "Thomas Evens, C.E. Professor Lloyd Tanner Mr. W. M. Hier Evans, L.R.C.P Mr. S. Treseder Mr. John Gavey Mr. F. J. Veall Mr. G. B. Hughes. M.A. Mr. Stephen Vivian Mr. Carl H ansen Re,·. J. Scott Lidgett, M.A. PORCELAIN AND POTTERY . Mr. D. T. Alexan~er Captain C. W . Ingram , Chairman Mr. J. R. Rees PLATE , ARMOUR, AND ART METAL WORK COMMITTEE. Mr. Robert Dran~. F.L.S . Mr. fhoma s Lewis Mr. William Dobbs Mr. J. W, Thomas Mr. C. H. James , M.I.C.E., Merthyr Dr. C. T. Vachell Mr. S. W. Allen, Chairman Mr. J. D. Simpson Mr. T. W. Jotham Mr. Spiridion I Mr. J. T. Barry Mr. Wm. Weicher t ~lr. W. H . Daw Mr. Edwin Fowler, Pontypool \ Mr. F. Primavesi SC ULPTU RE. Mr. W. H. Wormleighton BOOKS, ILLUMINATIONS, AND MANUSCRJP 'fS Mr. J. L.Wheatley, Town Clerk of Cardiff, Mr. S . W . Richards Chairman Mr. David Duncan, jun . Mr. W. Adams. C.E. Mr. W. Farr Rev. W. E. Winks. Mr. Wm. Davies tMynory dd), London Professor Ro bet1S Mr. Milo ap Griffitc Dr. C. T. Vachel! MUSIC COMMITTEE. ANTIQUITIES. Mr. Peter Price, R.C.A., Chairman Mr. S. G. Fifoot Captain S. Aitken Dr. Frost Mr. Ivor James Mr.T. I. Allen Mr. J.P . Jones Mr. Fred de Courcy Hamilton, Chairman Dr. A. Sheen Mr. Fre derick Atkins Mr. W. P. James Mr. G. B. Hughes, M.A. Mr. William Seward Mr. J M. Merrills ll.A. Mr. J. 'f. Barry, jun. Lieut. J. de Courcy Hamilton R.N, Mr. E. M. Bruce-Vaughan, A.RI ~Ir. [lrooksbank Mr. W. A. Morgan Professor Ker Professor Wardale Mr. Edw in Barry Mr. Haydn Parry, Swansea Dr. J. Milward Mr. E.W. Corbett Mr. H. W. Rice " Mr. G. E. Robinson Mr. G. T. Coleman Mr. Wm. Ronnfeldt Mr. D. C. Davies Mr. A. E. Reed Mr. G. J'. Davis Mr. L. J. H. Strioa Mr. J acol> Davies Mr. Walter Scott Mr. J.E. Deacon Professor Templeton Mr. H. 0. Fisher M. Ternon illr. Robert Fisher Mr. Trevor Thomas WORKS. RAILWAY, AND DECORATIONS COMMITTEE. Mr. E. J. Fletcher Mr. T . H. Riches, M.I.C.E., Chairman Mr. Edward Howell Mr. Herbert Cory Dr. Milward Mr. ] . Jenkyu David Mr. Councillor Trounce :.fr. Richa rd Evans \ tir. John Peter ~ist of Qfoaranton. £ s. d. £ •. d. Robert Bird 50 0 0 Edwin Seward ..• 20 0 0 Richard Short 25 O 0 C. W. Ingram ... 20 0 0 T. P. Thompson 50 0 O H . J. Evans... •.. 20 0 0 Peter Price ... 20 0 0 H. Wocilcot Thompson 20 0 0 C. T. Vachel! .. . 20 0 0 E.T . Lyddon 20 0 0 F. de C. Hamilton ... 20 0 0 Peter Davies 20 0 0 Col Hill 20 0 0 Evan Lewis ... CATAL 0 ·OGUE. 20 0 W. Insole ... 20 0 0 L. Tylor 20 0 0 C. Thompson 20 0 0 H. T Linton 20 0 0 James Ware 20 0 0 John Bovey ... 20 0 0 J. R. Thomp son 20 () 0 Ivor VachelJ 20 0 0 E. B. Reece 20 . Q 0 Ivor I. Roberts 20 0 0 D . Duncan & Sons 20 0 0 Lascelles Carr, for Proprietors ... D. L. 20 0 0 Western Mail 20 0 0 J. G. Prager 20 0 0 Andrew Fulton ... 20 0 A. T . Stephens 0 Oil Paintings. 20 0 0 Joseph Ramsdale ..• 20 0 0 Charles Bird 20 0 0 E. Hayward...... Evans and Owen ... 20 0 0 25 0 0 Edwd. T. Fletcher 20 0 0 John W illiams & Sons 20 0 0 JamPs Howell ... William Jones ... 20 0 0 BY DECEASED MASTERS. 20 0 0 W. Hughes Thomas 20 0 0 & . . .. Jotham Co 20 0 0 William Lewis 20 () 0 Evan Thomas & eo. 0 0 Evans & Co. Alfred Freke 20 20 0 0 20 0 0 R. Heitzman 20 0 0 J. LI. Treharne 10 0 0 J. and C. Sankey 20 0 0 SPECIAL NoTE.-ln na•ning t!te Artists, t!te assirpwzent of tl,e Exl,ibitor is John Duncan IO 0 0 William Adams Walter Hughes JO 0 0 given, but t!te Committee cannot be nsponsibte fo,· t!te acmracy tlu: 20 0 0 W. A. Scrivener .. . IO C 0 of M. Krieger ... IO 0 0 E. M. B. Vaughan .. . Albert E. Reed 10 (l 0 des~rnation. 5 0 0 S. W. Allen ... 5 (J 0 J. Gavey ... 0 0 J . Haydn Parry W. P. Ker .. . 5 5 0 0 5 0 0 George Thomas 5 0 0 Thomas Waters 0 0 W. P. James J. W . Trounce 5 5 0 0 5 0 0 Hy. Whyte Cole 5 0 0 SURJECT. CONTRIBUTOR ARTIST] Andrew Seth 5 0 0 L. Strina ...... J. R. Wardal 5 0 0 5 0 0 Claude M. Thompson 5 0 0 Edward Howell 0 0 W. M. Hier Evans ... Colonel Tynte John Storrie 5 5 0 0 0 0 W. H. Wormleighton 2 0 0 1 Portrait of Sir Charles Kemeys Sz'r Godfrey K1tel!er W. E. Winks 0 0 Stephen Treseder ... Bruce Seton 3 3 0 0 0 E. Woolley... . .• 2 0 0 W. Gillies Gain 0 0 W. Newton Parker Colonel Tynte Fred. J. Veall 5 0 0 2 2 0 A. Pettigrew .. . 2 2 0 R. A. Bowring IO 2 Portrait of Miss Kemeys (Lady Englefield) 0 0 David Jones .. . IS 0 0 Geo. Harrison, RC.A. 3 Portrait of a Gentleman Sir Godfrey Kneller The thanks of the Oomm;ittee are due to the following Gentlemen for aid in Oatalogiiimg the different Departments:~ 1Colonel Tynte 4 Portrait of Lady Tynte Sz'r /oshua Reynolds OIL PAINTINGS ...... MR. WALTER HUGHES. OIL PAINTINGS BY DECEAS>;D MASTERS ... MAJOR BRUCE SETON. WATER COLOURS ...... MR. WALTER HUGHES. The Earl of Cawdor BLACK & WHITE & PHOTOGRAPHS MR. WALTER HUGHES. 5 Caroline, Lady Cawdor St'r W. Beecltey SCULPTURE ...... MR. E. M. BRUCE VAUGHAN, A.R.l.B.A PORCELAIN AND POTTERY ...... ~fa. RonER~' DRANE, F.L.S . ANTIQUITIES A'1D CURIOSITIES... MR. JOHN STORRIE. WA.Smith NATURAL HlSTORY ...... PROFESSOR NEWTON PARKER. PLATE ARMOUR & ART METAL WORK MR. S. W . ALLEN. 6 Portrait of a Gentleman SCIENTIFIC AND PHILOSOPHICAL IN-] 'I J G M F G V L STRUMENTS f ., R. . AVEY AND R, ' . EA L. . . Colonel Tynte BOOKS AND MSS...... • ...... REV. W . E . WINKS, 7 Mary (Lady Kemeys), Daughter of Philip, ~ord _\;'hmton Also to MR, WALTER HUGHES for the other portions, arranging the whole,. and supervising the publication. \~ 1 •. Sz'r Godrrey Kneller OIL PAINTINGS, OIL P AJ.NTINGS'. CONTRIBUTOR . . . ARTIST SUBJECT. CONTRIBUTOR. ARTIST SUBJECT, Rev. C. R. Knight Colonel Tynte. - .. 2 Murder ofthe Innocents ·q?fido Re'fJ.i 5 Brought from Italy in the Collection of Sir William Lynch, British ' LOTS 8 TO 14 + RE ~ORTRAITS OF CHARLES IL AND T HE Ambassador at Turin, 1780. CHrn / BEAUTIES OF ms COURT. Reynolds 26 Llancarvan Church ,Wark Anthony g Countess of Shrewsbury D. Hart 9 Nell Gwynne 27 Landscape and Cattle-£ 10 IO Duchess of Cleveland The Earl of Cawdor II Charles II. 28 From a series illustrating the Life of the Virgin Albert Diirer 12 Moll Davies (Mrs. Lemon) The Earl of Cawdor 29 Admiral Sir George Campbell Sir W. Beechey 13 Pegg Hughes Earl of Cawdor Duchess of Portsmouth The 14 30 From a ·series illustrating the Life of the Virgin Albert Diirer H. A. Chapman Col. Tynte 15 Allegorical Subject Unk11 0 10 1. 31 Landscape Gainsborough Walter Hughes The Earl of Cawdor 16 River Scene, with boats and figures Dutclt School 32 Elizabeth, Countess of Cawdor Sir T. Lawrence, R.A. B. Veall The Earl of Cawdor 17 Portrait of a Girl T,,V, Owen, R .A. 33 Right Hon. Charles Greville, Castle Hall, Milford Sir Joshua Colonel Tynte . Reynolds 18 Portrait of Philip 4th Earl of Pembroke (Temp. James I.) The Earl Gf Cawdor . Dobson 34 John Frederick, Earl of Cawdor Sir T. Lawrence, R .A. Colonel Tynte Edwin Seward, R.C.A. 19, .Charity Diepenbeck 35 Madonna and Child Mazzolino Colonel Tynte · Colonel Tynte 20 Portrait of Duchess of Cleveland Sir Peter Lely 36 Crossing the Ford (painted on copper) Breuglul Colonel Tynte A. Watkins 21 Portrait of Captain Lawrence Kemeys (companion of Sir 3 7 Alnaschar fifth brother of the barber, from " Arabian Nights " Walter Raleigh) ' T. Brigstocke Th e Misses Rous Exhibited at Royal Academy in 1842, ·and at Worcester Exhibition. 22 The Pet Dog Ajt ,r Teniers The Earl of Cawdor J, Cory 41 Colonel .b..lex. Campbell, of the Guards-Trailing the Pike 23 Abraham and Isaac Parmigiano Cotes, of Bath 24 St, John in Patmos Colonel Tyn.te E. Handcock Spagnoletto 42 Portrait of the Y oune Pretender OIL PAINTINGS. OIL PAINTINGS. .5 SUBJECT, CO~TRIBUTOR :• i' ··• ARTIST. SUBJECT. CONTRIBUTOR. AR'rlST. Colonel Tynte ·-43 Princess Sobieski Colonel Tynte_ 61 The White Lady . ·G. Nets'clz,er Colonel Tynte ~ . W. Seward 44 Lady Morgan 71 Landscape, with Ruins Claude Patel 't. Lord Romilly J. A. B. Williams, C.E. .45 Girl's Head Grimoux Colonel Tynte 7 z St. Paul's, from the terrace of Somerset House . . David Roberts 46 Garden Party Watteau Colonel Tynte Geo. Harrison, R.C.A. 73 Grecian Landscape, with Temple Muller 46AGarden Party Watteau T. W. Jotham ~ Colonel Tynte 74 Moonlight, river scene Old Crome 4 7 Historical. Allegorical Work, Ferdinand II., and other figures , · Old Franck Walter· Hughes 'A Courtplay or pageantis being enacted in whichthe Rhinoceros 75 Cupid-£?00 Guido typifiesAsia, the Elephant A!rica, the CocksFrance, and the Owls Fromthe HanchHall Collection the wiseme n of the East. The Earl of Cawdor Geo. Harrison, R.C.A. 48 Lady Hamilton . Romney 76 Battle Piece dated 16:26 Dutchor FlemishSchool , 16thcentury. Colonel Tynte 5 1. Inter/or Ostade W. Seward Colonel Tynte 77 Portrait of Sir Thomas More Hans Holbein 52 Interior Tenters T. Stanley Colonel Tynte 78 Landscape, with Lake and Anglers R. Wilson 5 ,-r'-Ca:vaifer T¥ouvenna,:s R. 0. Jones J. Pyke Thompson 79 Oliver Cromwell Walker 54 Laridscape J. Linnell W. Seward E. P. Martin 80 A Landscape Claude Lorraine 55 Cottage and Landscape Old Crome W. Seward 81 H. Atkins Cart Horses G .• Worland T. Stanley 56 Head · School of Seb. del Piombi 82 Landscape R. Wt'lson W. Seward J. Howe Farley 57 Landscape and Temple Richard l¥i!son, R.A. 83 Coast Scene Albert Cuyp E. P. Martin W. L. Banks, R.C.A. 58 Perseus· and Andromeda 84 View in Sweden-£50 Marcus Jansen General Yorke, C.B. W. L. Banks, R.C.A. 59 King Charles II. . 85 View in Sweden-£ 30 Marcus Jans_en . OIL PAINTINGS. 6 OIL PAINTINGS. 7 SUBJECT. Co::,;TRIBUTOR, A RTlS'T, SUBJECT. CONTRIBUTOR. , ARTIST. W. Jenk~ns John Cory Broome , 88 Hercules and Omphale 108 'Fruit-£15 T. W. Jotham Alfred Freke 109 A Lady sleeping Bronzz"no 89 Portrait-£1 1000 Thos. Gainsborough, R.'(I. W. Seward The Misses Rous 110 Sir T. Lawrence, R.A. Sir T. Lawrence, R.A. 91 Portrait of Sir John Gore W. Seward W. Seward 111 A Dealer in Fish 92 Flower Piece Van Huysum Charles Finch The Misses Rous 112 Landscape, with figures-£ 26 5s. Jno. W"ynants (1640) 94 Portrait of Sir Francis Rous The Misses Rous Speaker of one of Cromwell's Parliaments. 113 Portrait of Madame Murat, sister of Buonaparte, said to have been painted at the instance of an American The Most Hon. the Marquess of Bute gentleman who escorted the lady from Italy, and became 95 Portrait of Queen Elizabe~h School of Holbein deeply enamoured of her charms The Most Hon. the Marquess of Bute David 96 Family Group~Edward Lord Windsor, his lady The Misses Rous (daughter . of the Earl of Oxford), their children, 114 Catherine of Berran 1568 Lord Frederick Windsor and two younger brothers, So called from residing at .Berran, Catherine Tudor married six playing chess and cards (A.D. 1568.) times, Sir Tbos . Salisbury being her last hnsbancl. W. Seward The Most Hon. the Marquess of Bute 115 A Portrait of Mrs. Butts Hans Holbein 97 King Henry VIII. School of Holbein ·· John Thomas Phillips The Misses Rous 116 Sea Piece Unknown ( Dutclt Sc/1001) 98 Landscape, with Figures, Fruit, and Flowers (on panel) W. J. Lloyd · Unknown 117 Scene in the Civil War in Holland Peter Breugltd W. Seward Edwin Seward, RC.A. 99 A Landsc:ape John Constable u8 A Dutch Hostelry Dz"rk Maas Edwin Seward, R.C.A. George A.spinal too David playing before Saul Gerard Lairesse 118AAmid the Rustling Sedge George Aspinal The Right Hon. the Lord Aberdare W. Seward 101 Meeting of Achilles and Briseis after the Death of Patroclus 118BDr. Syntax, Race Horse J. E. Hern:ng Rubens ·or School Actgar Wills Robert Dam0~ n8cThe New Moon-£12 12s. Edgar f,fl 'z"l/s 102 Portrait of Lord Hollis Sir Peter Lcly Mrs. L. Austin W. Seward u8uM;oonlight on Norfolk River V YF;lesias .roj 'I:he Alchymist . T. . Wjck Nos. u8A, 118c,. and I_t8D a,~e modern works . ... 8 OIL PAr'NTINGS. OIL PAINTINGS. 9 . SUBJECT. CONTRIBUTOR, ARTIST. SUBJECT. CONTRIBUTOR. ARTIST. A. Freke J. Howe Farley ' I 25 . Portrait of the late Prince Consort and his favourite Horse_;_ 144 Italian Landscape ~ John Botlt .£31 IOS. J. T. D. Llewellyn f. F Hetring; Senr. 145 Lancaster Penry Williams J. D. Llewellyn J. T. D. Llewellyn 126 Madonna and Child Guido Reni 146 Infant St. John Llfurillo J. A. B. Williams, C. E. T. W. Jotham 127 The Halt of the Cavalcade V a11der Llfeulen 147 The Doctor Peter de Hooge Edwin Seward, R. C.A. J. A. B. Williams, C.E. J. T. D. Llewellyn 128 The Hawking Party Va11der Llfeulen 148 Sea Piece J. B. Pyne W. Seward · 129 Woodland Landscape Tlios. Gainsborough, R.A. Edwin Seward, RC.A. 149 Miracle of Cana in Galilee-Turning Water into Wine Dr. Lewis Leonard Bramer 1 30 . Lady Thornhill E. Seward, R.C.A. General Yorke, C.B. 150 Dutch Landscape Jan Wynants 131 Perseus and Andromeda Peter Price W. Seward 151 Landscape, with Figures after Hobbema 1 32 Dolthelen Castle David Cox . E. Hancock W. Seward 152 Cardinal Duke de Medici Tz"tian 1 33 Port of Boulogne Clarkson Stanfield W . Seward . J. T. D. Llewellyn 153 Landscape, with Cattle Albert Cuyp r 34 · Old Swansea Pier :i_nd Boats G. Chambers W. Seward / T. \V. J otham 154 Queen of Sheba's Presents to Solomon Rembrandt 135 The Mill Hobbema 155 Harvest Time General Yorke, C. B. 156 Landscape, with figures 136 Mary, Queen of Scots (in case) Lewis Morri's General Yorke, C.B. 157 Sea, with Ships W. Vandervelde r 37 Duchess of Suffolk, Daughter of Henry VIL (in case) .Holbein Walter Hughes H. W. A. Graham-Clarke 158 Flemish Coast Scene, with horses and figures-.£250 142 St. Jerome in the Desert Gaspar Poussin (1650) J. F. Herring, Senr., 1845 T. E. Brigstocke Peter Price 159 Portrait of a Gentleman Thos. Lawrence, 1 43 Portrait of Thomas Brigstocke, the Portrait Painter Sir R.A. - Titos, Brigstocke D. Hart (T. Brigstocke,fo his 25th year, painted by himself.) 160 Monkey Painting at an Easel-.£10 xos. Landseer \ 10 . QIL PAINTI~GS. -OIL PAINTINGS. SUBJECT, CONTRIBUTOR. A~TIST. T. H. Thomas 161 Portrait of the late Rev. Dr. Thomas;, of l'ontypo0.l i . . . . the late y ames Cumcck T. E. Brigsfocke 16z 'Study for a Portrait of E. M. Ward, R.A., 1844-£31 ros. Tl10111asBri'gstocke Oil Paintings. This Portrait is engraved in the Art Journal for 1848. Edwin Se\\'ard, R.C.A. MODERN. r63 The Circumcision P!tz"lij de Konz"ngk Edwin Seward, R.C.A. Patz'ni'r· 164 Nativity SUBJECT. C ONTRIB UT!)R. • A RTIST, \V. A Smith Ed. H. Fahey 165 Boy's Head J. C. Banks 180 Out of the Hurly-burly Ed. H. Fahey, 188z W. A. Smjth Edward Jenkins 166 Head of Newfoundland Dog Unknown 181 Forty Winks M. Stuart Edwin Seward, R.C.A. Thomas Maddox 169 Landscape, with Mill Breugltel' 18z October Eve1:ing on the Wye Jessz'e Maddox T. W. Jotham Thomas Maddox 170 Castle in a landscape I bbetson 183 The Wye at Putson, near Hereford Jessie Maddox W. Jenkins T. M. Rooke 171 Interior, with Figures 184 Jephthah's Vow-£125 T. M. Rooke Edwin Seward, R.C.A. Kate Stanley 17z A View on the Avon Carter 1~4A Sketch on the Thames near Henley-£4 4s. Kate Stanley Alice F. Tanqueray 184B Chrysanthemums-£6 6s. Alice F. Tanqueray C. Finch 184c Study of Ferns Wz'lfrz'd Ei·ans W. A. Smith 184n Coast Scene John Mogfo1·d C. M. Holland 184E "'.'elsh Wether Henry A. Harper John N. Strong 184F Good night John N. Strong Arthur Stocks 185 Her, Sweetest Flower-£210 Arlhur Stocks I - --- ~~~--- - •... 12 OIL PAINTINGS. OIL PAINTINGS. 13 SUBJECT. CONTRIBUTOR. ARTIST, SUBJECT. CONTRIBUTOR, ARTIST, George M'Cullock R. Alner Bowring· 186 The Expulsion George M' Cullock 201 Italian Scene Alfributed to Richard Wt7son, R.A. 11 Civilisation, in.thorn of our necessities" . R. Alner Bowring The Worshipful the Mayor of Cardiff, Robert Bird 202 Italian Scene Attributed to Richard Wt"lson, R.A. 187 Coast Scene-Ship signalling for Pilot E. Hayes, R.H.A. . J. Strick Henry Tamworth Wells, R.A. 203 Gloire de Dijon Roses R. Machel! 188 A Rustic Orlando Henry Tamworth Wells, R.A. Walter Hughes H. Woolcott Thompson 204 At the Opera-£20 A . Solomon 189 Border Troopers F. Weekes From the Hanch Hall Collection, Staffordshire. Mrs. L. Alma Tadema E. P. Martin 190 A Wintry Day Mrs. L. Alma Tadema 205 The Ruins of Mont Aigle J. Luppin L. Alma Tadema, R.A. Andrew MacCallum 191 My Youngest Daughter L. Alma Tadema, R.A. 206 Autumn in Sherwood Forest-£262 10s. Andrew JlfacCallum Albert Ludovici L. J. Graham Clarke, A.R.C.A. 192 Goleu'r Bwci (Will o' the Wisp)-£210 Albert Ludovici 20j The Town of Frejus-£105 Frank Walton L. f. Gralzam Clarke, A.R. C.A. . The Town ot Frejus, the at?cient "Forum Julii, 11 is celebrated in 193 The Happy Valley-£300 Frank Walton history as the port from wluch the Roman Galleys sailed for the C. Hayes Battle of Actium. It is also noted in modern times as the spot where ~aJ?ole~n landed after his escape from Elba-This Picture 194 Entrance to the Village-£45 Claude Hayes was exh1b1ted m the Royal Academy, 1882. Most Hon. the Marquess of Bute Knighton Warren 195 Portrait Haynes 208 Abd urahmann-£ 35 Knighton Warren, 1884 J. Strick W. A. Norton 195A Portrait of a Lady R. Machel! In Port, Dieppe-£12 12s. W. A. Norton, 1883 J. Strick \V. Jenkins 195B Portrait of a: Lady R. Machel! 210 Fruit G. T. Broome Davidson Knowles Claude Hayes 196 A Nook, on the Thames Davidson Knowles 2II Landscape and Rustic Bridge-£18 Claude Hayes J. F. Mullock W. H. Haines 197 A Christmas Present f F. Mu/lock 212 On the Look-out-£8 8s. W. H Haines E. R. Hughes W. A. Smith 198 River Oakment, Devon-£4 4s. E. R. Hughes, . 213 Landscape, with Horseman J. .Baker J. W. B. Knight · Sydney Hodges 199 The Old Stile-£10 ros. J. W B. Knight 214 Fresh,:ater Bay, Isle of\ ,Vight- £ 15 Syd11ey Hodges Walter.Hughes James Ware, J.P. 200 Sea Coast Scene with rocks-£10 10s. . Unknown 215 0. P. Sea Piece J. E. Jenkins 1"4. OIL PAINTINGS OIL PAINTINGS. IS ' • SUBJECT. C0"1TR1BUTOR. ARTIST, · SUBJECT, CONTRIBUTOR, ARTIST, J. Clarke Fairbairn Richard Short, R.C.A. 2 i 6. Castell Coch .f. Clarke Fairbairn 232 Rocks near Porthcawl Ri'c/tard Shor.t, R.C.A. Richard Short, RC.A. 2 r 7 Landscape 233 Porthcawl Harbour . Richard Short, R. C.A. Knighton Warren, A.RC.A. Richard Short, RC.A'. : · 21 8 Hymp to Osiris Knigliton Warren, A.R.C.A. 234 Chanak Richard Short, R.C.A. Richard Short, RC.A. James Ware, J.P. 219 Fishing Boats off Golston E. Hayes, R.A. 234A Mount St. Michael .f. E. Jenkins Richard Short, R.C.A. J. Walters 220 Harmony of Colour Knigliton Warren, A .R.C.A. 234n Pass of Glencoe-£8 J. Walters The Worshipful the Mayor of Cardiff, Robert Bird Richard Short, RC.A. 221 Portrait of the.Worshipful the Mayor of Cardiff, R Bird 235 Penarth Roads Richard Short, R. C.A. Knighton Warren, A.R.C.A. Richard Short, R.C.A. 236 Barry Island Richard Short, R. C.A. 222 Lion and Lamb Richard Short, R.C.A. 237 Landscape Edwin A. Norbury, R.C.A. W. Jenkins 224 Bouloone Fish Boat in Tow-£10 ros. Edwin A. Norbury, 238 Moonlight, North Wales-£4 Unkntrd/1t "' R.C.A. W. Jenkins The Worshipful the Mayor of Cardiff, Robert Bird 239 North Wales Scenery-£4 Unknown 225 Piping Girl Knighton Warren, A.R.C.A. Mrs. L. Austin John Parker 240 Baby and Pussey-£10 ros. E, Williams 226 Lancashire Cockle Gatherers-£200 John Parker R. Barry Mrs. L. Austin R. Barry 227 Forsaken-£6 6s. She1wood R. Barry Mrs. L. Austin 242 The Close of Day R. Barry 228 Angling-£ r 2 r 2s. Saville Flint R Barry T. L. Hughes 243 Premier Printemps R. Barry 229 Finis T. L. Hu%hes . Chas. Marshall Supposed to have been a Monk's Cell as found wllen Ile died. 244 Bettws-y-Coed-£105 Chas. Marshall Richard Short, R.C.A · Claude Hayes, A.R.C.A. 230 Tarifa (Spain) R{c!.za1·dShort, R.C.A. 245 From the Plough- £70 Claude Hayes, A.R.C.A. Richard Short, RC.A. Mrs. Barker 231 Penarth Mud Richard Short, R. C.A. J. R Herring, Senr. OIL PAINTINGS. 16 OIL PAINTINGS. SUBJECT. CONTRIBUTOR. ARTIST, CO NTRIBUTOR . ARTIST. SUBJECT . E. R. Moxey Alfred de Breanski, A.R.C.A. 255 A Calm, Dordrecht Edwin Hayes, R.H.A., R.C.A . 246 St. Paul's, Cray Common, Chislehurst-£15 15s. A~fred de Breanski, A.R. C.A., 1883 E. R. Moxey George M'Cullock 56 Storm Edwin Hayes, R. H.A., R. C.A. 247 Cupid Shaping hi~ Bow-£30 George M'Cullock E. R. Moxey R. J. Hammond 257 Favorita A. Ludovici 248 A Tranquil Day-£3 R.J. Hammond . . E. R. Moxey Thomas Waters 258 Readmg Chnstmas Number of Graphic Ha;nes King Tlzomas Waters 2 49 The Birch 5 Trees-£ George Thomas Mrs. L. Austin T. Waters 2 59 Fon mon Castle E. Seward, R. C.A. 250 River Scene T. Griffiths z6o 251 Vase with Nasturtiums-£30 Mettes Napier Herny M. Thornber 26 r The Calvary l\Tapier Hemy 25 2 Waterfall M. Thornber R. Barry 262 Moments of the past R. Barry 252A Fairy Glen Jessie Macgregor \V. E: Norton 253 The Wanderings of Fregja, Scandinavian Goddess of 263 In Port-£12 12s. W E. l \Torton Love and Beauty, in search of her husband, Odur the Immortal-£52 10 Jes,ie Macgregor 264 Persian Warrior-£40 I 18 OIL PAINTINGS, OIL PAINTINGS. StJBJECT, CONTRIBtJTOR. ARTIST, SUBJECT. CONTRIBUTOR. ARTIST , C. Finch Mrs. L. Austin 271 Landscape, with figure (in silk) 288 Figure of Girl W. J. Trounce fames Strick 27~ Landscape (on enamel)-.£5 Unk11own 289 Falls of Niagara (painted from the American side) C.J. Parry W. J. Trounce Andrew MacCallum 273 Landscape (on enamel)-£5 Unknown 289A The Oaks of Oakley Park, near Ludlow, seat of Lord L. J. Graham Clarke, A.RC.A. Windsor-£420 Andrew MacCallu11t 274 Landscape L.J. Gralzam Clarke, A.R.C.A. Colonel Martin Mrs. L. Austin 289B Penarth Roads Nelson 27 5 Cutting and Contriving . E. Williams Davidson Knowles Mrs. L. Austin 289c Lifeboat Davidson Knowles 276 On the Sands-£10 Jos. Walter Sicker! George E. Cook Charles Knight 290 Horner Wood, near Porlock-£15 J5s. George E. Cook 277 Grey Da~ on the Usk---- ros Cltarles Km"gltt £2 Henry Measham, R.C.A. Mrs. L. Austin 291 Portrait of Little Dodyn, of Penmaenmawr 278 Birthplace of Podgers-£6 15s. Mrs. Ed. Gosse Henry Measham, R.C.A. C. Finch F. W. Rafarel 279 Pensive 292 Threshing Floor in Gilgal- " Thou shalt not muzzle the Walter Jackson Ox that grindeth out the corn." R. Beavis Exhibited in the Royal Academy, 1877. The Scen6 of the Picture 280 The Fishing Boat£3 3s. Walter Jackson is in the Valley of th e I ordan - a rich alluvial plain. To the back of J. Cory, J.P. the spectator is the hill country of Judea, and right in front and across the plain the Mountains ot Moab. To the right1 faintly seen 281 Off to Work T. K Pelliam through the yellow dust, caused by the trampling of the oxen, is the shimmering line of tbe Dead Sea. E. R. Moxey · Mrs. L. Austin 282 Sunset at Sea J.Jewell 293 The Farmer's Boy-£5 15s. Fred .Aforgan Hermann Eschke J. William Thompson 283 Tempest-£31 Jos. Hermann Eschke 294 Landscape (sketch) Trythal Rowe S. L. K.ilpack B. S. Marks, A.R. C A. 284 Margate Pier S. L. Kilpack 295 A Rabbi, reading-£63 B . S. Marks, A.R. C.A. Thomas Walters E. R. Moxey 285 The Brooklet-£5 Tliomas Waters 296 Calm of Twilight Stannard D. Knowles 286 Kettles to Mend Hamilton Knowles B. S. Marks, A.R.C.A. 297 Portrait B. S. Marks, A.R. C.A. A. T. Thomas 287 The Miser A. T. Thomas, after E. Von Blass , ~. P. James 2 98 Procession in .Rome -in I 2 30 Penry 1¥illiams 20 OIL 1-'AINTINGS. OIL PAINTINGS. .u SUBJECT, COXTRIBUTOR. ARTIST . Julius Hare . S tJBJECT. CONTRJBUTOR. ARTIS T. 299 The Fairy Glen (Early Spring) on the Conway, N. Wales- J. Vivian .£73 10s. Julius Hare 3r2 Street in Venice-..£12 J. Vivian J. Cory, J.P. 300 At the Well C. S .. Lt"dderdale Mr. Ellis George E. Cook 3 r 3 Harvest Moon W B. S/1(1111 George E. Cook 3or Happy Hours-.£15 314 \V. H. HaiBes G. J. Roberts 302 Absent Thought-.£ to ros. W H. Hai11es 315 Market Scene I:l. C. Bryant Mrs. L. Austin J. E. Measham 303 A "Shire" Farm House- j ,'7 r5s. Jlfrs. Ed. Gosse 316 Highland Landscape, with Cattle J. E. Jlfcasham \\'illiam Luker J Strick 3,03A Afternoon on the Essex Moors TiViltiam Luker 317 Cattle 11:faris J. l\forshall Ernest A. Waterlow, R;I. 303B Landscape, with Tree J. l'llars!tall, 1883 318 White Cliff Bay, Isle of Wight-£21 Ernest A. vVate~·tow W. Seward C. W. Mansel Lewis 304 Figure of Lady 319 The Devil's Kitchen C. W. Mansel Lewis J. \V. H. Marr Charles Jones 305 On the coast near Barmouth-.£5 5s. j. _W H. Marr 320 The Lord of the Downs-£420 Cltarles Jones J. W. B. Knight J. F. Mullock 306 Twilight, Beustead, Kent-.£10 ros. J. W B. Kniglit 321 Landscape J. F. Mullock Mrs. L. Austen S. Hodges 322 Sea View, with Rocks 306A Sunny Hill Side Mr. Ed . Gosse S. Hodges C. W. Cassell & Co. Ellis 323 Bedwellty Church 307 First Earrings f H. S. Mann R. B. S/1aw John Corbett, M.P. H. Jackson St. John's Church, Chester J. Finnie 308 Allant a la Noce (Scene in Normandy) TiV.J. Hennesy, Cai11ados, France H. Jackson Cuthbert Grundy, RC.A. The Thames at Pangbourne J. Finnie 309 The Sands, Morning-.£42 Cutltbert Grundy, R.C.A . W. Jenkins G. F. ·watts, R.A. Sir Garnet Wolseley-£5 10s. Unknown 3ro Landscape, with haystacks · G. F. TiVatts, R.A. J. Roberts, M.P. Kate Stanley 327 Flower Girl A. Pio/ 3II A Quiet Spot on the Caine, Herts-£6 6s. Kate Stanley Watts, R.A. 328 Figure of Lady G. F. Watts, R.A. ·OIL PAINTI:N"GS, OIL PAINTINGS. 23 SUBJECT . CoNTR1BuToR. ARTIST. SUBJECT. Coi COSTRJBUTOR, ARTIST. SUBJECT . CONTRIBUTOR, ART IS Te . A. Burke, R.H.A. Sir George W. G. G;reen 365 Gathering Sea Weed-£50 A. 'Burke, R.HA. .395 Portrait of General Sir George W. G. Green T. Brigstocke I A. T. Thomas ,~ Oliver Baker 366 Cockle Girl A. T. Tltomas _396 Autumn in the Woods near Barmouth-£45 Oliver Baker William L. Eynon J. Roberts, M.P. 367 Boar Hunt vVilliam L. Eynot. 397 Sheep (interior) Eugene Verbceckoven Sydney Currie C T. Haynes. _398 An Evening at Home C. T. Haynes 368 Cottage near Bannouth-£ I 2 I 2S. Sydney Currie G. Hayes, RC.A. Charles Jones 37 5 The Ancient Residence of the Mostyns-£ 20 399 "A larmed," the tst October-£420 Cltarles Jones G. Hayes, R .C.A. T. P. James 400 Landscape with Figures 3 7 6 The Coming Storm G. Friedman M. E. Dockree H. Herkomer, R.A. .401 By the Source of the Severn-£15 M. E. Dockree 390 Portrait of L. Herkomer (father of the artist) C. W. Nichols, R.H. A. H. Herkomer R .A. 402 Lilius-£30 C. W. Ni'cltols, R.HA. James Strick Charles Stuart 390A A French Beauty Marius Erand 403 Dolwyddelan Castle, North Wales- £21 Charles Stuart One ol the oldest strongholds in Wales. Geo. Thompson 390B Sea View Limy G. Hayes, RC.A. 404 A Gala Day at Llandudno-£20 G. Hayes, R.C.A. J. Heron Wilson 391 The Youthful Christ after Carls Dolci W. Hollins 405 Hero vVorship in the 18th Century E. llf. Osborn H. C. Sheppard It was near the c1ose of his life that two young ladies, who were warm admirers of his work, but bad never seen himself, went to 392 Ship Ashore Bolt Court, and, asking if he was at home, were shown upstairs, where he was writing. He laid down his pen on their entrance, and A. Freke as they stood before him one of the girls repeated a speech prepared 392A Fruit for the occasion. It was an enthusiastic effusion, which, when she had finished, she panted for her idol's reply. What was her morti Henry Harben fication when all he said was-" Fiddle-di-dee, my dear."-Boswell's 11 Life of Johnson." 393 Descent from the Cross Copy of Reubens Philip H. Coward Andrew MacCallum 406 The Letter R. Mar,g-el 393A In Shannon Grove-£105 Andrew llrfacCallum Mrs. L. Austin C. Finch 407 St. Mawes, near Falmouth-£ 35 V. !'· Yglesias 394 Buildings, with Figures and Bridge-£26 5s. J. V. Brmgltel J. D. Mercier J. E. Meadows 408 The late Mr. W. Bulkeley Hughes, M.P., Plas Coch, 394A The Country Fair-£100 .J.E. Jyeadow_s Angle.sea · · ' f. D. Mercier OIL PAINTI~GS. OIL PAINTINGS.' 21 SUBJECT. Co:-.TRIB t:TOR. ARTIST , SUBJECT. ' CONTRIBUTOR AltTIST. G. R. Roberts A. Wilde Parsons 409 Merry Making-£25 A. 1¥ilson- 425 A Mountain Path- _£20 A. Wilde Parsons I Mrs. L. Austin A. Wilde Parsons 410 Capel Curig · 426 Ravenscraig Castle, Fifeshire-£52 · A. Wilde Parsons E. P. Martin 4II 427 Lake Scene Henry Measham, R.C.A. M. E. Dockree 412 Portrait of Albert Wood, Esq., Mayor of Conway 428 The Glyn, Pont Dolanog-£ 20 M. E. Dockre .Henry Meas/tam, R .C.A .. W. Honnywill Hall J. Clark Fairbairn 429 A Freshet on the Wye, near Builth-£20 W; H. Hall 413 Coity Castle, Bridgend-£15 Clark Fairbairn- J. J. D. Mercier Thomas Heron Wilson 430 The Bishop of Manchester, Right Rev. J. Frazer 414 Winter Scene, Austria- £50 A. Lang_ J. D. Mercier W. F. Govier Alfred de Breanski, A.R.C.A. 415 Comtemplation Barker 431 Moel Shabod, from the Head of Llyn Geirionydd, North Wales-£85 Alfred de Breanski, A.R.C.A. Bilbie J. E. M~acfows 416 Path by the. River, scene in .N. . Wales 43 2 Highland Scene, with Cattle-£35 J. E. Meadows Gustave de Breanski 417 Landscape J. B. Knigltt Peel Harbour, Isle of Man-£50 Gustave de Breanskz" C. S. Lidderdale 433 418 Contemplation C. S Lidderdale J. J. Bannatyne 434 Coast Scene J. J. Bannatyne 419 The Music Lesson E. f H Richard Wane }'ranklyn Tuttle 435 Conway Castle-£25 Ricltard Wane 420 Making Friends"-£45 . Franklyn Tuttle James Ware, J . .P. 436 Sea View off Dover James Webb . Edith M. S. Scannell 42 I Grandmother's· Story-£ r 8 18s, Editlt M. S. Scannell James Ware, J.P. 437 San Pedro, Venice George Clarkson Stanfield J. A. Madge Col. C. H. Page 42 2 The Parish Clerk A. Madge.(after Gainsborough)' 438 Grace Darling T. Brooks Mrs. L. Austin Lewis Morris 423 Winter Scene S. Fleet 439 A Portrait Opie W. H. Haines W. F. Govier 424 The"Alarm-£31 10s. W H Hainer· 440 John the Baptist's Head WATER COLOUR DRAWINGS. Z9 28 OIL PAINTINGS. SyBJF.CT. CONTRIBUTOR, . ARTIST, Lewis Morris 441 Portrait WaterCo!our Drawings. I Richard Short, RC.A. (BY DECEASED MASTERS.) 442 Cleopatra in Ephesus Richard Short, R. C.A. William H. Simkin 1.-Works of Deceased Masters, Nos. 445 to 503, on the 442A "Bajazet" Race Horse, 1739 to 1750 Screen at the upper end of the. Hall. William H. Simkin As an introduction to the study of the Water Colour Section, a small number o! 443 " Starling" Race Horse, 17 43 to 175 1 Drawings by Deceased Masters will be found placed together, with the object of displayin~ the progressive stages of the art of Water Colour Painting before it had attained its present position of ranking as one of the most beautiful and popular in the Claude Hayes, A.RC.A. p ractice of the Fine Arts. Althoug h Water Colour Drawing is essentially an English 444 art, systematic collections of early works have been rare, and such a provincial Exhibi The Purling Brook-£16 Claude Hqyes, A .R. C.A. tion as the present one, although presenting some unusually choice examples, can only supply a limited number. The first W ater Colour Drawings, like the earliest paintings on panel, &c., were executed in tempera, or opaque Water Colour, little removed in method trom Oil Painting, but more minute and delicate. Specimens are to be found on the fans, miniatures , and other elegancies in vogue during the last century, this phase of the art being a survival of the missal painting of the Middle Ages. (Good specimens of both missal illumination and of fan painting will be found in cases at the ends of the Old \Yater Colour Screen.) No. 445 (a classical landscape by Taverner) is an example of painting in tempera. The use of transparent washes is, even at an eai:.ly date, found side by side. or in combination, with opaque or solid painting, the washing method gradually obtaining favour as the solid method declined, until the one has become merely an occa sional help to the other Partly on account of the apparent evanescence of the mediumt transparent work held but a lowly place for many years in the esteem of the artistic pro fession, and the first productions are little more than drawings in grey or brown, some times outlined with the quill, tinted with local colour, and usually approximating in appearance to the coloured prints and mezzotints of Morland, Hartolozzi, Cipriani, &c., which were the chief pictorial embellishments of the '' withdrawing-rooms" of a century ago. Of this character are the exhibited works by Rowlandson, Ibbetson, Skelton (17581, Barker, Varley, Cozens, and Paul Sandby, R.A. By the last-named artist there are, adjoining the Water Colour Screen, some unique and high]y interesting old views of Cardiff, lent by the Marquess ot Bute. (A volume of aquatints therefrom will be found among a case of books on the eastern side, near tfo.eentrance.) In some of these early drawings, owing to the method of executing the subject in lamp-black, I ndian ink, or other monotone, over which local colour was washed, a dull, cold, and comparatively un. attractive effect was produced, and even in the first specimens of pure colour the tone is qniet and unambitious, as in Nos. 4621 4631 446, and 445, by Glover, Varley, Cristall, and Francis Stevens. The colour is low, or even timid, with more of mannerism and atten. tion to detail than of boldness or strength of colour. An early landscape sketch by Thomas Girtin, No. 4591 in bluish tints-almost monotone-with the river dashed in with opaque white, is an exception to this rule, being indicative of the coming force and v.igour which were infused into the art chiefly by him and his great coadjutor Turner. . Many of the possibilities of Water Colour had remained unrecognised un til the genius ot Turner revealed them; even his earliest works exhibit his perception of the brilliance and radiance obtainable by the use of pure local colour, unalloyed by nnderlying neutral washes, of which No, 468, an early topographical sketch made by him in Yorkshire in 1798, and No. 475, a View near Ross, may be taken.as illustrations. The exhibited works of C. Bentley, David Roberts, Copley Fielding, J. D. Harding, R. P. llonnington, J. ll. Pyne, and other contemporaries of Turner, are instances of the pure colour method. Amongst the works of this class in the exhibition is a series of fine examples of the works of David Cox, the earliest bearing date 1815. These are of exceptional exc~llence and interest, and, showing both his early and late manner, should be carefully studied; as ;,!so should the set of drawings by David Roberts, R.A. E. S. ~~~~~~~~~~~- - • -If"' • - ... - -•- • ..._. I ,30 WATER COLOUR DRAWINGS. WATER COLOUR DRAWINGS, 31 SUBJECT. CO>ITRIBUTOR. ARTIST SUBJECT. CONTRIBUTOR, ARTIST, Edwin Seward, R.C.A. W. Marychurch 445 A Classical Landscape W. Taverner 456 A Rustic Landscape J. C. Ibbetson B. 1703, D. 1772 W. Marychurch This work is painted entirely io tempe1 a. 45 7 A Ru_stic Landscape • J. C. lbbetson J. Pyke Thompson B. 1759, D. J8I7 446 A Mountainous Landscape, with a cottage Joshua Cristal! F. J. Graham Clarke B. 1767, D. 1847 458 A Group of Floral Cupids J. B. Cipriani, R.A. Edwin Seward, R.C.A. B. 1727, D. 1785 44 7 Two Plates from an early work by Hassal J. Pyke Thompson On Water Color Painting , exhibiting the old method of Painting in 459 A Stormy Landscape Tliomas Girtin Lampblack , &c., and alterw ards applying local tinting . B. 1773, D. 1802 Edwin Seward, RC.A. (See preceding notes). 448 A Landscape with Trees, dated 1758 7, Skelton Edwin Seward, RC.A. 460 A Landscape, with Waterfalls Paul Sandby, R.A. Edwin Seward, RC.A. B. 1725, D, 1809 449 A Landscape with a distant Seaport, dated 17 58 J. Skelton Edwin Seward, The two last are the earliest exhibited examples of the old method RC.A. of tinting a subject already drawn in monotone, 461 A Landscape, with a Castle Paul Sandby, R.A. Edwin Seward, R.C.A. Edwin Seward, R.C.A. 450 A Landscape, with Gipsies and Cattle Benjamin Barker 462 A Wooded Landscape, with Cattle drinking Jolin Gloi•er B. 1776, D. 1833 B. 1767, D. 18-+9 Edwin Seward, R.C.A. J. Pyke Thompson 451 A Landsca1)e, with a Village and figures Benjamin Barker 463 A Welsh Landscape John Varley B. 1776,D. 1883 B, 1778, D. 1842 J. Pyke Thompson J. Phillips 452 An English Landscape with Trees Jolin Cozens 464 A vVoodland Landscape Thos. Gainsborough B. 1752, D. 1799 B. 1727, D. 1788 Thi~ conta!n~ many characle!istic features of early landscape work; ~~!~~~:ally 1t 1s a good specimen of a comp lete ground previous to F. de Courcy Hamilton 465 North Coast of Cornwall · T. Rowlan.ison W. A. Smith B. 1756, D. 1827 453 A Mountainous Landscape, W!th figures W. Payne In Indian Ink, with colour outline by quill. W. A. Smith J. Pyke Thompson 466 Near Boston, Lincolnshire 454 Conway Castle, 1818 W. Payne R. P. Bonningtun B. 1801, D. 1828 Began to Exhibit, 1786 Edwin Seward, R.C.A. J. Pyke Thompson 455 A Rustic Cottage Francis Sle,:ens 467 Portrait ofa Lady (miniature) _ Thos. Gainsborouglt B. 1727, D. 1788 B. 1781 32 WATER COLOUR DRAWINGS. WAT.ER COI,OUR [)J~AWINGS. 33 ARTlS't, SUBJECT, CONTRlBUTOR, ARTIST. SuBJl>CT. CONTRilH.:TOR . . Edwin Seward, R.C.A. T. Cam David Cox 468 A View from St. Michael's Hill, Yorkshire, with Studley 479 Butchers' Row, Heref:?rd, 1815 B. 1783, D. 1859 Manor, Ripon Minster, and the Hambleton Hills . l l one now remaining. This The three-gabled. house ,s \-';ho;' iest known) depicts a class of f. M. W. Turner drawing by Cox (which is one o e .11 B. 1775, D. 1851 subject frequently selected by the artist. 'd C . A very early example of the transparent colour method (free from Davz OJ. outline or blocking of shadows in neutral tint), painted when Turner Tintern Abbey was about 20 years ot age. Backwater in Lugg Meadows David Cox J. Pyke Thompson Barmouth Sands, with Cader Idris in distance David Cox 469 Frozen River Scene J B . Pyne B. 1800, D. 1870 E. W. Colt Williams From· the Bale Collection David Cox E. W. Colt Williams 4 8 3 Grey Niorn J. Pyke Thompson 4 70 On the Teme at Ludlow W Gill David Cox ·waiter Hughes 4 34 H_ayfield, with Figures 47 r Lake Scene-£20 J. D. Harding F. Tayler, R.W-S. B. 1789, D. 1863 David Cox From the H ancb Hall Collection. 485 Landscape David Cox J. Pyke Thompson 486 Landscape r 4 7 2 Landscape T. Gar,orc1 Attributed to Copley Fieldzng David Cox, B. 1787, D , 1855 487 View of Greenwich from the Hill-£80 Frederick Wedmore T. P. James 4 7 3 Bishopsgate Bridge, Norwich J S. Cotman Miiller 488 Landscape, with Ruins-£16 W]. B. 1782, D. 1842 B . 1812, D. 1845 Exhibited at the Grosvenor Gallery Loan Exhibition, and considered one of the finest and most typical specimens of the Artist extant. It was executed about 1810. See Wedmore•s Studies in En glish Art-F frsl Series. J. Pyke Thompson 3 Lake Scene (Cumberland) Aaron Penley . Edwin Seward, R.C.A. 4 9 B. 1806, D. 1870 47 4 The Church of St. Pierre, Caen J. .D. Harding S. C. Strick B. 1798, D. 1863 r, Stotli'ard, R .A. P. E. Masy B. 1755, D. 1834 -HS Distant View of Ross-£50 J M. W Turner vV. L. Selfe B. 1775, D . 1851 Organ Screen, Dixmude D . Roberts, R .A i J. Pyke Thompson 490 B. 1796, D. 1864 -476 Water Mill (sketch) Clias. Branwliitc 1 J. Pyke--rhompson · Pyke Thompson C. Bentley J. 49 1 Sea Piece 477 Moel Siabod, North Wales W. J. Miille1· B. 1806, D. 1854 B• .r812, D. 1845 T. Garford Bernard Evans, R.C.A. E. W Cook,e,R.A . 492 A Water Mill 4·78 Valley of the Dee, near Llangollen Bernard E vans, R. C.A. B. 1806, D·. 1859 l . 34 WATER COLOUR DRAWINGS WATER COLOUR DRAWINGS. 35 SUBJECT, CONTRIBUTOR. ARTfST . SUBJECT. CONTRIBUTOR, ARTIST, J. Pyke Thompson S. Aitken 493 Landscape Peter de f!Vint 506 French Coast Frantz J. Pyke Thompson S. Aitken 494 Italian Lake Scene T. L. Rowbotham 507 Lake Scene G.E. W. B. 1783, D. 1853 t W. L. Selfe 1 . J. F. Phillips 495 Ehrenbreitstein D. Roberts, R.A. 508 A bit of Wild Wales-£3 3s. f F. Phillips B. I796, D. 1864 Wilmot Pilsbury 496 San Lorenzo, Rome D. Roberts, R.A . 509 The Hometsead-£12 12s. Wilmot Pilsbury 497 View of Rome D. Roberts, R .A S. Aitken 498 Temple of Philre, Nubia D. RobeNs, R .A. 510 Study at the Life Academy fames Curnock, Sen. 499 Alcala el Dair, Arabia Petrrea D. Roberts, R.A. J. F. Phillips 5 r 1 The Keep, Cardiff Castl,e-£ z 2s. J. F. Pliillips James Strick Professor Templeton 500 Sketch of Goats Sir E. Landseer, R .~,!. 5 12 Sketch of Coast Scene T. Saltjleet B. 1802, D. 1873 The Misses Rous T. P. James 502 Old Tenby T. M. Ric/1ardson 5 r 3 Eastern Scene-£ S 5 s. P alli enti B. 1784, D. c848 C. M, Holland W. L. Selfe 514 View on the River Dee at Erbristocke, Denbigh _ 503 Santa Maria Magggiore, Rome D. Roberts, R.A . D. W. Fallowfield The Most Noble the Marquis of Bute, KG. Walter Hughes 503A A View of Cardiff in 17 55 from the South Paul Sandby, R.d. 515 On the Dove, Derbyshire Walter .Hughes 503B A View of Cardiff in 1755 from the West Paul Sandby,R.A. S. A. Finlay 503c A View of Cardiff in 1755 from the East Paul Sandby,R.A . 516 Morning at Barmouth, North Wales-£7 7s. S. A. Finlay 503D A View of Cardiff in 1755 from the North Paul Sandby,R.A . H. Woolcot Thompson The four last-named works were painted hy Sandby as illustrations of a work containing views of South Wales, a copy of which is to be 5 17 Boats Distant from the Shore Yglesias seen in a case of books on the east side, near the entrance. James Strick 518 Aber Valley, near Bangor T. E . Rosenberg 11.-MODERN WATER COLOUR DRAWINGS in S. Aitken Alcoves . on West Side. · 5 r.9 Windy Day Peter Deakin James Strick S. Aitken 504 Lake Scene 520 Church Porch H Sutton Palmer, 1814 C. W. Ingram S. Aitken 505 Italian Lake Scene R. P. Leitch 521 He loves and he rides away Frank E. Cox S.~ ,WATER COLOUR· DRAWINGS. WAT'ER 'COLOUR DRAWINGS. -~ ~~~~ ~~~ ~~~~ ~~~~~ ~~~~- CO~TRIBUTOR, A\ SUBJECT. CONTRIBUTOR. ARTIST. SUBJECT. CONTRIBU TOR, ARTIST ·. T. P. Jones Parry J. W. B. Knight 567 At Tenby T. P. [ones Parry 582 Near vVinchelsea J T,V.B. Kttiglit J.C. Uren R. F. Perling 568 A Fresh Breeze on the Cornish Coast-£23 2s. )83 Arthog Falls, near Barmouth-£10 R. F. Perling f. C. Uren R. Bird (Mayor of Cardifi) Mrs. L. Austin 584 Youth Km°J;lzton T¥arren, A ..R.C.A. 569 Flowers Laverty Mrs. Austin E. Seward, R.C.A. 585 On the Thames S. S. !,Varre11 570 Entrance to the Vicars' Close, Wells E. Seward, R.C.A E. Seward RC.A . 586 Sketch at Hampton Bishop, Hereford E. Seward, R .C.A. Henry Harben 1 57! Scbevening Beach E. Hayes, R.H.A. Walter Hughes Thomas Maddox 587 Glen Sligachan, Skye-'-£5 H. Harris 572 A back way in Hereford Jessie Maddox S. Aitken 58 pln a Surrey Village F. E. Cox Henry Harben 573 Sunset, Southwold Pier E. Ha;,es, R.H.A . W. P. Martin 587BSkating Scene Ricl,ard D oyle R. H. Trevellick W. A. Smith 574 Lavernock Point, with Flat Holmes m the distance 588 Cottage Unknown R . H. Trevellick J. D. Llewellyn F. de Courcy Hamilton 589 Stream and Trees Gwendoli11e Yewdal! 576 Clovelly F. de Courcy Hamz"lton W. L. Banks, R.C.A. 590 0~ the Llugwy, N. Wales-£15 15s. W. L. Banks, R.C.A. F. de Courcy Hamilton 577 Castle Rising, Norfolk F. de Courcy Hamilton F. Tayler, R.W.S. 591 Conway Castle in bygone days- £31 ros. Fndk. TaJ•ler, Thomas Hart, F.S A. R. vr:s. 578 The Steeple Rock, Kynance Cove, Cornwall-£80 Tlzomas Hart, F.S.A. Frank Barnard 592 Crabbing in the North Sea-£5 Frank Bar11ard Thomas Hart, F.S.A. F. E. Maplestone 579 King Arthur's Castle, Tintagel, Cornwall- £45 Thomas Hart, F.S.A. 593 Counting the Flock-£10 10s. Hy. Maplestone, R.I T. L. Hughes Thomas Hart, F.S.A. 594 " Y Cymro a'i Feibl," or a Welshman reading his Bible on 580 St. Michael's Mount-£45 Thomas Hart, F.S.A. Sunday Night. T. L. Huglze.s Walter Gpodall B. Whitmore 581 On the Seashore Walter Goodall 595. Gorleston-£21 B. Whitmort WATER COLOUI{ DRAWINGS. WATER . CO.LOUR DRAWINGS. ··- 41 SUBJECT. CONTRIBUTOR. ARTIST SUBJECT . CONTRIBUTOR, ···AR TIS T. Wil~11'ot Pilsbury Henry Terry :., ' 595;'\F)owers Wz'fmot P£lsbury 611 Study HenrJ' Terry W. J. P. Holland 595BCounting the Flock J. Pedder ., I,. • ,613 St. George's Chapel L. Rayner C. Brook Branwhite J. Squire 596 St. Michaei's Mount, Cornwall, early moonlight 614 St. Ives, Cornwall-£36 15s. .J. Squire · · C. Brooke Bran7(1/tile John Parker H. 0. Fisher ,615 Going a M.ilking-£210 Jolm Parker Her first Book Alice Haz 1ers 597 J. Aumonier H . 0. Fisher , 616 Winchcombe, Gloucestei"shire J. A umo11ier 598 Her first Fan Alice Ha, 1ers J. Aumonier J. Talmage White 617 Runswick, Yorks, J. A11mo11ier 599 Tai di Caclore Talmage Wl,itc .I Henry Whatley Mrs. L. Austin ,618 Adeline- H. TV!iat!ey 600 Speranza-£10 10s. Lady Lindsay, of Balrarres £35 \Vherefore tliat faint smile of thinc 1 R. Bird (Mayor of Cardiff) Shadow)', dreaming Adeline? 601 St. Ives ./. G. Pliilp 619 Summer Holiday Mrs. Jones I · Helena Maguire 602 Cottage at Penmaenmawr Caroline Pattison 620 Pets Helena 1Jfaquire Colonel Hill J. W. Walker 603 Church Interior S. Rayner -621 Landscape, with Stream ,T. W Hlalker F. E. Maplestone Lady Lindsay 604 Felling Timber in the .Beechwoods-£15 r5s. 622 The Burgomaster's Posy-£, 30 Lady Lindsay, of Ba!carres H. Jlfaplrs/011,e, R..l. Henry Cole A. W. Bayes 605 Pollard Oaks, near Ipswich Henry Cole 623 The Approaching Footstep- £10 A favourite sketching ground of Gainsborough, near it, is :;aid to be tlle scene of the 11 Market Cart." F.. Hamilton Tackson Marian Chase · 624 Arcadia-£5 S • F Hamtl/011 .Jackson 606 Under the Beeches-£4-5 Mariart Cliase Alfred Parsons Wilmot Pilsbury 625 Market Day at Lecklacle Alfred Parsons 608 Stokesay Castle--£30 T,Vi/mot-Pilshury :Mrs. L. Austin . F. C. Dixey '626 Th.e Garden of the Hall Farm (from Adam Bede)-£2 0 609 Cookham Lock-£26 5s. F. C. Dixey .E-Ierbert Gifcltrist •. . Albert Steven's The Worshipful the Mayor of Cardiff (R. Bird) 61 o After Rain Albert. Stevens ,627 Landscape J. Aumonier, I;,g82 :,' ·.,, .,. WATER COLOUR DRAWINGS. WATER COLOUR DRAWIN.GS. 43 SUBJECT. CONTRIBUTOR. ARTIST. SUBJECT. CON'TRJBUTOR. ARTIS T. Frank Walton Fritz Althans 628 The Lizard Lighthouse, Polpeer-£18 18s. Frank 1¥alton· 644 In the Embankment Gardens, Westminster Fritz Althans \V. F. Stocks W. Bennett 629 The Ebb Tide-£40 W. F. Stocks, z883 645 Morning Light on·Moel-wyn, North Wales-£10 W. C. Eddington · Colonel Hill 630 Interior of Chapel, with Monks S. Rayner Edwin Hayes, R.H.A. Helen S. Tatham 646 Coast of Messena-£80 Edwin Hayes, R.HA . 631 A Chat by the Way- ,£5 5s. Helen S. Tatham Bernard Evans, R.C.A. 64 7 Crossing the Moor, Arthog, Merionethshire Bernard E vans, E. Seward, R.C.A. Jessie Maddox R.C.A. 632 Courtyard of the Old Museum, Orleans Right Hon. Lord Aberdare Fritz Althans 648 Dame Juliana Berners, St. Alban's Abbey, 1481, and her Gloire de Dijon Roses Fr£tz Althans Pupils ; with St. Albans' Abbey in the distance W. H. Haines R iclzard Doyle She was tbe author of the first book on the art of lishing. One of Girl Haymaking-£6 6s. fV: H Haines the Artist's latest works, and exhibited at the Grosvenor Gallerv in 1883. Pretty Maiden rake away, Lest the rain should spoil your hay. A. Wayling 649 Pont Wayling Edwin A. Norbury, R.C.A. Aberglaslyn-£44 A. 6 35 " Done for" Edwin A. Norbery, R.C .A .. A. Ackland Hunt Old Mill at Lynton, Devon- £20 A. Ackland Htmt 'IV. C. Madge 637 The Turber Head, Gower, South Wales-£3 3s. Emmeline Atkins ' W. C. Madge· Study of a Head Emmeli"ne Atkins W. C. Madge Charles Earle 638 Stack Rock, near Tenby, South Wales-£4 4s. Stowerton Bridge on the Dart Cltarles Earle W. C. Madge · Emma \Valter Charles Jones Flowers Emma Walter 639 Spring Charles / ones W. H. Haines Charles Stuart 655 Samphire Gatherer f,V. H. Haines 640 Among the heather, half-way up Moel Siabod, North W. P. Burton r5s Clzades Stuart Wales-£36 Little Hampton T17.P. Burton Right Hon. Lord Aberdare J. W. Walker 641 Erbalunca, Corsica Edward Lear 657 Landscape and River, with boats _f. 1¥ . 1'Valker Right Hon. Lord Aberdare J. Fullylove, R.I. 642 Pont Dell' Asco, Corsica Edward Lear 658 Near the Trent, Nottinghamshire .fohn Fullylove, R.1, Fredk. Taylor, R.W.S. His Worship ,the Mayor of Cardiff (R. Bird) 643 Coursing the Bustard Fredk. Taylor, R. W.S, 659· Lands End J G. P/11"lp WATER COLOUR DRAWINGS . _44 WA'l'ER •COLOUR DRA.WINGS. 45 SUB JECT . CO NTRIBU .'l'OR. ARTIST, SUBJECT, CONTRIBUTOR. ARTIST . f ,, R ,R. Moxey Louise Rayner 660 Glow of the Setting Sun , . J. G. Plzilp High Street, Windsor Louise Rayner H is Worship the Mayor of Cardiff (R. Bird) Walter Hughes 661 Land's End · f. G. Pltilp Landscape-£8 8s. .fo!m Fullwood Leonard Lewis R. Jackson 662 "T he Pena," the Summer Palace of Don Fernando, 677 Watermill A. Wayling King Consort of Portugal- £ I 5 7 rns. Leonard Lewis H. A. Heard Marian Chase 678 Street Corner (Bilbao)--£r rs. H. A. H eard 663 Azaleas-£16 16s. Marian Clzase J. Strick J. Squire 679 H unting Scene .folm Leec!t Bude Haven, Twilight-£15 r5s. J. Squire H. A. Heard 680 Stockholm-£2 10s. HA. Heard E. R. Moxey 665 Bay of Naples T. L. Rowbot/1a111 J. Strick 682 Landscape, with Mill A. Anderson Mrs. L. Austin 666 At Capel Curig 15s. J. B. Bedford J. Strick -£36 683 Landscape A. Anderson J. Roberts, M.P. 667 Cottage-interi or Neutzug Jessie Maddox 683. ..\ Daffodils Jessie Maddox . W. T. Bennett M8 The Sychnant Pass, between Conway and Penmaenmawr- A. Stevens 684 The Edge of Derwentwater-£8 8s. A. Stevens £ 12 W. C. Eddington Henry Cole Andrew 1viacCallum 685 A Pastoral Henry Cole 669 Autumn in Fontainebleau Forest-£84 Andrew MacCallmn W. C. Madge 687 South Coast, Pembroke, South 3s. W C. Madge W. T. Bennett Wales-£3 670 A Mountain Valley and Cader Idris, North Wales-£10 1,V. T. Trounce W. C. Eddington 689 Saint Bernardino-£30 · Ansiglioni, of Rome J arnes Bourlet J as. Morrison 67 1 Calle Dilbin, Venice A . G. S. 690 On the Bosphorus T. R. Hofland . His Worship the Mayor of Cardiff (R. Bird) James F. Mullock Sunnse J. G. Plzilp 691 On the Usk .fas. F. .!vfullock E. R. Moxey W. Henry 673 Mountain Road Edwin E llis 692 The Rialto, Venice W Henr.y Newton Bennett T. P. Jones Parry 6q4 In Linwood Copse, New Forest-£16 16s Newton Bennett 693 .ijear Bannouth-£2 ros. T. P . J ones Parr;• WATER COLOUR DRAWINGS. WATER COLOUR DRAWINGS. ARTIST, SUBJECT. CONTRIB UTOR . ARTIST. SUBJECT. CONTRIBUTOR. Hogarth Club W. J. Trounce 694 Lynmouth,. North Devon-£25 James MacCulloch ·711 Head of the Saviour-£30 Ansi'glloni, of Rome William Harper George MacCulloch William rper 695 Elizabeth Castle, Jersey-£10 Ha ·7 I 2 Twilight, Glen Rosa, Arran, N.B. George 1lfcCulloch William Harper John W. G. Cox 696 Mount Orgueil Castle, Jersey-£ 10 William Harper 713 Scotch Landscape .John W. G. Cox Leonard Lewis John 1\". G. Cox 697 The Sunnyside of Business, Brittany-£42 Leonard Lewis 714 Lake Scene Jolm W G. Cox Mrs. L. .-\ustin J. J. Bannatyne 698 Meg's Diversion A. L. Ri viere 715 The Head of Loch Lomond-£21 .f. J. Bannatyne i\Irs. L. Austin F. J. Kerr 699 Her thoughts are hardly thoughts at all, so dream-like 716 A Pastoral-£ 5 F..f. Kerr through her brain they 10s. Rowland La1ciford I Ait-£10 James Bourlet J. 1Yhipple 717 After Sunset in the Lagoon '7anies Bour/et 701 On the Thames J. Whipple Mrs. I .. Austin L. Rayner 718 Primroses and Violets S. Laverty 702 Kingst~n Church L. Raymr Mrs. L. Austin A. W. Bayes 719 Cinneraries S. Laverty 703 A call to the Sick, La Saint-Vratique-£21 A. W Bayes Marian Chase Wm. H. Mi.iller Hewett 720 Apples-£7 7s. Marian Chase 704 Llyn Idwal, N.W.- £52 ros. Wm. H Miiller He1e1ett E. Hawkins C.H. James 721 Village Street Wilmot Pilsbury 705 Coast Scene E. Duncan L. Rayner Ellen S. Tatham ·722 Bridge Street, Chester L. Raymr 706 The Old l\Iill, Cleeve, near Goring-011-Thames-£ 7 7s. Edward Robinson Ellen S. Tatham ·723 Guardians- £ 35 Helena 111'aguire Wilmot Pilsbury A. W.·Street Wilmot Pilsbury 7°7 Looking out to Sea-£20 724 Cronies A. T,V. Street Charles M. Holland J.C. Uren 725 At the Harbour's Mouth, Penzance-£8 8s. '7. C. Uren 708 Near Barmouth R. Norbury J. W. Down J. Squire 726 On the Erne, Devonshire- £15 15s. J. Squire 709 Landscape Unknown James MacCulloch Edward Robinson Helena Maguire 710 Lynmouth, N Devon James MacCulloch 72r Homeward Bound-£40 - .., - 11 WATER COLOUR DRAWlNl;~. II WATER COLOUR DRAWINGS. ' I 49 SUBJECT. SUBJECT. CO NTRIBUTOR . ARTIST. CONTRIBUTOR. AUTIST, Charles Earle W.R. Way I 728 A Cornish Pilchard Station Charles Earle 744 vVhite Anemones-£8 8s. WR. Way Hogarth Club Emma Walters II 745 Red .and .White 5s. ·7 2 9 Scarborough Castle from Sealby - £ 25 ya mes McCu!!oclz May-£5 Emma '/!Valters Mrs. L. Austin ·w. Bennett 7 46 Primroses and Violets Miss Laverty 730 Gleq Nevis-£500 T/1e late H/. Bennett, 1v!J.P. WC. 11·1 Exhibited Intern ational Exhibition, 1862. Mrs. A. M. Trevellick 7 4 7 Continental Scene A. M. Trevellick F. J. Kerr 731 Noon-£4 10s. F.J. Kerr W. J. Trounce F. J. Kerr 7 48 Head of Mary-£ 30 Ansiglirmi, of Rome 732 Landscape, with bridge .FY, Kerr E.W . Evans F. J. Kerr i 750 Twickenham Church, from the River Thames---£7 7s. 733 Moel Siabod-£3 15s. F y . Kerr 1 E. vV E vans F. J. Kerr T. P. James 734 Mountain Scene F'7 . K err ; 751 Lancaster-£7 7s. R. Curson Edith Hawkins J. C.' Salmon ' 752 Waiting-£4 4s. 735 Study of Pottery-£2 10s. Edit/1 Hawkins , y. C. Salmon II I Henry Harben Mrs. L. Austin 11 753 A Silver Note J. ilf. Whistler II 736 Cow and Sheep T Sidmy Cooper, R.A. ' I A. W. Bayes II Edith Hawkins [I 754 Going to the Well A. W Bayes 737 Pansies-£3 3s. Edith Hawkins W. C. Madge F. J. Kerr 755 Carreg Cennen Castle, South Wales-£6 6s. Madge ,1 738 Silver Lake, near Bettws-y-coed-£4 10s. F.J. Kerr WC. I Edward Robinson I Helen S. Tatham . 756 The First Shot ,, 739 An Autumn Day, Sheire, Surrey-£5 5s. Helen S. Tatha111 -£16 Helena Maguire- ' 1, I' The Misses Rous F. J. Kerr 757 Landscape, with Rocks T M. Ricl1ardson 7-1,0 On the Wye-£4 ros. F.J. Kerr R. F. Perl ing Mrs. E. Hawkins 7-11 Fruit R. F. Perlz'ng 7 58 On the Taff, near Llandaff llfrs. E. riawki ns B. Veal! I i, Walter r~ughes I 7.p East Cliff, Hastings B. Vealt I : 759 Fishing Boats F llfercer I R. T. Perling J. F . Mullock R. T PerHng 743 Glass of Flowers-£ 6 760 At Malpas, Mon.-£5 5s. y. F. Jlfullock I I , 'I 50 WATER COLOUR DRAW1'NGS. WATER COLOUR DRAWINGS. 51 hR'rlST, ARTIST, • SUBJECT. CONTRIBUTOR . SUBJECT, CosTRlB UTOR. Henry E. Stacey S. M. Jones, A. R. C. A. 761 Ashore in Bracelet Bay-£7 7s. Henry E. Stacey 777 Showery Weather, Vale of Conway--£8 8s. S. M.Jones, A.R.C.A. J. F. Mullock R Mitl!ock S. Batchelor 762 At 4s. f. Llandrindod-£4 778 Upon the Usk f. F. Mitllock Henry E. Stacey Henry E. Staay ] . Pyke Thompson 763 Tintern-£7 7s. 779 Landscape S. C. [ones (Bristol) \V. E. \\"inks T. H. Tlzomas, R. C.A. J. Pyke Thompson 764 Clovelly The Raft (Sunset) Attributed to Clarltson Stanfield S. A. Finlay J. Pyke Thompson 765 The Estuary of the Mawddach, near Barmoutl'l, North \Vales The Abbot's ::vlorning Cltas. Cattermole -£15 15s. S. A. Finlay Edwin Black Mrs. E. Hawkins Tide at Lee, llfracombe- £21 Edwiu Biack 766 Old Lime-kiln at Dartmouth Mrs. E. Ha wkins Alexander Blaikley Mrs. E. Hawkins Tenby, from the Croft- £7 7s. Alexander Blailde;· 767 Rock and Waves at llfr~combe Jldrs. E. Hawkins C. H. James Catherine J. Atkins A. E. LJunca1t Catlierine J. Atkins 784 .Mumbles Lighthou. e 768 Moorish Child S. M. Jones, A.R.C.A. Samuel Aitken 785 Nant Crafnant, near Trefriw- £G 6s. S. .Llf.Jones,A.R.C.d.. 769 Path tlu·ough the Wood, Capel Curig J. Jacl C0t,TRIBUTOR. ·::::":'-' MRS. STOllER So8 Water Colour Drawing, The Pillars of the Forum , Rome £12 I2S. ON SCREEN UPON RIGHT OF MAIN By A. Burnett Stuart, 1882 ENTRANC E. :MRS. STORER, Mount Etna, from Taormina .809 Water Colour Drawing,-£12 12s. By A. Burnett Stuart, 1883 CO:STRIB UTOR. VERY REV. DEAN VAUGHAN AND MRS. VAUGHAN RIGHT REV. THE LORD B1SHOP OF LLAND. .\FF Sro Line Engraving, The Release of Peter 800 Water Colour Drawi11g, Original Design for Restoration of By Volpato, after Raphael Llandaff Cathedral VERY REV. DEAN VAUGHAN AND MRS. VAUGHAN By John Prichard .Su Line Engraving, He liodorus F. DE COURCY HAMILTON By Volpato, after Raphae l 801 vVater Colour Drawing, Junction _of_Severn and Wye VERY REV. DEAN VAUGHAN AND MRS. VAUGHAN By F. de C. Hamilton .812 Line Engraving, The Sacrament VERY REV. DEAN VAUGHAN AND MRS. VAUGHAN By Morghen, after Raphae l 802 Water Colour Drawing:...... Portrait of Mrs. Edward Stanley VERY REv. DEAN VAUGHAN AND MRs. VAUGHAN By Geo. Richmond, R .A. 813 Line Engraving, Incendio del Borgo VERY REV. D EAN VAUGHAN AND MRS. VAUGHAN By Volpato 803 Portrait of the Very Rev. Dean Vaughan VERY REV. DEAN VAUGHAN AND MRS. VAUGHAN By Geo. Richm ond, R.A. 814 Engraving, Lo Spasimo di Sicilia VERY REV. DEAN VAUGHAN AND MRS. VAUGHAN By Toschi, after Raphael 804 Oil Painti"ng, Portrait of Dean Stanley COL. PAGE ' By Eadon Edis 8 I 5 Oil Painting, Deerstalking By Byron Webb VERY REV. DEAN VAUGHAN AND MRS. VAUGHAN 805 Crayon Drawing, Portrait of Bishop of Norwich PHILIP DOWSON By J. Linnell, 1843 816 Procession of Mantes, Wasps, Flies, and Grasshoppers (Japanese political skit) VERY REV. DEAN VAUGHAN AND MRS. VAUGHAN 806 Portrait of Mrs. Owen, of Anglesea RICHARD WANE By Edwin Havell, 1858 817 Oil Painting, Cornfield, Towyn, near Conway-£42 By Richard Wane LT.-CoL. HILL, C.B. 807 011 Painting, Head of a Rabbi DR. LEWIS By l3. S. Marks 818 Tinted Lithograph, Madonna and Child After Raphael 54 ON SCREENS. OIL PAINTINGS. 55 COXTBIRUT OR. SunJECT. CONTRIBUTOR. \ ART IST. MR. GARFO RD J. Cleves 8 r9 Water Colour Drawi110·, Study of Boats 832 Oil Painting, Landsqtpe, with Cattle and Figures By E. W. Cooke, R.A. G. J. Roberts KATE TAYLER 833 Oil Painting, HolyFamily, with "DanceofCherubs " Willards 820 Water Colour Drawing, Fann Girl, Brittany By Kate Tayler-.£5 5s. Right Rev. the Lord Bishop of Llandaff MRS. STO~ER 83-1- Oil Painting, Henry VIII. and Abbot of Reading 821 W(ater Colour Drawing, Arch of Constantine, Rome-£20 "The Knighting of the Loin" By A. Burnett Stuart, 1882 Lt.-Colonel Hill, C.B. ·LT.-Cor.. H1LL, C.B. 835 Ozl Painting, Sea Piece Van der Vdde 822 Oil Painting, Landscape Right Rev. the J .ord Bishop of Llandaff R. A. BOWRIN G 836 Painting of the Assumption of the Virgin and Child, which 823 Water Colour Drawing, Shipping formed part of Bishop Marshall's throne, erected in By J. C. Salmon Llandaff Cathedral 1480 R. A. BOWRING \\". Seward 824 Water Colour Drawing, Shipping l:l37 Oil Painting, Mountain Pass O'Connor By J. C. Salmon Cor.. PAGE G. J. Roberts 825 The Love Song 838 Oil Painting, I:andscape, with nymphs bathing Polemb111;i[ By Rovgeron W. Jenkins H. A. CHAP.MAN 839 Oii. Painting, A;1glers 826 Pl1otograph (Instantaneous), Over they go "'\\'. Seward D. HART 840 Otl Painting, An Interior .Delorme 827 Oil Painting, Cows G. E. Robinson VERY REV. DEAN VA UGHAN AND MR S. VAUGHAN 841 Oil Painting, King Charles I. on Horseback After Vami_ykt 828 Engraving, Dr. Arnold H enry Cousins, R.A . T. H. Hopkins 842 Oil Painting, A Spy F Iredas ON SCREEN UPON LEFT OF MAIN Jessie Maddox ENTRANCE . 8+3 Dog's Head, terra cotta / ew e Maddo~v 844 Two Dogs, terra cotta · Jessie Maddox SUBJ ECT . CONTRIBUTO R, A l Walter Hughes 855 Oil Paintzi1g, Luther at the Diet of Worms late E. 111. Ward, R.d. * See Portrait of Artist No. 162. E. M. Ward painted for the Government: the Frescoes representing "The Last Sleep of Argyle," "Execution of Montrose," "The parting of Lady Russell with her husband before his execution," &c, &c., now in the corridors of the Houses of Parliament. S. Aitken 856 Oil Painting, Bull's Head J. Strick 857 Oil Painting Sunset_ Landseer 58 Bt.ACK. AND WHIT E. BLACK AND WHITE. S9 CONl'KTDUTOR. CASSELL AND Co. 910 Indian Ink Drawing, q10osing a Flower--£3 3s. By R. C. Smith ALBERT STEVEN S Blackand White. 910ACl1arcoal Drawing, Winter.-£36 r5s. By Albert Stevens CASSELL AND Co . CONTRIBUTOR . 91 r Drawing, Two Fair Maidens- £12 12s. CHARLES FINCH By J. E. Millais, R.A. This work was drawn on the wood by the Artist for the " Magazine of Art'' 901 Engraving, John the Baptist preaching-£5 By A. B. Bloemart MRS. L. AUSTIN F. DE COURCY HAMILTON 912 Engraving, Co~stantine 902 Engrm1ing, Cromwell refusing the Crown By Auguste Blanchard After Robert Graves, A.RA. CHARLES FINCH 903 Engraving, Landscapes-£8 By Patel The following Engravings, Nos. 913 to 9~91 are Artist J. ·w1LLJA11! Tum,tPSON Pros,fs, froP.J:Works by L. ALMA 1:ADEM.A, .R.A., 904 Pencil Drawiug, David holding the crook and sling publ,ished and lent by G. S. Lefevre. ' By Dante Gabriel Rosetti From tbe ArHst's Sale 913 Artist's Proof Engra·11ing, In Confidence- £6 6s. ]. WILLIA.ill THOi IPSON By Leopold Lowenstarn 905 Pencil Drawi11g, Another Study for the same 914 Artist's Proof Engraving, In the time of Constantine-£7 7s. Nos. 904 and 905, wece studies for Triptych at Llandaff Cathedral By Auguste Blanchard By Rosetti THE SEASONs-£22 1s. T. H. THOJ\IA S 906 Photogravure, Illustration to Evan"cline 9r5 Spring By Frank Dicksee, R. A. 916 Summer }A,1,;t,Pro,ft, By Auguste Bloncha CON'JIRIDUTOR. CONTRtBUTOR , T. H. THOMAS T. P. JONES PARRY Lithographed Portrait (If Mrs. Kemble. 960 Drawin CosTRlBUTOR. CONTRIBUTOR, J. PYKE THOMP SON J. PYKE THG:11PSON 99 2 Engm, •ing ( Open Let/er Proof) Vale of Heathfield i-003 Open Letter Proof, Brighton By W. B. Cooke, after J. M. W. Turner By George Cooke, after J. M. W. Turner J. PYKE THOMP SON ]. PYKE THOMPSON 993 En,~rm·er's Proof, Harlech Castle ,1004 Mezzotint, Whitby After J. M. W. Turner By T. Lupton, after J. M. W. Turner Nos. 1001 and 1004 are from the Ports and Har.hours J. PYKE THOMPSON 1 Set J. PYKE THOMPSON 994 Engraver's Proof, Rochester, Chatham, &c. After J. M. W. Turner 1005 Mezzotint Engraving, Barges on the Medway · The Four Engravings Nos. 993, 994, 995, and 999, are from: the By W. Say, after J. M. vV. Turner England and \Vales Series. J. PYKE THOMPSON J. PYKE THOMPSON 1006 Sketch, Rainbow 995 Engraver's Proof, Dover By J. M. W. Turner, 1840 After J. M. W. Turner J. PYKE THOMP SON G. J. ROB ERTS En<>·raver'sProof, Weymouth "' By '\V. B. Cooke, after J. M. W. Turner 1006A Engraving, Usk Bridge-ros. roo6B E ngraving, Chepstow Castle-7s. 6d. J. PYKE THOMPSON . En o·raz1er's Proof, Torbay, from Bnxham 1006c Donat's 6d. 997 0 Engraving, St Castle-7s. By W. B. Cooke, after J. M. W. Turner j. PYKE THOMPSON J. T. PHILLIPS Opeit Letter Proof, Ilfracombe roo6n Series of Four Indian Ink Drawings, North Wales By W. B. Cooke, after J. M. W. Turner Scenery-[20 (the four) The Six Engravings Nos. 996, 997, 998, 1000, 1002, 1003 , are. from By Samuel Prout the Southeru Coast Series T. P. JAllIES J. PYK E THOMPSON 1007 C!tarcoal Drawing, Rocky Landscape-£4 4s. 999 E11graver's Proof, Richmond By W. Mi.iller By \Villmore, after J. M. W. Turner T. P. JAM ?S J. PYKE TH0l1IPS0N r 008 Sepia Drawing, z zs. Engravers Proof, , Margate Landscape-£ 1000 By S. C. Jones By George Cooke, after J. M. W. Turner • T. P. }AMES J. PYKE THOMPSON 1009 Pencil Drawing, Riv:er in Landscap~-£3 3s. 1001 .A£ezzotin.f, Scarborough By David Cox " By T. Lupton, after J. M. \\'. Turner From a p crtfolio of David Cox's early work-authentic. J. PYKE THOMP SON . ]. WILLIAM THOMPSON 1002 Engmnr 's Proof, Lyme Regis 1010 Etching, Lartascape Hy \V. B. Cooke, after J. l\I. W. Turner By Currier BLACK ,\.ND WHITE. BLACK AND \VHITE. ~9 CONTRIBUTOR. C osTRI BUTO R. RAPHAEL BRANDON, F.R.I.B.A. 1011 Pen and Ink Sketclt, Ornamental Scroll J. PYKE THOllIPSON By Raphael Brandon, F.R.I .B.A. 1021 Engraving, Peat Bog (Liber Studiorum) By J.M. W. Turner w. A. CHAPMAN (1) The pure Etching, by Turner 1012 Engraving, Winter (2) Fae-simile of first stale of Turner's plate, engraved by D. Lupton (3) Impression from Turn er's plate in last state, engraved by H. R . ROBERT SON G. Clint 1013 Etc/iz'ng ( trial proof), Shrimpers on the Sussex Coast By H. R. Robertson-£2 12s. 6d. Rev. W. T. A.DEY 1022 Two Engravings on Silk, Bookplates, Woodcuts J. PYKE THOMPSON By Thomas Bewick J0[4 Engraving, Norham Castle T. H. THOMAS By T. Lupton, after J. M. W. Turner 1023 Steel Plate Engraving, Orpheus and Eurydice In fac simile of the Liber Studiorum Plat e By Sharp, after Fuseli, R.A. T. w. DOWN T. H. THmrAs 1 o 15 Engraving, Bannister in the character of'\Valt er, in 10~4 Steelplate Engraving, The Falconer "Children in the Wood" By T. Landseer, after Sir Edwin Landseer By James Heath, after Westall Interesting as being a portrait of Edwin Landse er. T. H. THOMAS 1016 Steel Plate Engraving, The Worship of Bacchus (The following Seven Engravings are from the Liber Studiorum.) Finished by Charles Mottram, after Geo. Cruikshank J. PYKE THOMPSON The whole of the Centre Crowd in this Picture was etched by 1025 Engraving, Raglan Castle Cruikshank himself, as also the heads throu ghout the work. By J. M. W. Turner (This is one ot the p1ates engraved in i\Iezzotint by Turner luu1self) C. W. MANS EL LEWIS 1 o c7 .!Jfezzotint and Etclti11g, Collecting the Flock in North " . ales J. PYKE THOMPSON By C. W. Mansel Lewis 1026 Engraving Solway Moss By T. Lupton, after J. M. W. Turner G. GIB SON NEILL J018 Engraving, Field of Waterloo 1027 Engraving, Falls of the Clyde By Lewis, after J. M. W. Turner By Charles Turner, after J. M. W. Turner • Engraver's proof, with note written by the Engraver on marg in as J. PYKE THOMPSON to Turner having worked on t he plate 1028 Engraz1ing ( E ngraver's Proof), Water Mill G. GIBSON NEILL By R. Dunkarton, after J. M. W. Turner 1019 Fishing Boats off Calais Eugraving, J. .l:'YKE THOMPSON By W. Davidson, after J. M. W. Turner 1029 Eng,.m>ing, Vvatercress Gatherers G . GIBSON NEILL By T. Lupton, after J. M. W. Turner 1020 E11graving The Deluge ] . PYKE THOMPSON By J. P. Quilley, after J. M. W. Turner 1030 Engraving, Blair Athol By W. Say, after J. M. W. Turner BLA'.C1{ AND WHITE. B~yk . AN,,~. , WH~TE. ------CONTRIBUTOR. CONTRJBUTOR, J. PYKE THOMPSON M.A. SIMKlN 1031 Engraving, Interior of Church 1041 Charcoal Drawing, Study By J.M. W. Turner By M. A. Simkin (This is one of the plates engraved in Mezzotint by Turner himself .MRS. s. \V. KELL y 1042 Plwtogra,plt, Reproduction of Raphael's Cartoon J. PYKE THOMPSON 1032 Aquatint, Llanthony Abqey 1043 Old Drawing in Red Chalk By G. Hunt, after J. M. W. Turner H. 0. FISHER T. s. TREGELLES Pm and Ink Drawing, Hunting Scene 1033 Autotype, Mildmay Sea piece By John Sturgess After J. M. W. Turner Reproduction of the Liber plate. T. P. James [ Sepia Drawing £ 6 J. PYKE THOMPSON -- 1034 Engraving, Example from the Liber Veritatis By J.B. Pyne By Earlom, after Claude H. 0. FISHER J. PYKE THOMPSON Pm and Ink Drawing, Hunting Scene rn35 Engraz,ing, Another Example of Liber Veritatis in the t By John Sturgess Engraver's Proof State H. 0. FISHER By Earlom, after Claude 1 47 Pm and Ink .Drawing, Hunting Scene It was the" Liber Veritatis" that suggested to TurnP.r his" Liber Studiorum" .By John Sturgess J. Pn:.:;; THOMPSON R. ALNER BOWRING 1036 Engravmg, JE5acus and Hesperie 048 Sepia Drawing, Interior view after Ostade By J. M. W. Turner By J>enry Williams, 1816 Lithographed reproduction of the Liber Stud iorum Plate This work was done by Penry Williams la resident of Merthyr) at the age of 9 years. J. PYKE THOMPSON T. E. BRIGSTOCKE Engraving ( Open Letter Proof) Val._eof Ashburnha1n 1037 Pencil Sketch, Absorbed. A sketch from life By W. B. Cooke, after J. M. W. Turner Tl:1.0mas Brigstocke J. PYKE THOMPSON C. MANSEL LEWIS Mezzotint, Eddystone Lighthouse w. Mezzotint and Etc/ting, The Milkmaid By T. Lupton, after J. M. W. Turner By C. W. Mansel Lewis EDWIN SEWARD, R.C.A. T. H. THOMAS 1039 Photographs, Five views of Stoke. ay Castle, Shropshire By Alfred \Vatkins 1051 Steelplate Line Engraving ( Proof), The Duenna Produced by the Platinotype process. By C. Rolls, after G. S. Newton, R.A. H. 0. FISHER PETER PRICE Pen and Ink Drawitt/{1 Hu ·nting Scene 105:a Engraving, Aurora Byc fohn St'tl'rgess After Guido BLACK AND WHITE. BLACK AND , WHITE. CosTRIBUTOR. CONTRJBUTOR, WALTER JENKINS J. PYKE THO-MPSON 1053 Drawz'ng, Pilot Boats in rough Sea.-£7 10s. ,1064 Penez'! and Sepia Drawing, Shakespeare's House at Strat.· By J. Harris, sen. ford-on-_'\.von By Samuel Prout T. H . THOMAS 1054 PencilDrawing, Madame Patti singing"Home Sweet Home" This was when the Bard s house was still being used as a butcher's shop. at Craig-y-Nos Castle H. R. ROBERTSON By T. H. Thomas 1065 Etc/zing, Rush Harvest-£2 r2s. 6d. REV. W. T. ADEY By H. R. Robertson 1055 Engraving, Portrait of Thomas Bewick FREDERICK TAYLER After James Ramsey 1066 Etc/1ing, Frame of 7 Etchings By Frederick Tayler. FREDERICK TAYLER From Works of the Etching Club. 10 5 6 Sepia Drawt'ng, Highland Lassie with Cattle.-£ z 1 By Frederick Tayler. H. R. ROBERTSON J. F. MULLOCK 1067 Etc!zillg (trial proof), Ave Maria-£2 12s. 6d. 105 7 Engraving, Pigs feeding By H. R. Robertson Mezzotint .after Morland PETER PRICE H. R. ROBERTSON 1068 Engraving, The Christening 1o58 Etching ( remarq'ue proof), Arundel Castle-£ 2 12 s. 6d. By Stock, after Penry Williams By H. R. Robertson CASSELL AND Co. G. GIBSON NEILL 1069 Drawing, Lledr Valley-£5 5s. 1059 Engravz'ngs, Frame of Specimens of portfolio of Mezzotin s By Sutton Palmer By S. W. Reynolds, after Thomas Girtin- £7 w. A. Sllll T H From the Liber Natura,. 1070 Drawing By Francesco ? uccherelli FREDERICK TAYLER B. l'EAL L ro6o Sept'a Drawi11,{, Lady on horseback.-£15 15s. 1070A Penctl Drawi11g, Design for \Vest Doorway of a Church By Frederick Tayler. By Raphael Brandon, F.R.I.B.A. James Strick J. T. PHILLIPS 1061 Pen and ink Sketdz, 1071 Study in R,d C/zalk- [3 3s. By John Hay, R.A. By A. Mulready, R.A. W. H. SIMKIN v.r.R. CHAPllIAN 106:z Indz'an ink Drawing, A late Visitor 1072 Engraving Horsemen By Francesco de Gregoria T. PYKE THOMPSON MRS . !ONE S 107 3 Indian Jnk Drawt'ng, Leeds 1063 Engra11i1/g, Miss Penelope Boothby By J. M. v.r. Turner After Reynolds From the Collection of Turner's friend, Rev. W. Trimmer. BJ,ACK AND WHITE. BLACK AND WHtTF.. ' CONTRIBUTOR. CONTRJBUTOR , HENRY C. HARRIS, A. LB . .'\. CHARLES CONWAY 1087 Lithograph, Interior of Chapel H>74 Chalk Drawing, The death of Abel-the voice crying from From designs r.iy Henry C. Harris, A.I.B.A. the •ground By George McCulloch G. J. ROBERTS LASCELLES CARR 1087A Engraving, Portrait of Bishop Watson, Bishop of 1075 Engraving, Marquis of Bute (Second) Llandaff- 7s. 6d. By Ward, after Raeburn T. vV. EvANs T. H. THOMAS 1088 Drawing, Lincoln Cathedral-£2 2s. 1076 Copperplate Line Engraving, Poesis, from the Vatican By T. W. Evans By Volpato, after Raphael HENRY C. HARRIS, A.I.B.A. THE VERY REV. DEAN VAUGHAN AND MRS. VAUGHAN 1089 Etching, Peterborough Cathedral 1077 Line Engraving, Parnassus By Axel H. Haig After Raphael F. DE ·CouRcY HAMILTON THE VERY REV. DEAN VAUGHAN AND MRS . VAUGHAN 1090 Etc/ting, Bourgeois Cathedral Line Engravz"ng, School of Philosophy By Axel H . Haig LASCELLES CARR W. W. F. Hu~m-D1cK 1079 Engraving, Earl Bute (Fourth) 1091 Etcl1ti1g, Sea Piece By W. H. Ryland, after Ramsay By Seymour Haden T. H. THOMAS EDWIN SEWARD, R .C.A. 1080 Chalk Drawing, Portrait of the Rev Thomas Jones, of 1092 An English Stage Coach (pen work in sepia)Hab/ot K. Browne Swansea, Drawn in 1870 By T. H. Thomas J. WILLlAM THOMPSON ro93 Plwtograph, Landscape 1081 Sketch, A Tower From a Crayon Drawing by Currier T. LEON ARD HUGHES J. PYKE THOMPSON 1082 Pen and Ink Drawing, Interior of Chester Cathedral I 094 Frame of Etcltz"ngs, remarque proofs of the Dutch gmre subjects By T. Leonard Hughes (a.) La Degustation . By Artigue, after Terburg HENRY C. HARRIS, A.LB.A . 1084 Proof Lt"thograph, SRetch for a Chapel Exterior (exhibited (b.) Consultation at the Royal Academy) By Mordant, after P. de Hooghc · By Henry C. Harris (c.) Old Woman at Window G. J. ROBERTS By Mordant, after Gerard Dow 1085 Engraving, The Lighthouse-15s. F. DE COURCY HAMILTON s. AITKIN 1095 Etddng--Christ Healing the Sick r 086 Sepia Drawz"ng, Sea Piece After Rembrandt I BLACK ' AND WHITE. i1 I BLACK AND WHITE. ' CONTRIBUTOR. C. MANSEL LEWlS CONTRIBUTOR. w. 1105 Mezzotint and Etc/zz"ng, A Vagrant ] . PYKE THOJ\!PSON By C. W. Mansel Lewis I> 1096 Etc/zing, Tourelle dite de :Marat By C. Meryon E. H. BRUTON, A.R.I.B.A. J. PYKE THOMPSON 1106 View, Perspective View of Institute of the Blind, Cai-diff La Morgue Ir ~-097 Etc/zing, H. HEYWOOD By C. Meryon uo7 Etclzz"ng, 'VVoodland Scenery A. E. RICHARDS By Fred Sl COX'l'RlB t,;TOR. COSTRtUUTOR. CHAS. CONWA y FREDERICK \\' EJJ.:l!ORE 11 I 7 Etcltin.z, A Series of 5 Etchings in frame 1I31 Frame of 4 Etclu'11gs, · \ 'ie\\·s on the Thames Lamoriniere By A. Ditchfield T . H. THOMAS H. A. HEAR D 1118 Stipple E11gravi·11gon Steelplate, Uriel and Satan 1 r31A Drawing, Sea View By F. Bartolozzi, R.A., after T. Stothard H . A. HEAR D 'NILLIAM SEWARD 1131B Drawing, Lake Scene by Moonlight II19-20-r-2, &c. Engravings, The Rake's Progress G. J. ROBERTS By 'William Hogarth II31c Engravi11g, Part of Llandaff Cathedral--7s . 6d. This is a fine set, da1ed ,735. after Hogarth's "protection" Act had been obtained. 'WILFRED BALL CHAS . CONWAY II31D Frame of Three Etchings of views at Capel Curig 1123 Etcldng, The Rev. Hugh Stowell Brown (artist's proof) WJLFRED BALL By Flameng, after Edwin Long, RA. 1131 E Frame of Three Etchings C. w. MANSEL LEWIS G. J. ROB ERTS n24 Mezzoti'nt and Etcl1ing, A Welsh Hat rr 31F Engravi11g, the Town Hall, Llantwit Major- 7s. 6d. By C. W. Mansel Lewis J. T. PHILLI PS Nos. 10,7 and 1124 are exhibited by the Society of Painter Etchers, and II46 was exhibited at the Royal Academy. J I3IG Drawing, A Study- £3 3s. J. E. MEADOWS By W. :\-Iulready, R.A. 112 5 Off the East Coast G. J. ROB ERT S L ASCELLES CARR 1131H Engraving, \Vest Yiew of Grismoel Cnstle - 7s. 6d. 1126 Frame of 25 Distinguished YVelshmen (Portraits published in the "Red Dragon") LASC ELLES C..\RR 1132 Engraving, Scriptural Scene J. R. VEALL 1127 Pen and Ink Drawing, Interior view of proposed new LASCELL E~ CARR Church at Ipswich, competition design 1133 Engraving, Tragic ::\.Iuse By Howard, after Reynolds By J. R. Veall 1 LASCELLES CARR T. H. THOMAS . 1128 E tc/zing, La R ue des Toiles, Bourges II34 Engraving, Hero, Ursula, and Beatrice By C. Meryon By Simon, after Peters J. PYKE THO)IPSON LASCELLES CARR 1129 E tching, Rue Pirouette I I 35 E 11graz1£ng, Bolton Abbey By C. Meryon By Cardus, after Landseer LASCELLES CARR HENRY C. HARRIS, A.LB.A. 1130 Etc/ting, The Morning of the Festival 1 I 36 Engraving, Sunday :\lorning By Axel H . Haig After \\' iJkje BLACK '' AND WHITE. ' 80' BLACK AND WHITE. 81 CONTRIBUTOR, CO !'i'TR IBUTOR, LASCELLES CARR E. M. BRUCE VAUGHAN, A.R.I.B.A. 1137 Engraving, Saturday Evening After Wilkie u48 Pm and Ink Drawing, Perspective Vie,v of the c;;ran$et~wti . • , _Board Schodls LASCELLES CARR By M. R Adams, from designs by E. M.,, Bruce Vaughan .1 1 38 Engraving, Glamorganshire Castles, I7 45 By Buck E. M. BRUCE VAUGHAN, A.R.I.B.A. 1149 Pen and Tnk Drawing, Public Buildings, 'Loi1doh · · '· ,.,. · • LASCELLES CARR By E. M. Bruce·vaughan, A.R.I.B.A. 1139 Engraving, Monmouthshire Castles, I7 45 First Prize Medal Drawing, Architectilral Association. By Buck E. M. BRUCE VAUGHAN, A.R.I.B.A. LASCELLES CARR I 150 Pen and Ink Drawi11g, Perspective Vie-iv of Blind' In·stltlde, Engraving, The Highland Drovers' Departure Cardiff By Davies, after Landseer By M. B. Adams, from designs by E. M. Bruce Vaughan. T. H. THOMAS WILLIAM FRAME, A.R.I.B.A. Line Engraving, The finding of Christ in the Temple I 151 Architectural Drawings (Pen and Ink ), Design for a Noble . By Blanchard, after H. Holman Hunt man's Mansion, Park front elevation ' CASSELL AND Co. By William Frame, A.R .I.B.A., Gold Medallist, ,Royal Academy, r 142 Drawing, Southampton Docks- £ 3 3s. Silver Medallist, R.I.B.A. By Frank Murray WILLIAM FRAME, A.R.I.B.A. 1152 Architectural Drawings (Pen and Ink), Design for a Nol;>le. ALBERT STEVENS - inar)'s Mansion,. Garden front elevation c143 Cltarcoal Drawing, The close of the day, Derwentwater. By Albert Stevens ...,,-£7 7s. By William Frame, A.R.I.B .A., Gold Medallist, Royal Academy · Silver Medallist, R.I.B.A. . ' W. A. SMITH Design for which , the R.A. Gold Medal Scliolarsh_ip and Life . I r 44 Sketcli. ·' Studentship were awarded in 18j5. By Guercino w. A. SMITH ·n .63'. vVoodutt J. WILLIAM THOMPSON 1 I 45 Engraving, St. James' Beauty T. H. THOMAS By E. G. Zaneon, after J. K . Benwil .1,1.64 Steel :Plate Line E1Zgraving, ( ProojJ Lady'\ ,Val(>~Ol.li:t By W. Ensom, after Sir Thomas Lawrence · C. W. MANSEL LEWIS A very perfect example of the miniature St·yl·e of St eel ' •Plat.e 1146 le[ezzotz'nt and Etcliing, From the Soup Kitchen ~ngr_avmg,in use t;om 1800 to about 1845 ,' ~ - By C. \V. Mansel Le\\·is CASSELL AND Co. 1165 Drawing, , T _he .Preacher-£4 4s. T. H. THOMAS By Mary L. Gow 1147 T,VoodCuts, Illustrations to Echoe s from the Welsh Hilb , by Rev. David Davies H. RERKO.MER. R.A. T. H. Thom:1s n66 Etd,ing, ' ; Granny's Story' Painted and E tched l;>y/T. Herkomer, R.A. .. 82 . IU,_.t\.q<._ M'-l_D WHITE. BLACK AND WHITE. 83 CONTRIBUTOR , CONTRIBUTOR, H. HERKOMER, R.A. . CASi,ELL AND Co. Etching, . Shepherd's Daughter _ 1178 ·Drawing, Mother anq Child-£3 3s. Painted and Etched by H. Herkomer, R_.A. By M. E. Edwards HENRY C. HARRIS, A.LB.A. Proof Lithograph, Architectural Design u68 WOODCUT PROOFS, from HARPER BROTHERS, New York - · By Henry C. Harris 118 2 Frame containing four illustrations for "Harper's Magazine " Exhibited at the Royal Acad~my 1183 The Witch's Daughter, for "Harper's Magazine" JAMES MOR ,RISON _ 1 r 84 The Mermaid n69 Pencil Drawing, Landscape By Santagnelli 1185 A Widow JAMES MORRISON 1106 A Girl I know 1 c7 o Pencil Drawing, Landscape u87 Winter By Santagnelli n88 Peter Stuyvesant and the Maiden JAMES MORRISON 117 1 Pencil Dra7i.1int:,, Landscape By Santagnelli T. L. HUGHES II89 Pen and Ink Drawing, The Cloisters, Chester Cathedral J, WILLIAM THOMPSON By T. L. Hughes 1q2 Engraving, St. 9iles' Beauty By G. Zanon, after J. K. Benvel · LASCELLES CARR Nos. n45 and n72 The well-known Bartolozzi subjects 1190 Etc/ting, Hyde Park-The Serpentine By Tristram Ellis COLONEL TYNT E II73 l,Vood Engraving, Head of John the Baptist Albe,-t Dii-rer HENRY HEYWOOD 1 r 9 r Proof Etc/ting, Members of the Commons COLONEL TYNTE By E. Byrne de Satur 117 4 l.f/ood Engraving, Head of John the Baptist Albert Diirer H. 0. FISHER Pen and Ink Drawing, Studies of Horses: COLONEL TYNTE _. By John Sturgess 117 5 Tf7oodEngraving, The Crucifixion Albe.rt Diirer T. H. THOMAS CHARLES E. DYER 1193 Two Proof Etchings Archi'tectural Drawing (Pen and Ink), Proposed Residence, By Lameriniere · · ·, South Kensington, S. W. By Charles E. Dyer w. E. JENKINS . l 194 Steelplate Engraving, The Golyn~s Oak CHARLES E. DYER ,• . After De Wint II77 Arc!tilectural Draw'z'ng (Pen ·and Ink), f-?esign submitted in' F. HARRIS .. competition for Westminster Hall n95 Indian I nk Drawing, Sea Piece · Br Charles E. Dyer By F. Harris BLACK AND WHH'E. BLACK AND WHITE, CO~TRIBUTOR, CONTRIBUTOR, E. H. Wooo M. E. DocKREE · . .. . . , 1208 Crayon .Drawing, Fr1.1it frpm the Cast 1196 Drawing in Mono,chro_m,e, Yorni11:g by_the River; V \!rnein . : ·H¥ E.,H: ,Wood : By rv1,:E. Doch~e T. H. THOMAS . M. E. DOCKREE uo9 Proof Lithograph, His first leap , · · 1 ~97 .Drawing in Monoc/1rome, Evening on the Coast, Criccieth By R. J. Lant 1 A.RA., after Sir Edwin Landseei- ,,., · .: By M. E. DO.ckree .r T. L. HUGH ES 'LAsCEi..L:tcs CARR · ·· 1210 Pen and Ink .Drawing, Cj1ester from the River Dee 1 198 . 'Etig'r'aviltg, ·, Cardiff Castle, 114 r, ·. · By T. L. Hu,ghes . By S. & R .Buck CASSELL AND Co. H. R. ROBERT SON I2lI Drawing, .Llanthony Abbey-,£2 2s. 1199 Etching, Remarque J?roof~.:C3 13s. 6d. By F. Murray By H. R; Robertson Mrs. S. W. KELLY · · ' · · CHARLES CO NWAY 1212 Photograph, J'h·e l\_~iraculous draught of Fishes 1200 Two ProofEtcliings By Lieut. Fawke, after the Cartoons of Raphaef By Lamoriniere Mrs. S. \V, KELLY CHARLES CO NWAY I 213 Paul preaching at Athens I 1201: Pz,HJProof ,Etc/tings . T. W. DowN By La1~10ririere 1214 Tinted Mezzotint lingraving, The English Politicians LASCELLES CARR By Richard HouJ:?;hton 1202 Engrm1i11g, Map of.Wµ,les,<1610 ., B. s. MARKS, R .C.A. ~y ~peed .: 121 S Pl1otograph, Chichester Boys T. H. THOMAS After the Picture by B. S. Marks, R .C.A. 1 1203 1 1e0 Proo/.Etclizngs E. P. TIMMINS .BY ;L::1mqrinie,re • 1 12 I 6 Design for Electric Belt Cabinet. W. H. SIMKIN ·,; .. . By E. P. Timmins 1204 Cliar,YJal .Drawing· Mpuntai1; Scene.' , HARVEY BARTON By, A.· P9;1tae!s, 1217 Three Photographs, W. H. SIMKIN . . . •.. fl k .. • By Harvey Barton Charco .Drawitig A Study 1205 al 1218 Tintern Abbey By.. M·. A. Simkin CAMPBELL, SMI T H, AND C ,A,MPBELl , L. L : H UGHES-·. - . .. ,,, ,·;,·. L , ; .· . ; 1219 ·' .. l, 1206 Pen and ink P.rawz~g,,·Watex-gat.~ S tfe~tt:.C:hester, Proposed Decoration for Masonic Room, Holborn .Restaurant By,1;', J1, 1flug!1~s · 1220 Side ~lev;at_io_n J. T. PHILLIPS .. " . '1 1207 Drawing, Bethgelf!rt .J3riqg.c:-:-£..l · 3.;j:·~-- \ ... ·.•,•• 1221 :;:,. End .,El.evatio'n . By S~11nu~l ~tpi.lt 86 BLACK AND WHITE. BLACK ; A.ND . W HfTE . . ~ ------CoNTRIBUTO .R, : CoXT RIB U TOR . =:. ..i, '" • • ~~ •• l,;. ' R. NICHOL L . w. COWARD • · .. ~ ' 1233A 12 22 Chromo . Phjlosophy,' 7'inted Litlwgraplz, Memory Port\ait of .thps. R:Guest , Esq,, By th'e Arundel Society, after Raph.ael · the first Mayor of Cardiff Lithographed by VV.D. This interesting: portrait is placed near to No. 221 , the portrait of H. COWARD the presenr Mayor of Cardiff 1223 Chromo, . The Crucifixion Nos. 1 234 to r 26 rK are ,Drawings contributed by the Propriet~rs By the Arundel Society, ·after 'Fr~ Angelica · '· of the lllustrattd London News LASCEJ.LES CARR . . . 12 34 Drawin g, Rainy day in Rotten. Row I .1224 Etching, Kensington Gardens By R. C. ·Woodville By Ttistram Ellis urists in Scotland CARR 1235 To .I LASCELLES By A. E. Emslie 1225 Etchiizg, Kensington Gardens (Broad \:Valk) · By Ttistram EllJis The Right of Way By G. King LASCELLES CARR 1226 Etc/ting, Kensington Gardens (The Lake) :1237 The Love Letter By Tristram Ellis · By D. Knowles ALFRED WATKINS Out for a Drive 1227 Plati11otype Photograp!t, The Way-'side Well " By D. Knowles T. H. THOMAS 1239 Fishing Sketches 1228 Engraving, Miss Croker " By P.R. Cra t By Samuel Cousins, after Sir T. Lmnence Composing his Sermon " By G. K;ng Family Relics J. PE'fER " 1229 Water Colour, Merry Wives c,f Windsor By D. Kno,vles By, J. Peter 1242 Stormy Weather in the Atlantic " ]. PETER By W. H. O'verend 1230 Wtzter Colour, Shakespearean Scene 1243 In the Tea Gardens, ' H~lland By]. Peter " By A. E. Emslie Playmates H. A. HEARD 1244 " 1231 Water Colour, Sq11set By W. A. Cranston R. F. PERLING 1245 Dinner Time " By D. Knowles · .fainting on P~rcdain, Pc,irtrait of Rubens-£ 1 2 I ZS. By R: F. Perling · Dog Tic}{et, Miss? " By C. T. Garland R. F. PERY.ING . . , , !. ,·· ,· 1233 Painting on Porcelain, Suspense ',, 1247 The Day of Rest ; ' By R. F. Perhng, after Landsee " By D. Knowles BLACK AND WHITE. BLACK AND WHiTE. CONTRIBUTOR. 126rnThe Dead Stags 1_248; Dniwing, E~rly Morning 1261EThe Duel By R. C. Woodville 1261FBroken Truce . ., The Waterfall · 1249 '. 1261GSeaweed Gatherers ,· ~2519, .. App)e Gathering 1261HThe Sw.eeping T'ettor of th~ Desert By R. C. Smith 1261;Pursued 1251 The Page 1261KSt. Paul's Cathedral " . By C. T. Garland i252 Waiting for the Tender " By W. H. Overend 1253 ,, Christmas decorations By C. Gregory 1254 The Christmas Hamper " By C. Gregory ·, ~: ; 1255 Christmas Sketches " By G. Cruikshank 1256 Fancy Dress Ball Sketches " IBy Wilhelm 1257 The Eve of Departure " By J. Sch6nbey . ~~t 1258 The Parting ., ~*.ltJ. " By R. C. Woodville • In the Conservatory 1259 " ~ By F. S. Walker ·r-~-'f· 1260 Family Quarrels " By R. C. Woodville 126t Tourists on the Nile. " ByW. H. Overend \1", Ten Framed Supplements-, I· ,. 1261AMelrose Abbey . \ - ~ . : ,. 126IBPuzzled . ·, l ·,', '; • , ·I ·,) l ,.- 1261cThe Slain Enemy SCULPTURES, ETC. 9r 90 SCULPTURES, ETC. -- -.------~ -- --- SUBJECT . CosTRIBuTOR SCULPTOR . The Hon. Society of Cymmrod9rion, London 1274 Daughter of the Dawn· T/1.elate Josepli Ed-wards .. The Hon. Society of Cymmrodorion, Londun 12 75 Let Love and Truth prevail The late Josep! Edwards Sculpture. The Hon. Society ··of Cymimodorion, London 1276 The Vision Tlie late Joseph Edwards T he Hon. Society of Cyrnmrodorion, London 1.277 Dream The late foseph wards SUBJECT . C ONTR JHUTOR , SCt;LPT O K. The Last Ed . J. Milo Griffith The Hon. Society of Cymmrodorion, London . [262 My Guardian-£150 (in marble £630) 1278 Cyrnmrodorion Medal Tlie late fostph E dwards f. Mi'lo Griffith The Hon. Society of Cymmrodorion, Londoµ J. Milo Griffith 1279 Bas-relief- Hope The late-'7oseph Edwards 1263 Mother and Child-£16 (in marble £60) ]. JJ1ilo Griffith William Davies J. Milo Griffith 1280 Clymene, from Ktats' Hyperion Wt/Ham Da21its [264 Bronze Bust, An Evening Star-£55 .f. Milo Griffit!t William Davies J. Milo Griffith r28r Miss :Mary Davies-£5 5s. vVtlham Dm.'1es [265 Ione-£12 (in marble£6o) '7. Jlfilo Grifjitli William Davies l-Vzlliam Da z•£es J. Milo Griffith 1282 Mf. Arthur Davies-£5 5s. 1266 Summer Flowers- .£130 (in marble £525) William Davies '7. Mz'lo Gr{!fith 1283 John Roberts, Esq., M.P. 1Vil/£am Da vies J. Milo Griffith David DaYies 1267 Sabina-£50 (in marble £400) .f. Milo Griffith 1284 Elaine (in marble}-£210 David Dane s " High in her chamber tower to tbe East guarded the sacred shield The Hon. Society of Cymmrodorion, London of Lancelot, and so she lived in fantasy. 11-Te,myso u. 1268 John Williams, M.A., Oxon, Archdeacon of Cardigan. William Davies Died Dec. 27th, 1858. Tiu late '7ostp!i Edwards 1285 Prof. Rap1say, F.R.s.,·F.R.G.S. H7ill£am Dm •ies The Hon. Society of Cymmrodorion, London 1269 J. Walter Esq. Tlte late '7osepli Edi ards . J. Milo Griffith 1286 Portrait of a Lady . J. Milo Griffit/1 The Hon. Society of Cymmrodorion, London William Davies · .t270 J. Virtue Esq. Tlie late Yos eph Ed wards 1)187 The Late Sir Hugh Owen-£ 5 5s. H7itliam Drn •ies The Hon. Society of Cymmrodorion, London ' W. Evans :,.271 The Duke of Beaufort The late :f oseplt Edwards , 288 Cast Medallion-The Landin.g of Richard I, · (.~he Lion- The Hon. Society of Cymmrodorion, London hearted) in Palestine marked " '71,stin "·, 1272 Madame Edith Wynne Tile late Joseph. Edwards \Y. Evam The Hon. Society of Cymrnrodorion, London t 289 Cast i\ledaliion- The Return and Entry of Richard l. to 12 7 3 Statuette, The Philosopher Tlie late josepli Edwards J ,ondon from his Captivity. Bought at Barcelona SCULPTUR·ES, · ET-<:;. ,93 ·. · ... SiJeJECT. CoNT>RlBUTOR. SCULPTOR. SUBJECT. Co-..TI?IBUT OR. S cchP TOR. Earl Cawdor ' ' ... ,1315 Marble Bust of John Frederick, Earl Cawdm .. 1290 Group in Cl.a_y-)3:ros and fquphitr_ite Lougle · · · · · · · · -·~ G. .Macdonald I ' · Earl Cawdor Mrs. S. Strina -~.316 -~arb le Bust of John Frederick Vaugl:i~n,J~arl_Caw.doJ 1:291 Bust of Paris, after Canova (marble) · · .. · ',Yackson Earl Cawdor BRONZES- 1317 Marble Bust-" Goddess 6f Peace " · Canova i292 Bust-Morning F/;rentine Earl Cawdor 1293 2 (;roups of Cupids Fabiacci , ~318 Marble Bust-Head of Druidess Sir R. '/!Vestinac.ott l294 Centre Group of Cupids Fabiacci W. Wormleighton 1295 Fighting Cocks Cain · W. Wormleight{)n C296 ·Bronze Vase with dance of Cupidvns- Florentine ·13r9 Caryed panel 1297 Lion _with Deer Cain W. Wormleighton 1298 Wolves devouring Cow . 'I?ratia . ,13 r9A Terra-cotta Statuette--St. Paul Ditto 1299 Monk holding back a youth- episode of Paul and Virginia \V. Wormleighton , . Styl~ of tlie Empiric i319B St. Thomas .Ditto 1300 Group of Two Female Figures-episode of Paul and Virginia Style ,of tlie Empiric W. Wormleighton St. Matthew Ditto 1301 Pair of Tazza Vases Italian 1302 Two Groups of the Marli Horses Italian W. Wormleighton · · 1303 Bust-Night Florentine·, 1319nB·ox-wood Statuette of Moses p,yto W. Wormleighton D. K. Williams 1319ETei;ra-cotta Statuette-Angel · !)itto 1304 Bust-Italian Boy- £ 4 D. K. Williams W. Wormleighton 1305 Portrait Medallion, W. Merete, Esq. Dawkin K. Williams Angel Ditto " 1306 Medal]ion, "Type of Beaµty"-£3 Dawkin K. Williams· Pencoed Terra-cotta Company 1307 Portrait Medallion, M;aster Willie Ferguson-£2 ' W. Doel Dawkin K. Williams 13 r9GMedallion Terra-cotta Pencoed Terra-cotta Company, E. M. B. Vaughan Ditto Plaster Models- -13r9HPortrait 1308 Waltham Cross y. ·Flack Pen,~oed Terra,-~otta Company 1309 Fo~t (Norma9) '7. Flack 13r9J Flower Vases · · · · -- . .,. . Ditto 1310 ·Font, Fincham Church Norfolk '7. Nack Pen coed Terr~-c"ott~· Company 13d Font, St. Bride's Church, Cumberland · Y, fiack 13r9KBust, Terra-cotta-C. R. M. Talbot, M.P., Lord-Lieutenant 131_2 Font, Temple Church, -Bristol Y. Flack County Glamorgan W. Doe.I Flack, 1313 Font'.,. Southfleet Church, Kent J· Pencoed Terra-cotta Company 1314 E'on't, P.erpendi'c;1.dar . ,; J· Flack J 3 r 9LStatuette, terra-cotta-Figure Ditto 94 SCULPTUR'ES, ETC. IN LECTURE THEATRE . 9S SUBJECT. CONT RIBUTOR , SCULPTOR, Loveless 1;p9MMarble Clock Stand, representing bramble and titmouse nest Lovdtsr Hunt and Roskell IN LECTURE THEATRE. 13 r9NBronze Statuette-Roman Soldier H Armsttad Henry Heywood, F.C.S. 13I90Japanese Inlaid Bronze Tazza Cross Brothers SUBJECT. CoNTRIBUTO!<. AK.'l'lST , 1319PBronze Statuette- Prince Albert in Highland Costume Trithall Rowe . W. H Thud 1320 Quimperle, Finisterre-£12 r2s. Trithall Rowe Cross Brothers D. Hart 1319QBronze Bust-Queen Victoria T,V, H. Thud 1321 Cattle, Evening-£10 Cross Brothers A. Freke 1319RBronze Bust-Prince Albert TV. H. Theed 1322 Killarney, morning-£10 M. Sinclair A. de la Brely r319sBronze Statuette of Caractacus y. H. Foley, R.A. 1323 Feeding Pigeons A. de la Brely Barkentil and Krale Siduey Currie r319TBronze Statuette, representing sculpture C. S. Barktxti! 1324 Cader Idris from Bontddu-£12 12s. Sidney Currie Barkentil and Krale 1319uPainting · Ditto A. T. Thomas 1325 Sea Piece A. T. Thomas Barkentil and Krale 1319vLiterature Ditto . M . .E. Dockree 1326 River Scene-£15 M. E. Dockree Barkentil anci Krale T . B. W. Forster r 3t9wMusic Dztto 1327 Cottages at Rhayader-:-£18 rns. T. H. W . .Forster ' J. W. Thornber 1328 Snowdon W. Took Samuel Aitken 1330 Calm on the Shore Unknown J. Hazel 1331 Sailing out of Sunderland Harbour-£ 110 John M. Jennings 1332 Fruit J. Strick 1333 Pennard Castle, Gower-£10 rns. YV. H. Thomas IN LECTURE THEATRE. 97 l~ :'li.ECTJ]RE TI:IEATR;E. CONTRIBUTOR, AR'flST. SUHJECT. CO~TRIB UTOR. ARTIST. A. Burke, R.H.A. T. B. W. Forster 1350 Sunset, Ilfracombe-£20 .A. Burke R.H.A. 1334 Mountain road (Breconshire) T. B. W. Forster Ii. C. Sheppard J. A. Madge . r351 Cottage near Ewenny-£6 6s. H. C. Sheppard 1335 Master I3. ,Madge J. A. Madge J. A. Thelwall J. Roberts, M.P. 1352 The Pilot J. A. Thelwall 1336 Dutch River Koeck-Koeck Miss Hastling ]. Ware, J.P. 1353 Flowers-£8 8s. Miss Hastling 1337 The Schooner Yacht "Zouave" off the Holmes E. Payne J. A. Madge 1354 A Dutch Landscape-£5 5s. J. A. Madge ..--, ~; f Miss James 1_338 A Village Street Miss James .1355 Angelica and Medora 1339 A glimpse of the Sea . Walter Goldsmith Fisherman Unloading ]. Strick Walter Goldsmith 1340 The Pilot Boat W. Noy Wilkins . J. Clarke Fairbairn 1 357 View on Tramway, Hirwain-£12 r 2 s. J. Clarke Fairbairn .,. ·, · . Jane Marshall 1341 Water Lillies-£6 6s. Jane Marshall G. Brockman Ja11e Marshall 1358 The Old Mill.-£ 30 G. Brockman 1342 Strawberries-£10 rns. . Jane Marshall W. Jenkins vV. R. Hindmarsh !359 Spaniel and Wild Duck-£10 G. Armfield 1343 Perpetual Lunch- [10 W. R. Hindmarsh Cawline W. Brook Charles Stuart 1361 Innocence-£10 10s. Caroline W. Brook 1344 An Ancient Welsh Stronghold-£21 Charles Stuart Sidney M. Broad 1362 Lane Scene, near Watford- £6 6s. Sidney M . Broad Dolwyddelan Castle-:-£21 W. F. Govier 1363 Meditation W. Barker David Hart A. T."'Fhomas ' i3·4~ Cockle Girl Miss Hastlino- J. W. Down "' , ' r-. • . 1365 Pc.eony and Azalia- £8 8s. Miss Hastling 1347 River Scene · R. J. Hammond , J. Strick; 1 366 Feeding Fowls · -B. Webb R. J. Hammond 1348 Begging R. Price J. \,\lilli:ims r 3_6~ ,Dra\]ght Players rr349 Welsh Bard, "Nathan Dyv.ed" . J. Wiljiams IN LECTURE THEATRE. IN · LECTURF. THEATRE. 99 SUBJECT. CONTRIBUTO R, ARTIST. SUBJECT, CONTRIBUTO. ARTIST. C. Finch J. Roberts, M. P. 1369 Bunch of Grapes G. J. Broome 1386 The Hayfield B. W. Leader A. Burke, R.H.A. R. Price 1370 A Breezy Day, Ilfracombe A. Burke, R,H.A. 1387 Death of Joseph Trythall Rowe Lewis Morris, M.A. 1371 A Brittany Cornfield Trythall Rowe 1388 Storm at Sea A. Freke Right Hon. Lord Romilly 13 7 2 Landscape Niemann 1389 Sea Storm Vernet Mrs. E. G. Parker J. Jackson Curnock, A.RC.A. 1373 Hide and Seek-£12 I2s. Ellen Grace Parker 1390 The Still Pool-£60 J. Jackson Curnock J. L. Bilbie 1374 Chess Players 1391 Pont-y-Gwaith, Capel Curig-£3 J. L. Bilbie F. E. Stacey 13 i 5 The Alchemist Cnalettia Mrs. Austin 1392 Crichmere Pool-£7 Mrs. Edmund Gosse W. Jenkins 1376 Portrait of a Divine Pickersgill Adam Knight 1393 Winter Quarters-£3 3s. Adam KMight 13 77 Portrait of Queen Anne Kneller R. Price R. Price 1 394 The Buffetting of Christ 1378 Head, Magdalen J. Strick J. Strick 1395 Taking Pilot Aboard W. Noy Wilkins 1379. Hut on Riverside Samuel Aitken S. Aitl,en 1396 Winter Scene, Germany H. Doll 1380 Coast of Devon David James Charles Stuart Dr. Lewis 1397 Passing Sunbeam atDo lwyddelan-£10 10s. Charles Stuart 1381 Death of Lord Beaconsfield Frerl Cowie Arthur Hughes R. Price 1398 The Reaper and the Flowers Arthur Hughes 1382 Death of Boadicea Sir,Benj. West, P.R.A T. Blake Wirgman Lord Romilly 1399 Mignon-£200 T. Blake Wirgman 1383 View of Down Castle and Town, the landscape by Lambert. J. D. Mercier the "figures by Hogarth, and shipping by Scott, 1734 1400 The Very Rev. Dean of Bangor J. D. Mercier Samuel Aitken J. Clarke Fairbairn 1384 Otter at Bay Robert Clerninson, 1401 On the Mountain Road to Ystradfellte- £ 10 10s. J. Clarke Fairbairn J. Strick -1385 Sea Nymph Etty, R.A. 1402 Study of Head of Old Man 100 IN LECTURE THEATRE . IN LECTURE THEATRE. 101 SUBJECT. CONTTIDUTOR . AR '.fJ~'J'. T. W. Allen, A.RC.A. SUBJEC T . COFl.lU8UTIO~ . 1\ttTIST. Stepping Stones on the Conway T . W. Allen, A. R .C.A. G. Fox H. C. Sheppard 1420 A Doubtful Vintage-£r5 G. Fox Timber Brig unloading 8s. H, C. Sheppard -£8 W. H. Weatherhead 1421 An Old Edition-£15 W. H. Weatherhead Morning at Hales Owen Oliver Baker E. R. Hughes J. F. Fitz-Marshall (junr.) Borghetto Valley, Borghetto, Italy-£21 _ E. R Hughes 1422 Our Ancestral Homes-£20 J. F. Fitz-Marshall W. H. Helcke James Ware, J.P. A Dangerous Coast- .£2 1 W. H. Helcke 1423 South Wales Coast C. H. Jenkins General Yorke, C.B J. Strick Burlesque of St. DaYid's Day, Carriage drawn by goats, etc. r424 Life-Boat Practice W. Noy Wilkins Hayman J. Ley C. Hayes, RC.A. r426 Sunset on Sea Coast B. Gou!d 1409 ~eganwy in the time of King John-£20 C. Hayes, R.C.A. W. Clever J. Strick 1427 The \~Toodman Copy after Barker 1410 Geese W. Weekes Dick Barry R. Ragon 1428 Brook and Bracken-£7 7s. Dick Barry 14u Lirnehouse- £7 7s. J. W. Hamilton Marr Albert Ludovici 1412 A -Stormy Day-£42 J. I\. H. M.arr r429 Mora--;-£26 5s. Albert Ludovici Mrs. Austin Marguerite Ludovici 1413 Dona Julia-£45 E. M. Osborn 1430 Apple Blossoms and Forget-rne-not-£6 6s. Marguerite James Ware, J.P. Ludovici 141 S Trinity Cutter Lunie .. J. A. Graham Clarke ]. E. Meadows 143 1 Ffos Noddyn, on t)le Conway Late Rev. J. Eagles 1416 Near Cromer-.£30 J. E . Meadows W. Coward Parnassus (Arundel Society Chroma) E S UBJECT. CONTRIBUTOR. A RTJST , Miss Taylor 1436 The Bather, after Etty E. Taylor Sidney Currie 143 7 Cottage near Barrnouth-£ 1 2 r 2s, Sidney Currie J. Ware, J.P. NATURALHISTORY. 1438 On the Sea Shore J. Jen kins C. ·w. Nichols, R.H.A. 1439 Tired C. W. Nichols, R.H .A. The Specimens are decoratively disposed in various Miss Taylor parts of the Hall, Passages, and Lecture Hall. 1440 Study of Head Miss Taylor J. Strick 1441 Life Boat Practice Vl. Noy Wilkins James Brogden C. Carn pbell 450 Australian Birds 1442 Design for Decoration for Billiard Room Chas. Campbell W. H. Burrows, 3, Southey street, Cardiff 451 Cas_e of single specim~ns of Artificial Trou~ Flies, arranged m order for the_ different months dun~g the angling season, and special reference made to flies suitable for local waters Major John Popkin Treharne, Bridgend 1 5 2 Case of Salmon Flies, suitable for the Shannon The Right Honourable the Earl of Cawdor 1 3 Head of Castle Martin Bull r4 4 Large Pike, caught by the late Lieutenant Campbell, near Stackpole, Pembrokeshire. J. Cording, 42, Royal Arcade, Cardiff J4 5 Armadillo 14 6 Bittern 14 7 Buzzard 14 8 Four Fallow Deer Heads 149 Four Red Peer Heads 14 Two Roe's Heads NATURAL HISTORY. NATURAL HISTOR Y. J0 5 CONTR IBUTOR. CON'.fRIUUTO R, 1461 Great Egret Miss Hook 1462 Two Jays (medallions) I 1479 Pair of Horns of H artebeeste 1463 MeFlin and Little Bittern 1480 Shell of Tortoise I 1464 Monkey 1481 Shell of a Turtle I 1465 Otter D. J. Jones 1466 Red-legged Partridges r482 Spanish Ox Head, one of the last cargo imported in 1883- I ·14!57 Pheasants and Young Price £ro 1468 Pike Mrs. Kelly, The Elm~, Llandaff 1469 Sheldrakes and Young 1483 Buffalo Horns, a fine pair, six feet spread 1470 Two Trogans 1484 Antlers of Fallow Deer, curiously grown 1485 Horns of Buffalo, eight feet spread W. H . Daw, Grove Villa, Cardiff 147 r Cygnet (in case) Miss Lipscomb, 3, Dumfries Place, Cardiff 1486 Wolf-skin, skin (prepared in Moscow) of a wolf shot'in the government of Wladimir G. Garfit 147 2 Pair of Bull's Horns J. H. Perry, Queens Hotel 1473 Two Heads oc'Royal Stags I 487 Foreign Birds (in ca~e) 1488 American Pole-cat and Bird (in case) , J. ·, Grant, Park Grove, Cardiff 1489 Pheasants (in case) 1474 Two Red Deer Heads : . \ ' j Mr. T. W. Prager, Park Place, Cardiff 1 490 •Badger an.cl Young · F. de Courcy Hamilton, Ballyn:acoll, Canton;' Cardiff. 1491 Badger's Head 1475 Elephants' Feet (2). The Elephant was shot by exhibit r it11 Ceylon. , 1492 Little Grebe 1 J ~ I • I I I / ) , . < Case containing Ceylon Magpie. Shot br_ exhfbit in 1493 Hare Ceylon 1494 Heron 1 1477 Flying Squirrel. Shot by exhibitor in Ceylon'. ·.. ' · ' 1495 Goat's Head ...... , 1496 Kestrel Hawk t·J - ~ ' l. _ .; l ': ,-_ ::1'"l .,:~ 1497 Moor-hen and Coot Col E. S. Hill, Rook'roog1 ~Ja~p 1o6 NATURAL HISTORY. NATURAL HISTORY. 107 I ' I CONTRIBUTOR, 1516 Black Grouse (Tetrao tetrix) T. H. Thomas, 45, The Walk, Cardiff 1500 Star Fish , 5 T7 Capercaillie (Tetrao urog-allus) t5oi Conch Shell 1518 Grey Ptarmigan (Lagopus alpinus) ~~~~~~~~~~ ~~ - 1c519 Ptarmigan (Lagopus islandorum) :~ Wm. Thomas, 29, Clive street, Roath ,1520 Ptarmigan (Lagopus subalpinus) 1502 Sun Fish, brought from India J52r Common Tern (Sterna hirundo) The Very Rev. the Dean of Llandaff and Mrs. Vaughan 1522 Tern (Sterna fluviatilis) 1503 Case of Australian Birds ;r523 Greater black-backed Gull (Larus marinus) 1504 Singularly grown Bough of Beechtree, cut by the Rev. [524 Lesser black-backed GuU (Lams fuscus) I! Edward Stanley in Alderley Beechwood, 1820 J525 Glaucous Gull (Lams glaucus) 1505 Ornithorhynchus Paradoxus, or Duck-billed Platypus 152_6 Common Gull (Larus canus) 1506 Three Cases of Tropical Insects r 5 2 7 Kitti wake (Rissa tridactyla) Wm. Williams, Dublin I 15 28 Gannet (Sula bassana) Head of Megaceros, or Fossil Irish Gigantic Deer r 5 29 Puffin (Mormon arctic us) The width of these horns from point to point i5 eight feet six inches 1 530 Buffon's Skua (Stercorarius parasiticus) Proscenium in the Lecture Theatre 1531 Razor bill (Alea torda) ' J. Wiiliams, Usk 1532 Common Guillemot (Uria troile) I 1508 :::ialmon, taken in the Usk (Bell Pool), July 31st, 1877. ll533 Black Guillemot (Uria grylle) I I Weight, 44 lbs. ; Length, 4ft. 2in.; Girth, 2ft. 4in. t 534 Little Auk (Mergulus alle) Preserved by Ward & Co., London. 'LS35 Common Cormorant (Phalacrocorax carbo) I ;r536 Shag (Phalacrocorax graculus) List of Norwegian Birds exhibited by C. Hansen, 1537 Black-throated Diver (Colymbus arcticus) ! BEING A PORTION OF A COLLECTION SENT FROM THE MUSEUM 1538 Red-throated Di.ver (Colymbus septentrionalis) AT BERGEN, NORWAY . 1539 Common Scoter (CEdemia nigra) 1509 Waxwing (Bombycilla garmla) t1540 Green-headed Goosander (Mergus merganser) I 510 Snow Bunting (Plectrophanes nivalis) 2541 Red-breasted Goosander (Mergus serrator) 15n Parrot crossbill (Loxia pityopsittacus) 1542 Northern Hareld (Harelda glacialis) 1512 Pine Grosbeak (Pinicola enucleator) 1.543 Eider-Duck (Somateria mollissima) I 1513 Snowy Owl (Nyctea scandiaca) 1544 King Eider (Somateria spectabilis) I : 1514 Great Eagle-Owl (Bubo maximus) ,r545 Common Sheldrake (Tadorna vulpanser) I 1515 Gyr-Falcon (Hierofalco gyrfalco) ~546 Golden-eyed Garrot (Clangula vulgaris) ,, SCIENTIFIC EXHIBITS. 10 9 108 · NATURAL ffISTORV. Norwegian ·Mammals. 1547 Elk (Akes palmatus) 1548 Polar Bear (Ursus .maritir.,us) Scientific Exhibits. 1549 Otter (Lutra vulgari·s) 1550 Lobster, of great size 1551 Sponge CONTRIBUTOR . .A l,arge Colledion of /?.i~he.~jl'om tl,.e N onvegicrn Coas(, i., to be seen cit the M11semn. E:rhibiteil by G. Hanse/1. King and Co., Bristol 1565 Sci_entific and PhilosophicalApparatus-Ele:::tro Motor-£4 1566 Scientific and Philosophical Apparatus-Induct ion Coil- £5 lOS. 15 67 Scientific and PhilosophicalApparatus-Electro Motor-£ 3 1568 Electrical Apparatus- Mining Bell-- £1 ros. 1569 Scientific and Philosophical Apparatus- Magneto-Electric Machine (upright)- [2 2s. 1.570 Scientific and Philosophical Apparatus-Magneto-Elec tnc Machine (horizontal)-£ r 1 rs. 6d. 1571 Scientific and Philosophical Apparatus-- Indicator for H ouse Bells- £1 1s .. r 5 7 2 Electrical Apparatus- Electric Bell-12s. 1573 Scientific and Philosophical Apparatus-Universa l Dis charger- 6s. 6d. 1574 Scientific and Philosophical Apparatus, Medical interrupted Current Battery-£3 15 7 5 Scientific and Philosophical Apparatus--Leyden Jar-r os.6d. r 576 E lectrical Apparatus-S ingle-Needle Telegraph Instrument -_i, 4 JCS. ). 1577 Scientific and Philosophic:il Apparatus- Winshurst Ma- chine (25 plates)-£3 ros. · 15 78 E lectrical" Appliances-Sam pies of Electric Pushes 1579 Electric Appliances- Continuou:: Ringing Bell- 18s. :J , '' 110 SCIENTIFIC EXHIBITS. SCIENTIFIC EXHIBITS. III CONTRIBUTOR. CONTRIBUTOR , King and Co., Western Electrical Works, Bristol 1595 Philosophical and Experimental Appliance - Magneto Electrical Appliances-Samples of Electric Wire Motor Domestic and Scientific-Door and Window in mahogany,. 1596 Electrical Appliances-Specimens of various open air boards fitted with thief detectors Insulators, for telegraphs, telephones, &c. Electrical Apparatus- Telephone Single Stroke Bell-12s. 1597 Electrical Appliances-Specimens of various forms or· Conductors for Telegraphs, Telephones, &c. Electrical Apparatus-Bichromate Battery C. A. Smith, Cardiff H.M. POST OFFICE 15 98 Electrical Appliance- E!ectric Motor, Cuttriss pattern 1 584 Electrical Apparatus-Duplex Wheatstone Set, for sen~ing two messages in opposite directions at the same time, E. E. Baugh, Haverfordwest at high speed-£85 1599 Philosophical and Scientific Appliance-Vacuum Tube· Rotator, wheel armature-£ 1 5s. 1 585 Electrical Apparatus-Duplex Sounder Set, for s:nding·two messages in opposite directions at the same time-£ r 8 J. Scaife, Haverfordwest 1600 Electrical Appliance-Magneto-Electro Machine, for medi 1586 Electrical Apparatus-Set of ABC Telegraphs-£12 cal purposes-£ 2 1537 Electrical Apparatus-Five-Needle Telegraph Instrument, J. S. Pendleton, Haverfordwest the original one first erected between Slough an~ Pad 1601 Electrical Appliance-Electro Motor-£2 dington. This exhibit ~hows t~e fi:st telegraph mstru ment, practically used, s1 TELEPHONE Roo~J- J 622 Blake Transmitter and r4 Bell Recei\'cr.-' A MI1 IATURE TELEPHONE EXCHANGE, in full workrng order, the connections being as follows: 1624 TH EATRE ROYAL r6:i5 TELE PHONE Roo,u TREDE G.\RVILLE - r626 Mr. T. H. Thom:i,, Private ResiJence 1627 Mr. S. \V. Allen, PoTTER V' . i'NiJ l PORCELAIN. POTTERY AND PORCELAIN. CONTRIBUTOR, H. Heywood • J 29 MODERN ORIENTAL MYTHOLOGICAL PLATE 30 MODERN ORIENTAL MYTHOLOGICAL PLATE Pottery and Porcelain, J. T. Phillips 31 "CROMWELL WARE" ORIENTAL PLATE H. Heywood CASE H.H.-MISCELLANEOUS. 32 & 33 PAIR OF FINE ORIENTAL PERFUME JARS CONTRIBUTOR . 34 FINE CELADON ORIENTAL BASIN AND COVER Colonel Hill Colonel Hill I & 2 PAIR MODERN CAPO DI MONTE VASES 35 & 36 PAIR MODERN FRENCH VASES, turquoise blue 3 & 4 PAIR CLOISONNE ENAlllEL VASES 5 BLUE AND WHITE ORIENTAL PLATE Mr. Daw 6 ORIENTAL BowL, Peony, in enamel color 37 & 38 CURIOUS ORIENTAL PLATES 7 BLUE AND WHITE ORJENTAL PLATE' Sir H. Vivian 8 VENETIAN GLASS STANDING Cup of exquisite character 39 & 40 p AIR OF ITALIAN F AIENCE VASES \' J. Watson 4r, 42, 43, 44, & 45, ITALIAN FAIENCE DRUG JARS; 41, 43, & finely 9 OLD GERMAN GLASS COVERED BEAKER, enamelled with 44 painted procession of electors Mr. Morris, Roath Colonel Hill 46, 47, 48, 49, & 50, SPECIMENS OF ORIENTAL CHIN~ 1 I BOHEMIAN GLASS VASE, with a fine medallion in colors .) t~ Mrs. Butler and H. Heywood Miss Rous 5 I & 5 2 FIGURES OF MAIA. the Indian virgin mother J2 BERLIN POTPOURI JAR 53 A PHOTOGRAPH OF MURILLO'S IMMACULATE CONCEPTION 13 to 18 FINE OLD DRESDEN (Louvre) Beneath the Virgin's foot .is seen the Crescent 19 FINE OLD BLUE AND VVHITE ORIENTAL COVERED ]AR moon, in reference to one of her titles, " Queen of 20 FINE OLD BLUE AND WHITE ORIENTAL JAR Heaven," a title long before ascribed to Isis, Ashtaroth, 21 F INE OLD BLUE AND WHITE ORIENTAL BOTTLE Astarte, Diana, Urania, Venus, etc. 22 FINE OLD ORIENTAL COVERED JAR 54 MAIA, the Virgin Mother of Gautama Buddha, ,vho is seen 23, 24, & 25, FINE PIECES OF ORIENTAL ARMORIAL CHINA · on her arm. She is seated on a rock ( of salvation); ;and 26 VERY FINE ORIENTAL BASIN AND SAUCER, pink ground beside her is a bottle of the water which satisfies all 27 FINE OLD ORIENTAL OVIFORM CovERED JAR; one of the thirst kind employed at Worcester for workmen to study and · 55 ANOTHER FIGURE OF MAIA, on whose right is seen a dove, adapt. For a Worcester reproduction of color, &c., see 38, the symbol of the spirit which brooded over the face of Case KK. • • the waters from \vhich all things were fabled to be born, ,i8 FINE OLD ORIENTAL BASIN AND SAUCER, blue ground :: ·1 ·~ · "ye must be born of.water and of the spirit"-,\ }.n her hand POTTERY AND PORCELAIN. n6 POTTERY AND PORCELAIN. CONTRIBUTOR . is an egg-the "M undane Egg," a euphemism for that 61 MAIA WITH HOLY INFANT, standing on dragon's head. from which life begins. She is seen rising out of the The dragon of the ancients was a serpent of some Sacred Lotos, which is the symbol of water and eternal mythical species. This is the "enmity between thee continuation, the Lotos itself is growing out of water, and the woman." "He shall break thine head and thou represented by curled lines for waves shalt bruise his heel." The actual meaning is for the 56 IVORY FIGURE OF THE CHRISTIAN VIRCIN, ,. The 1Iother" initiated only crowned as Queen, bearing the Saviour in heT arms, who 62 MAIA WITH HoLY DovE, bottle, lotus and waves, explained in his hand holds the Cross and l'vIound, which me the above symbol of universal dominion in · real, and also em Sir Hussey Vivian phemistic sense. . t their coronation, such a cross and 63 PRIAPIC LAMP OF ANCIENT BRONZE. This is full of mound is placed in the left hand of our sovereigns. symbolism. Shortly it is the lamp of life, supported while in their right is the sceptre. 1 his cross 'and upon a tortoise ; itself the symbol of the n:ound is but a modification of tbe Crux An~ata, the active agent in creation. In the Indian mythology the S1strurn, or symbol of Isis, the immaculate mother, who world is borne on the back of a tortoise; but that is only was herself the personi.fictition of the Moon, and wife of the exoteric form of that which was fully explained only the Sun. Among the regalia at the Tower is a sceptre to the elect Buy 1he Tru th and sell it not. Pro v. xxiii. 23. surmounted by a dove Speak ye every man the Truth to his neighbour. Isaiah. viii, 16. A, Know the Truth , and the T ruth shall make you free. John viii. 32. 57 MAI standing on the sea, the wayes of which are con The sp irit of Truth will guide you into all Truth. ventionally rendered by the curled lines on the mass upon which the figure stands Venus was born of the W. H. Simpkin sea; Venus and Isis were Queens of Heaven, and personi 64 JuG, with satyrs leading Silenus, in bold relief fications of the moon. The moon ruled the sea, as E. W. Colt-Williams shewn by its influence on the tides 65-6 EARLY STAFFORDSHJRE FIGURES of cream ware 58 A VERY ANCIENT EGYPTIAN BRONZE, representincr a female figure with a child on her arm ; this is Isit the 67 FRANKENTHALL CUP AND SAUCER Egyptian Virgin Mother, the moon, the immaculate 68 OLD DRESDEN Do. finely painted wife of Osiris, the sun. T he infant is the Divine Child, 69 HocHST JuG, finely painted in lake with Amorini Hopus,-the Dawn. On the head of " The Mother " is a dis~ representing the moon, of which she is the 70 OLD DRESDEN BASIN Do. personat1on, supported between two horns ( one is 71 PAIR COFFEE CuPs (Bristol) broken off). These are the horns of the Cow, sacred 73 COFFEE CAN AND SAUCER among the Egyptians as a typical mother 7 4 Do. Do. Sevres 59 MAIA WITH HOLY INFANT, books of the law bottle of water of life, rock of salvation, sacred lot~s, dragons 7 5 SAUCER, tournay, landsc::tpe, in lake (serpents, emblems of evil), and waves of the sea 76-7 PAIR OF COFFEE CUPS 60 MAIA_WITH P~ACOCK, this associates Maia with Juno, the 78-9 VERY FINE ORIENTAL CUPS. AND SAUCERS wife of Jupiter, the chief of the gods. She was in that Mrs. Butler capacity, "Queen of Heaven," and the peac~ck the symbol of splendour, is her symbol ' 80 DoGs OF "Fo, of white Oriental porcelain 11~· POTTERY AND PORCELAlN. ENGLISH f,OTT~RY,,.,;\ND -CHINA.; CONTRIBUTOR , • •i R. Drane ~t , 82, 83, 84 TURNER'S WARE PLATES J English, about 17 80. These were exported in their plain state to Holland, where they were decorated, as now seen, with the Parable of the Prodigal Son; and reburnt. r The receipt of portion, and farewell. 2 The wasting of EnglishPottery and China. substance with riotous living. 3 The pig feeding-r1o'te the expression of face and attitude. 4 The return, the best robe, the dog's greeting. All express d in the Perhaps it may seem fanciful, but stiH it is scarcely too much .to say that the histor_y manner and custom of the 18th century of pots and pans is the history of mankind: and often ep1tom1ses and illustrates hlS hist ry in a grap~dc manner. In tht:: intr<:>d.uction of Uriental P'?rcelain, and its effect on European ceramics one may read 10 01inlature- l1st) T~e !31s~ory and <:Ievelopment J. Pyke Thompson of religious thought and dogma. The Europe3.n se~ a?ou.t 1m1tat.10g the Onent al_ ~ares with such superficial success, that some of ~he o 1m1tat1.on:5. m1gbti unl~ss exa1:111ne.d, : 85 OLD FRANKENTHALL GROUP. Figures, from the Duke deceive an experienced eye. yet beyond th1s surface s1m1htude tbere 1s nothing 1n Hamilton 's sale common between them, see Nos. wl1ich ace Dutcb imitations of Chinese of porcelain. This imitatjon}ed to abso·ption, and Oriental lde::ts w~re.so. assimil~te? ~hat the gradation of Cbinese mto -Et:1ropea11 manufactures - became 10d1stmct or mv1s1ble. Miss Rous Thus ~:n~er ace of men .adopt, a~sorb, and _modify the religi?n ~fits predec~ssors, f9riet 86 QUAINT ORIENTAL TEAPOT with silver handle its ong10, and eve n 1ts meanmg, ~ubst1tut": .~1 h.azy ant1qu1ty by a claim of D1".111e authority, and believe that to .be Jh_eJJ"(?Wn w~1ch 1s but A development, or a perv~rtio~, of other m~n's tlloughts. Tlus hvmg tactor m human progression may be studied 1µ 1 E. W. Colt ViTilliams these cases ot china. Nor is the influence of this factor confined in its actiOn t<;>this iHustratjon of it. {2nd1 In the first crude imitations of Oriental china by the Worcester 87 FRANCONIA WARE, covered Jugs factory may be found a parallel between it and the development of Gothic architecture. No. 5,4., Case KK, js equivalent to the Ro~anesque. . No. _6, to 12t~ century Gotluc. F. C. Stacey No. 33 to that of the r3th century, when 1t reached Its highest point of refinement, elegan~e and beauty ; then nothi wd.s left but to exaggerate, to. ove~do, to stretcI: after 88 BOHEMIAN GLASS TANKARD, silver-mounted, ch'at;i.nin-gly 1 n, and the unattainable, and fall into exfravagance and e rror. Th_1s will ~~.se1 n m the painted enamel lid by Schleich, signed specimens Nos. 50 and 51, which represents 14th century Gofh,c wh~n ,t h:>, of the satirist, and doubtless 111ariy a me, e co, lcctor of clleap 1 111-~lSsorteJ,at1d unme~m iug Stephen Vivian specimens merits all tbe bard tlnngs tt1..i.t Juve been s~tid of him. But the study of that 95 Case of Mineralogical pecimens cao hdrdly b~ comemptible whic11, bY. be.Lutifol and imperis ,able objecls, to be seen, handled. anJ eajoyed, teacile one ea,:;ily to I t:a I. as by a s~ries of cwloure.:.I illustrations, the silent laws wnicb govern tne 11101~hts dnd ac t.a ns ot meu, and m 1ke that history Major J. }>. Trah erne of their race of which the mightiest statesman is but a result and not a cause. 96 Case of Salmon Flies Of Horace Walpole it was said- " China's the passion of his soul, A cupi a plate, a dish, a bowl, Can kindle wishes in his breast, Inflame with joy, or break his rest .." 120 ' ENGLISH POTTERY AND CHINA. ENGLISH POTTERY AND CHINA. It will be convenient to take up the consideration of E nglish pottery at the end of the C ONTRIBUTOR. 17th century, for before that time, let us say 1680, there was little to cous ider, see Nos. 1, 2, 3, 4, S, and 6, Case II. Before this time wooden trenchers were in use (and for Again, at lines 129-30 jt says- that matter ~till _are so in South Wales) in all houses, see No. 7, Case II., while The 'mete that on thi trencher is pewter prevailed m the honses of the middle classes (see No. 8, next the last in same case), and. r.ich serviGes of silver-plate abounded in those of the great, fo~ use on Putte it not (back) int'6 thi dysch state. occas1ons. Of wooden, or treen ware, it has been said " Indeed gents l'm no sure Gete the sone a voyder. (Son, get thee a voyder dish.) but its nae sae apt to be broke or stown (stolen)," secondly, "ma ist things taste Among the dishes served at table when this costril was new was weel out o• wudt'' thirdly, "there's nae expense in keeping it clean for it nae shew 11 Ffreche Porposse/' of which it was said, 0 Porposses. or sea-bogs, the dirt.,, Again, " Beech made their chests, their beds, their joined tools, beech made are of the nature of Swine, never good till they be fat. It is an unsavory the board, the platter~, and the bowl_s." As late as 1663, Mr. Pepys, dining with meat, yet many ladies and gentlemen love it exceedingly baked like,d the Lord Mayor, says 1t wa~ "unpleasing to Jua:i to see meat served in wooden dishes, venison/' for '1 hit provokithe a fvne apetide " from which we ?,-Dd _o to b~ allowed no napkins, nor ch~nge of trenchers." To ~void r n~odify the may assume that their u apetides " Were as coarse as their manners, 1nconven1ence of the same trencher serving for the whole meal. the tollowmg direction is and,_in 1557, of beer, which is now regarded as so natural and national given-" See ye have voyders ready to avoid the morsels that they do leave on their a dnnk But now of late days beere, a naturall drynke for a cloche trenchers, then with your trencher knife take of (off) such fragments from them 1-" 11 11 man is much vsed in England, to the detryment'of many Englysshe in your voyder, and sette them downe cle·ane agayn. These voyders H may bd man. Specyally it killeth them the which be troubl ed with the colyche seen, of silver, at Nos, 36 and 47, Foreign Plate, Case E, lent by Col. Tynt e, and of brass and the strayne coylyon, for the drynke is a cold drynch e, yet it doth at the "Medheval Alcove,0 lent by Sir Hussey Vivian, and there is one in the make a man fatte, as it dothe appere by th doche mennes faces and Cardiff Museum. With this introduction, let us commence at No. r, Case II. belyes. 2 A GERMAN STONE WARE JuG, of Elizabeth's reign, then very generally imported, and a little earlier than the next Cardiff Museum. CASE 1.1.-EARLY POTTERY, ENGLISH 3 A BELLARMINE, Greybeard, or Longbeard. These are names given to this variety of stone bottle jug in the CONTRIBUTOR. reign of our James I. They were made and called R. Drane Bellarmines in derision of Cardinal Bellarmine, whose 1 A CosTRIL OF COARSE EARTH, covered imperfectly with short corpulent body and " hard-mouthed visage" they greenish lead glaze. English. This is the earliest piece represented in a repulsive form. He was a violent of ware in the Exlubition of native production, lent by polemical opponent of the Reformation, and conse R. Drane, and the social state of the nation at that time quently very unpopular with the Protestants of the Low may, in a degree, be realised by the following quotation Countries, who adopted this method of expressing their from the " Boke of Nurture," a contemporary manual of dislike. Th ey were of various sizes, from a gallon to a etiquette, which at line 279 says, "Claw not youre hed pint, and in general use as measures in beerhouses, ne bak." At line 283, "Pike not your nose." Line where they were called ale pots and ale mugs. This latter 295, "Lik not with thy tonge in a dische a mote to word, because of the Cardinal's hard-mouthed visage haue out" (don't lick your plate to remove dirt), and at caricatured upon them, became the origin of the vulgar line 304, "And all wey be ware of thy hyndur part from p11rase "ugly mug," as applied to the human face gun_nes blastynge." Again, from the " Lytylle Childrenes among ourselves. They were succeeded by another but Lyt1l Boke," of about the year 1500, at line 87, "Spitte analagous forn1 seen at 6, which continued in use till not yn thi_basyne, my swete son, that thow wassbist yn," the reign of George I., whose initials may be seen on so that- hne 95-" Than men wylle say therafter that a this specimen. These were known as Cullein ware, gentylleman was heere... The same guide to Polite from Cologne, the town whence they were imported manners, at line 105, says~ into this country. Sometimes, but erroneously, they arc called Gres de Flandres. Thev 1Yere not made in vVyp~ Lhi ruouthe when thou wyll drinke Lest 1t foule th1 copys (cup's) briukc this country previous to 167 r. ' ENGLISH ~P-OTTER.Y' "AND CH•lNA.:· CONTRIBUTOR. have been far too fragile. To realise this conditjon a R ." Drane "' ·· ,..- · small silver jug, No. 14, is placed beside it 'to sHmv 4 DUTCH WARE BOTTLE, time of James·· I. or Charles I. (though it is of later date) what the form and substance . (a]:>ou.! 1640). It was carried at the side by a leather of the feet and handle. should have been. On one side thong passing through the ears on its side, provided and of this sauceboat are to be seen two men sitting at a pierced for the purpose circular table drinking beer from large glasses of the form of wine glasses (a specimen may be seen in the 5 EARLY ENGLISH STONE-WAREJUG, of about the same date antique glass case), and behind them are a dog and -_hird, to show their ·devotion to out-door . sport.. - Pn Cardiff Museum· the other side are three ladies at the same tahle drinking 7 WOODEN TRENCHER, of the kind still remammg in daily tea, in the absence of their lords, from small china cups use among the peasants of Carmarthenshire, whence without handles, and which are held on the tips of their this specimen was recently obtained, with two varieties fingers, the graceful doing of which was one of the of the barley bread, also used by them in continuation elegant accomplishments of the day. The size and of habits which might well retake :-is to the 14th century kind of cup may be seen in the next cases, No. . 56, 8 A PEWTER PLATE, which, contemporary with the wooden Case J.J., and No. r4, Case K.K. The design mu.st trencher, slowly displaced it, and was ultimately itself be the work of a cynical batchelor or a too-much displaced by the salt-glaze and Nos. 9, IO, r 1, .& 12, married man, for he satirises the ladies by placing .and Dutch Ware 16 to 28 in the same case, which in behind them a peacock, as a sombol of female pride, their turn gave way to improved English wares, such as vanity, and jealousy · Nos. 29 to 38, 39, and 40 r 4 SIT.VERJUG, referred to in the last paragraph; it is of later date, but still preserves and illustrates the irregular ,edge Nos. 10. & 12, Mrs. Llewellyn; No. 11, R. Drane line nnd form of feet and handle 9-IO-II-12 SPECIMENSOF SALT GLAZE WARE, which illustrate 15 S 1.1\LL FLOWER-J>oTAND SAUCER of Elers'-ware, of from the first great advance made in the manufacture of English r690 to 17 IO. This illustrates the next step in the earthenware. The method of glazing it was discovered improvement of English earthenware. Specimens are by accident. A servant allowed brine in a crock to rare. It is remarkably well-potted from a fine clay boil over and then boil dry, so that it became red hot. found near the factory. Its decorations, made from On cooling it was found to be glazed by the salt copper moulds, are sharp and elegant ; one of them, just above the number on the pot, is of the scroll character observable in Chelsea china; and the gilding Wor R. Drane of cester of the best period. The two brothers Elers con 13 A VERY CURIOUS AND INTERESTING PIECE OF THE SAME tributed to the starting and success of the Chelsea China "SALT GLAZE WARE; its body is moulded from a piece Wo1ks. · of silver of Queen Anne's period, the thinness, contour, and ornament of which it endeavours to reproduce ; but 16 DUTCH FAYENCE PLATE, called "Delft." It was this its feet and handle will be seen to be incongruous, for the variety of ware which displaced the pewter and wooden, reason that, if made in ware, they must necessarily or treen ware It is turned up to shew the back, which be much stouter than those of the silver piece from is obviously suggested by that of the wooden trenchers, which its body was co1,ied, which, if of earth, would with which its makers were familiar ----·------124 .ENGLISH POTTERY AND CHINA. ENGLISH POTTERY AND CFUNA. CONTRIBUTOR , CONTRIBUTOR, -. 17 ,SIMILAR PLATE, front view, equally suggestive of the sam(: R. Drane origin 34 LEEDS w ARE of from l 7 60 to l 7 90 18 DUTCH PLATE, which, changing its model, is intended to Alderman Jon es reproduce in thick, white-glazed earthenware, a fine 35 EARLY STAFFORDSHIRE WARE, just before Wedgwood Oriental porcelain plate; which it does so successfully No. 37, R. Drane; No. 38, E. W. Colt-Williams that, without examination by touch, it might easily mis 37-38 LEEDS WARE of about 1780. This Ware was glazed lead an experienced eye with arsenic, the process ~eing so injurious to the work 19 SIMILAR PLATE, of different ·pattern, but an equally suc man that its manufacture was discontinued cessful imitation R. Diane zo DUTCH PLATE, which has nearly freed itself from Chinese 39 ONE OF \VEDGWOOD's "Queen Charlotte·, or Cream Ware influence, but notice the fence over which the stag leaps Plates. It was by the discovery of this body that as like that in No. 19 Wedgwood revolut101ized the pottery trade of this 21-22 DUTCH PLATES, nearly free from Oriental influence country, and raised English ware to a position of pre-eminence throughout the civilized world, which it has 23 DUTCH FLOWER BowL, Mrs. Reeve (one of a pair) ever since maintained When \Vedowood's f:iend regretteri for him that he had not pro 24 ENGLISH PLATE, made by immigrant Dutchmen at Bristol, tected himselt'by a patent tor tbis ware, he replied to tht: effect that and dated 17 r 6; quite free from Oriental influence ii was sntficient for hi1·1 to teel thrit there were more of his c.ountry meu e ngaged in making tbis ware tban all ~inds of C11ina pu t together, ;;..cd th~at he had hy it con1erred prosperity -:>n thousands , wher eas 25 ENGLISH PLATE, of Dutch pattern, with Dutch houses and a patent would have secured it to a few only. Then spa ke a noble man. 34, 37. and 38 arc de\'elopmcnts of tbis celebra ted cr~am Dutch clipped yews, dated 1716 wate. 26 ENGLISH PLATE, returning to the imitation of Chinese, T. W. Jotham dated 1771, a time at which the better native wares were 40 TURNER'S WARE Jue, a nice example. Turner was a close rapidly driving these Dutc h-like plates quite out of the and worthy competitor of Wedgwood market. R. Drane 27-28 Purely Dutch plates of about the year 1700 41 EARLY SPECIMEN of the old Willow pattern Plate. This was the most universally popular pattern ever invented, 29 A VERY CHOlCE SPECIMEN OJ,' AGATE OR WEILDEN and longest held its own against all rivals. It was WARE, of from 1720 to 1750. Note its perfect glaze, introduced by Thomas Turner at Caughley, in 1780 excellent potting, and good form; an immense advance R.D. upon the now rccedirig Dutch and English-Dutch ware The rest of the contents of this case have no chronological connec tion with the preceding. Henry John 42 MASON'S IRONSTONE JUG, a good specimen of a very Nos. 30 & 31, Mrs. Llewellyn. Court Colman; Nos. 32 & 36, excellent species of ware patented in 1813. The R. Drane; No. 33, G. W. Nicholl coloring is very florid and the gilding extravagant. It is .10-31-3 2-33-36 SPRCIMF.NS OF TORTOISESHELL WARE of 1720 so hard that it is difficult to chip it, and tQ 1750. These, the last (29 and 35), were the shadow no cli1:nate affects it. This piece is of the domestic kind, which Wedgwood, as the coming event, cast before him, but there are vases, &c. of the highest finish and most and "the better native wares., hinted at in 26- massive gilding, which are priceless art treasures .EN"Gr.ISH · POTTERY · A.ND· Gll~N:t\,·. . -'E~'t'.}LISH . · POTTERY AND. <;:JUNA. by Admiral Bedford, wh0 obtained from old lady, ~CONTRIBUTOR, it an R. Drane who in her youth, knew no other kind of pottery. 43, 44, 45, 46, 47, 48 DuTCH PLATES, quaintly inscribed, She 'was a native of, and was then living in -the .i~land complete sets, once very generally popular, are now rare of Tyree, off the west coast of Scotland, at the time though odd ones may be met with frequently when the Admiralty Survey of that coast was being made. It seems almost incredible that this could be (a) What. is a merry man (he, understood) so in any part in this kingdom, when Staffordshire was (b) Let him doe what he cane supplying the world with its pottery, and yet it is simply (c) To entertaine his guests the truth. (d) With wine and merry iests (e) But if his_ wife dothe frowne (/) All mermnent goes downe Another set has.- (a) (He) what is a mery man CASE J.J.- CHELSEA, BOW, WEDGWOOD, (b) Let him doe all what he kan AND EARLY WORCESTER. (r.) To entertayne his gests (d) With wyne and mery yests CO N TRIUUTOR. (e) But if his wyfe doth frowne Bishop of Llandaff (/) All meryment goos downe I CHELSEA DISH, perforated in imitation of Chinese (Illus trations of the perforated Chinese may be seen in Mr. Miss Rees, Lisvane Price's Case V.V.), and painted with very vigorous birds. . 49 EARLY STAFFORDSHIRE DESSERT DISH perforated, another See another at o. 30 in this case, and No. 21 opposite of the many imitations of 39 ' to it in the next case, which is Worcester. China copied at Chelsea and at Worcester. The Egyptian Isis became R. Drane the Greek Urania, the Greek Urania the Roman Venus, 50 CREIL WARE, )_'et anot!1er imitation, of about 1790. A very the Roman Venus the Christian Virgin. See back case remarkable 1llustrat1on of a skilled potter's perfect com R.H., No. 54 to 62. See also No. 46. in the next, Case mand over his materials. Its finish beneath is as good KK, which is the ultimate Worcester development of .; · -; and careful as that of its face; a fine illustration of the remote Chinese original honest ~11anly work to be trusted where it is not seen, IJ :2 CHELSEA DISH, similar to the last, but not perforated a?d a silent protest against the caddishness of hurry, dishones~y, and superficiality. The way in which the E. W. Colt-Williams ?arrow nbbon and cord of plastic clay are interwoven 3 and 4 CHELSEA PLATES. in the quaint, · and ··110i· Archaic, 1s marvellous for its precision style of their period R. Drane $ KNIFE AND FORK, with bow cnina handles, contemporary 51 A P11:"CE,actually of the end of the last century, but which with Chelsea · , · might . fairly belong to pre-historic times and to any 6 and 7 CHELSEA S,, ucE BoA'J:'S, very nice and character}s.tic a~ongmal race. It is made of claY, tempered with pieces milk, formed ·by the fingers, and highly dried before a fire, but not burnt. It was given to its present possessor 8 CHELSEA DISH. All these are of about 1740 ENGLISH POTTERY AND CHfNA. ENGLISH POTTERV AND CHINA. CONTRIBUTOR , CONTRIB UTOR, Mrs. Llewellyn? Cou~t Cdo~~mM~ny,,(] tea) flower ; 27 FINE WEDGWOOD VASE ON PEDESTAL, black with figures ER with raise · . 9 Bow CuP AND S AUC ' k This is obviously a "white in white, Dionysian Mysteries and classic decoration; it bears the_ D~esden ma;n· sufficiently vigorous, aniJ the this vase deserves special attention, the figures upon it lie." If this he had ~e r ould have assumed the are extremely beautiful original truth w~~k, t rth!etr:th and the original truth attitude and positJOn ° t It i; of more value as Bow G. W. Nicholl would have been forgot en. 28 WEDGWOOD LAMP, soft blue jasper, a very exquisite than as Dresden . . example. The figures in white have all the sharpness E w Colt-W 1lliams . . . . CER encilled in lake with rums and fineness of intaglio gems, it has its ·price 1 rs. still CHELSEA CuP .\ND SAU ' pt,d b)' Chelsea) which are so remaining on it, about an eighth or tenth of its present 10 . ( . b 1)1 y sugrres e . d value like those p_1o a . , "' ... nted ·worcester lt1 black, an often seen m tra:1~'.er 1)1\ ,:·ee 56 and 63 of this case more rarely in a similar co or. ~ . . C. H. James d basin very charactenst1c z9 WEDGWOODSAUCER , of the sharp character and harmonious C EccUILLE or covere ' , i r HELSEA . . D HES with flowers from nature colouring which render this ware so agreeable HELSEA DESSERT IS ! 2, 13, 14 C Colonel E. S. Hill, C.B. Bishop of Llandaff 30 CHELSEA DISH, with perforated border and fine birds, see 5 CHELSEA FIGURE the desci:iption of No. r of this case. It is placed here I E \\ Colt Wilfiams h ; · · et of four the Quarters of t c for easy comparison with a piece of Worcester No. 21 in 16 CHELSEA F1fGUhR!'-,lOlt~~so[. 5a t~e one rep~esenting Africa in the next case immediately opposite it Globe, o w ic 1 . J. Pyke T homps~~ same period as the C. H. James 17, r8 PAIR (_)F Bow FIGlURE!m~ style of flower painting on 34, 35, and 36 WEDGWOODBASALT MEDALLION PORTRAITS preceding. Note t 1e s and 45 of this case, and 11 44 37 & 39 WEDGWOODBLACK BASALT VA SES of exquisite form and these and on Nos. 3, 4, ' t' also the insects on d 1 4 of the nex case, Th classic decoration, remarkable for its purity and shary Nos. 13 an h No of the next case. ey these pieces, and t ose on . I ness. The subject is one of the sacred dances, so usual bear the Dresden Mark in the Pagan mysteries. The actual meaning and Miss Rous significance of these mysteries has not descended to us. It was committed to the initiated only, and so jeaously 19 A CHELSEA P_A_R_R_OT_· ______guarded, and so sacredly esteemed by them, and through them, by the people, that betrayal or ridicule was C H. James d • W DGWOOD'SCream Ware decorate dangerous or even fatal-Nero himself dared not to 20 21, 22 EXAMPLES OF E enforce his prescriptive right of initiation, being rejected . . ' in color M G Wedgwood or Turner's because of his imfamies B SALT ILK Ju , 23 BLACK A ' C WARE offine form, excellent p8 WEDGWOODSAGE-GR EEN JASPER, a very fine piece ., 26 WEDGEWOODS REAM. ' ~4, 25, potling and chaste decorat10n 40 and 41 WEDGWOODSPILL-VASES of later date 130 ENGLISH POTTERY AND CI-llN1',-, ENGLISH POTTERY AND CHINA. 13·1 CONTRIBUTOR , CONTRIBUTOR. 42 WEDGWOOD PEN-TRAY, unfortunately injured, but otherwise a 58 & ·59 EARLY WORCESTER SAUCE BOATS, imitating bow lovely piece, the snake ha~dles, Medusa's heads, and 60 · do do Bat printed, of about 1751-5 raised Acanthus Scroll are smgularly sharp and fine 61 do do do do 43 WEDGWOOD BLACK BASALT VASE 62 do do see 57 E. W. Colt Williams 44 & 45 EARLY CHELSEAESQUE, WORCESTER, crowded out of R. Drane . their proper place and put here for convemence 63 TRANSFER PRINTED WORCESTER-SHAPED DISH, it is one of three pieces, forming soup tur een and cover 46 & 47 WEDGWOOD BLACK BASALT, Medallion Portraits 48 do. VASE of lovely form • 64, 65, & 66 EARLY BAT PRINTED WORCESTER PIECES, of about 1751 49 EARLY WoRCESTER CuP AND SAUCER with the Chelsea 67 WORCESTER Cup AND SAUCER, early imitation of Chinese gold anchor mark. Worcester should have known better , but ifit marked its wares "China". or" Dresden " E. W. Colt-Williams why not "Chelsea. " Tell one he, tell many 68 WORCESTER SAUCER, early imitation of Chinese, an in- 50 WEDGWOOD BLUE JASPER MEDALLION (late) a philosophor teresting piece. Note the impressed white pattern reading of Death and the Soul, typified by the .;kull ~nd under the glass Butterfly of the usual classic conventional form, which the Greeks called Psyche-the Soul G. W. Nicholl CASE K.K.- WORCESTER CHINA(ANTIQUE) 51 WEDGWOOD BLUE JASPER MEDALLION, Fame about to record a hero 's name (late). It rests on a small vase R. Drane of blue jasper of the same period, but very sharp and 1 A Bow PLATE, ante rior to 'Worcester, and shewing the beautiful (the blue of these pieces is too deep for scale, blue ground , and shaped panels (derived from a virtuosos) Chinese origina l), which were afterwards so largely adopted and improved at Worcester R. Drane 52 EARLY BAT-PRINTED WORCESTER JuG, of quaint form 2 EAilLY-SHAPED PLATE, of Chelseaesque decoration~ 53, 54, & 56 PIECES OF EARLY TRANSFER PRINTED W"ORCESTER• E. W. · Colt-Williams of about 1755. 56 bears what it is said to be-a 3 and 4 Early Pieces. CuP AND SAUCER and SPOON TR A v rebus on the engraver 's name, an anchor,for Holdship; but this explanation is of questionable accuracy, though its 5 CuP AND SAUCER(?) appropriateness makes one regret that it should be so 55 PINT MuG, early Worcester transfer printed R. Drane 6 EARLY PLATE, with archaic flowers in pa nels o n scale E. W. Colt-Williams ground. Gilding poor, panels ill-formed, and proportions 1 , ..,., 57 EARLY, RARE, AND CURIOUS PIECES OF PENCILLED WOR- bad · cESTER, see . also immediately beneath them others 7 anq 8 A PAIR OF VASES, Oriental type, scale ·ground, finest similar. No 62 gilding ENGLISH POTTERY AND CHINA. 132 ENGLISH POTTERY AND CHINA. 133 CONTRlBUTOR. CONTRIBUTOR. E. Seward J. P. Thompson EARLY TEAPOT, decorated in claret colour on white ground 9 24 CUP AND SAUCER,· Oriental style, but h·eightened with E. W. Colt-Williams profuse and excellent gilding. It would be impossible 10 and 11 DESSERT DISHES. Early, and rather fine specimens to find a :finer specimen of this variety 12 EARLY DESSERT DrsH. Note the presence of this tint oJ'. 25 An extremely :fine piece of SCALE BLUE, WITH ExoTic blue so unlike that of the adjoining pieces and those of BIRDS. Note its perfect balance and harmony of colour the ':finest period. This form of dish was afterwards very popular at Derby 26 TEA Pov, of Japanese type R. Drane r. and 14 CuP, SAUCER, AND ~RED SUGAR BASJN, so 3 Con R. Drane like Chelsea, that, but for the paste and glaze, they might readily be mistaken 27 PLATE, imitated from Chinese original, exact, but 1 5 CuP AND SAUCER of very unusual type.. The g~·een distinguished by its gilding enamel is first laid on and afterwards receives defimtwn CovERED SUGAR BASIN, powdered blue ground, sharp in black from the pencil. It bears the Dresden mark, gilding, fine birds and was intended to be sold · as "Dresden " COFFEE PoT AND STAND, Oriental style, characteristic 1 6 Early reproductions of a JAPANESE OR1GINAL, so ex~ellent that if the original were alongside, they would, without \Vorcester gilding close examination, be indistinguishable VA SE, 16 inches high, powdered blue ground, richest gilding. On one side bears, by O'Neil; on the other, T. P. Thompson landscape, after some piece of Sevres 17 Another similar copy, but the characteristic Worcester 31 Two QUART Ju G, scale blue, exotic birds, a fine and rare gilding is conspicuous. See No. 26 in this case . . specimen, but the birds are very inferior to those of 28, 18 Ditto, ditto, but of later date, and of last or early m this 25, 35, 5 r, and 53 century'~~ ~ ~~~~~~~~~~ 32 3, 4, 5, and 6, the large pieces of a TEA SERVICE (complete) E. W. Colt-Williams of the finest period 19 and 20 EARLY PLATES, shewing Chelsea influence 37 PINT CIDER Muc , powdered blue ground, fine gilding, J. P. Thompson . . . exotic birds zt An interesting EARLY PIECE, directly 1mitatmg Chelsea. CHARMING LITTLE JUG, after Chinese original (see a :fine See No. 30, opposite, in the last Case II. oviform covered vase, lent by Miss Rous, No. 27 Case HH.) E. W. Colt-Williams 39 PINT CIDER Mu G, inferior, so exactly like Chelsea of a 22 EARLY Cup AND SAUCER certain type that it might easily be mistaken for it R. Drane 2 3 EARLY DESSERT DISH, haltingly emulating the unattainable splendour of Chelsea ground-blue, gilding, and flower E. W. Colt-Williams painting EARLY TEA PoY 134 ENGLISH POTTERY AND , CHINA. ENGLISH POTTERY AND CHINA. . 135 CONTRlBUTOR, R. Drane CASE L.L.- MODERN AND LATE WOR 41 PINT CIDER MUG, white ground, exotic birds CESTER, &c. 42 EARLY TEA PoY, · very like 40, with addition of crude CONTRIBUTOR, fruit painting · Worcester Royal Porcelain Company 43 CHOICE HALF-PINT CIDER MuG, ivory body, landscape, Nos. 1 to 17 inclusive are examples of the IVORY BODY and festoons of fruit and flowers · WORCESTER CHINA of to-day. Many of these are 44 TEA Pov, all these, 40, 42, and 44, are of defective form ; extremely beautiful, and all of them remarkable illus a better fo1•m is seen at 26, and a perfect one at 35, trations of the perfection to which the potter's art has which last is modelled from the wan's egg, in which attained at Worcester, under the directorate of Mr. R . the law of nature replaced the whirn of man Vi/. Binns. The taste of such pieces as 7, 8, PSmay 45 EARLY HALF-PINT CrnER MuG, a nice specimen, but a be questioned or condemned, and many will condemn it long way behind 43; note the reducing effect of the uncompromisingly as entirely subversive of all true cold white ground as compared with the creamy or ivory rules of art, but they are still very remarkable as tint ,of 43 specimens of skilful potting. Those who no acquire DESSERT DISH, perforated, scale blue, exotic birds, a such pieces as may be here chosen, will have heirlooms choice piece · · for their grandchildren which will then have become 47 AN ORIENTAL PrncE to show origin of "fan pattern" on. priceless, while they ·also serve as patents of the respecta the next, No. 48, which it does but imperfectly bility and taste of those who bought and transmitted A very exact reproduction of a JAPANU:SE PLATE them. Mr. Govier Rather a nice specimen of its kind, and of the best period 18 WORCESTER PERFORATED CuP AND SAUCER, jewelled, Do. do. but overloaded with gilding, and, modern therefore, not in perfect taste This would generally be thought an exceptionally choice G. W. Nicholl specimen, and not unreasonably; but it is over-gilt, the 19 WoRCESTU:R COFFEE CAN, Flight, Barr, and Barr central disc is too large, the earwig panels ill-formed, 20 'NoRC:ESTER CUP AND SAUCER, Barr, of about 1810 with their bases changed into shells, but injudicious gilding ; and the hard azure blue, in the wings of the birds, strikes a discord in the harm.ony of colour, and E. Seward disturbs all repose 21 WORCESTER TEA CuP, a late specimen (say 1860) of the 52 Scale blue, exotic birds, central disc too large, birds rather pattern seen at 24 thick set and of muddy colour 22 ORIENTAL SAUCER, which served as the original of the last 53 In this piece and that above it, No. 3S, Worcester, scale and the next two blue exotic birds, attains perfection 23 WORCESTER CHOCOLATE CuP AND SAUCER, of about 1820 54 This piece is an exact imitation of a Chinese original, even to the mark on its back, and with the adjoining piece, E. W. Colt-Williams No. r, to which it brings us back, are the proto-types of 24 v\TORCESTERCOVERU:D SUGAR BASIN AND TEAPOT STAND, the pattern which received its final development in such of about 1790. These four form rather a nice series, as pieces as 3 2 and S 1 shewing the origin and duration of the pattern ENGLISH POTTERY AND CHINA. ENGLISH POTTERY AND CHINA . 137 CONTRIBUTOR . Colonel E. S. Hill, C.B. R. Drane 46 MODERN DRESDEN FI_GURE. Notice the porcelain lace. 25 FORGED CHELSEA CUP AND SAUCER This bee is produced by dipping actual lace in a cream 26 FORGED WORCESTER TEAPOY of China clay; the firing burns away the fabric and leaves the form in porcelains 27 FORGED DERBY FIGURE These all emanate from a well-known factory ot forgeries in Paris, where is made any imitation a fraudu1ent dealer may order. The shops of this country and the Continent are tUled with this rnbbisb. which is kindly lent by its :victims as a warning to others. CASE M.M.---DERBY & LATE WORCESTER E. W. Colt-Williams 28 CoALBROOKDALE s·PILL VASE, closely and admirably re CON1'R.IBUTQJ:<., producing Sevres. Time wiU be when this piece will Marquess of Bute command a fabulous .price ~JOUILLJ~ ; OR COVERED BASIN AND STAND. A splendid E. Seward example of Derby of that period. Red -mark 29 and 30 PASTILLE BURNERS, Flight & Barr's, Worcester, of E. Seward about 1820 2 SiVLUL DERBY VASE, painted with,rruit and flowers. No 6 is its fellow E. W. Colt-Williams R. A. Bowring · 31 COALPORT PLATE, Rose du Barry, ground-laid border , :1 Fellow to No. 5. Worcester. Late. The sucriers of a Dessert festoons of flowers and birds. A very dose reproduction Rervice. painted with landsca,pes. Flight, Barr, and Barr of Sevres, and very fine example R. Drane 4 •r1:rn CEJ>'TRE-Pmcp, or,- A DEsSERT SERVTOE. Derby. Red mark E. Seward 32 CuP AND SAUCER, Rockingham (?) obviously suggested by , E. Seward the favourite old Worcester, of which fine specimens 5 Fellow tn :: are seen at 38 to 45 of this case R. A. Bowring Ii Fellow tu 2 33 WORCESTER CAKE PLATE, of Barr's period T. W. Jotham G. W. Nicholl 7 V Af,K \Vorcester. Flight, Barr, and J3arr 34 SEVRES PLATE, 1823, very rich, and painted with portrait Mrs. Reeve, Penarth of Joseph J. Scaliger 8-9-10-11-12, and all the pieces below these numbers. TEA 35 D itto ditto ditto Vincent de Paule SERVICE. Derby. Red mark. . Each piece elaborately gilt and painted with a different landscape. The pieces bear the These two fine plates have their whole histoi-y expressed in !e1ta.r:: words, and figures on their backs. ' numl nR 72 in puce on most of them; 1 in red on many, and 37 in red on others 36 and 37 Two PINXTON CHLNA PLATES, painted with charming landscapes :Mrs. Llewellyn, Court Coleman 13 CUP AND 8Au1,ER, of fine form and excellent paste, painted in E. Seward Sevres style for some person whose initials it bears, formed in 38 to 45 inclusive. A GROUJ> OF THE CHOICEST OLD flowers. Derby. Puce mark Wo~CESTER, of the best period ; scale-blue ground. G. W. Nicholl exotic brrds. It would be difficult to find finer- or so 14 CUI' AND SArnJ1rn, white and gold only, of the most pleasing fine-specimens simplicity a.n CONTRIBUTOR. CONTRIBUTOR. Mrs. Llewellyn, Court Coleman R. A. Bowring 15 BASKET-WORK DL~H, with passion-flowers, in fullest relief. !lO, 31, 32, 33, and 34. PlaJ;es of a Worcester Dessert Service, by Perfectly white. A most charming piece. Derby. Blue Flight, Ban, and Barr. Green borders . Solid gadrooned mark. gold edges, and' each painted. with a different landscape, quite in Flight and Barr's style ; so remarkable for a certain . R. Drane dogged honesty and conscientiousness of work that one 16 PLATE, with landscape. Painted by William Taylor, between cannot but regret that, the result of their expenditu re was so 1780 and 1800, and ~ilt in the roccoco taste of its period inaclequate E. Seward 17 ONE OF A PAIR OF V A::ms. Worcester. Fligh t and Barr. •See also 21 R. Drane CASE N.N.- NANTGARW. lb Suc.arnR of t.he service represented by No. 4, painted with flowers, by Bad paste, so porous as to Nantgarw owes all its value to one man, a flower painter, named stain readily. Gilding poor. Flowers vulgal" but skilful. Billing~ley, and to it ~ beautiful creamy, soft, and very translucent Derby. Red mark paste. In this Case are pieces which illustrate its history from its beginning to its end. Ji. Drane 19 Cui: AND .SAUCER, of the usual good form, paste, and gilding of R. Drane its peri.od. Puce mark . Derby 1 PLATE, painted by th e above-named Billingsley, at Pinxton, before N antgarw was ever thought of and here this celebrated E. W. Colt-Williams artist is seen at his best 20 TEAPOT CovER L'fD STAND. Worcester. Late. About 1800. 2 A COALPORTPLATE, painted in imitation of the Sevr&s plate, No. 5 Very good paste, excellent gilding. Small crescent mark G. W. Nicholl E. Seward • :l s~[ALL TWO-HAS"]>i,V,l) CnJ' AND SAUCER, painted with roses 21. See its fellow, No. 17, rather late, but very pretty. Gilding good 4 TAZZA, painted with birds and landscupes R. Drane R. Drane 22 Cur AND SA.UCEH. Derby. Puce mark. F orm, paste, ann f> s~~V.RE::;PLATE , bought in the neighbourhood of Nantgarw, of one gilding good who always supposed it to have been made there. It doubt , less served as a pattern to the N antgarw artists, and one 6f 2:1 CoFF'EE CAN AND SA uc1m, rnmarkably well painted with land its descendants will be seen at 7, immediately , above it scape, so pretty as almnst to reconcile one to its indifferent paste and poor gilding. Derby. Red mark ' G. W. Nicholl F. Atkins 6 SMALL Cur L··rn SAUUER, painted with roses 24 \YoRCEfi'l'l',R COFFEE CAN AND SAUCEll. Flight, Ban, and Barr Cardiff Museum E. W. Colt Williams 7 SucRIBR; the bouquets which decorate this piece are copied from 25 ,, Cup AND SAUUEll of about 1800. belonging to the the Sevres plate im.media,tely below it, No. 5, which is here hanclsome service repr esented by 20 placed to shew the relationship between the two T. W. Jotham G. W. Nicholl 26 and 27 Pair of Derby Pastille Burners , of about 1815 8. 9, 10 A Set of THREE VAS.Es, very fine ; their fqrm is singular. E. Seward Note the gilding upon the necks, :md compare it with that of 28 and 29 Ditto ditto Bloors the Derby set, 8 to 12, iu Case M. M., which is a little earlier ENGLISH POTTERY AND CHINA. ENGLISH POTTERY AND CHINA. CONTR1BU1'0R . CONTRIBUTOR . R. Drane 11 SMALL Cup AND SAUCER, painted, with roses. Note the unusuat 28 SAUCE.tt.,Billingsley 's flowers colours, the buff and dark transparent green of the ground and handle, and the elaborate gilding ; a cabinet piece not Cardiff Museum intended for use 29 CUP A.ND SAUCER, Billingsley's flowers 12 Do. do., painted with small birds by Young G. W. Nicholl 30-31 'l.'wo PIN'l.'-Muc+s, painted with landsc~pes, sporting scenes, Cardiff Museum and elaborately gilt, very unusual specunens 13 VASE, painted by Pardoe, with flowers. It is a one specimen, of Cardiff Museum unusual size, fine paste, and massive gilding ; but the flowers 32 This is the ghost of departed Nantgarw; notice the impressed are coarsely rendered, inartistically arranged, and badly ornamentation like that at 35-37-41. It was made at Coal chosen, e.g., the primrose and foxglove do not blossom port, in the year 182~, and re~eived the gold medal of the together; the primroses are as flat as if they had been Society of Arts, when 1t was bright _and new. The columns preserved in a book till the folk's-glove (fairy's glove) should were burnt either t@o much or: too little, and wear off. The be in flower ; the blue hyacinth ,md scarlet poppy are paste is soft, porous, and stains readily. simihtr anachronisms Sir R. Russey Vivian, M.P . G. W. Nicholl 33-34 PLATES, printed with fruit and flowers 14-15-16-1'7-18 A FINE SERIES OF VERYCHtIBACTERISTIG EXAMPLES. Note a certain mannerism in the treatment, as of Narcissus G. W. Nicholl ,md Polyanthus , best seen at 15, as one of the internal 35 PLATE by same artist as the series 14 to 18 evidences of the genuineness or otherwise of certain pieces ; for be it remembered that tli.ere is more spurious or half Cardiff Museum spurious N antgarw than there is genuine, because after Rose 36 PLATE, with ceil de perdrix border in greeu removed the moulds and everything else to Coalport., he made 37 PLATE, with a large bird, '' The King of Vultures," in the centre. large <1uantities of '' Roses' N antgarw," and spread them all This represents a variety of Nantgarw , again~t which the over the country with a commercial enel'gy which was lacked inexperienced buyer should he specially caut10necl. The by the N antgarw proprietary bird is not painted by Young (see No. 2), nor by Colclough 1.9, R. Drane ; 20, R. Rickards; 21-22-23, Mrs. Henry Jones; (of whose work no example 1!,as been lent). T!1is plate was 24, Mrs. Llewellyn ; 25, Cardiff Museum. l1ought in the white, and painted a~id 1·eb1t:1·nt!n Landor. by Bradley & Co. Connoisseurs reJect ~lus _kmd? and a~so 19-20-21-22-23-24-25 A SmRrns OF Pu.ms, all painted by Billingsley, :i,nother, which is even commoner, which 1s parnted with and placed together for comp,tl'isrm and study, so as to roses, plucked off their stalks, an~ placed c~os_e together, familiarise the eye with the painter's style ; which differs festoon-fashion, and surrounded with moss-gilding, wholly widely at rlifferent periods. The roses always have the same out of place, itnd in the worst taste inimitable touch, but notice the t ulips ia 1.-19-22-28, and the foliage in ] -22-24-28 R. Rickards 38 .APPRENTICEPLA 'rE, interesting as one in which some young china painter has been exercising his inexperienced hand. Note R. Rickards the chocolate border, always found on inferior pieces-never 2(; A.P1•LE-GREENBoRrn :RF:n PLA'.!;E, interesting for this ground color, on good ones the impressed white 1_.iattern. and the tlowe1' after the manner Cardiff Museum of Swansea 39 PLATE elaborately gilt, and painted with small bouquets F. Atkins 40 A. SPL~NDID EXAMPLE OF THE NA.NTGARWPASTE, in the _white, glazed, which exhibits its fatal tendency to crack m the 27 CUP AND SAUCER, marked in reel " Pardoe, Cardiff,'' and interesting on that account firing ENGLISH POTTERY AND CHINA. ENGLISH ·POTTERY AND CHINA. 143 41 A PLATE, in the white biscuit state CONTRIBUTOR . 42 A WHI'l'E PLATE, with the impressed pattern, regarded as so G. W. Nicholl characteristic of N,,ntga1·w, and which is seen at 41, 37, and 17 An imitation of the last, made at Derby by Bloo1· 35 ; but it is D erby. Billingsley was apprenticed at Derby, ·R. Drane where he was doubtless familiar with this pattern, and whence 18 A soft paste Sevres Cul!, shewing the same blue border on a piece he brought it to Nantgarw earlier than any of the rest At No. 1 we see the celebrated Nantgarw flower painter before he had ever thought of N antgarw ; at 42 we see Cardiff Museum whence he obtained a favourite pattern ; at 41 a piece in the 19 An irnitation of 17 by Swansea. Here we have one factory biscuit ; at 40 the biscuit in its next stage, glazed ; at 7 we imitatin2: another, and another it, with the unusual result of see Nantgarw imitating Sevres; at 15 to 18, and at 19 to 25, the last ·bemg better than the original we see it, at its best ; at 27 Ichabod, and at 32 its extinction, 20 Quart Swansea Ware Mug. painted with dog and landscape in swallowed up at Coalport sepia. "Swansea" impressed in paste. Cardiff Museum 21 Swansea plate, with "Swansea" and the trident impressed in the paste. This is a very fine example of Beavington's flower painting CASE 0.0.-SWANSEA, Nantgarw, &c. R. Drane CONTIUBUTOR. 22 8wansea Inkstand, also by Beavington (Swansea, in red) T. Crawshay G., W. Nicholl 1-2-3-4-5 Numbered pieces of a very large and splendid service of Nantgarw 23 Swansea Plate, early porcelain body, painted by Young Cardiff Museum Cardiff Museum ti Nantgarw Plate marked "Mortlock" 24 Swansea Plate Flowers Miss Thomas E. Seward 7-8-9 Swansea Dessert Service. These may be pm·chased 25 Swansea Mil.k Jug 10 Staffordshire quart two-hanclied Mug, illustrated with "a good Cardiff Musewu story," &c., &c. Characteristically curious and coarse. 26 Swansea Plate, Beavington's flowers (Swansea, in red) Mrs. Llewellyn Miss Thomas 27 Swansea Inkstand, modelled from shells found on the neighbour• 11 Swansea Saucer, with landscape and gilding like that 011 Nos. s; V, ing coast. Gilt and painted with roses and 10 in Case N.N., and 8 to 12 in Case M.M., red mark Cardiff Muesum Mrs. Llewellyn 28 SWANSEA PLATE, painted by Baxter, "Swansea" impressed in 12-13-14 Numbered pieces of a Dessert Se1·vice, Swansea. Most of paste, a fine and rather rare example them marked Swansea written in reel, but one has the word C. H. James "Swansea" impressed in the paste and afterward lined with 29 SWANSEAWARE, a plate of the ki.i1d made at Swansea before the red. These pieces are decorated with flowers from nature, introduction of china making, painted with flowers from slightly outlined i.i1 pri.i1t, and afterwards coloured by the nature, "Swansea" impressed 1 brush. Cardiff Museum . E. Seward 15 Swansea plate, painted by Baxter, see also 28 30 SWANSEA PLATE, painted with Beavington's flowers; note the impressed pattern in the paste, like Nantgarw. "Swa nsea" Hi An old Sevres plate in red ENGLIS H PLATE. 145 r44 ENGLISH POTTERY AND CHINA. CowrRI B UTOR. 31 SWANSEA DESSERT DISHES, "Swansea " written in red, and the number 223 32 SWANSEAWARE JuG, '' Painted by Miss Harley, Swansea, 1802," iu gold at the bottom ENC;LISHPLATE . 33 SWANSEAMuG, painted with marine view, and inscribed" a View of Swansea Pier" Miss Rous . CASE (P.P.) 34, 35, & 36 PIECES OE' A SWANSEAWA.RB DESSERT SERVICE 1 LARGE COVERED ~UP, CALLED A PoRRINGER.- Diameter Miss Thomas of Bowl 6 ?( in., over handles roYzin., height to top of 37 & 38 Sw.~NSl!:ACJ:IINA DESSERT Pr,ATBK, painted with flowers cover Sin., 1685, a very fine and characteristic piece. Note E . W . Golt-Williams the quaintly engraved birds and trees. 39 & 40 BRISTOL CHINA PLAT.ES, blue cross mark 2 CHRISTENING CuP, 1840. Presented by the late Queen 41 BRISTOL CmNA CUP AJ.~DSAUCER, blue cross mark, a fine example Dowager to the Marquis of Worcester. 42 SALOPIAN Cup AND SAUCER, of about 1780, good form and most 3 MoNTEITH.- T his form of Punch Bowl was invented by a excellent gi:ding.; adjoining these are two cups and saucers, gentleman named Monteith, and being so called after him, which may be of the same kind as 27, Case N.N., but that gave rise to the following distich is doubtful :- New things require new words, and so Monteith 1 43 MODERN " DRESDEN" DEJEUNER SET ; similar sets are frequently Has by this vessel saved himsel f from death . sold to the unwary as '' Old Dresden. " ~he be.it o_f these T his fashion prevailed from 1689 to I718, and specimens are really Dresden China, but are boug~t m the white,· and are now very rare. T his one is of the year 1710, and painted anywhere, these are_ marked ·with the cross swords, bears the following inscription: - " This was given to Capt. which are " erased " by havmg two file-cuts through them, meaning that they were white when sold. The other varie J ohn P rice, Sea Commander, by his Royal Mistress, ties are simple forgeries, and not Dresden in any sense Q ueen Ann, as a reward of service done by him for his or degree whatever Q ueen and Country, Anno Domini, 1706. The upper 45, 46, & 47 Mr. Tudor Crawshay's Nantgarw Service, see l, 2, rim is removable, and is embattled or escalloped, in order 3, 4, & 5 to hold the glasses arranged round it with their feet out ' '29, 32 34 35 and 36 are specimens of the 8wanset\ Wi:we referred wards. I t was thus brought into the room empty, where, ' to in 1808 by Mrs. Thrale, who, writing from Bath, says : the rim and glasses being removed, the punch-making was " When you feel your own purse too heavy, take it to performed by the host"; every gentleman regarding himself Mortlock's, in Oxford-street, and carry Lady Fellowes a as the depositary of a divine secret for concocting the best. beautiful specimen of South ·wales . Ohin,i,'' whereas it W'.3-S - T hese bowls are usually fluted, and the handles depend not till years after this elate that Oh-i1nu was made at all m from lions' mouths, but in this instance it is not so with the South Wa.les handles, and the bowl is quite plain. Its dimensions are, diameter 14J{in., height u?(in., and its weight is about r 32ozs. This is the most notable piece of plate in the Exhibition, although in another sense Nos. 6 and 22 are close competiton for that distinction, and No. 1 is scarc:ely behind them. .., \ ENGLISH PLATE. ENGLISH PLATE. 147 4-5 BLACK JACKS-LEATHER ALE JuGs.-These jacks are late 16 SUGAR VASE, 1774. These were usually made in sets of specimens, they are lined with metal, and rimmed with three, the centre on.e with wide mouth for sugar, and two silver. There is one of much earlier date, and entirely of with narrow mouths for black and green tea ; all enclosed leather, lent by Col. Tynte, to be seen in the " Medireval in a shagreen case. T his specimen is very plain, but Alcove"; which is of the kind which gave rise to the sometimes they were most admirably chiselled, so as to French Ambassador's report to his Sovereign that the become very ornate objects of the highest value. See English were uncivilized people, for they drank beer out No. 50. . of old boots. In use, each man, reversing the natural 17 CocoANUT silver mounted. These were very favounte position of the handle, supported the jack on the back of vessels fo; a long period. Across its mouth rests a tripid his forearm, drank what he would, and passed it on to his ended dessert spoon, a form which prevailed fr.om 1667 to neighbour. I 7 14, and are now scarce. 6 This is the celebrated Hir-las, or Cawdor Horn . It is of r8 BEAKER, inside gilt, 1793, with the chasing characteristic the year 1485 (?) and was given by Henry Earl of of the period. Richmond to David Ap Evan, who entertained him and t9 SILVER LAMP (Queen Anne), 1707, for chocolate or coffee his rnen at Llwyndafydd, when on their way to Bos\\'.orth pot. Field, the battle at that place resulting in the defeat of 20 TAPER STAND. Sometime belonging to E. Harley, 1st Richard III. and the Earl's accession to the throne as Earl of Oxford. Henry VII. It afterwards came into the possession of 21 A PAI,R OF SUG:\R TONGS. Richard Earl of Carbery. z2 MODEL OF THE FIRST EDDYSTONE LIGHTHOUSE (Win Then was the winter of our discontent Made glorious summer by the sun of York.-Ridia,·a' III, Act I, Sc. l. stanley), which it exactly represents in its original and unaltered form. It was made at Plymouth in 1698. Its 7 TEA CADDY, 1708.-Queen Anne. A very pretty specimen, upper storey is perforated as a sugar castor, the stag~ below containing still some tea, so different from that of to-day it serving as a salt cellar ; that next below bemg for that it may be coeval. pepper. A unique and most interesting piece. 8 HALF-PINT TANKARD of the same year. 23 TAPER CANDLESTICK. 1753 9 Ditto 1776. 24 TOOTHPICK Box 10 MUSTARD PoT, of classic contour, 1805. 25 A TUilrnLER of 1683, dia. 3Yzin., ht. 2 Yzin., wt. 7Yzoz. 11 SUGAR BASIN, of 1809} Although so similar, they are by 26 Do. 1689, ,, 3_¥sin., ,, 2y'ain., ,, 6Yzoz. 1z Ditto 1793 different makers and different of 27 Do. 1719, ,, 2%i1;.,,, z?iin., ,, zoz. 13dwt. years, illustrating the dominance of fashion. The smaller one is 28-29 Do. 1756, ,, 3Ysin., ,, zYzin., ,, 4Yzoz. each. much the finer form. 30 Do. q64, ,, ,, 2oz. 3dwt. 13 Ditto glass lined, of t 793. A variant of the same 31 Do. 1770, ,, 2}1iin., ,, 2%in ., ,, 4oz. style. 32 Do. 1783, ,, 27,('in., ,, r.Ysin., ,, roz. 13dwt. 14 PORRINGER, of Queen Anne's Reign, 1705. A very choice Do. 1810, ,, 2.Ysin., ,, 2)1lin., ,, 2Yzoz. and characteristic specimen, 33 So interesting a series, in variety of form and range of date, can r5 MULLER, 1746, for the preparntion of hot spiced wine. but rarely be seen hrought together. They were used as ENGLISH PLATE. 149 ENGLISH PLATE. which is a knop, that it may be held with _perfe~t wine and beer cups, and called tumblers, because if placed firmness and without risk ot spilling the wrne, IS on their sides they would roll and oscillate till they stood often jewelled, enamelled, or otherwise highly wrought. erect. No. 24, the most interesting of the series, bears (3) The foot, this 1s usually much wider than the bowl the inscription, " Allwedd y galon yw'r cwrw," in Eno-lish, and hexagonal in form, so that it shall stand very firmly, " Ale is the key of the heart." No. 3 r, in like manner: has nor be easily upset, and shall not ro11 when laid. on its "Cwrw da,"-'' Good Ale," upon it. Their name is now side to drain. On one of the six facets of the foot was inappropriately applied to our flat-bottomed drinking engraved a cross, or the Passion of our Lord, and this facet glasses. They came into use about 1670. the priest always keeps turned towards himself at the 34 A PAIR OF SILVER-MOUNTED CocOANUTS, of 1854. The celebration of the mass. This is an Irish Chalice (the work upon the surface of the shell is beautiful. word comes from calyx, a cup), without hall marks, and i_nscribed X orate pro animabus. Edmonde Withe et 35 MILK JuG OR CREAM EWER of 17 36 Ellane Molroney, 1614 Do. do. A chronological 47 Co.Mi\!UNION Cul', 1575. This is the form of Cup which, Do. do. series intended to in Elizabeth's reign, almost universally displaced the Do. do. 1773 shew the change of Chalice in England. The bowl is comparatively large to form, fashion, and admit of the people partaking of the wine, and is orna 39 Do. do. 1804 size. mented with peculiar and very characteristic engraving, 40 Do. do. 1806 common on all kinds of plate of that period. The knop 41 Do. do. I8ll almost disappears from the stem, the foot is small and circular, and the cover serves as a patten. Such cups, 42 PLAIN TANKARD, 17 45 varying but slightly the one from the other, except in size, 43 TANKARD, originally plain, like the last, and the next, later were supplied, about this time, to almost every parish in the on, embossed, and still later having a spout added, made at kingdom, and are still to be found in most of them. The Newcastle about the year 1798 whole thing is the very antithesis of the chalice in its entire freedom from everv trace of ecclesiastical or reli 44 TANKARD, large, plain, r 7 74 . gious significance, and eloquent of the stern simplicity of 45 CHOCOLATE POT, of 1782, of very elegant form. the reformed faith in its contemptuo us rejection of all 46 IRISH CHALICE, of 1614- Th e pre-Reformation Chalice mysticism. differs essentially in its form and meanin" from the 48 COFFEE PoT; i 733 Communion Cup of the Protestant Church. It consists of 3 parts :-(1) The_ cup or bowl, which is cnmparatively 49 Do. 1732 small, the wme bemg drank by the officiating priest only, 50 CHOCOLATE PoT, 1758. Note the same style of ornament mstead of the whole body of communicants; it is quite as in No. 16, 1774 plam, m order that it may be kept pure, and if it appears to be ornamented it will be found that the cup is 5 r A very elegant modern CLARET JUG, 187 2 supported rn another, which is wrought and perforated as a 52 SAUCE BOAT, 1789 receptacle for it, but is independent. [See the Spanish 5 3 HALF-PIN.T MuG, inside gilt, 17 r6 Chal_ice given by Lord Bute to Father Clark, No. 15 Foreign Plate Case. J (2) · The stem, in the centre of 54 SUGAR CASTOR, 1736 H ENGLISH PLATE. I. 150 ENGLISH PLATE. 55 SPOO NS AND FORKS -- A series. m chronological (E) "BALLUSTER STEM" or "Seal-top" spoon of brass, It order, shewing the changes of fashion in the spoon and dug up near Gloucester. It shows the form of earliest form of fork. spoon to be the same which was used by those too poor to have silver. (A) AN " APOSTLE SPOON" of r 5 So. The earliest (F) SEAL ToP OR BALLUSTER STEM SPOON, of 1630 known specimen of this form of spoon is of the year r493. This form of spoon was preceded by (G) Do Do. Do. of 1639, re- one of a different sh:1pe, of which only one is now versed to shew the back and manner of nnion known to exist which is of the year 1445, and was between the bowl and stem. It will be seen in A, given by King Henry V. to Sir R. Pudsey. E F, and G, the bowl of the Spoon is pointed towards the shaft. A wholly new shape came in (B) KNIFE AND FORK in needlework ca!:ie, of the reign with the Restoration, in which the bowl is gibbous or of James I. It shows a very early form of the fork nearly equal ended, see Hand J Later specimens, just after its introduction into use in this country K and L, shew the bowl widened near the handle, from Italy, but it is of English manufacture of about till the present fashjon of pointed spoons was the year 1615. It is ahdy's dinner equipage, which thoroughly established, as in U to X inclusive, in she would take with her when she went out to dine. which the fo rm of bowl is exactly the ·reverse In Wynkyn de ,1·orde's "Boke of Keruynge'· of A, E, F, and G. (Carving, &c.), a book of manners and etiquette, printed in r4 13, the following direction is given: (H) A TRIFID ENmm SPOON, of the form that came " Lay your knyves, your spones, and your napkyns in with Charles IL, it is of the year 1674. Note fayre folden besyde your brede." This absence of the rounded bowl, with its "rat's tail," the flat shaft, forks makes the following caution necessary from and its divided end the "Boke of Nurture'' :-" Sett never on fysche, (I) A MOSTINTERESTING EXAMPLE m- A NEw FASHION nor flesche, beest, nor fowle, trewly more than ij OF FORK, having flat handle, divided end, and four fyngurs and a thombe, for that is curtesie ,. prongs ; probably the earliest known to exist, of (lines 325 and 6). In "The Devil is an Ass," about the year I 680 written in 1616, we find the following :- (/) SPOON AND FORK, which, together with knife and " Forks ! What be they ? marrow spoon, screwing into the same handles, fit in The laudable use of forks brought into custom the shagreen case seen at No. 5 7 of this section. here to the sparing of napkins".- Quoted .from They are extremely rare and interesting examples of Cripps. about the year 1684 ( C) A KNIFE AND CASE, en suite with the last, that is, (K) A VERY FINE SPOON, engraved like the last two the gentleman's equivalent, who, if he had, like his letters I and J, and gilt. It is fully and clearly wife, used a fork, would at that time have been stamped for the year 1689, and thus gives the thought effeminate. proximate date of the preceding examples, which unfortunately are not stamped. The back of the (D) KNIFE AND FORK, early, but whether so early as bowl of this spoon still shews every hammer mark these last is questionable ; they are probably some 20 or 30 years later. Within the handle of the fork (L) A LATE SPECIMEN OF THE TRU'ID-ENDED SPOON of is a nutmeg-grater. the year 1689 ENGLISH PLATE. ENGLISII PLATE . (M) A FORK of the early part of the last century, (X) Is A SPOON added to shew the "fi ddle pattern" found at Llantrissant hipped spoon which succeeded the last and prevails to to-day. Sppons are now no longer made by hand; (N) A SPOON, of' 1706 (Queen Anne). Interesting as shewing by its halt~rounded stem and flattened as all the others on this line are angular end a transition from .EI and L into the succeeding form of OP and onwards I and J are lent by G. W. NICHOLL, of the ( 0) A SPOON, of 17 29, c01m11only called a '' rat's tail spoon," from the rib down the back of the bowl Ham N and V by Mrs. REEVE, of Penarth (P) A SPOON, of q35. Note that the enu of the The rest of the series by R. DR.ANE, Cardiff handle turns up and has a central ridge (Q) Two SPOONS, of 1757, in fine condition. The handle turns up, has a central ridge, but the rat's SHOE BUCKLES chronological series of .fiv tail, which is first seen in .!J, has disappeai-ed, and -A pairs, shewing the change of fashion. The smallest yai 0 is replaced by a drop is the earliest, about q 15. The largest but one 1s o·· (R) Two FORK S, of the middle of the last century. the year 1792, when they "Were no longer fashionable, the 0 They have composition handles, very t11inly covered largest pair is of 1 80 0 or 1801. with silver, which is stamped "Sterling" 1 A Newsp aper published in 16931 says. ' Certain foolish young in·eu A SPOON, of 1760. It has an ornament oi scroll bave lately brou!!ht :i.bout o. new change <>f fashion. They have (S) beaan to fasten their shoes and knee-bands with buckles instead work below the drop on the bowl, a part of which of;i bbons, wherewith their forerathers were conteat 1 and more over found them mor<:: easy ami. coo,·enient; and surely every is exactly like the style of gilding on the finest man will own they were more decent and modest than these ne_w Worcester china of the same period, and shews how fangied buck.Jes, wllich will gall and \'ex the bones of these vain coxcombs beyonc! sufferance, and make them repent of the_ir fashion influenced both factures pride and f0lly. 'Vile hope all grave and honora le people will withho .rl their cmmtenance trom suoh i mmodest ornaments. It (T) A SIMILAJ SPOON, of r 77 3, with a modification of belongelb to tbe Reverend Clergy to tell thes<: thou~hI~ss_youlhs, the same ornament on the back of bowl. In all i.n a solemn manner, that such thrngs are forbidden m Scripture." Just a hundred years iater the_ f::,shic:>owas mo~ibund, fo_r in 1791 these last six spoons the h andle ends turn up tile I rioce of ¥Vales, o,.t of cons1derauon Jor the c;!Jstress of thousands of unemployed buckle makers, endeavoured to A SPOON, 1774, resuscitate it by his own examp1t, but io vain. Yet i.t linger~d ( U) of in which the handle is first on till the middle of the present century, rind many can still seen turning clown as is the present fashion. . Here remember individual old ~entlemcn, ,vho, al that tiHlt'!, adhered also first appear the "!lips " above the bowl at base to tht: antiscriptutal errors of their earlier days. of handle 57 SH,~GREEN CASE, for the Spoons, E;:.nife and Fork marked ( V) A SPOON, of 17 79 , in which handlt: turns up and the J in the series of Spoons, &c., No. 54 bowl has a shell ornament. This is a survivor of the then dying style 58 Two MUNICIPAL MACES , I ( W) A PAIR OF SPOONS, shewing back and front view. 5 9 PUNCH LADLE, beaten from a qown piece, and on the edge They are quite unlike preceding examples, in being of which the same legend may be t'c!ad which is seen on the graved and punched in a style which prevailed at periphery of the coin alongside it " Decus et tutamen," &c. the end of the last century and beginnin,g of this. They are of the year r 7 90, and are very charac 60 PuN f-1 LADLE, of later rlate, when the practice of making teristic specimens, in very fine condition them from coins l1ad ceased 154 ENGLISH if PLATE. FOREIGN PLATE. 155 6r P.uNcH LADLE, beaten out of a spanish dollar, on its edge 1s found, extended by beating, the same ornament as that on the periphery of the dollar placed beside it 62 PUNCH LADLE, with double lip, and ebony instead of whalebone handle. 1760 FOREIGNPLA'fE . . Dee.f mu Jt be the.foundation a1td strong lite superstruct11re of that friend· sh!Pwhich can sustain tlte shock o/ sedng it,· object eating mock-turtle sou/I with an electro-plated spoon front a plate oj imitation silver. Meaner than Pewter. (Cr{pps 247.) CASE (E). Miss Rou s lends, r, 4, 5, 22, 48 1 SHELL-FORM SNUFF Box DUKE OF BEAUFORT lends, 2 DILLWYN LLEWELLYN lends 3 z FORK (Italian), Leda and the Swan VISCOUNT EMLYN lends 6 3 MAGNJFJCENT SILVER TANKARD with 24 large coms let by insel'tions into its drum G. \ ,Y. NICHOLL lends 7, 8, 13, 14, 15, r8, 27, 28, 29, 4 REPOUSSE SILVER-GILT BEAKER 3°, 31, 33, 43, 50, 53 5 SILVER SNUFF Box with blue aventurine top R. DRANE lends 9, 10, II, 12, 16, 19, 32, 35, 36, 37, 38, 39, 40, 4r. 42, 45, 46, 49, 52, 54, 56 6 CASKET, garnished with miniatures en grisseille, garnets and CoLT WILLIAMS lends 17 chased figures in silver-gilt, presented by the Magistrates of Monmouthshire to the Marquess of Worcester Mrns HARVEY lends 21 7 AN EXTREMELY BEAUTIFUL PoUNCET Box of wrought and COLONEL TYNTE lends 20, 24, 25, z6 perforated gold, with insertions of tortoise-shell and horn P. DowsoN lends 2 3 between the plates forming the top and bottom, sometime W. CUBITT lends 34 the Duke of Wharton's F. STACEY lends 44, 5 r 8 A FINE DUTCH 1VASSAIL TANKARD, 1630, sometime the property of the Duke of Sussex, engraved- Mrs. LYNCH BLossE lends 47 " God's blessing ever be upon Those who are here, and those who are gone." 1:'his. is _what is called a "peg-cup." The lid is raised to shew tbe ·· pegs , which indicate how much each one was to drink <.~ bis share. 9 CURIOUS PIECE OF Srr.,vER WORK, a miniature " Tea Party" co RuDE PECTORAL CRoss, "Spes Tutissima Crelis," and rude figures of Saints n GERr.iAN STANDING CuP, silver gilt repousse of extremely fine form 1 2 BASIN, on foot, silver-gilt repousse u .,J -· -:-rr r:l I I 156 FOREIGN PLATE. FOREIGN PLATE. 157 13 STLVER-GTLTHANAP OR STANDING CovERED CuP, repousse, [! 22 QUAINT DRINKING CuP, gilt inside, inscribed,. "Ars Land on the top a figure of Justice with scales and sword, on the thus holdnings beloning, 1760.-" Prize for the good bowl is the Judgment of' Solomon and the Massacre of the management of farm," Danish \ Innocents, and beneath it a figure of Wisdom seated on an I owl 23 LOVING CuP AND CovER, REPOUSSE, gilt, German, of fine form r4 STLVER. GILT REPOUSSE TANKARD (German), of singularly fine form 24 DUTCH COFFEE URN, end of 17th century 1 15 DOMINICAN CHALICE (Spanish), presented by the Marquess 25 INDIAN SILVER GILT AND ENAMELLED FLOW.ERHOLDER \1 of Bute to Father Clarke, of Penarth. It is enriched in \ I relief, wtth fifteen scenes from the lives of the Saviour and 26-27-28 CHARMING EXAMPLES OF INDIAN SILVER WORK, of II I the Mother. It was formerly jewelled, but the stones have the Lota form been removed 29 DOUBLE GLASS-LINED SALT CELLAR, French 16 SILVER-GILT REPOUSSE TANKARD, German I 30 DESSERT KNIVES, FORKS, AND SPOONS, Dresden china 17 SILVER BABIN on foot, gilt inside, very .fine repousse work handles 3 r INDIAN BASIN, COVER, AND STAND, iron, covered with I:! 18 INDIAN SILVER Lon\ of exquisite form, covered with work I inwrought ornament of silver. Very beautiful .·1 Ii/,, in coloured enamels and gold I I~ ,, 32 LARGE INDIAN PERFORATED SILVER SPJCE Box ,, 19 SILVER SALVER, of the year 1782. (This should be in the I English Plate Case, but is too large) 33 Curious engraved two-handled Chinese Silver Cup, very characteristic. ' 20 OVAL BASIN on foot, two ears, fine repousse work 34 RussIAI\' CLARET Jue, wrought silver 21 SrLVER GILT REPOUSSE, COVEREDBEAKER CuP, German, r8th 35 GLASS-LINED SrLH~R SALT CELLAR, of unusual form, end Century. The translation of the Latin inscription upon of last century ' it, as rendered by Earl Cawdor, runs thus- "When J. Robin son, DJ)., Canon of the MetTopolitan Church of Christ, 36-37 SILVER-GILT REPOUSSE VOYDER DISHES, for removing of Canterbury, away in foreign parts, and most excellent remnants of food, end of 17th or early 18th century. plenipotentiary, with full authority of her sacred Majesty German. the Queen of Great Britain (Aune), tried bis fortune 38 STLVER-GILT REPOUSSE "TASTER," two-handled, end of 17th among others, being specially requested to do so, at the century entertainments, held with due ceremony, after the ancient 39 SILVFR - GlLT REPOUSSE "TASTER," one-handled, end of 17th fashion at Dresden, the capital of the King (of Poland) century and Prince Elector of Saxony, on September rst, 1707, he won the first, and, as the saying is, the Royal prizes, and 40 GLOBULAR COVERED VASE, Indian silver, highly wrought amongst them this (Goblet) too, of which you are reading cheers welcome the victor: in such wise are the fates wont ' to accompany the minister of a conquering mishap (bis COLONEL TYNTE lends 1 , 3, 5, 7, 8, 36, 37. Queen)." He was one of the last clerics diplomatically R. DRANE lends 2, ro, 13, 25. employed. ii Du1rn OF BEAUFORT lends 6. I II I I I :1, I 'c.~ • ·" FOREIGN PLATE. ANTIQUITIES AND CURIOSITIES. 159 REv. FATHER CLARK lends 15. Mrss Rous lends 9, 19. EARL OF CAWDOR lends 2 r. COLT, ·wu , LIAMS lends 30. All the rest by G. W. N1cHOLJ., The Ham. A.ntiquities and Curiosities. CASE A. CONTRlHUTOR, Colonel Kemeys · l'ynte r MINIATURE TEA SET in blue. 2 Two Cups .\ND SAUCERS, rai ed flowers, and decorated in blue 3 BABY LINEN, trimmed with old point lace (six articles) 4 BAhv's ROBES of White Satin, 18th century 5 ·CAP AND CHRISTENING CLOTH, with very fine old point lace, to match 6 A Tov TEA-SET of Old Salopian China, very like early Worcester, and 7 Two ORIENTAL CuPs AND SAUCERS, with white flowers in bold relief-- curious CASE B. W. Watkins Old, F.R. H.S. 8 FAN of silk tissue, painted with a toilet scene, and decorated with embroidery, mount of ivory and mother-o'-pearl, inlaid with gold-French, 18th century 9 FAN of chicken skin, painted in miniature, with the finding of Rom_ulus and Remus, carved and stained ivory, and tortmseshell mounts-Italian, 18th century 1 o Frcau AND COLLAR of exquisite embroidery in point stitche~ on fine cambric- Italian, 17th century 1 1 TABLE CovER of ancient Sicilian embroidery in coloured silks bord~red with green satin- Medi.eval ANTIQUITIES AND CURI0S1TIE8 . r6o ANTIQUITIES AND CURIOSITIES. r61 CoNTr 29 SJLVER STATUETTE, .Kemble as Hamlet- £ 25, By Sir CASE C. Francis Chantrey, R.A.; last piece of work modelled by Sir H. Hussey Vivian, Bart. M .P. this eminent artist · i 8 A serie~ of fifty-four specimens of PRE~'.STORlC FLINT 30 Copen- BRONZE STATUETTE, WilLiam the Conqueror- admirably htPLEl\11·:NTS, collected .at Stockholm, I yela1sa, posed figure-£25. By H . H. Armstead, R.A. hagen, and othL'r localJties I 9 fl RON7.E M1wI/E.V,\I . l NCENSE Bu RNER 31 PAN Ci:L of 30 very- curious and interesting specimens of various gems. Among the more ·remarkable are the yellow sapphire, the Alexandrite, which is ,green by C. H. J ame~, C.E. natural and red by artificial light, the natural _pink topaz, 20 SPECIMENS OF WEDGWOOD WARE the yellow amethyst, &c., &c. 162 ANTIQUITIES AND ,CURIOSITIES. ANTIQUITIES AND CURIOSITIES. 163 CASE G. CASE H. CONTRIBUTOR, CHATELAINES, &c. James Strick 32 MUMMY HEAD, from Thebes THI S CASE CONTAINS THIN GS bF F.XQ!JISITF: REAUTY ANn GREAT RARITY ALL OF Wl;ICII, EXCEP T :rii OSE TO IVHJC!! NAMES ARE ATTACHED, ARE ' 33 MUMMY HAND, from Thebes I .EN r RY A LADY f, OR EXlil8ITION THROUGH MR. BRAN&. J. M. Jennings 34 SHELLS, 3 trays Eastern, &c. E. W. Colt-Williams C. T. Whitmell 49 S~!ELLING BOTTLE, Indian MINERAL AND RocK SPECIMENS, &c., from Yellow Stone 35 the 50 Two BILSTON ENAMEL PATCH BoxEs National Park, U.S.A. "The Canon of the Yellow Stone River, the Geysers of the Fire 5 r L .rnCER BILSTON ENAil!EL Box Hole River, and the Mammoth Hot Springs on Gardiner River con· stitute a group of wonders probably unrivalled in the world." 52 SILVER SNUFF Box C. Burton 53 VERY CHOICE BATTERSE.\ ENAMEL Box 36 EMU EGG, carved 5-l- SCENT BOTTLE, Chinese, carved stone M iss Fox 37 IMPLEMENT made of horn of red deer, found in a Cornish stream 55 B.\TTERSEA ENAMEL ETUI, fitted with lady's requisites 38 BRONZE IMPLEMENT, from Irish Bog 39 BRONZE IMPLEMENT 5 6 BRACELET, enamelled gold, watch in centre, Swiss 40 THREE STONE IMPLEMENTS 5 7 WATCH AND GUARD Pm, . encrusted with rubies, emerald s,. and diamonds; Copenhagen C. Burton 4 r OLD SNUFF Box, carved 53 OLD REPEATER WATCH, in repousse silver case Carl Hans en 59 OLD REPEATER WATCH, in repousse and chased gold 'case 42 CARVED NORWEGIAN KNIFE, in case 60 OLD FRENCH_ WATCH, _coloured g_old case, chased, wrought, '43 CARVED NORWEGIAN SPOON and set with turquoise and rubies,a most beautifulexample- 44 CARVED NORWEGIAN FORK 6I S t1ULL WATCH, set with diamonds and pearls, on a chatelain e Brnce-Pryce, Duffryn of gold,. hav_mg attachments with purple enamel s·et round with diamonds and pearls ' 45 PUNIC INSCRIPTION taken from ruined wall, North Africa ; it reads, "To th~ Lady Tanith, to Baal pen, and Baal 62 WATCH, with bouquets of flowers on blue ground in enam el Hammon, which vowed Bodesmun" on cut steel chatelaine, with enamel centre like the watd ; '46 LITHODOMUS, in coral 63 CH_\.TE1.A1NE,~ rith · ·watCh, set'round ,vith diamonds and hVo 4 7 ANCIENT ·TERRA-COT1"ALA111 r, Carthage breloqu.es, having four enamelled landscapes ANTlQUITIES AND CURIOSITIES. ANTIQUITIES AND CURIOSITIES. 64 CHATELAINE with watch and five breloques, the watch of eoNTRIBUTOR . chased gold, colored and set with pink topazes; the 79 CHA'.fELAINE, wiJh five pei;idants, in original case, extremely chatelaine is set with rubies and emeralds; one of the fine breloqi.les is a fan, set with turquoise and two microscopic So ·WATCH, blue enamel, set with pearls upon an enamelled enamels, when open shewing on one side the words gold wreath, the whole forming a locket pendant for the "Mori Cceur,'' each letter enamelled separately on the neck blades of the fan ; on the other side a love message is conveyed in the language of flowers, in enamel like the Mrs. Lynch Blosse letters; another is a lobster, articulated and jointed so as 8.r ENAMELLED GOL.D SHUTTLE, French to be flexile ; a third is a guitar, charmingly modelled and jewelled; a fourth an hour glass, the fleeting hour of life and love; a fifth a tiny cupid, so enclosed as at once Mrs. G. W. Nicholl to.shew him caught and caged, and yet has the light of 82 SILVER REPOUSSE ETUI, fitted with lady's requisitfc!S; life, for his cage is like a lanthorn. The whole is t]:ie 83 NORWEGIANSILVER BELT most exquisite thing imaginable, and extravagantly honest, for the back is as beautiful as the face. Of how much 84 NORWEGIAN SILVER BELT of the shoddy of to-day can that be said? 85 NORWEGIAN SILVER CHAIN 65 CHATELAINE, silver, -with etui, fitted with Lady's requisites, 86 TORTOISESHELL SNUFF Box, with contemporary silver bonbon box, and silver egg for thimble or nutmeg medallion portrait of Charles I. 87 ToRTOISESHELL SNUFF Box, Charles II. 66 CHATELAINE, silver, with etui, fitted as above, and five otl1er pendants S8 NORWEGIAN SILVER BELT 6,7 CHATELAINE, with etui of grey jasper -68 CHATELAINE, with three pendants set with bloodstone OAS·E I. -69 CHATELAINE, with 2 etuis of Egytian pebble Mrs. Strina 89 A SrLK HANDKERCHIE~, embroidered by 70 CHATELAINE, with I etui the daughter of the Duchess Sorentma, Convent of St. Chiara, Palermo 7 I CHATELAINE, with 4 pendants, exquisite 90 GOLD JEWELLED FAN, presented by Alexander II., Emperor · 7'2 'CHATELAINE,· ,vrth old repeater watch in chased gold of Russia, to Signora Giulio Strina, in 1838 I T ~ l 7'.3 CHATELAINE, with fitted etui, thimble case, and vinaigrette W. H. Simkin "7~ 1CH'.ATELAINE,with scent bottle as an etui 91 ToRTOISESHELL INLAID WoRKBOX. Temp. Louis XIV,. 75 CHATELAINE, silver, w.ith bag, purse, scissors, pin-cushion, 92 CIRCULAR J?ECORATEDSILVER SALVER, painted with centre etc., silver-mounted medallion of Francis I. f? CHATELAINE, silver (a child's) with four charms . 93 PAIR OF DEER-SKIN GLOVES, with gold and silve~· embroidery 77 'ENAMELLED GOLD CH.\IN, early 19th century, by Hamlet, 18th century Rr1glish · 94 INKSTAND, in Serpentine, wit/1 7 lava camei inserted 78 MILANESE STEEL CrL\'J'ELAJNE, inlaid with gold 95 CHASED TAZZA, white metal, Indian ANTIQUITIES AND CURIOSITIE S. 166 ANTIQU ITIE S AND CURIOSITIES. Co~·rn.1nuTon. CASE K. R. D. Bain CO,lTRIB UTOR. 96 TRAY Saxon and English coins Colonel H ill I 1 I THREE MEDALLIONS in Copenhagen Parian, after Thorswalden '97 Do. English silver coins II2 FRAME, with human hair worked into a floral group Henry Saunders W. H. Daw 98 METAL DISH AND CovER, inlaid, Indian 113 JAPANESE 1NL.UD CIGAR Box W. R. Davies I I4 ANCIENT STONE H.,TCHET, found at Bed was, near Caerphilly CASE J. Colonel Kemeys Tynte J. T. D. Phillips. I 15 STYLET CACHE 99 OLD FRENCH STEEL SWIVEL SEAL, reverse, Head of Louis IJ6 STILETTO AND SHEATH XV., with legend, L.U.D·XV·DG·FR·ET-NAY-REX. IJ.7 IVORY-HANDLED STILETTO AND SHEATH Obverse, Arms of France and Navarre, and CHRS . REGN-VIAC-IMPER, 1771. Found at Neath, 1876 Dr. Milward 100 OLD COPPER CoIN, Birmingham and Neath Crown Copper 118 CHINESE SILVER Fn.1QuE CARD CASE Company, One Penny II9 CHINESE SJLVER FII.JQUE CIGAR C. SE 101 OLD CoIN, with hamm er design and furnace, 1793-John 120 CHINESE SILVER FILIQUE PAIR OF "BRACELETS · son, wi lkin Ironmaster r 2 r PIPE, curiously carved in slate, Vanco uver's Island rn2 Do. Head ·of Charles Roe, established the Copper Works, J. D. Harding 1758 122 \iVATCR, r8th century, by Wm. Clark, London; case of 1 0 3 -Corns, of various dates, from 1694 to William I V. tortoise shell, on gold, painted W. H. Daw 123 CoPPER 104 SILVER Corn,William III, Geo. II. , /~ ~ (Victoria Coin) Corn ' 18 463 124 GOLD Corn, found at Dewsland "'--- · Mrs. Marychurch 105 MODEL Q UARTER F .,RTHING, Victoria, 1848-ve ry small 125 STONE AxE, found in stone coffin, at Llanrian, Pembroke shire, about 1820 106 BRASS Corns, Annie 1711, and collection of various kinds scarce, French, Papal, &c., &c. Genera l Yorke, C.B. 126 IVORY CARVINGS- 107 TRAY UF r5 BRONZE :MEDALS (a) Lady Godiva, by General Yorke, C.B. IOS l>o . E~c u sn SrLVER COINS (b) The Seven Boys, by General Yorke, C.B. ro9 Tw E.N' t'Y-i.:t(; 1rr BRni sH AND ENGLISH Corn s (c) The Fair Toxophilite, by General Yorke, C.B. 1 ro 1:.:rc 1-JT T R.\YS OF CoJ:-,;s .. - -- . - -· \ 168 ANTIQUITIES AND CURIOSITIES. ANTIQUITIES AND CURIOSITIES. CONTRIBUTOR, CONTRIBUTOR, (d) The Triumph of Neptune, by General ~orke, C.B. ! M. T. THOMAS (e) Ivory Miniature Frame, with three miniatures, by 140 CHINESE ENAMEL PLAQUE, in brass frame General Yorke, C.B. E. P. Timmins (/) Ivory Miniature Frame, with three miniatures, by qr CARVING, PAIR SHOES, by E. P. Timmins General Yorke, C.B. 142 CARVING, LADY'S BOOTS, by E. P. Timmins 127 SILVER DrsH (Repousse), Tea and Tobacco tasting by the Royal Family under the Ho ly Oak. Temp. early 143 WALNUT, by E. P. Timmins Georgian, motto Sacra Quercus. 144 PAPER KNIFE, by E. P. Timmins Right Hon. Earl Cawdor 128 JAPANESE DAGGER. FAN Mrs. L. Austin 145 CHINESE CARD TRAY, gilt lacquer on tortoiseshell 146 ANCIENT INDIAN TEAPOT- .£1 15s. 6d. CASE M. Wm. Cooper James Williams 129 COLLECTION OF BRITISH BUTTERFLIES--.£ IO 14 7 ENGRAVED TUMBLER, taken from the Field of waterl 00 \V. Ronnfeldt 148 ONE-TWELFTH SIZE MODE;L OF HALL OF THE ALHAMBRA, by CASE 0. R. Contreras-coloured and gilded as original. The H. Thompson Arabic inscriptions are- " There is no better protection 130 CHINESE VISI,'I'ING CARD than that which proceeds from God." "God is, 131 JAPANESE PIPE almighty," etc. 132 J'A,PANESEVOTIVE LANTERN 133 TWENTY JAPANESE DAGGER HANDLES-These were smalf daggers which were carried in the scabbards of the CASE P. swords generally worn before the Revolution of 1868 · Colonel Storer, R.E. 134 Six CHINESE AND JAPANESE SHOES - ·149 JAPANESE BRONZE INCJNSE BURNER 135 MODEL OF JAPANESE SAMPAN (in tortoiseshell) 136 MODEL OF COLOMBOSURF BOAT Lieutenant J. De Co'urcy Hamilton, R.N. 137 JAPANESE ILLUSTRATED PAPER 150 CHUNAl\1 Box, incised bamboo - Polynesia I 38 JAPANESE FASHION PLATE 151 SPECIMENS OF TAPPA CLOTH. ,, 152 STRING OF SHELL MONEY " R~v. Wm . Edwards, B.A. 153 OPI!;RCULA o~· SEA SNAIL ,, 139 MARBLE GILT IMAGE OF BUDDHA, Indian 154 F1sH HOOKS used at present time ,, ANTIQUITIES AND CURIOSITIES. ANTIQUITIES AND CURIOSITIES. Co~TRIB U TOR. 155 Co;11:c ·CASE Q. CO~ TRIEUTOR , 156 KNIFE, worn on arm-Nubian 'IV. ]. Trounce 157 INK POT AND PENHOLDER, worn in belt, two specimens- r 78 Corns OF V L\RJO us PERJODS Nubian I 79 CASE 0[•' NAPOLEON BRONZE MEDALS 158 NOSE RING of Nubian woman 180 ORIENTAL SPOONS, }'ANS, ZULU AssEGAI, 1'01SONOUS DAGGER, 159 FOUR SHELL BR.\CELETS CHINESE Swo1rn, and sundry .curiosities, gods, r6o HIPPOPOTAMUS HlDE WHIP charms, &c. r6r CHINESE SHOES J. W. Evens '162 'J'URKISH SUPPERS 181 IvoRY-CARVED Crrnss·~rnN, Chinese 163 CANADIAN SHOES I 64 JAPANESE SHOES 165 S~IALL BELL, made from large one at Sebastopol DaYid Hart 166 COSSACK SPUR, Crimean r 82 SEVRES CHINA, formerly the property of Charles X., Loui~ . Phillippe, and Napoleon III. 167 ARAB FOOT SCRAPER 168 NAILS massed at great fire Chicago ·CASES. 169 EGYPTfAN GREEN GLAZE IllL\GE OF OSIRIS, AND STRING Mrs. L. Austin OF BEADS 183 FouR TERRA CorrA PLAQUES, hand modelled 170 TURKISH MILITARY FEZ, 1856 Henry Heywood, F .C.S. I7 I ALSATIAN PEASANT'S JACKET 184 J APANESE BRONZ.E KETTLE with Lacquer cover I7 2 . ARTILLERY RELICS FROM SEBASTOPOL AND ALEXANDRIA F. E. Stacey 1 7 3 Two MODEL BOATS, made by French prisoners during 185 JAPANESE BRONZE FIGURE on toad Peninsular war ] . W . Evens 174 ENGRAVED DIAPHRAGMS OF NAUTILUS 186 Two SPEC[MENS OB' DELICATE TURNING IN IVORY George Hayes THREE * FIGURES, two Heads and Bus_ts, two large heads, one cup and five bottles, recently found at Cyprus Mrs. Hamilton £ 1 IOS. Right Hon. Earl Cawdor 17 5 BROOM HANDLE, delicately carved by French prisoners at 1 88 STEEL CASKET, Moorish style, Spanish work Bristol during Peninsular war J. G. 'Godwin 176 GOLD MEDAL, in commemorat ion of the battle of Trafalgar 189 ToN.\RION, or P1TCHPIPE, formerly used for sounding the note of tunes, &c.; this particular specime n was long used in 177 BRONZE ·MEDAL to commemorate the burn ing of the K ent Morwenstow Church, Cornwall 173 ANTIQUITIES AND CURIOSITIES. _ ANTIQUITIES AND CURIOSITIES. CONTRIB UTOR . CO NTRIBUTOR, Miss Lipscombe 206 IDLENESS, by Albert Dµrcr I 90 POIGNARD 207 ST. JEROME, by Albert Durer I 91 ANTIQUE GOLD RUSSIAN CROSS 208 THE KNIGHT, SIN, AND DEATH, by Albert Durer I 192 SILVER CROSS 209 PORTRAIT OF FREDERICK, Elector of Saxony, by Alb~rt ,Durer ' ~ 193 APRON with lace .210 FouR ILLmiTRATIONS, frorn the" Lesser Passion"- r·94 TOWEL (a) Clu-ist suffering, by Albert Durer J 195 Two RussIAN BROWN CuPs, ONE RussIAN WHITE CuP,given '(b) Christ praying on Mount Olivet, by Albert Durer to peasants at the People's Fetes on the occasion of the (c) The kiss of Jud as, by Albert Durer coronation of the present Emperor of Russia-given (d') Christ before Caiaphus, by Albert Durer to a gentleman present at the Fete :2 r I PoRTRAIT oF· ERASMUS, by Albert Durer - Miss Emilie Webb 212 VIRGIN AND CHILD, by Albert -Durer TERRA COTTA PLAQUE, painted in oils, by Emilie Webb-- .21 3 PRODIGAL $QN, qy Albert Durer £1 IDS. .2 14 THE VIRGIN AND CHILD, by A. Sadeler, after Albert Durer CHINA PLAQUE, painted in oils, by Emilie Webb-15s. In this Case is arranged a series of specimens of Pontypool and CHINA PLAQUE, painted in oils, by Emilie Webb-15s. Usk japanned ware. The manufacture of this ware be~an W~!h 'Edward Allgood, at the close of the 17th centu rr, and contmu ed till SATIN FAN, painted in oils, by Emilie 2s. about 1832. Similar ware was made m Usk until abont 1860. For a Webb-,£2 history of this manufact_ure see an Essay, by Mr. W. H. Greene, 200 PAIR JAPANESE SCREENS, painted in oils, by Emilie Webb published in Art Journal, January, 1872. -IDS. 6d.. . D. Davies 215 OLD PONTYPOOL JAPAN OVAL TRAY Miss Gardiner 201 TWELVE SATIN D'OYLEYS, painted with British birds, by- 2J:6 ·PONTYPOOL JAPAN ,BREAD TRAY Miss Gardiner 2 I7 SUGAR BASKET, old Pontypool J :wan J Miss Picard Edwin Fowler 202 TERRA- CoTTA PLA(2UE, Convolvulus and Heath, by Miss 218 OLD PONTYPOOL JAPAN CREAM Jue Picard 219 P~NTYPOOL JAP'.>\NSMALL ROUND WAITER Walter Joshua CASE T. -220 OLD PONTYPOOL JAPAN CIRCULAR CRENATED TRAY 221 PAIR JAPAN CANDLESTICKS Etchings from the Most Hon. the Marquis of Bute 222 ROUND TRAY, perforated edge 203 THE MIRACLE OF ST. HUBERT, by Albert Durer 223 'SMALL ROUND WAITER, gold flowers 204 MELENCOLIA, by Albert Durer :224 ANOTHER ROUND 1VAITER 205· THE· vi'AR HORSE, by Albert Durer - - - / ANTIQU!TIES AND CURIOSITIES. ANTIQUITIES AND CURIOSITIES. 175 ------~------COXTRIBt:TOR . CONTRIB UTOR, Mrs. Evan s 245 LACQUER 0Prn11 oR MEDICINE Box, in compartments 225 OLD PONTYPOOL JAPAN BRE.\D TR.\Y, brown 246 Six I NLAID IvoRY SERVIETTE RINGS 226 CIRCULAR TRAY, Tortoiseshell 247 CURIO RooT, carved into man, goat, &c., Foochoo 227 RED JAPAN TE.\POT 248 CURIO RooT, Me ndicant, Foochoo 228 LARGE OBLONG TRAY 2-1-9 IVORY CARVING of miniature human skull 250 DouBLE W1NE CuP, silver, elaborately engraved, Indian J. W illiams, Usk 2 5 r BRONZE VASE, incrusted and inlaid with gold and silver. 229 TWELVE ORNAMENTS in beadwork, &c., from Zululand 230 OVAL TRAY, old Usk Japan 2 5 2 FIVE SHORT SWORDS 231 SNUFFER TRAY, old Usk Japan 253 Two STAGE STAND, lacquer 254 OLD CLOJSONNE DISH Mrs. Mason 2 5 5 17 BRONZE PLAQUES AND CoINs, Kore an tribute money 232 SNUFFER TRAY, old Usk Japan 256 28 GOLD AND SILVER COINS 25 7 Two SMALL HIGHLY-DECORATED VASES CASE U. 258 PAINTED CREAJ\I ·WARE FIGURE holding two golden balls, · Philip S. Dowson COLL~CTION OF ORIENTAL \VORKS OF ART - 233 PAIR OF HIGHLY-DECORATED CLOISONNE V AS E., S B.l l' d S,. Grape Vine CASE V. 2 34 STAND, coloured _and gold lacquer and inlay, representing sea monster m stormy sea Robt. H. Strong 235 Two FOLDING SCREENS, Birds, Flowers, &c., in shell work ?59 PAIR ANTIQUE BRONZE VASES, Japanes e 236 Two VASES, coral lacquer, Soochow 260 PAIR .ANTIQUE BRONZE ELEPHANTS, Japanese 237 P AIR VASES, cream ware, shaped like sack ,vith tie 26 [ ANTIQUE JUNK FISH GLOBE, Japan ese 238 VASE in silver, elaborately chased-Indian 262 IvoRY CARVING, Pagoda, Chinese Ii 239 Two SPECillrnN VASES, chased-Indian 263 PAIR J ARS, Japanese 240 WORKED BRONZE VASE, won by Mr. Dow~on's yacht Zephyr 264 lYORY CARVED FAN, Chinese Yokohama Regatta, r87 3 p 265 CIG_.\.R CASE AND BouQUET Hor.DER, Chinese 241 FAN, Lacquer 266 LADY'S COMPANJON 242 Two LACQUER AND IvoRY WHIST l\IARKERS 267 OAK SNUFF Box (part of H. 1.S. Royal George, inscription 243 FA..' CASES A.A and E.E. CONTRIIlUTOR. Henry Saunders CO~TRIU U 'l'O R. 282 SANDAL Woon CARV,ED Vi'RITING DESK, Surat, India Henry , eebohm 269 RUSSIAN SILVER, BRONZE, AND ENAlllEL CROSSES, TRYPTV W. H. Daw CHAS, EIKONS, etc., .Byzantine School .. 283 FOUR JAPANESE DECORATIONS figures 270 S1xTY-Two EIKONS OF \\'ooo, BRo:-szE, AND.ENAMEL, some Henry Saund ers folding 284 TORTOISESHELL INLAID CIGAR CASE, Japanese 27 r TWENTY-Six TRYPTYCHAS David Morgan :z72 TWENTY BRONZE CROSSES 285 INDIAN TURNEn SPHERICAL BOXES, nested 27 3 TWENTY-Two SILVER CROSSES, ancient :md modei·n, one H. J. Ransom jewelled, one with silver chains, chiefly made at the 286 WATERLOO MEDAL Monastery of Onega, on the White Sea Lady Digby Wyatt 287 Two EXQUISITELY CARVED AND PERFORATED TORTOISE Right Hon . the Earl of Ca.wdor SHELL VASES, Chinese REMARKABLY FINE DAGGER, from Atcheen, with jewelled· handle and highly-wrought blade Dr. Lewis 288 CARVED INDIAN STAFF, with the history of Vishnoo, on the Dr. Milward handle, Vishnoo sitting under the protection of the 275 PAIR OF TORTOISESHEI:;L BIUCELE'.L'S, with silver filigree, seven-headed serpent, Amanta Chinese J. Spiridion H . W oollcott Thompson 276 THREE SPECIMENS OF PE.\RLY EXCRESCENCES, similar to the 289 JAPANESE- PANEL, decorated with lacquer, gilded and tinted " Merthyr Pearl" Walter Jenkins W. L. Th omas / 290 ANTIQUE ENGLISH SILVER WATCH 277 ILLUSTRATIONS OF Woon E:-;rGRAVINL,, ~ec "Addendum to Black and White" department J. R. Schilling Charles ·con\l ·ay 291 DECORATED DRINKING GLASS, German; inscription, "Frederi 278 GOLD NOBLE, of Edwa rd 'II. cus Rex Borussorum" 279 MAUNDAY MONEY, viz. :-rd. , 2d., 3d., and 4d., of each reign T. E. Brigstocke from Charles II. to Queen Victoria 292 SILVER MEDAL, designed by W. Wyon. Society of Arts large silver medal awarded to T. Brigstocke, at 16 years of age, for the best drawing of the head of the Laocoon CASE B.B. Charles Finch 293 GENERAL PICTON'S WALKING STICK, in his hand when he fell Colonel Hill, C. B. at Waterloo 280 CA.MEO, on shell Colonel E. S. Hill, C.B. 281 BA~rnoo Box 294 INDIAN INLAID BOTTLE SHAPED VASE . 178 ANTIQUITIES AND CURIOSITIES . ANTIQUITIES AND ·CURIOS·ITIES. . . 179 CONTRIB UT OR. ON CASE C.C. EDWIN SEWARD, RC.A. CONTRIBUTOR. 304 SNUFF Box, in horn, inlaid with gold The Right Hon. Viscount Emlyn, M.P. 295 GREAT PARCHMENT SCROLL, containing the emblazoned CHARLES FrncH, Carmarthen pedigree of the Vaughan family 305 IvoRY TOOTH-PICK Box, embellished with a miniature 1' portrait, on ivory, encrusted with pearls vV. JENKINS, Carmarthen ON CASE I.I. 306 MINIATURE IN OIL, on ivory, a Subaltern John Griggs JAMES STRICK, Swansea 296 FOUR-MASTED FULL-RIGGED SHIP-.£5, by John Griggs 307 A BREAST PIN AND A SMALL CASKET in krokidolite a very rare mineral, recently discovered in South Afric~ CLERKE BURTON ON CAS:E:J.J. 308 PERFUME Box, carved 'in palm nut 297 MODEL FULL-RIGGED SHIP-.£3 3s. JONES PARRY 309 ANTIQUE NuT CRACKERS, carved in hard wood E. P. LEE, Cardiff CASE (D.D.)- 310 MINI~TURES, painted upon a photographic basis on v1tnfied enamel ; process invented by the exhibitor A. C. BRUCE-PRYCE 298 PINK CORAL NECKLACE AND EAR-RINGS, of delicate Miss THOMAS, Caerphilly Italian workmanship, in the Etruscan style 311 CuR·wus EMBROIDERv, Charles II. period ; subject, the Seasons, &c. A. C. BRUCE-PRYCE 299 CARVING, in pink coral, "Europa borne over the Sea " SIR H. HUSSEY VIVIAN, Bart. 3 r 2 CARVED STATUETTE, on wood pedestal-The Flagellation JOSEPH LEWIS, Newport 300 MINIATURE PORTRAIT, on ivory, of a gentleman, circa W. SPIRIDION 1820 313 SM.ALL CLOCK, in enamel and silver, encrusted with pre WILLIAM SEWARD cious stones. Austrian, 18th century 301 Two MINIATURE PORTRAIT;;, on ivory, J. R. Lane and wife, circa 1829 W. SPIRIDION, Duke street EARL CAWDOR 314 MACE ?F HONOUR, richly ornamented with precious stones• -302 Two INIATURE PORTRAITS, first Lord and first Lady said to _have been presented to John Sobieski, King of Cawdor, painted by Cosway Poland, 1683, m commemoration of his victories over the Turks. On the enamels of its staff are scenes from EDWIN SEWARD, R.C.A. these campaigns. It is of Austrian workmanship· 303 Two MINIATURE PORTRAITS, on ivory, circa 1815 valued at .£400 ' ANTIQUITIES AND CURIOSITIES. 18o ANTIQUITIES AND CURIOSITIES. CONT RI SUTOR . CONTRIBUTOR, EDWIN SEWARD, RC.A. COLONEL C. K. KEMEYS TYNTE 326 OLD F_AN, ivory, perforated and inlaid; painted on vellum MINIATURE PORTRAIT, on ivory, of Edward Harley, fifth with Cupids, &c. Earl of Oxford and Montrose, whose aunt, Lady Martha, married Charles Milbourne, Esq., of the Priory, Mon EDWIN SEWARD, R.C.A. mouthshire, and was grandfather of Mrs. C. J Kemyss 327 OLD FAN, ivory, exquisitely carved, painted and gilded Tynte, to whom this miniature was ?:iven about 1828 with Cupids, &c. by the Earl EDWIN SEWARD, R.C.A. 328 OLD FAN, ivory, perforated inlaid with mother-o'- COLONEL C. K. KEMEYS TYNTE and pearl MINIATURE, on ivory : a boy with a flageolet. painted by EDWIN SEWARD, RC.A. Horace Walpole 32 9 Two ! AN_-, of ram's horn, delicately perforated and inlaid · COLONEL C. K. KEMEYS TYNTE with silver. Dutch, 18th century IvoRY Box, carved with figures of a bishop and a child kneeling, and date, 1686 EDWIN SEWARD, RC.A. J. G. GODWIN 330 FAN, in perforated Ivory. F rench, 18th century THE DRESSING GowN AND CAP of the Poet Gay SIR H. HUSSEY VIVIAN, Bart., M.P. J. G. GODWIN 331 IVORY GOBLET, carved with a tournament lvoRY MINIATURE PORTRAIT of the Poet Gay COL. HILL, C.B. J. G. GODWIN 332 Two "PRIE Drnu " PICTURES, ·painted on mt:tal, In 320 THE MoURNTNG RING of the Poet .Gay, inscribed " John chased and perforated metal frames. Russian Gay, ob. 4th Dec., I7 32. £-- 48" SEWARD LADY WYATT EDWIN , R.C.A. CARVED IvoRY PLAQUE, Cupids. FOUR LADIES' COMBS, in tortoiseshell. with backs carved 333 Venus and Dutch, 321 17th century and perforated in arabesque work COL. HILL, C.B. EDWIN SRWARD, RC.A. 334 STATUETTE, in ivory, reduced from one in the ·• Ganz Two L A.DIES' Cairns, in tortoiseshell, with backs carved and perforated in arabesque work. Spanish, late 18th markt," Nuremburg centmy EDWIN SEWARD, R.C .A. THREE MINIATURE PORTRAITS, on ivory CASE F.F. W. JENKINS, Carmarthen OLD FAN, painted with the story of Europa James Morrison, 50, Partridge Road, Cardiff FREDERICK WEDMORE 335 CRUCIFIX (mother-o'-pearl) FAN, English, 18th century, chicken-skin mount, painted with 336 WARE BOWL (Indian) the subject of" The Graces crowning the Bust of Pope," after Angelica Kaufmann. Stick ivory, carved with 337 \.IGAR CASE (mother-o'-pearl) marriage emblems and gilt with variegated gold 338 MONKEY ON PEDESTAL (ebony and ivory) (From e Walker collection.) ' ANTIQUITIES AND CURIOSITIES. · ANTIQUITIES AND CURIOSITIES. CoxTRIBUTO R. CASE V.V. 339 SIAMESE GOD CoNTRiliUTOR. 340 Two So AP-STONE SPILL HOLDERS (Chinese) Peter Price, R. C.A. 341 FouR SOAP-STONE FIGURES (Chinese) 365 Bow FIGURE 342 ONE SOAP-STONE TEAPOT (Chinese) 366 SET OF INDIAN PLATES, three pieces 343 ONE SoAP-STONE INKSTAND (Indian) 367 SET OF BRISTOL PLATES, three pieces 344 Two WARE INDIAN FIGURES 368 PAIR OF BERLIN DESSERT PLATES 345 FOURTEEN WARE MEDALLIONS 369 SMALL SPODE TEAPOT 346 FOUR LAPLAND EAR-RINGS (ivory) 370 INDIAN TEAPOT, with Cups and Saucers (two) 347 THREE IvoRY PAPER KNIVES (Indian and Swiss) 371 PHOTOGRAPH ON CHINA, one plate 348 THREE IvoRY AND EBONY PAPER KNIVES (Amateur) 372 BAC,CHANALIAN Jue, Worcester 349 ONE IVDRY CARVING-Indian Prince (Indian) 373 TOBY FILL-POT JUG 350 ONE IVORY CARVING-L ion (Indian) 374 CHINESE BOWL 35 I ONE IvoRY JEWEL Box, carved (Chinese) 3 75 INDIAN BOTTLE 352 ONE IvoRY WALKING STICK (Indian) 376 RosE LEAF Box, perforated Dresden China 353 THREE IVORY AND EBONY WALKING STICKS (Amateur) 377 OLD DRESDEN COFFEE POT AND MILK JUG 354 ONE IvoRY FAN (Chinese) 378 SET OF FRUIT DISHES, Lowestoft China, perforated, six pieces 355 TEN IvoRY CHAINS (Amateur) 379 JAPANESE TEA BowL, inscribed, "Made by San Pao, in the 356 ONE Woon PHOTO FRAME (Chinese) pavilion which encloses the spring" 357 FIVE CARVED SHELLS 380 Two WHITE RECLINING DRESDEN FIGURES 358 SIX IvoRY FIGURES (Chinese and Japanese ) 381 THREE JEWELLED SEVRES VASES (Bleu de roiJ 359 ONE MEDALLION (framed) Margaret Tudor 382 SWANSEA BREAKFAST-CUP, SAUCER AND PLATE (1816) 360 ONE PAIR KooDOO H01rns (South African) 383 DRESDEN PASTILLE BURNER 361 ONE MIDSHIPMAN'S DIRK 384 WORCESTER JUG 362 ONE FLINT AND TINDER Box 385 PLATE, Mason's Ironstone 363 Two MINIATURE PAINTINGS ON IvoRY, "Lucretia Borgia " 386 A BUTTER BoAT-Salt Glaze Ware and "Queen Elizabeth " 387 SWISS CUP 388 Two CuPs AND SAUCERS, Della Robbia 389 ANCIENT FIGURED JAPANESE JAR, Elephant Trunk Handles, ON CASE 0.0. representing "The Dance of Death " E. P. Timmins 3..90 Two FLOWER PoTs, Bow China 364 MODEL OF STEAMSHIP "Agamemnon" IN VARIOUS PARTS OF HALL. IN VARIOUS. PARTS. OF HALL. CoN'fRlBUTOR, CONTRIBUTOR, 391 ANCIENT TORTOISESHELL SNUFr' Box, mounted m silver The Right Rev. J. C. Hedley-, Bishop of Menevia (11 2 3) 413 EMBROIDERY, Cope Humeral Veil-Modem 392 SILVER CIGAR CASE F. Kimberley 393 ] APANESE TORTOISESHELL CIGAR-CASE 414 IMPROVED COIN CABINET By this method it is claimed that coins can be ei CONTRIBUTOR. CONTRJ BUTOR , Barum Pottery Co. E. Seward, RC.A . ART POTTERY- 442 PIECE OF WooD CARVING, with bust and angels' heads 427 Barum Ware 443 ] ACOBEANCARVED MANTELPIECE (Temp. James I.) 428 Vase 429 Two Flowerpots Duke of Beaufort 430 Snakepot 444 SWORD OF HENRY V. 431 Two Vases 445 HEADSMAN'S MASK in iron 432 Tobacco Jar E. W. Colt-Williams 433 Two Vases 446 HANGER, with hooks, lettered E.P., u58 434 Jug 447 OLD ENGLISH BRASS CANDLESTICK A. C. Bruce Pryce 448 MODERN REPLIQUE of ditto 435 Carthaginian Amphora, brought from Tunis 187 5 436 Another of different form T. Maddox 449 OLD ENGLISH BRASS KETTLE, on stand E. W'. Colt-Williams OLD ENGLISH KETTLE, engraved in the repousse style E. Seward, RC.A. ON INSIDE OF SCREEN UPON LEFT OF 451 OLD ENGLISH COPPER KETTLE ENTRANCE. J . G. Godwin 452 Two OLD ENGLISH ScoNCES, with painting of King Charles L Duke of Beaufort and his Queen Henrietta Maria 437 CRADLE OF HARRY OF MONMOUTH (Henry V. ) E. W. Colt-Williams 453 OLD ENGLISH COPPER JUG E. W. Colt-Williams J. G. Godwin 438 OLD ENGLISH MuNIMENT CHEST, with ingenious arrange 454 SMUGGLER'S FLASH used for signalling in landing contraband ment of lock, and pierced and chased plate covering goods same . . James Strick ITALIAN RooT OF JAPANESE TREE (in semblance of a Japanese man) 439 PAIR OF LAQUERED OIL VASES, with shaped bases 455 and lids Sir Hussey Vivian, M.P. 456 OLD BRASS CIRCULAR DISH, richly engraved in scroll and K Seward, R.C.A. 440 01.n ENGLISH CORNER CUPBOARD, enclosed by two doors panellings T. Powell 457 CIRCULAR BRASS DISH, repousse and chased 458 CIRCULAR BRASS DISH, with embossed· centre 441 OLD BRONZE 'CANDELABRA-£ 3 !OS . ' r - ~ - -~ I J88 ON SCREEN ON LEFT OF ENTRANCE. ON SCREEN ON LEFT OF ENTRANCE. 189 CONTRIBUTOR. CONTRIBUTOR, Jessie 459 CIRCULAR BRASS ITALIAN DISH, arabesque figurings anp Maddox I repousse medallion centre 4 7 5 Copy of the HUNTING SUBJECT, on jug, No. 4 7 4 (by Jessie 460 ORIENTAL BRASS DISH, of circular shape Maddox) E. W. Colt-Williams 461 PAIR OF CIRCULAR BRASS PLAQUES, with curious borders, E. Seward, R.C.A. the centres representing Teniers' subjects 476 OLD ENGLISH SACK JuG AND PAIR OF GLASSES, purple Sir H. Hussey Vivian, M.P. 477 OLD ENGLISH MAJOLICA PLATE (Carolean period) 462 PAIR REPOUSSE PLATEAUX, of circular shape 478 PAIR m' STAGS' HEADS AND ANTLERS ' Randolph Caldecott 4 79 PORTRATT OF SHAKESPEARE, in antique carved frame 463 BRONZE BOAR HUNT, in frame-£14 14s., by Randolph Caldecott Bishop of Llandaff Duke of Beaufort 464 BISHOP (unknown) in carved wood 480 OLD LEATHER SHIELD 481 SPECIMENS OF ANCIENT ARMOUR, said to have been worn Colonel Tynte by Henry V. 465 BT.ACK JACK, leather, engraved with crown '· C. R., r646," and probably used at Court of Charles I. Stated to F. De Courcy Hamilton be one of the finest in existence 482 MAN TRAP, in iron E. W. Colt-Williams 466 LEATHER BOTTLE (interesting specimen) Lient-Col. Hill, C.B. 8~ A PIECE OF TAPESTRY WALL HANGING, Flemish , 17th century 467 Two LEATHER FLAGONS 4 ,) W. H. Morris A SERIES OF ORIENTAL BOWLS, JARS, AND TRAYS, elaborately E. Seward, R.C.A. painted with figures, flowers, butterflies, &c.-_ 468 WOOD METHE Edwin Seward, R.C.A. 468A WOOD PLATE A SIDE TABLE in carved oak; Jacobean 1, 469 EARTHENWARE PIPKIN W. Seward 4 70 Two \\' OOD SPOONS A JEWEL CASKET in ivory, inlaid with tortoiseshell and ebony , -l-71 BmWMET HELMET (lobster tail), Cromwellian perioJ with silver hinges and escutcheons . . This Casket is stated to have been in the possession of .the Prmcess Elizabeth. E. Seward, R.C.A. 4 7 2 LADIES' BRUSH (Elizabethan period) Colonel C. K. Kemeys-Tynte . 473 OLD ENGLISH EARTHENWARE T EA CuP, of Nottingham THRRR DRAWING-ROOMScreens painted on wood, representmg ware a lady, a page, and a dog respectively, Queen Anne 474 OLD BETTASLV Jue, with hunting subjects in rel_ief period , ON ARCkIWA Y . A'R ENTRANCE. l ON !ARCHWAY AT ENTRANCE. 191 CONTRIBUTOR. CONTRIBUTOR. Edwin Seward, RC.A. S. W. Allen 488 AN OAK TABLE with twisted legs. Early Georgian period 500 Two BREAST PLATES, Gothic 489 ANTIQUE ENGLISH CLOCK, with one hand on brass face, in 501 COLLECT~ON OF ORIENTAL WEAPONS oak case . 490 A JARDINIERE in Leeds ware, with subjects, Faith, I-lope, and Charity, in pink transfer . Colonel Kemeys-Tynte 502 Two SHERIFFS' JAVELINS F. de Courcy Hamilton 503 ONE BLUNDERBUSS 49 I A JACKET with fringed seams, in deer skin 504 THREE RAPIERS J. Strick 505 ONE FLAMING SWORD 492 DoG, Japanese root, natural growth 506 TEN SWORDS DoG, root, growth 493 Japanese natural 507 THREE PIKE ENDS 494 MAN, Japanese root, natural growth 508 BRACE OF PISTOLS 509 SCOTCH HUNTING KNIFE Charles Conway 5 IO FIVE DAGGERS 495 Two TAPESTRY PAINTINGS- Peace and War, by George McCullock The Mayor (J. Jenkins Jones) and Corporation of Carmarthen 511 CORPORATION SwoRD, with Red Velvet Scabbard Right Hon. Earl Cawdor ON ARCHWAY AT ENTRANCE . 512 FouR FLINT-LOCK MUSKETS, captured from the Fren~h when they landed on Pencaer Rocks, near Fishguard, m !767 John McConnochie 513 LARGE Pnrn, MUSKET, AND BANNERET 496· CoM-PLETE Su1T OF Gonnc ARMOUR, 15TH CENTURY 514 SWORDS (French Officer) E. SEWARD, RC.A. 515 TROPHY OF Swords of different periods 497 BREAST AND BACK PLATE, with shoulder pieces and arms, Cromwellian period G. J. Roberts, Arcade, Cardiff G. Shepton 498 TROPHY OF IMITATION ARMS AND ARMOUR 516 BREAST AND BACK PLATES, taken from the Battle-field of John Williams, Usk Sedan, Franco-Prussian War 499 COLLECTION OF ZULU WEAPONS 517 COLLECTION OF INDIAN DAGGERS I 192 ON ARCHW AV AT ENTRANCE. ON ARCHWAY AT ENTRANCE. r93 I I CONTRIBUTOR. CONTRIBUTOR. j F. G. Young 5 40 A G ISARME, the origin of the Gisarme dates from the Keltic 518 SWORD, presented to Commandant R. B. Young for services •.i and Germanic. races rendered at the Battle of Trafalgar Colonel E. S. Hill, C.B. J. F,. Kemp 541 AFGHAN SwoRD, brought from Cabul by Major Tickell RELICS OF THE BOMBARDMENT OF ALEXANDRIA Charles Finch 519 Splinter of Brea:stwork of Fort Pharos 542 PIECE OF INDIAN EMBROIDERY 520 Fragment of British Shell from Fort Pharos Mrs. Vaughan I 543 TOOTH OF ELEPHANT 52r Fragment of E gyptian Shell exploded in Cabin of H.M.S. " Alexandra" Mrs. Strina British Shrapnel Shell Ball, from Fort Ada 544 BRONZE L10N , by Cain Nordenfeldt Ball Case from Fort Pharos ,' T homas Owen 545 BR.\SS EAGLE, taken from Russian . oldier after thf' Battle of ~ Piece of Arabi's Flag of Defiance, hauled down by G. S. ! Alma •' Kemp, R.N. I Right H on. Earl Cawdor Percussion Fuse, drawn from an Egyptian Shell I 546 TROPHY OF SWORDS, DAGGERS, &c., British Tube for firing Broadsides by Electricity I S. W . Allen do. do. 25 ton Guns in Turrets or between 547 Zur.u SHm1.n, ANTIQUE LocK AND KEY decks British Tube for firing Naval field pieces Colonel Storer, R. E. Egyptian Tube for firing heavy Guns 548 A MAGISTRATE'S SWORD Memento of exciting chase after a runaway Egyptian Officer 549 FLINT LOCK BLUNDERBUSS, with spring bayonet by British Tars ' 550 Two SwoRDS, iron sheaths and protectors 53 1 three Fuses, viz.-Fo r firing hand torpedo by pistol, torpedo by E lectricity, and for blowing up a f I .194 BOOKS, MANUSCRirTS, ETC . BOOKS, MANUSCRIPTS, ETC. 195 CONTRIBUT OR . 4 The Holy Bible, &c., Edinburgh, 1633, bound with an edition of the Book of Common Prayer, London, 1632, in one vol. sm. Svo. · The first edhion of the English Bible printed in Scotland, presentation copy to Kh1g Charles I., probab\y on his i;orona tion at . Scone,, with the Royal Arms impressed on the sides of Books,Manuscripts, &c. tbe volume. 5 Fyssher, Johan, Bishop of Rochester, b. 14591 d, 1535, Treatyse concernynge the fruytfull Saynges of David the Kynge and Prophe te in the seuen penytencyall Psalms. Deuyded in seuen sermons . Was made and con1pyled by the CASE 1 (T.T.)- ryght reuerened fader in God, Johan Fyssher, doctoure of dyuynitie and bysshop of Rochester, at the exortacion and sterynye of the moost excellet pryncesse Margarete, Contesse CONTRIBUTOR. of Rychemont and Derby & mod er to our souerayJJe Jorde King Henry VII. Sm 4to., Lon and 1474 1 containing ·nearly roo paintmgs, ~1th numer_ons de Worde with Caxton's type. colored initial 1etters and elaborate borders of grea1 van~ty and beauty. This ~olume is in the original b~ndmgi with 7 ContempJation of Sinners. Colophon reads :-Her e endeth clasps. Ferriacus compiled this Pontifical ~vhilst he w~s Bishop of Tournay. H e resign ed the See ID '174· This t.he treatyse called the Contemplacyon of -Syim~rs, for Pontifical was used by Cardinal Wolsey as Bishop of fournay. every daye of the weke, a syngular medytacyon. Sm. 4to. Emprynted at Westmynstre by Wynken de Worde, the X. 2 The Holy Bible, &c., with the genealog\es, p~·inted at day of ]uly, the year of our Lord MCCCCLXXXX IX, in the London, by Barker and Bill, 1639, m folro, ruled ongi.nal bmding, v.. ith the figun's of S-t. Gregory and St. Bat hara stamped on tbe sides. A very rema rkable specimen throughout with red lines . . . of the printing and binding of the period. This splendid volume affords one of the finest _specimens o,t, book-cover ornamentation known as" L1tt1e G1ddmg Bmdmg. 8 A Declaration by Major-General Langhorn and the rest It was worked for King Charles I. by the religious c?rumunity established at Little Gidding. in the county of Huntmgdon, by of the forces joyned with him in Wales, etc., and two Nicholas Ferrar (the friend of GeorgeHerbert) . . The Royal Letters to his Excellency the Lord Fairfax from Col. Arms are beautifully worked on the sides, tbe sil.ken ~tnngs on1y have been partially renewed in exac t. co_nform1~y,_v1tll the Horton, more fully relating the particulars of tbe late originals. For an interesting account ot Littl e G1dding-, see 11 fight near Cardiff, May 8th, 1648, with a perfect list of John Ingesant" Ia foe. the names of the prisoners, officers, private gentlemen, 3 Nuremburgh Chronicle. - Chronicon Nuremburgense and soldiers taken in tbe said fight. and pursuit. Auctore Hartmanno Schedel, royal folio, with up Sm. 4to., London, 1648 wards of 2,250 spirited and curious wood engravings. This fight is known as'' The Battle of S. Fagan's." The original edition contains the very rare leaves afrer the Colophon De Sarmatia. . A magnificent copy of one of th , best s pecimens of early G. J. Gomvrn, Cardiff Castle printed books. The engravings are by \Volgemuth (th~ maste.r 9 Five Books by Vavasour Powell, viz.,- of Albert Durer) and Pleydenwurff, and are yery spm_ted and numerous and show the first use of "cross hatcl11n~z" 111 a. 1.hrist and Moses' Excellency. London: Printed by engrav ing'. Tbe hogskin binding of this copy is of the same R. I. for Hannah Allen, 1650 period •• the book, BOOKS, MANUSCRIPTS, ETC. BOOKS, MANUSCRIPTS, ETC. CONTRIB U TOR. 197 b. and c. The Bird in the Cage Chirping. London: CONl'RI.BUTOR. 1661 and 166:z b. Oratio devota ~d Dominum d. Common Prayer and Divine Service. London : c. Memoria de Sancta Trinitate Livewel C:hapman, 1661 d. Memoridre Sanctorum e. Concordance to Holy Bible. London : Printed for e. Horre Beatre Virginis Eleanor Smith, N. D. f. Psalmi Penitentiares f. Life and Death of Mr. Vavasour Powell, 1671. A curious collection of rare books, comprising tbe first two g . .Litanire Sanctorum editions of the "Bird in the Cage Chirpin g." The L ife of V. Powell gives an account of his exam ination before the justices h . Vigilire Mortuorum in Cardiff for nonconformity. and of his imprisonment in Cardiff jail. i: Commendationes Animarum ro Book of Offices used by Roman Catholic Pnests in j. Psalterium de Passione Domini England in the days of persecution. This book is one of the latest printed, containing the old English offices k. Psalterium B. Hieronymi of Sarum Use; the binding is contemporary with the This MS. is in excellent condition , bound in calf of the last century. book W. F. JAMES, The Lindens, Canton r 1 Wordsworth's Poems, collected edition, with the poet's 16 The Odes of Pindar. Printed by G. Morellium. Paris: autograph 1558; in original French binding RICHARD W. JONES. R. 0. Jmrns, Fonmon Castle r 7 Cosmographia Petri Apiami. Antwerp : G. Bontio, 1545 12 Book of Common Prayer, in Welsh. London: Edward JOHN P. RosLING, Bristol. Fowks, 1664 18 Speed's Great Britaine. London : znd edition, 1632 The Misses Rous, Court-y-rala H . WHITE, Richmond Road, Cardiff 13 Treatises and Meditations Dedicated to the Saints and 19 Autograph Letter of Lord Nelson to the Excellent throughout the three nations Works of F. Rous . Esq. The legend round the engraving reads J. S. SEAGAR, 5, Frederick Street, Cardiff 11 6'.i6 Etonensis Prepositus. Anno Christi 1 r etatis 77. Franciscus Rons 20 Very early copy of Ready Reckoner. London: John Armig Collegii. No. 94 is the original picture from which this engraving was t.:tken. Bill, 1623 14 Bible, Prayer Book, and Sternhold and Hopkins' Psalms with Music, 8vo. Edinburgh: r633, and London, 1634 CLEMENT WALDRON, Llandaff First Edinburgh edition 1 with fine copperp late engraving s by . Theodore Galle, in ori ginal board s, with silver rnonntings and finely 21 Black letter copy of Chaucer's Works. 1561 engrav ed clasps, repr esent ing 12 \pasties . 11 22 The Discovery of the large, rich, and beautiful Empire JOHN T. D. LLEWELYN,Penllergare of Guiana, by Sir Walter Raleigh. London: 1596 15 Fine Fourteenth century Manuscript on vellum, richly 23 Puritan Manuscript-" A help to hate sin " illuminated with pictures, borders, and initial letters in gold and colours, contains :- 24 The Banqueting Room's Ornament. London, 1 696 25 A manuscript, partly in Shorthand. 1712 a. A Kalendar 26 An Account of the Bloody Assize at Taunton. 1716 \ BOOKS, MANUSCRIPTS, ETC. BOOKS, MA"1USCRIPT~, ETC. 199 CONTR IB UTOR . CO N TRIB U TOR. 42-43-44 Pen and Ink Drawings, by Sergeant 27 He, She, It. Second Egyptian Humoresque. Painted from nature, alild written down I 302 years before the 45 Handbook of the Art of Illumination as praticed m the birth of Christ, through C. M. Seyppel Middle Ages. Lonaon, 1866 Court Painter and Poet of His Seren e Majesty, King Rllampsinit III. Mempllis, 36, Pyramid Street, 1st Floor. Enquire at the porter's lodge. Felix Bage Dusseldorf. RICHARD GARNETT, London CASE 2. (U.U.) 28 Same as 27 29 Egyptian Humoresque. Written and painted 13 1 7 years C. T. JEFFERIES & SoNs, Redcliffe Street, Bristol. before Ghrist, by C. M . Seyppel Court Poet to h is Majesty King Rhampsinit LH. Memphis, 46 Shakespeare's Comedies, Histories, and Tragedies, Mummy Street, No. 35 Third Floor, Bell 4.x. published according to the true original copies, unto which is added seven plays never before printed in · Rev. W. E. WINKS, Cardiff folio ; the fourth edition, portrait with verses beneath. 30 Fae-simile of the Durham Book. 680 A.D. I 'age 249 of Printed for H. Herringman, E. Brewster, and R. Rule and Anderson's" Biblical Monuments." Croydon, Bentley, 1685-Price £16 16s . • 187 r-3. 41 Hoare's (Sir R. C.) Collection of Views in South Wales, 31 Bible. Authorised Version. Edinburgh, 1636 drawn from nature in 1793, 1802, and 1808; auto graph manuscript, with 108 magnificent drawings in 32 Treatises by Bishop of Winchester. London, 1683 sepia (with plan of Caerphilly Castle added). Royal 33 Bible, 8vo. London. Hill's, 1660 folio, Russia extra. By Walther, 1793-1808-£75 34 Bib\e, 161110. London. E. Bill, 1698·9 48 Bible-Geneva Version (or Breeches), with Annotations. 35 New Testament, black letter, 1646, 16mo. London, Very thick folio, newly bound in calf, gilt. London: Bill and Barker. Christopher Barker, 1583 36 Nathaniel Bloomfield's Poem on War, 1803. 49 Early Printed Book-Bonaventura, Incipit breviloquium fratis Bonaventure generilis mi mstri, fratrum minor. 37 The Works of that faithful and painful preacher, Mr. Folio, half morocco; complete in 78 folios. Printed Elnathan Parr. London, Griffith and Hunt, 1651 by A Sorg, at Strasburg, circa, 1480- Price £ 2 50 Early Printed Book-Albertus Magnus, Incipit liber de CHARLES CONWAY, J.P., Pontnewydd, / • abundantia exemploy magistri Alberti Magni Ratispa, near Pontypool Ii, espicopi ad omnem Materiam. Folio, half morocco; .38 Hamerton's Etching and Etchers. circa, 1480-£ 2 39 Norblin de la Gourdaine. 75 fine etchings. About 51 Binding-Engraved title by Vaughan, ruled throughout 1770-90. with red lines. Svo., handsomely bound in morocco, 40 Pen and Ink Drawings, by Girtin. richly tooled on back and sides, gilt edges; a very fine specimen of bookbinding. Cambridge : John Field, ,4 1 Gruner's Ornamental Art, with Braun's p1ates. · London, 1661-£1 5s. 1850 200 BOOKS, MANUSCRIPTS, ETC. BOOKS, MANUSCRIPTS, ETC. 201'· CoNTRTBUTOR, CONT R IBUTOR. 52 Baskerville Press-Milton's Paradise Lost and Regained. 60 Gray's Poetical Works. Glasgow: Andrew Foulis, 1787 2 vols., 4to, handsomely bound in Cambridge calf, 6oA Thucydides-Edited by C. A. Ducker. Amerstcrdam extra. Baskerville, 17 5 8-£ 3 Wetstenius and Smith, "'1731. Folio 53 Douglas' Nenia Brittanica; or a Sepulchral History of Great Britain from the earliest period, with 36 fine BENJAMIN NORTON, Crockherbtown, Cardiff engravings, in aqua-tinta, large paper, royal folio, , 61 Natural History of English Insects. By Albin, 1720.-3os. morocco, extra gilt edges. By Walker, 1793-£9 9s. This work is very rare on large paper. too coloured copper-plates, drawn from life. Dedicated to Lord Bruce, I 7 14 54 Monmouthshire-Hoare's (Sir R. C.) Series of Views, etc., to illustrate W. Coxe's Tour in Monmouthshire ; 62 Comedies of Plautus. Printed at Cologne, 1530.-7s. 6d. 4to. boards. 18or--£r 15s. 63 Wildman's Management of Bees, with History of Bees and 55 Bewick's select Fables, edition de Luxe, faithfully re Hornets. Copper plates. - 5s. printed from the rare Newcastle edition of 1784, 64 Bishop Saunderson's Life and Sermons. Edited by Isaac ilusfrated with all the fine woodc11ts bv this celebrated Walton.-7s. 6d. artist, fine impressions, includes al:{o an illustrated 65 Hebrew Bible. Basie preface by Edwin Pearson, and select supplementary 1546.-£2 illustrations of Bewick's genius (with two fine portraits 66 Hooker's Ecclesiastical Politv. First complete Edition of Bewick), printed on Whatman's paper, 4to. Large 1662.-i2s. 6d. · paper, beautifully bound in white vellum, gilt back, and 67 Dr. H. Moore's Collection of Philosophical Writings. richly tooled sides. 1879-£5 ros. · : London, ·1662.- 1os. 6d. This edition is becoming very scarce i only 1oo·copies pnnted, and · those onll for subscribers. 68 Dr. Meade's Miscellanea Curiosa. 3 vols, 8vo, 1726. 7/6 56 Bible-Douay and Rhemes, Old and New Testaments, faithfully translated into English out of th·e authentical · THOMAS POWEL, M.A,, University College Latin, diligently conferred with the Hewbrew, Greek, 69 Y Beibl Cyssegr,Jan. The First Edition ot the Welsh and other editions in divers languages, Engraved title, Bible. Translated by Dr. Wm. Morgan, Bishop of St. 3 vols., 4to. calf. Printed by John Cousturier, Rouen, Asaph. London: Cr. Barker, 1588. 1633-5-£2 15s. 70 Psalmau Dafydd. The Psalms of David, from Dr. Morgan's Translation, 1588. A. C. BRUCE-PRYCE, Duffryn Extremely rare. Unknown to tbe autbor and the editor of the 51 Fine large folio Bible. Printed by John Baskett, Oxford, Cambrian Bibliography. Only one other copy known to exist. 1717. 2 vols. 71 Lexicon Syriacum Concordiantale, by Schaaf. Lugduni : 58 LEschylus-Robertellus, first edition in which Agamemnon Batavorum, 1708. is printed entire. Omission of r ,200 lines was dis 72 MacCurtin's English-Irish Dictionary. Paris: 1732 covered by Robertellus in collating the manuscript. Denis Florence MacCarthy's copy, with his book, plate, and autograph. Date 15- Being in the original vellum, the copy is believed to be unique. JOHN PETER, 12, Westbourne Terrace, Cardiff. 59 Janua Hebrce Linguce. Runeccius, 12rno. Leipsic, 1704. 7 3 Display of Heraldrie, by John Gwilkm. 3rd edition. Vellum London : Cotes and Blome, 16 38. I I ,I :?02 BOOKS, MANUSCRIPTS, ETC. llOOKS, MANUSCRI'?TS, ETC. 203 ------85 Early Printing. Codex Justinanus, &c., 1528, thick 4to. CASE, 3. (S.S.) Numerous woodcut initial letters, in the original wooden CONTIUB U TOIC boards, coveted with vellum, tooled to a curious pattern, B. & J. F. MEEHAN, 32, Gay Stneet, Bath with brass clasps- -25s. 74 Charles Dickens' Works (complete) 8vo. The original 86 Dickens' (Charles) Master Humphrey's Clock (3 vols.), large type edition, with all the fine illustrations by 1840, royal 8vo. 'First edition .. The author's own copy, Cruikshank, "Phiz," &c, (13 vols.), beautifully bound with his armorial book plate m each volume. A fine in half red Morocco-.£8 8s. copy in the original gilt cloth. Illustrated by " Phiz." 75 Black letter Holy Bible, 1631-33, thick 4to. The author Scarce and unique-£ 4 4s. ised version, containing, also, B0oke of Common Prayer, 87 Early Persian MSS. of the Romance of '' Joseph . and and Booke of Psalmes, with "A pt Notes to sing them Zuleika," about 1550, 8vo. A neatly wntter. withall"-16s. illuminated MSS.- .£5 5s. 76 Elzevir Edition of Horatius, 3 vols. in r. 1629, 12mo. A rare edition of this work, an exce11ent copy of this 88 The Keeps::ike, from the commencement to the end, 1850-57, royal 8vo. A fine copy of this ~rst-class_ 1'.ine edition, rarely found complete-.£5 5s. Art Publication (8 vols.), beautfully bound,m the ongmal 77 Elzevir Edition of Seneca, Opera Omnia, 4 vols., 16~9, gilt cloth-.£3 3s. r 21110. A tall, fine copy of this pretty edition, scarce 89 Williams, Rev. J., Barcldas, the Bardo-Druidic System, 2 in this state-.£4 4s. vols., 1862, 8vo. Published by the Welsh MSS. I/ 78 Early Printing.' Gers~n's 'fractatus de Po11utionibus Society-12s. 6d. Diurms, 1479. 8vo. A scarce work. Several of Gerson's 90 Williams, Rev. R., Enwogion Cyrnru, a Biographical Dic works were copied and printed by Caxto11-25s. t1onary of Welshmen, 1852, thick 8vo. It includes all 79 Bloomfield's Farmer's Boy, with fine w0odcuts by Bewick, names connected with the ancient htstory of Wales- 1800, 8vo. Bentley, large paper edition, scarce in this 12s. 6d. state-r 2s. 6d. 91 Prose di M. Pietro Bembo, printed at Venice, 1525, folio 80 Erasmus (D.) Paraphrase on the Gospels, in black letter, size. A remarkable volume, containing an immense 1548, folio size-12s. 6d. number of MS. notes in the autograph of Torquato 81 Ruskin's Seven Lamps of Architecture, royal 8vo. A fine Tasso. A volume which has been much noticed in the copy of Ruskin's most famous work, with all the various London literary papers- .£ :r Io . These notes were mad e by Tasso , in the Hospital of St. Anna beautiful illustrations- 32s. 6d. Ferrara, between 1579 and 1586. From the frbrary ·of the 11l'te Sir 82 Rees, W. J., Lives of the Cambro British Saints, 1853, William Tite , with his autograph . tbick royal 8vo.- 31s. 6d. 92 Collection of fifty Autograph Letters addressed to Daniel 83 David Owen's Brutusiana, 1855, royal 8vo. Now out of Madise, the artist, dating from 1842. Numerous fine print-ros. 6d. specimens by artists-Mulready, Cattermo1e, Landseer, Eastlake, Hart, Stone, Leslie, Hardwick, Stanfield, 84 Dickens' (Charles) Oliver Twist, 1846, 8vo. First Edition this size. From the author's library, with his Armorial &c., &c.- .£10 10s. Book Plate, and Autograph Letter signed by George 93 Hall, S. C., Retrospect 0f a Long Life (2 vols.), 1883, 8vo. Cruikshank, the illustrator of "Oliver Twist." Bound Presentation copy from the author, with . autographic 1 in half green morroco. Scarce and unique-.£4 15s. inscription, portraits, and autograph letters mserted. - - - BOOKS, MANUSCRIPTS, ETC. 205 204 BOOKS, MANUSCRIPTS, ETC. ------CONTRIBUTOR, 94 Ruskin's Modern Painters (2 vols.', imperial 8vo. A nice Black letter Holy Bible, r613, thick 4to. Royal Ve~sion, copy-17s. 6d. with the Booke of Psalms, by Sternhold and Hopkms 95 Ruskin's Stones of Venice (2 vols.), imperial 8vo. In £ r 5s. similar nice condition-17s. 6d. I08 The Image of God, with tables t~ find hard textes, in 96 Thomson's Seasons, illustrated by Bewick, 1805, roy. 8vo. black letter, about 1580, 12mo. s1ze-6s . Bentley's, fine large paper e'dition, beautifully bound in Holy Bible (Royal Version), in black letter, 1614-18. full red morocco by Riviere-£4 10s. sm. 4to. contains also a Concordance, Book of Psalms 97 Cruikshank's Sunday in London, 1833, sm. 8vo. Nice in Eoglish Meter, etc-25s. 6d. copy, with 14 humourous illustrations by George [ JO Homilies and Sermons of the time of Queen Elizabeth. Cruikshank-£3 3s. In black letter, 16 33, folio size-8s. 6d. 98 Four coloured caricature pictures, by Banbury and Gilray, £ I 1 Geneva Version of Bible, r6II representing the hunting field I 12 Holy Bible (Royal Version), in black letter, 1625-28, 99 Autograph Letter from Thomas Moore, the Poet, April 4to. size, contains the Booke of P~alme~, B. }ternhold 3rd, 1829, one page, nice specimen- 12s. and H opkins, with" Apt Notes to sing w1thall -22. 6d. JOO Collection of 32 original drawings and designs, by,, Phiz" Ter ncP.'s Comedies. Venice: 147r. Folio. The rare (Hablot K. Browne), folio , 2ft. x 3ft. Valuable and first edition, from the Sunderland Library-£3 3s. unique collection of 32 original drawings, sketches, Bible (King James, authorized version), in black and designs for the works of C. Dickens, Lever, and 114 Holy or others, mounted in a folio by the artist himself 130 letter, 1632-39, 4to. size, has a table "to finde Easter -£ for ever"-£2 10s. 101 Autograph Letter from John Ruskin, Oct. 25th, 1869, one page, fine specimen- 2 rs. 102 Autograph Letter from CharlP.s Dickens, June 29th, 1855, one page. A very characteristic letter--25s. CABE 4. (Q.Q.) 103 Autograph Letter from John Ruskin, May 27th, 1876, BERNA1 CONTRrBUTOR . CoNTRlBUTOH. !23 Braund's Furniture, folio-£ r, rs. BERNARD QuARITCH, 15, Piccadilly, London 133 Clouet's French Portraits, at Castle Howard (2 vols) 124 Silvestre, Paleographical Album ( z vols), 8vo., and 7 7 plates £2 !OS. · in r vol. folio, cloth-£5 134 Constable's Graphic Wofks, folio, half morocco, English Scenery-£ 2 2s. · JAMES, C. H. Merthyr. r35 Leivre, Oeuvres d'Art (2 vols), folio, half bound-£3 10s . 125 Wyndham's Tour in South Wales. Salisbury: r781 u6 Pal:l Sandby's Vie~s in South Wales. 12 Views in aqua REV. W. K WINKS, Cardiff. tmta? from drawings taken on the spot in So·.1Lh Wales. r36 Burgess's Fen Country Churches, in 1798 Dedtcated to the Hon. Charles Greville and Joseph Banks, Esq., by Paul Sandby, R.A., 1777. C T. JEFFRIES & SoNs, Bristol. Paul Sandby was born in 1725, died in 1809, was one of the I 3 7-8-9 Continental Views. These Albums contain respectively founders _of the Royal. Academy, together with Sir J. Reynolds, Ba1tolozz1, Dance, Ga1nsborough , and West. It seems probable 648, 869 and r 107 Photographic Views of Places in t_hat Tu_roer1_to some t:xtent, took the idea of h.is Liber Srndiornm Europe- prices £2 ros., £3 ros., and £4 10s. !ram. tb1s series of Platea and Claude's L-iber Veratatis . Rawlinson m lus _" Turner's ~iber Studiorum" (a catalogue) spea king of th~ "W. H. SIMKIN, Penarth. engravmg ~f the Ltber, says-'· Turner w;is attracted , it is said, by ~he hne Sf:r1es_of lanc_lscapc plates .which Paul Sandby had engraved 140 Turner's Herbal, 1568. Botanic and Medical Treatise. IT~ 3:q~a-tmt frern hts owz:i drawmgs some twenty or thirty yean; Black letter; '.vith many engravings. Dedicated to e,.u l1.e1 .· . • , fi1:st d~c1derl. to e~n p1oy that medium joined with ~tcUing tor rcprodt1c1ng his designs lor L1ber." Queen Elizabeth 12~ Engr~v~ng of John Speed, author of "History of Great 141 Geneva Bible, printed at Geneva, I 561. This edition Bntam" reads "aprons,'' instead of " breeches," as in n:ost E. J. NEWELL, M.A. Geneva versions : but it reads "brainepan" in Judges, Wales, illustrated with Gastineau's Engravings 9 c., 53 \'. H . W. WHITE, Cardiff. G. E. ROBINSON, Canton. 142 Deed of the time of George II., with fine engraving of 129 24 Views of Castles in \Vales, by Samuel and Nathaniel that monarch Buck, April 5th, 17 40 ROBERT CARRICK, Cardiff. 143 Bible, Authorised Version, 18 13. Black letter, folio CASE 5. (R.R.) I4f Universal Geography, by Rev T. Banks, Dixton. Mon. JAMES PLATT, ROOKWOOD,Hampstead, London C. H. JA'.VI.ES,Merthyr. 13 0 Rums and Monuments of Greece, considered from an 145 A Series of Maps of Wales and Welsh Counties, by Architectural and H i;,torical point of view___:_published Moll ( r ), Morden ( 2 ), Saxton (3), Speed (4), Blaen (S), I 5th April, 1 7 54 Kitchen (6) Saxton lived in the 16th-17th Centuries, and, together with 13 I Engravings of Pictures from the Italian Masters J. Norden, engraved the series of :naps for Camden's Britannia, who speaks oi him as" a most skilful Chirographe r. '' Speed was born in 1555 and djed in 1629. His "Treatise of the Empire of Great 13 2 Hogarth RestoreJ- The whole works of William Huo·artb 1 • • t'> ' Britaine" consisted of a description of each County, with ruaps. ot accompanied with anecdotes ol the .Painrer--published which this is :1. spec imen. Blaen was a celebrated Amsterdarn Bookseller and Pt1blisber. He published an Atlas of the English 25th June, 1735 11nd Welsh Counties. Kitchen flourished early in the x8th century. -- - ~- - BOOKS, MANUSCRIPTS, ETC. 209 BOOKS, MANUSCRIPTS, ETC. C O~TRlBV TO R. C ON T RI B U T OE, I. Beauties of .t'Esop. London : Richardson, 1822 S. AITKIN, St. Andrew's Crescent, Cardiff. m. Gammer Gurton's Garland of Nursery Songs 146 Engraving6 flom pictures by Vandyke and other Old Glasgow : Lumsden & Son Masters. n. The Man of Feeling, by Henry Mackenzie Edinburgh: 1815 o. .t'Esop's Fables, by Samuel Croscall, D. D. Lon CASE 6. (F) don: 1810 REV. W. T. ADEY, Scarborough. p. Thomson's Seasons. London: 1805 14 7 Collection of Books illustrative of the work of Thomas q. Supplement to the History of British Birds. Bewick, the famous engraver, 1753-1828. Newcastle, Ed. Walker, 1821. T he Eili ibitor of t hese Bewick books says, in an article in the l"orksh,i re Magazine, vol. I., p. ~98, that Bewjck personally r e~ r. An engraved. wood block, by Bewick. invented the art of wood engra\'mg. Th at relatively to early and contempor ary workers he was the reformer of their met hods and the pioneer of their success . . . . that be is the man to whom we are indebted, more than to any other , for one of the necessities of J. M. THOMPSON, M.A., Nottingham the age- a cheap illustr ated per iodical literature; a thing in1possible exce pt throu gh the medium of woodc uts. ... 148 Index Lucopletissimus Lugdunum, 1537, old binding a. Lawrence's History of the Horse, Part XL Fine 149 Works of Rabelais, probably Lugdunum, 1666 engraving of Godolphin, Arabian, 1809. b. Collection ot Extracts. Davison, Alnwick, with RICHARD WM. JONES, J.P., Newport, Mon. frontispiece and tail-pieces by Bewick, 1829. ~ Die Begebenbeiten der Armide, by J oulet de Chatillon. c. Goldsmith's History of England, 1807. Heads by Bewick. Leipsie, q 22 151 Joannis Jovianis Pontani, Amorum Libri. Venice, 15:,3 d. The Life and Times of James Catnach, 1792-1841, printer and publisher of ballads, battledores, 152 J Costumi et La Vita de Turchi. Florence, 1551 lotterie5, and primers; published works illustrated 153 Dichiaratione De Salmi di Davide. Venice, 1680 by Bewick, such as the poetry of Blair, Beattie, 154 Oratorium Mari Tullii Cicero. Lugdunum, 1571 Burns, Parnell, Ferguson, &c. 155 Phillip Melanthons' Remarks on Holy Scripture. Spala t. Hodgson';; Hive of Literature. Newcastle, 1806. tin's Translation. Wittemburg, 1526 f Nicholas Rowe's Poetical Works. London: Cooke, 156 Balsac's Letters. Amsterdam, 1661 1797. g. Pope's Essay on Man, &c. Gainsborough, 1812. 157 Tragedies of Seneca. Farnaby's Notes. Amsterdam: h. Gay's Fables. York, 18rr. Jansen. Date of ownership, 1661 1. Religious Tracts. London: Rivington, 1815. ;. A Spring n ay, by James Fisher. Liverpool, 1819. EDWIN SE WARD, RC.A k. The Wreath, t,y C. Earnshaw. Smart, Hudders- 158 Seven Books, to illustrate styles of binding-mottled calf field. ~mbossing with block, and fine tooling BOOKS, MANUSCRIPTS, ETC. BOOKS, MANUSCRIPTS, ETC. 2-Il CONTRIBUTOR. CONTRIBUTO R. CHARLES CoxwAY, J.P., Pontnewydd. 159 Burton's Anatomy of Melancholy. 4th Edition, Oxford. , . Philip, Earl of Pembroke and Montgomery, temp Charles I., and Commonwealth. Owner of 160 Quarle's Divine Poems, 1630. Cardiff Castle and Borough 161 The Worthies of Walt's. By Thomas Churchyard. London; 1776. Reprint of r 587 Edition. d. Warrant, under Privy Seal of Oliver, Lord Protector, to pay Serjeant Seys, Attorney 161A A Geographical Account of Aberystruth parish; by General, of Glamorgan, his fee (Privy Seal Edmund Jones, Trevecka, 1779 attached). Serjeant Seys was the head of the family of Leys, of Beverton place T. H. THOMAS, R. C. A. Author's Presentation Copy of" Echoes from the Welsh Hills" t. Pardon to Serjeant Seys, 1662. Deed has picture of Charles IL in the corner, and is finely On Preparation for Death. By Erasmus : Cologne, 1533. engrossed and ornamented With Holbein's engravings of the "Dance of Death" Observations on the river Wye. By William Gilpin. f R. Sydney, 1590, (brother of Sir Philip Sydney), was created Earl of Leicester, K.G., married Picturesque, B and 0. J. G. Langbourn<:!, Chicaoo. A fine Barbara Gamage-Kemp, of Coity Castle, specimen of binding, by Daniel Owen & Co., Cardiff. Glamorgan g. Feoffment of Mona Egloishewis (seal attached). CASE 7 (A.A.) Good Seal of William Bassett, a Glamorganshire Esquire ' MOORE, 156, King's Road, Canton. 165AForty-one Specimens of Bank Notes of Ur,ited States, h. Jerome Weston, Earl of Portland, 1653 Scotland, and North of England . i. Deed appointing Philip, Lord Jones, a Governor J. P. SHARMAN, Marlboro' Terrace, Cardiff. of the Charterhouse, in the room of Richard, 165BOne Pound Bank Note of the Old Cardiff and Glamorgan Lord Protector. The deed is highly ornamented, Bank, signed by John Wood, and dated 1818 and is executed by the then Governors of the GEO ALEXANDER, 2, \Vorking street, c~rdiff Charterhouse, viz. : Nath. Tienney, one of r65cFour Old Legal Documents, 1658 to 1776 Cromwell's House of Lords; John Essex· B. Whitelocke, M.P. for Great Marlow, one of Cromwell's House of Lords ; P. Lisle, possibly l Philip, Lord Li:;le, son of 2nd Earl of Leicester, CASE 8. (GG) and afterwards 3rd Earl of Leicester; J. Wy"nn; R. 0. JONES, Fonmon Castle. W. Lenthal, Speaker of Long Parliament; 166 Deeds, with Autographs- P. Skippen, a Major-General in the Parliament ary Army ; Edmund Cressett a. Oliver Cromwell, Lord Protector Philip, Lore! Jones, or Colonel Philip Jon es, was one of Cromwell's b. House of Lords, Comptroller of !us Hoousebold, and that of his sou. William Cecil, Lord Burghley, Lord Treasu.rer, purchased Fonmon Ca~lle from _Lord Bolingbroke (trustees settled temp. Queen Elizabeth this after the Restoration ), and 1s the ancestor of the exhibitor of this document. 212 BOOKS, MA1 USCRIPTS, ETC. BO OKS MANUSCRIPTS, ETC . • 213 CONTRIBUTOR. CASE 9 (N.) W. R. HARRISON, Tottenham, London. Co:,.;rTIUBUTOR. 178 "Prick of Conscience." Written on vellum, about the G. E. ROBINSON, Cathedral Road, Cardiff. 14th century ~ . 167 The Union of Honour. Collected by James York, of The Hermit of Hampole's " Prick of Couscience " is a North ot Lincoln, Blacksmith. London: E. Griffin, 1641 England or" Northumbria11" poem. Its author, Richard Rolle1 born at Thornton, Yorkshire, about 12901 educated at Oxford, became an Augustinian Monk at Hampole, near Doncaster, at the age of 19, 168 Seal and Irnpression.-PRO: COMMISS A RIO: ARWSTLEV. and reni.1ined there till his death. iu 1349. His version of the Psalms was one of the earlies.t translations of any portion of -For the Commission of the Deanery of Arwystli; Scripture into English prose. The poem here shown is in seven spelled also in English fashion Arustley, with several parts, viz.-1. Beginning of Man's Life. 2, Unstableness 9f the World. 3, Death, why dreaded. 4, Purgatory. 5, Doom~day. 6, important variants. Found near site of Black Friars, Pains of Hell. 7, Joys of He aven. Cardiff The terrjtory of Arwystli in North Wales, tanned one of the 15 Cantrefs of Gwynedd, in Henry Vlll.'s time; it was included in R. 0. JONES, Fonmon Castle. Montgomery , and is now in the Hundred of Llanidloes, and forms the Deanery of that town, and is included in the Archdeaconry of Urbium Precipuarium Mundi Teatrum. (The chief Cities Merioneth , and the Diocese of Bangor. 179 of the World). Folio, fully illustrated in colours by 169 Verstegan's "Restitution of Decayed Intelligence m George Brannins, 16th century Antiquities." With fine engravings, 1603 1 70 Old Indentures, partly destroyed by fire, restored by Exhibitor CLERJC:.EBURTON , Partridge Road, Cardiff. 171 The Smallest Book ever published up to its date. Le 180 John Goldsmith's Almanac for 1663 Bijou Gal:mt. A Paris: chez Ed. Jourdan 181 Italian Enamel : The Crowning of Clovis 182 Ilalian Enamel: Leo X and two favourite Cardinals J. T. PHILLIPS, Neath. 172 Monthly Magazine, 1797, giving account of descent of the French into Wales Mrs. PHILLIPS, 35, Brook Street, Cardiff. ·173 Warrington's History of Wales. Brecon, 1823 183 Early specimen of Coloured Printed Chrildens' Book " My Mother." London : Darton & Harvey, 1815 HENRY W. WHITE, Cardiff. 174 Acts of Parliament r661-1672 (Charles II.) London: Bill & Barker, 167 1 175 Canons and Statutes. London: R. Pawlett, 1675 CASE 10 (O.C.) 176 Authorised Bible. Oxford: T. Wright and W. Gill, 1770, LENT BY ST. DAVID'S COLLEGE, LAMPETER with curious missprint, Prov. xxvi, 3 v. A whip for the Horse. and a bride for the Ass! See also Ecclesiastes 184 Missale, in handsome binding and brass clasps, black II and iii, 7v. Rent for rend." red type, initial letters, gold and colors, large foho, original boards W. E. JF.NKINS, Clifton Street, Cardlff. 177 Burmese Sacred Book, written in 1197, of the Burmese Era. 185 Fic:h buch, a curious early treatise on fishes. with great (This book Attbasalini , by Buddagos ha 1 upon Dhammasangani, or number of most irrotesque colored engravings, printed first book of the Abhidhamma-pitah am, one of the three ilivisions of the Buddhlst Canon.) at Zurich, 1575, folio BOOKS, MANUSCRIPTS, ETC. 215 ;!14 BOOKS, MANUSCRIPTS, ETC . CON'rlHRULOR . CONTRIBUTOR, 189 First edition of the New Testment in Greek & Latin, edited 186 Copy of the Sarum Missal, printed at Paris m 15II, black by Cardinal Ximines, a,nd published at Akahi. 1514 . and red type. old binding-folio Cardinal Ximines (1437-1517), founder of the Universi ty .ot Alcala de Henares, Salamanca, was a most liberal at1d enligh tened patron .There were three Missals in nse in Britian before the Reformation. of literature and art. His Co111pi,11twsia,i P.JJlyglot Bible, which oc- viz., those of York. of H e reford, and of Sarum (now Salisbury). The cul?ied 15 years in preparat ion-1502-15r7-was the first work ot 1ts MiSsal, which which was first used only in diocese of cJass ; and, cons idering tbe conditions under which it was edited Sarum at the and published, one of the greatest triumphs of sacred learning the Salisbury, was afterw ards adopted by most of the churches of II England, Wales. and Ireland . It was complied or edited by world has seen. It is spoken of as the great glory of the Spani~h press."· Ximines separat ed the Apocrypha from the Cru.1on of tlie Osinon_d, Bishop of ?ar?-m in rn781 wbo ~lso composed a book for the ~egulat1on of Eccles1ashca1 Offices, called the Custom Book. This was Old Testamen t. The book h ere shown is a duoglot of the Septua mcorporated with the Missal and other ritual books of Sarum. See gint.Greek (in uncial char acters, i.e., capital letters ), and the Vulgate the. n:insical n?tes, _for cb~ntin g or intoning , in the Missal her e Latm. exhibited. This Missal, like a ll other service books before the A R~forma!io~. is. in ~atin (which lan(:'!uage tlie Roman Catholic Church r90 Funeral Sermon on the death of Lord Essex. Very stt!l retains m its Lttur g~). One ot the cbief objects of the English rare and probably unique. Published in London by Reformers (Cranmer, Ridley, Cox, and others) was to ~nable tbe people of this country to join in public worship O jn their own Henry Denham, I 577 language wherein they wer e born.'' Hence the E ngHsh Prayer Book. The Sarum Missal was made the grnund work of several 191 History of our Lord and Prayers, written on vellum, fl!ld porti_ons of the Engl_ish P_rayer Boo.k, e.g., the Office of Holy Com m.umon, &c. Ttus fact gives great mterest to the Sarum Missal. richly illuminated in gold and colours ; with pictures, orders, and initial letters, and small vignettes. French, 1450, 8vo., ac cording to Professor Westwood. 187 The Golden Legend, printed by Wynkyn de Worde, with Caxton's type, in I498 192 Illuminated book of Hours, very fine paintings, borders, and lettering. French, I450, imperial 8vo., according to Professor Wynkyn de Warde.- ·' Thr ougho ut the whole rang e of our ancient typographers there is scarcely one whose memory beams with Westwood. grea ter effulgence than the.t of Wynkyn name till. 14931 and maintains that if he be not the printer of the Colopho" of the Goldrn Legend of the above date, he is unaoubtedly the printer of the Li bc,, Festivalis. I-1e continued at tl~e same office till 1499, when he r emoved to the "Sign of the Gold en Sun in the CASE 11 (R.) Parish of S. Bride . in tbe Flete Street. London." He di~d r534. · W. de Worde greatly improved the an of printing. He used to ca5t types with his own hand. Hi s chief fame rests on the Grammar s BAPTIST Cor,LEGE, Pontypool. which he printed, although his curious romances and poetical books have greatly enhanced his fame . 196' Jerome's Works, 2 vols., folio, in original boards. Early 16th century printing 188 Greek Bible, first edition, published by Paul Aldus, at 197 Geneva or "Breeches" Bible, 1583, folio. London: C. Venice, 1518 Barker Aldus . Manutui s, (whose publications are known as Aldine editions) Cranmer's or the Great Bible, 1583. This is the version born 1449-died 1515 1 first began to print classics about 1490· fro~ tµis da_te ti!! 1597, Aldus. bis son Paulus 15n-r574, and gr~ndson of the Bible which was ordered to be placed in the Aldus JUn., 1ssued many fi.1st edit ions of Greek and Roman Classics, Parish Churches of England, and was chained to the also c_orrected texts of Petrarch, Dante, Boccaccio, &c. The Aldine Classics are ~ery ~ea.utiful and correct in typograph y, and instituted reading desk a new epoch m pnnttn g. Aldus used 9 d.ifferent Greek types and 14 Beza's New Testament, 1582. The Greek text and two Lalln: He was the first tm use the the Corsiv-i, or, as we te rm it, Halie 199 type, ~nvented by Francesco of Bologna. Th e Aldinc press was in versions of Latin are printed in three colums with Beza's operation for 100 years, and issued 908 different works: some of which t. g. tbe H orcc Beatce Virginis {149/). and Virgil (1501), are now very notes in Latin at the foot of the page. rare. Aldines are much sought after by book hunters. 2l6 BOOKS, MANUSCRIPTS, ETC. 200 Authorzied version of Bible, 1613, 3rd edition, black letter, folio. R. Barker 201 The abridgement of the Notable Worke of Polidore Vergile Imprinted at London within the precincte of the late dissolved house of the Grey Friars, by Richard Graften, printer to he Prince's Grace, the 16 daie of Aprill, the yere of our Larde, 1546 Tbis Copy is illuminated thro · ghoul in gold and colours. See Case 10 (C.C.) 202 Houbraken's Heads. '' The Heads of Illustrious Persons of Great Britain," with lives, by Thomas Birch. Engravings by Houbraven and Vertue. London, 1813 203 Montan i's ·Hebrew. Antwerp: 1619. This Bible contains the Old Testament, including Apocrypha in Hebrew and Latin, and the New Testament in Greek and Latin 204 Middleton's Latin Bible with notes. London, 1580• Interpreted and annotated by Fran .:is Junius and Immanuel Tremillius . 2 05 Cambrobry tanicce Cymrcecreve Lingure, by Ed. Stra<;lling. ,. London : 1592-..£4 4s. 206 ·welsh and Latin Dictionary. Richard Young. London: 1632- £1 IS.