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Reflecting Antiquity Explores the Rediscovery of Roman Glass and Its Influence on Modern Glass Production
Reflecting Antiquity explores the rediscovery of Roman glass and its influence on modern glass production. It brings together 112 objects from more than 24 lenders, featuring ancient Roman originals as well as the modern replicas they inspired. Following are some of the highlights on view in the exhibition. Portland Vase Base Disk The Portland Vase is the most important and famous work of cameo glass to have survived from ancient Rome. Modern analysis of the vase, with special attention to the elongation of the bubbles preserved in the lower body, suggest that it was originally shaped as an amphora (storage vessel) with a pointed base. At some point in antiquity, the vessel suffered some damage and acquired this replacement disk. The male figure and the foliage on the disk were not carved by the same Unknown artist that created the mythological frieze on the vase. Wearing a Phrygian cap Portland Vase Base Disk Roman, 25 B.C.–A.D. 25 and pointing to his mouth in a gesture of uncertainty, the young man is Paris, a Glass Object: Diam.: 12.2 cm (4 13/16 in.) prince of Troy who chose Aphrodite over Hera and Athena as the most beautiful British Museum. London, England GR1945.9-27.2 goddess on Mount Olympus. It is clear from the way the image is truncated that VEX.2007.3.1 it was cut from a larger composition, presumably depicting the Judgment of Paris. The Great Tazza A masterpiece of cameo-glass carving, this footed bowl (tazza) consists of five layers of glass: semiopaque green encased in opaque white, green, a second white, and pink. -
English Cameo Glass
ENGLISH CAMEO GLASS THE CORNING MUSEUM OF GLASS ENGLISH CAMEO GLASS IN THE CORNING MUSEUM OF GLASS DAVID WHITEHOUSE THE CORNING MUSEUM OF GLASS CORNING, NEW YORK Cover: Moorish Bathers. England, Amblecote, Thomas Webb & Sons, carved and engraved by George Woodall, 1898. D. 46.3 cm. The Corning Museum of Glass (92.2.10, bequest of Mrs. Leonard S. Rakow). Copyright © 1994 The Corning Museum of Glass Corning, New York 14830-2253 Editor: John H. Martin Photography: Nicholas L. Williams Design and Typography: Graphic Solutions, Corning, New York Printing: Upstate Litho, Rochester, New York Standard Book Number 0-87290-134-3 Library of Congress Catalog Card Number 94-071702 FRONTISPIECE. The Great Dish. CONTENTS Preface 7 Introduction 11 The Early Years 17 Stevens & Williams 31 Thomas Webb & Sons 33 A Woodall Miscellany 42 Epilogue 56 Further Reading 58 Notes on the Illustrations 59 Notes 63 FIG. 1. The Portland Vase. PREFACE THIS SHORT BOOK has two objectives: to cele- makers tried unsuccessfully to make a replica of brate the achievements of 19th-century English it, and in the 1820s and 1830s several silver ver- cameo glass makers and to focus attention on the sions were made by the London firm of Rundle, outstanding examples of their work in the collec- Bridge, and Rundell. tion of The Corning Museum of Glass. In the early 19th century—possibly as early Cameos are objects with two or more layers as 1804—glassmakers in Bohemia began to of different colors. The outer layer or layers are "case," or cover, colorless glass with a layer of partly removed to create relief decoration on a colored glass that was then cut through to reveal background of contrasting color. -
Chapter 4: the Wedding: Glasses and Glazes
CHAPTER 4 The Wedding (Glasses and Glazes) Therefore, thou gaudy gold, Hard food for Midas, I will none of thee Nor none of thee thou pale and common drudge Tween man and man: but thou, thou meagre lead Which rather threaten’st than dost promise aught, Thy palidness moves me more than eloquence and here chose I. Joy be the consequence Shakespeare Merchant of Venice his chapter examines two interrelated high concentrations of Sn and Zn are also present.. uses of lead: glass technology and The low Na2O content implies that Anglo- Tglazes. Why was lead and not some Saxon glass technology did not derive directly from other material used in these technologies? How did the that of the Roman period, which utilized soda glass. technologies spread? The high Sn/Zn content suggests the use of recycled It will be shown that lead was used for similar metallurgical material. This hypothesis is supported by reasons as in metallurgy (energy conservation, among the similar composition of early medieval red enamel others) and that transmission of technology follows an glass to that of 3rd century A.D. German slags. In the East/West and West/East configuration, consistent with German metallurgy of the time, a regular cupellation trends discussed in the preceding chapter. Time lines was blended with scrap metal to produce litharge up to of events in the “Mesopotamian”, “Egyptian,” and 2% ZnO and 10% SnO2. A 10th century Anglo-Saxon “Classical” worlds are given in Appendix J, Tables 4.1- site shows evidence of a similar metallurgical process 6-9. -
Glass Circle Publications
INDEXOF GLASS CIRCLE PUBLICATIONS by Hazel Bell Incorporating and modifying the previous indexes by Peter Lole Indexed publications Key Glass Circle News Issues 1-140 (1977–2016) 1.1 (Issue no.page no(s);) The Glass Circle Journal 1-11 (1972-2009) JL The Centenary Supplement (2004) CS GCN (2004) Ex. ExFromcerpts Palace from to the Parlour first 99(2003) issues of PP The Glass Circle Diamond Jubilee 1937–1997 DJ Glass Collectors and their Collections (1999) Col. Strange and Rare: 50th Anniversary Exhibition 1937–1987 SR Major references to a topic are given in bold type Abbreviations used: c. GCN for Glass Circle News. Notesexh. for exhibition; for century; GC for Glass Circle; Short forms of article and book titles are used. Article titles, and titlesin ofitalics talks reported, are given ‘in quotes’ under the names of the speakers. Book titles are given under the names of the authors, except for multi-author books, listed under their titles. GlassReviewers Circle of books,News andreferences writers of are letters given and in obituaries, the form: are rarely included. Issue number.page number(s) with the Issue numbers followed by stops; page numbers in the same issue separated by commas; Issue numbers separated by semi-colons. Newsletters for April and July 1983 are both numbered 26; references to those issues are given in the index as 26A and 26Jy. The first page of Issue 115, 2 June 2008, shows Issue number as 114. Announcements of coming events, advertisements, auctions, fairs, and sales reports are not indexed; of exhibitions, only major ones are indexed. -
A Biographical Dictionary of Nineteenth Century Antique and Curiosity Dealers
This is a repository copy of A Biographical Dictionary of Nineteenth Century Antique and Curiosity Dealers. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/42902/ Book: Westgarth, MW (2009) A Biographical Dictionary of Nineteenth Century Antique and Curiosity Dealers. Regional Furniture, XXIII . Regional Furniture Society , Glasgow . Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ promoting access to White Rose research papers Universities of Leeds, Sheffield and York http://eprints.whiterose.ac.uk/ White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/42902/ Published book: Westgarth, MW (2009) A Biographical Dictionary of Nineteenth Century Antique and Curiosity Dealers. Regional Furniture, XXIII . Regional Furniture Society White Rose Research Online [email protected] 148132:97095_book 6/4/10 10:11 Page cov1 REGIONAL FURNITURE 2009 148132:97095_book 6/4/10 10:11 Page cov2 THE REGIONAL FURNITURE SOCIETY FOUNDED 1984 Victor Chinnery President Michael Legg Vice President COUNCIL David Dewing Chairman Alison Lee Hon. -
Contextualizing the Archaeometric Analysis of Roman Glass
Contextualizing the Archaeometric Analysis of Roman Glass A thesis submitted to the Graduate School of the University of Cincinnati Department of Classics McMicken College of Arts and Sciences in partial fulfillment of the requirements of the degree of Master of Arts August 2015 by Christopher J. Hayward BA, BSc University of Auckland 2012 Committee: Dr. Barbara Burrell (Chair) Dr. Kathleen Lynch 1 Abstract This thesis is a review of recent archaeometric studies on glass of the Roman Empire, intended for an audience of classical archaeologists. It discusses the physical and chemical properties of glass, and the way these define both its use in ancient times and the analytical options available to us today. It also discusses Roman glass as a class of artifacts, the product of technological developments in glassmaking with their ultimate roots in the Bronze Age, and of the particular socioeconomic conditions created by Roman political dominance in the classical Mediterranean. The principal aim of this thesis is to contextualize archaeometric analyses of Roman glass in a way that will make plain, to an archaeologically trained audience that does not necessarily have a history of close involvement with archaeometric work, the importance of recent results for our understanding of the Roman world, and the potential of future studies to add to this. 2 3 Acknowledgements This thesis, like any, has been something of an ordeal. For my continued life and sanity throughout the writing process, I am eternally grateful to my family, and to friends both near and far. Particular thanks are owed to my supervisors, Barbara Burrell and Kathleen Lynch, for their unending patience, insightful comments, and keen-eyed proofreading; to my parents, Julie and Greg Hayward, for their absolute faith in my abilities; to my colleagues, Kyle Helms and Carol Hershenson, for their constant support and encouragement; and to my best friend, James Crooks, for his willingness to endure the brunt of my every breakdown, great or small. -
ARCL0132 Collections Curatorship
INSTITUTE OF ARCHAEOLOGY ARCL0132 Collections Curatorship Module Handbook 2019-20 (Term 2) Coordinator: Georgios Alexopoulos Co-taught with UCL Curators: Anna Garnett, Andrea Fredericksen, Tannis Davidson, Ian Carroll and Hannah Cornish Badge Collection (Image Credit: Drew McLellan https://www.flickr.com/photos/drewm/468436732/in/gallery-lwr- 72157622484964869/. CC BY-NC 2.0) UCL INSTITUTE OF ARCHAEOLOGY ARCL0132 COLLECTIONS CURATORSHIP 2019-20 (term 2) MA Museum Studies 15-credit Optional Module Module Co-ordinator Dr Georgios Alexopoulos Room: B21 (basement) Email: [email protected] Direct telephone: + 44 (0)20 7679 4941 (internal: 24941) Office hours (drop-in): Tuesdays 14:00-15:00, Wednesdays 12:00-13:00 (not Reading Week) Term Dates 2019-20: Second Term: Monday 13th January 2020 - Friday 27th March 2020 Third Term: Tuesday 27th April 2020 - Friday 12th June 2020 Reading Week (no classes): 17 –21st February 2020 Deadlines *Assessment 1 (group project): Friday 27th March 2020 (11.59pm) 2x paper copies with cover sheet and final PDF to the Module Co-ordinator (no Turnitin submission) + Group Presentations in class on Monday 23rd March 2020. *Assessment 2 (individual project): Friday 1st May 2020 (11:59pm) 1x paper copy with cover sheet and 1x digitally via Turnitin Target dates for return of marked assessments: 1. 25th April; 2. 30th May 2020 Module Moodle site: https://moodle.ucl.ac.uk/course/view.php?id=364 Online Reading list: http://readinglists.ucl.ac.uk/modules/arcl0132.html Please see the Appendix at the end of this document for important information about submission and marking procedures, and links to the relevant webpages. -
BRITISH MUSEUM Information and Plans
BRITISH MUSEUM Information and Plans The British Museum is one of the great museums in the world, showing the works of man from all over the world from prehistoric to comparatively modem times. The displays in the galleries are the responsibility of the following Departments: Egyptian Greek and Roman Western Asiatic Prehistoric and Romano-British Medieval and Later Coins and Medals Oriental Prints and Drawings Ethnography The ethnographical collections are displayed at the Museum of Mankind, Burlington Gardens, London W l. A separate leaflet concerning this Department is available on request. Upper floor (35- 74) Prehistoric and Romano-British 57 Ancient Syria 35 Prehistory and Romain Britain 58 Nimrud Ivories 36 Man before Metals 59 South Arabia 37/39 Later Prehistory of Europe Egyptian 40 Roman Britain 60/61 Mummies Medieval and Later 62 Tomb Paintings and Papyri 41 Early Medieval Art 63 Daily Life in Ancient Egypt 42 Medieval Art 64 Pottery and Small Objects 43 Medieval Tiles and Pottery 65 Small Sculptures 44 Clocks and Watches 66 Coptic Art 45 Waddesdon Bequest 67 Prints and Drawings 46/47 Renaissance and Later Special Exhibitions 48 Modem Gallery Greek and Roman 49 Special Exhibitions 68 Greek and Roman Bronzes and 50 Coins and Medals Terracottas 2000 Years of British Coins 69 Greek and Roman Life Room 70 The Image of Augustus Western Asiatic 71 Sutton Hoo Treasure 51 Ancient Iran 72/73 Greek Vase Rooms 52 Ancient Anatolia 53 Neo-Hittite Landing Oriental 54 Ancient Babylonia—Royal 74 Special Exhibitions Tombs of Ur 55 Western Asiatic -
357773-Sample.Pdf
Sample file THE BOOK OF RANDOM TABLES STEAMPUNKSample file CREDITS Written by Matt Davids Layout & Design by Matt Davids Cover & Interior Art by Albert Robida WWW.DICEGEEKS.COMSample file Contents copyright © 2021 dicegeeks. All rights reserved. All images in the public domain. GET MORE FREE RANDOM TABLES AT WWW.DICEGEEKS.COM/FREE Sample file TABLE OF CONTENTS How to Use this Book...................................................................................5 ITEMS & THINGS Airship Cargo................................................................................................7 Artifacts #1..............................................................................................8-9 Artifacts #2...........................................................................................10-11 Drugs and Medicines..................................................................................12 Items in a Desk...........................................................................................13 Items in a Scientist’s Lab.............................................................................14 Items in a Study..........................................................................................15 Steam Engine and Boiler Parts...................................................................16 Victorian Era Books #1...............................................................................18 Victorian Era Books #2..............................................................................19 FAMOUS VICTORIANS -
Glass of the Roman World Belongs to the Publishers Oxbow Books and It Is Their Copyright
This pdf of your paper in Glass of the Roman World belongs to the publishers Oxbow Books and it is their copyright. As author you are licenced to make up to 50 offprints from it, but beyond that you may not publish it on the World Wide Web until three years from publication (June 2018), unless the site is a limited access intranet (password protected). If you have queries about this please contact the editorial department at Oxbow Books ([email protected]). An offprint from GLASS OF THE ROMAN WORLD Hardcover Edition ISBN 978-1-78297-774-2 Digital Edition ISBN 978-1-78297-775-9 Edited by Justine Bayley, Ian Freestone and Caroline Jackson © Oxbow Books 2015 Oxford & Philadelphia www.oxbowbooks.com Published in the United Kingdom in 2015 by and in the United States by OXBOWBOOKS OXBOWBOOKS 10 Hythe Bridge Street, Oxford OX1 2EW 908 Darny Road, Havertown, PA 19083 in association with THE ASSOCIATION FOR THE HISTORY OF GLASS © Oxbow Books and the individual authors 2015 Hardcover Edition ISBN 978-1-78297-774-2 Digital Edition ISBN 978-1-78297-775-9 A CIP record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data Glass of the Roman world / edited by Justine Bayley, Ian Freestone, and Caroline Jackson. pages cm Summary: "These 18 papers by renowned international scholars include studies of glass from Europe and the Near East. The authors write on a variety of topics where their work is at the forefront of new approaches to the subject. They both extend and consolidate aspects of our understanding of how glass was produced, traded and used throughout the Empire and the wider world drawing on chronology, typology, patterns of distribution, and other methodologies, including the incorporation of new scientific methods. -
Jackson's Auction
Jackson's Auction Collector's Choice: Antiques & Collectibles Tuesday - September 18, 2012 Collector's Choice: Antiques & Collectibles 1: GALLE CAMEO GLASS AND LOETZ STYLE ART GLASS VASES USD 200 - 400 GALLE CAMEO GLASS AND LOETZ STYLE ART GLASS VASES, CIRCA 1900. The Galle with cut fern decoration (damaged), the Loetz style with amber oil spot finish over an opalescent body with crimped rim. Height 9.5 inches (24 cm) and 5 inches (12.5 cm). 2: A CONSOLIDATED LOVEBIRDS VASE USD 100 - 200 A CONSOLIDATED MOLDED AND FROSTED GLASS LOVEBIRDS VASE, EARLY 20TH CENTURY. With blue patina. Height 10.5 inches (26.5 cm). 3: IN THE MANNER OF LALIQUE, A LARGE CHARGER USD 100 - 200 IN THE MANNER OF LALIQUE, A LARGE MOLDED AND FROSTED GLASS CHARGER, 20TH CENTURY. Depicting dancing nudes on a blue stained ground, apparently unsigned. Diameter 17.75 inches (45 cm). 4: A FRENCH OPALESCENT MOLDED ART GLASS TRAY USD 150 - 250 A FRENCH OPALESCENT MOLDED ART GLASS TRAY, FIRST HALF OF 20TH CENTURY. In the manner of Sabino with large floral blossoms and a butterfly molded in deep relief with powder blue opalescent highlights under a satin finish, apparently unsigned. Diameter 13.25 inches (33.5 cm). 5: A VERLYS MOLDED AND FROSTED GLASS CHARGER USD 150 - 250 A VERLYS MOLDED AND FROSTED GLASS CHARGER, 20TH CENTURY. Depicting three birds in flight and goldfish. Inscribed Verlys. Diameter 13.75 inches (35 cm). 6: AN R. LALIQUE FOR D'ORSAY GLASS CREAM JAR USD 350 - 550 AN R. LALIQUE FOR D'ORSAY MOLDED AND FROSTED GLASS CREAM JAR. -
The Roman Era in Britain
THE ANTIQUARYS LIBRARY UNIVERSITY OF CALIFORNIA RIVERSIDE . THE ANTIQUARY'S BOOKS GENERAL EDITOR: J. CHARLES COX, LL.D., F.S.A. THE ROMAN ERA IN BRITAIN - THE ROMAN ERA IN BRITAIN BY JOHN WARD, F.S.A. AUTHOR OF "ROMANO-BRITISH BUILDINGS AND EARTHWORKS" WITH SEVENTY-SEVEN ILLUSTRATIONS BY THE AUTHOR METHUEN & GO. LTD. 36 ESSEX STREET W.G. LONDON I First Published in 19 II PREFACE years ago, I was desired by the Editor of this SEVERALseries to write a volume on Roman Britain, but I soon found that the subject was too large and complex to be treated comprehensively, and at the same time to place the reader en rapport with the results of the systematic excavations of the last twenty-five years. These have vastly increased our " " knowledge of Roman Britain, especially its major monuments the towns, forts, public buildings, and houses and to these I confined myself in Romano-British Buildings and Earthworks, of this series. It was felt, however, that the series demanded a general work on the era in Britain. This was now feasible, as the subjects which came within the restricted purview of the above volume could be treated in a more condensed manner than would be otherwise desirable. In spite of this, however, the question of space has been a difficulty. Two chapters which could best be spared a short history of the era, and practical hints upon to be cut out and a third archaeological exploration had ; upon our public Romano-British collections, which was contemplated at the outset, and for which much material was collected, had to be abandoned.