Observer11-2014(Travel):Obsv 8-8-2008
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Barber Middle School Accelerated Reader Quiz List Book Interest Quiz No
BARBER MIDDLE SCHOOL ACCELERATED READER QUIZ LIST BOOK INTEREST QUIZ NO. TITLE AUTHOR LEVEL LEVEL POINTS 124151 13 Brown, Jason Robert 4.1 MG 5.0 87689 47 Mosley, Walter 5.3 MG 8.0 5976 1984 Orwell, George 8.9 UG 17.0 78958 (Short) Story of My Life, The Jones, Jennifer B. 4.0 MG 3.0 77482 ¡Béisbol! Latino Baseball Pioneers and Legends (English) Winter, Jonah 5.6 LG 1.0 9611 ¡Lo encontramos debajo del fregadero! Stine, R.L. 3.1 MG 2.0 9625 ¡No bajes al sótano! Stine, R.L. 3.9 MG 3.0 69346 100 Artists Who Changed the World Krystal, Barbara 9.7 UG 9.0 69347 100 Leaders Who Changed the World Paparchontis, Kathleen 9.8 UG 9.0 69348 100 Military Leaders Who Changed the World Crompton, Samuel Willard 9.1 UG 9.0 122464 121 Express Polak, Monique 4.2 MG 2.0 74604 13: Thirteen Stories...Agony and Ecstasy of Being Thirteen Howe, James 5.0 MG 9.0 53617 1621: A New Look at Thanksgiving Grace/Bruchac 7.1 MG 1.0 66779 17: A Novel in Prose Poems Rosenberg, Liz 5.0 UG 4.0 80002 19 Varieties of Gazelle: Poems of the Middle East Nye, Naomi Shihab 5.8 UG 2.0 44511 1900-10: New Ways of Seeing Gaff, Jackie 7.7 MG 1.0 53513 1900-20: Linen & Lace Mee, Sue 7.3 MG 1.0 56505 1900-20: New Horizons (20th Century-Music) Hayes, Malcolm 8.4 MG 1.0 62439 1900-20: Print to Pictures Parker, Steve 7.3 MG 1.0 44512 1910-20: The Birth of Abstract Art Gaff, Jackie 7.6 MG 1.0 44513 1920-40: Realism and Surrealism Gaff, Jackie 8.3 MG 1.0 44514 1940-60: Emotion and Expression Gaff, Jackie 7.9 MG 1.0 36116 1940s from World War II to Jackie Robinson, The Feinstein, Stephen 8.3 -
GENESIS: Lesson 8 - “This Will Make Us Famous”
GENESIS: Lesson 8 - “This Will Make Us Famous” Genesis 10:1, 8-10 (NLT), “This is the account of the families of Shem, Ham, and Japheth, the three sons of Noah. Many children were born to them after the great flood… 8 C ush was also the ancestor of Nimrod, who was the first heroic warrior on earth. 9 S ince he was the greatest hunter in the world, his name became proverbial. People would say, “This man is like Nimrod, the greatest hunter in the world.” 10 H e built his kingdom in the land of Babylonia, with the cities of Babylon, Erech, Akkad, and Calneh.” →Nimrod’s pride leads him to build a city that would become Babylon, which is a type or picture in the Bible of human pride in rebellion against God. This idea finds its fullest description in the Book of Revelation, as God pronounces His final judgment on the pride and wickedness of mankind in the last days: Revelation 17:1-6 (NLT), “One of the seven angels who had poured out the seven bowls came over and spoke to me. “Come with me,” he said, “and I will show you the judgment that is going to come on the great prostitute, who rules over many waters. 2 T he kings of the world have committed adultery with her, and the people who belong to this world have been made drunk by the wine of her immorality.” So, the angel took me in the Spirit= into the wilderness. There I saw a woman sitting on a scarlet beast that had seven heads and ten horns, and blasphemies against God were written all over it. -
The Bible in Music
The Bible in Music 115_320-Long.indb5_320-Long.indb i 88/3/15/3/15 66:40:40 AAMM 115_320-Long.indb5_320-Long.indb iiii 88/3/15/3/15 66:40:40 AAMM The Bible in Music A Dictionary of Songs, Works, and More Siobhán Dowling Long John F. A. Sawyer ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London 115_320-Long.indb5_320-Long.indb iiiiii 88/3/15/3/15 66:40:40 AAMM Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by Siobhán Dowling Long and John F. A. Sawyer All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Dowling Long, Siobhán. The Bible in music : a dictionary of songs, works, and more / Siobhán Dowling Long, John F. A. Sawyer. pages cm Includes bibliographical references and index. ISBN 978-0-8108-8451-9 (cloth : alk. paper) — ISBN 978-0-8108-8452-6 (ebook) 1. Bible in music—Dictionaries. 2. Bible—Songs and music–Dictionaries. I. Sawyer, John F. A. II. Title. ML102.C5L66 2015 781.5'9–dc23 2015012867 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. -
Ghosts Beneath the Surface: Remnants and Revenants Of
RCL — Revista de Comunicação e Linguagens e Linguagens Comunicação de — Revista RCL Ghosts beneath the surface: Remnants and revenants of Palestine in the Cinema of the Interior Fantasmas sob a superfície: Os restos e espectros da Palestina no Cinema do Interior and Languages Communication of Journal ROBERT GEORGE WHITE Independent Scholar [email protected] N.53 (2020) ISSN 2183-7198 N.53 (2020) ISSN — Abstract In a 2003 interview with the Journal of Palestine Studies, the director Elia Sulieman evoked the spectre of the revenant (which appears by coming back) when explaining the pres- ence of Palestinians within Israel in terms of Israel’s being haunted by the spectre of the ‘becoming-Palestinian’ of the Israeli-Arab. This is both an allusion to a historical le- gal condition of present absence (the Knesset’s 1950 Law of Absentee Property), but also articulates—this article claims—an emerging hauntology/ontology of the cine- matic image of the Palestinian in Israel.This article argues that the contemporary cinema of Palestinians in Israel is essentially a cinema of ghosts, where temporal disjoint- edness and spatial displacement constantly disturb the project of national identity formation; from the haunting of Jaffa in the work of Kamal Aljafari, where Palestinian ‘ghosts’ are re-inscribed onto the work of Israeli director Menahem Golan, to the ghostly lacuna between Arab and Jew which haunts Amos Gitai’s Ana Arabia (2013). Drawing on Jacques Derrida’s notion of ‘the spectral’, alongside a critical analysis of what Edward Said termed al-dakhil (the interior), the article examines Palestinian interiors as ROBERT GEORGE WHITE 73 RCL — Revista de Comunicação e Linguagens e Linguagens Comunicação de — Revista RCL haunted sites. -
D'ei Chochmah L'nafshechah
Erev Shabbos Kodesh Parshas Noach 5770 D’ei Chochmah L’nafshechah “Let your soul know wisdom” Parshas Noach From the discourses of Moreinu v’Rabeinu the Gaon and Tzaddik Shlit”a - not for general circulation - Published by the Yam Hachochmah Institute Under the auspices of “Yeshivas Toras Chochom” for the study of the revealed and hidden Torah D’ei Chochmah L’Nafshechah Parshas Noach Shalosh Seudos 1 of Parshas Noach 5768 " ֵאֶלּה תּוֹ ְלדֹת נַֹח נַֹח ִאישׁ ַצִדּיק ָתִּמים ָהָיה ְבּדֹרָֹתיו ֶאת- ָהֱאלֹקים ִהְתַהֶלּ ְ ך- נֹ ַ ח. ַויּוֶֹלד נַֹח ְשׁלָֹשׁה ָבִנים ֶאת- ֵשׁם ֶאת - ָחם ְוֶאת - ָיֶפת ." “These are the chronicles of Noach: Noah was a righteous man, faultless in his generation. Noach walked with Hashem. Noach fathered three sons: Shem, Cham, and Yafes.” 2 Rashi explains [that the verse begins by mentioning Noach’s offspring and concludes with his praise 3] because the verse’s mention of Noach is a The“—”ֵזֶכר ַצִדּיק , ִלְבָרָכה “ ,recounting of his his praise. As we find in the verse mention [or memory] of a tzaddik is a blessing.”4 Or this is to teach that the main progeny of the righteous is their good deeds. The Three Sons of Noach The Zohar teaches that the three children of Noach have divergent spiritual sources. The source of Shem is the right side, Cham is sourced in the left and Yafes is sourced in the middle path, which is a blend of both right and 1 This lesson was delivered at the third meal of Shabbos. 2 Bereishis 6:9-10 3 Gur Aryeh , ad loc. -
Crystal Reports Activex Designer
Quiz List—Reading Practice Page 1 Printed Wednesday, March 18, 2009 2:36:33PM School: Churchland Academy Elementary School Reading Practice Quizzes Quiz Word Number Lang. Title Author IL ATOS BL Points Count F/NF 9318 EN Ice Is...Whee! Greene, Carol LG 0.3 0.5 59 F 9340 EN Snow Joe Greene, Carol LG 0.3 0.5 59 F 36573 EN Big Egg Coxe, Molly LG 0.4 0.5 99 F 9306 EN Bugs! McKissack, Patricia C. LG 0.4 0.5 69 F 86010 EN Cat Traps Coxe, Molly LG 0.4 0.5 95 F 9329 EN Oh No, Otis! Frankel, Julie LG 0.4 0.5 97 F 9333 EN Pet for Pat, A Snow, Pegeen LG 0.4 0.5 71 F 9334 EN Please, Wind? Greene, Carol LG 0.4 0.5 55 F 9336 EN Rain! Rain! Greene, Carol LG 0.4 0.5 63 F 9338 EN Shine, Sun! Greene, Carol LG 0.4 0.5 66 F 9353 EN Birthday Car, The Hillert, Margaret LG 0.5 0.5 171 F 9305 EN Bonk! Goes the Ball Stevens, Philippa LG 0.5 0.5 100 F 7255 EN Can You Play? Ziefert, Harriet LG 0.5 0.5 144 F 9314 EN Hi, Clouds Greene, Carol LG 0.5 0.5 58 F 9382 EN Little Runaway, The Hillert, Margaret LG 0.5 0.5 196 F 7282 EN Lucky Bear Phillips, Joan LG 0.5 0.5 150 F 31542 EN Mine's the Best Bonsall, Crosby LG 0.5 0.5 106 F 901618 EN Night Watch (SF Edition) Fear, Sharon LG 0.5 0.5 51 F 9349 EN Whisper Is Quiet, A Lunn, Carolyn LG 0.5 0.5 63 NF 74854 EN Cooking with the Cat Worth, Bonnie LG 0.6 0.5 135 F 42150 EN Don't Cut My Hair! Wilhelm, Hans LG 0.6 0.5 74 F 9018 EN Foot Book, The Seuss, Dr. -
Screening in Perth Jiff.Com.Au
jiff.com.au Screening in Perth Sat 15 Nov Sun 23 Nov Events Cinemas, Innaloo 8.30pm – Gett, The Trial Of 12.30pm – Young Perez 57 Liege St, Viviane Amsalem 2.45pm – The Go Go Boys Innaloo 4.45pm – The Decent One ph: (08) 9446 8222 Sun 16 Nov 7.00pm – Above and Beyond www.eventscinemas.com.au 12.30pm – Run Boy Run 2.50pm – The Last Mentsch 5.00pm – Night Will Fall 7.00pm – The Farewell Party About The Films GETT, THE TRIAL OF VIVIANE Film producer Sydney Bernstein with THE GO-GO BOYS AMSALEM a team that included Alfred Hitchcock Tells the inside story of the late Directors Fortnight Cannes 2014, and began to make German Concentra- Menahem Golan and Yoram Globus, nominated for 12 Ophir Awards (Is- tion Camps Factual Survey from the who, together produced more than raeli Oscars), Gett is a contemporary footage. But the project was shelved, 300 films and founded the powerful exploration of divorce and long-term untouched, in the London Imperial independent film company, Cannon relationships in a rare insight into the War Museum. Night Will Fall, tells of Films, responsible for Israeli and rabbinical court and its treatment of how the project was finally, only this mainstream, Hollywood-blockbusters, women. year, released, in all its uncompromis- & action/exploitation hits, starring France, Germany, Israel / 2014 / ing detail. the likes of Chuck Norris, Jean-Claude 115 mins / Feature Israel, UK / 2014 / 90 mins / Van Damme and Charles Bronson. Documentary Screened at Cannes Classics 2014. RUN BOY RUN Israel / 2014 / 88 mins A superb film adaptation based on THE FAREWELL PARTY Uri Orlev’s 2004 novel about the A group of friends at a Jerusalem THE DECENT ONE survival of Yoram Friedman, Academy retirement home build a euthanasia Extraordinary, never-before-seen pri- Award-winning filmmaker Pepe machine to help a terminally ill friend. -
Enthroned As King Forever
Enthroned as King Forever Psalm 29:1 "A Psalm of David. Ascribe to the LORD, O heavenly beings, ascribe to the LORD glory and strength. 2 Ascribe to the LORD the glory due his name; worship the LORD in the splendor of holiness. 3 The voice of the LORD is over the waters; the God of glory thunders, the LORD, over many waters. 4 The voice of the LORD is powerful; the voice of the LORD is full of majesty. 5 The voice of the LORD breaks the cedars; the LORD breaks the cedars of Lebanon. 6 He makes Lebanon to skip like a calf, and Sirion like a young wild ox. 7 The voice of the LORD flashes forth flames of fire. 8 The voice of the LORD shakes the wilderness; the LORD shakes the wilderness of Kadesh. 9 The voice of the LORD makes the deer give birth and strips the forests bare, and in his temple all cry, "Glory!" 10 The LORD sits enthroned over the flood; the LORD sits enthroned as king forever. 11 May the LORD give strength to his people! May the LORD bless his people with peace! Psalm 29 © Reformed Baptist Church of Northern Colorado and Pastor Doug Van Dorn 1 All Rights Reserved Modern Storm, Ancient Storm LATE NOVEMBER, 2016. A cell of four ISIS militants on the Syrian side of the border just east of the Golan Heights—the sight of the famous Six-Days war, itself marked by bizarre happenings that those involved, including a friend of mine who was there, say displayed the hand of God—opened fire on an IDF patrol of Israeli soldiers. -
AN ANGEL in HELL: ARTUR BRAUNER and the ATTEMPT to MAKE a GERMAN OSKAR- SCHINDLER-BIOPIC Peter Krämer
AN ANGEL IN HELL: ARTUR BRAUNER AND THE ATTEMPT TO MAKE A GERMAN OSKAR- SCHINDLER-BIOPIC Peter Krämer University of East Anglia, UK Abstract Film Studies tends to deal only with film projects that have been completed and pays particular attention to the work of directors, thus largely ignoring the fact that the vast majority of attempts to make movies fail, and marginalising the crucial role played by scriptwriters and producers in the initiation and development of flm projects. To counter this tendency, this essay examines the unsuccessful attempt, between the 1970s and the early 1990s, of Artur Brauner, one of the leading producers in postwar (West) Germany, to make a biopic about Oskar Schindler. Like the Jewish workers rescued by Schindler, Brauner is a Jewish Holocaust survivor from Poland whose career as a producer has combined mainstream entertainment movies with flms about the Third Reich and especially about the Holocaust. The essay explores the full range of his activities as a producer on the Schindler biopic – ranging from script development and fnancing to negotiations with actors and directors; highlights their transnational dimensions (through the involvement of personnel and co- production partners from France, the UK, Israel, the US, Poland, and the Soviet Union); and explores the refusal of (West) German funding bodies to support this project. Keywords: Artur Brauner, Oskar Schindler, unrealised flm projects, pro- ducers, flm funding. Bu çalışma 18 Aralık 2017 tarihinde sinecine dergisine ulaşmış; 06 Mart 2018 tarihinde kabul almıştır. Krämer, P. (2018). An Angel in Hell: Artur Brauner and The Attempt to Make a German Oskar-Schindler-Biopic. -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE -
Israelis Look at Poles Via the Lens of the Cine -Camera
„Narracje o Zagładzie” 2018, nr 4 ISSN 2450 -4424 (wersja drukowana) ISSN 2451- 2133 (wersja elektroniczna) DOI: 10.31261/NoZ.2018.04.08 Ela Bauer ORCID: 0000-0002-9755-4389 Media & Film Department, Kibbutzim College in Tel Aviv Israelis Look at Poles via the Lens of the Cine -Camera The ways in which the Holocaust is represented in Israeli cinema is discussed in a rich corpus of research. Nurith Gertz, Yael Munk, Ilan Avisar, Yosefa Lo- shitzky, Moshe Zimmerman, and Liat Steir -Livny point to the relatively wide spectrum of themes, processes, and points of view in which the Holocaust is presented in Israeli cinema.1 According to these studies, from 1946 until early 1960s, the Holocaust was presented in Israeli films almost exclusively via the lens of Zionism and the formation of the State of Israel. The personal trauma was presented only through the prism of Jewish national trauma.2 Europe was presented in dark settings, while the Israeli landscapes were bright.3 The arrival of the survivors – first to Palestine and after May 1948 to the State of Israel – was presented as a salvation, and the State of Israel was presented as the only place where the survivors could recover. However, this successful “healing” could happen only if the survivors left behind their pasts and became Israelis.4 This perspective can be found, for example, in Dima’t HaNehamah (The Great Prom 1 Among these works, see: I. Avisar: Screening the Holocaust: Cinema’s Images of the Unim aginable. Indiana 1988; N. Gertz: Makhela Akhere: Nitzolei Sho’ah, Zarim Va’akherim Basiporet Hayisra’elit. -
Ideological, Dystopic, and Antimythopoeic Formations of Masculinity in the Vietnam War Film Elliott Stegall
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2014 Ideological, Dystopic, and Antimythopoeic Formations of Masculinity in the Vietnam War Film Elliott Stegall Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES IDEOLOGICAL, DYSTOPIC, AND ANTIMYTHOPOEIC FORMATIONS OF MASCULINITY IN THE VIETNAM WAR FILM By ELLIOTT STEGALL A Dissertation submitted to the Program in Interdisciplinary Humanities in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2014 Elliott Stegall defended this dissertation on October 21, 2014. The members of the supervisory committee were: John Kelsay Professor Directing Dissertation Karen Bearor University Representative Kathleen Erndl Committee Member Leigh Edwards Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii ACKNOWLEDGEMENTS I am most grateful for my wife, Amanda, whose love and support has made all of this possible; for my mother, a teacher, who has always been there for me and who appreciates a good conversation; to my late father, a professor of humanities and religion who allowed me full access to his library and record collection; and, of course, to the professors who have given me their insight and time. iii TABLE OF CONTENTS List of Figures................................................................................................................................. v Abstract………………………………………………………………………………………...... vi 1. VIETNAM MOVIES, A NEW MYTHOS OF THE MASCULINE......................................... 1 2. DISPELLING FILMIC MYTHS OF THE VIETNAM WAR……………………………... 24 3. IN DEFENSE OF THE GREEN BERETS ……………………………………………….....