Lyric Vision: an Introduction 1 Anastasia-Erasmia Peponi

Total Page:16

File Type:pdf, Size:1020Kb

Lyric Vision: an Introduction 1 Anastasia-Erasmia Peponi The Look of Lyric: Greek Song and the Visual Mnemosyne Supplements monographs on greek and latin language and literature Executive Editor G.J. Boter (vu University Amsterdam) Editorial Board A. Chaniotis (Oxford) K.M. Coleman (Harvard) I.J.F. de Jong (University of Amsterdam) T. Reinhardt (Oxford) volume 391 The titles published in this series are listed at brill.com/mns The Look of Lyric: Greek Song and the Visual Studies in Archaic and Classical Greek Song, vol. 1 Edited by Vanessa Cazzato André Lardinois With an Introduction by Anastasia-Erasmia Peponi leiden | boston This is an open access title distributed under the terms of the Creative Commons Attribution-Noncommercial 3.0 Unported (cc-by-nc 3.0) License, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. Library of Congress Cataloging-in-Publication Data Names: Cazzato, Vanessa, 1977- editor. | Lardinois, A. P. M. H., editor. Title: The look of lyric : Greek song and the visual. Studies in archaic and classical Greek song / edited by Vanessa Cazzato, Andre Lardinois ; with an introduction by Anastasia-Erasmia Peponi. Other titles: Mnemosyne, bibliotheca classica Batava. Supplementum ; v. 391. Description: Leiden ; Boston : BRILL, 2016- | Series: Mnemosyne. Supplements ; volume 391 | Includes bibliographical references and index. Identifiers: LCCN 2016004344 (print) | LCCN 2016005703 (ebook) | ISBN 9789004311633 ((hardback) : alk. paper) | ISBN 9789004314849 ((e-book)) Subjects: LCSH: Greek poetry–History and criticism. | Greek drama–History and criticism. Classification: LCC PA3110 .L66 2016 (print) | LCC PA3110 (ebook) | DDC 884/.0109–dc23 LC record available at http://lccn.loc.gov/2016004344 Want or need Open Access? Brill Open offers you the choice to make your research freely accessible online in exchange for a publication charge. Review your various options on brill.com/brill-open. Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface. issn 0169-8958 isbn 978-90-04-31163-3 (hardback) isbn 978-90-04-31484-9 (e-book) Copyright 2016 by the Editors and Authors. This work is published by Koninklijke Brill nv. Koninklijke Brill nv incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi and Hotei Publishing. Koninklijke Brill NV reserves the right to protect the publication against unauthorized use and to authorize dissemination by means of offprints, legitimate photocopies, microform editions, reprints, translations, and secondary information sources, such as abstracting and indexing services including databases. Requests for commercial re-use, use of parts of the publication, and/or translations must be addressed to Koninklijke Brill nv. This book is printed on acid-free paper and produced in a sustainable manner. Contents Preface vii List of Figures viii List of Contributors x 1 Lyric Vision: An Introduction 1 Anastasia-Erasmia Peponi 2 Political and Dramatic Perspectives on Archaic Sculptures: Bacchylides’Fourth Dithyramb (Ode 18) and the Treasury of the Athenians in Delphi 16 Lucia Athanassaki 3 The Fight of Telephus: Poetic Visions behind the Pergamon Frieze 50 Laura Lulli 4 Choral Performance and Geometric Patterns in Epic Poetry and Iconographic Representations 69 Jesús Carruesco 5 Making Monkeys: Archilochus frr. 185–187 w. in Performance 108 Deborah Steiner 6 Observing Genre in Archaic Greek Skolia and Vase-Painting 146 Gregory S. Jones 7 ‘Glancing Seductively through Windows’: The Look of Praxilla fr. 8 (pmg 754) 185 Vanessa Cazzato 8 How to Construct a Sympotic Space with Words 204 Jenny Strauss Clay 9 Turning Sound into Sight in the Chorus’ Entrance Song of Aeschylus’ Seven against Thebes 217 Caroline Trieschnigg vi contents 10 Light and Vision in Pindar’s Olympian Odes: Interplays of Imagination and Performance 238 Michel Briand 11 Visual Imagery in Parthenaic Song 255 Laura Swift 12 The Amorous Gaze: A Poetic and Pragmatic Koinê for Erotic Melos? 288 Claude Calame 13 Visualizing the Cologne Sappho: Mental Imagery through Chorality, the Sun, and Orpheus 307 Anton Bierl 14 Female Choruses and Gardens of Nymphs: Visualizing Chorality in Sappho 343 Katerina Ladianou 15 Imagining Images: Anacreontea 16 and 17 370 Ippokratis Kantzios Index 387 Preface This volume inaugurates a series within Brill’s Mnemosyne Supplements which records the proceedings of the conferences of the Network for the Study of Archaic and Classical Greek Song (http://greeksong.ruhosting.nl/). Three fur- ther volumes in the series are in preparation: on authorship and authority in Greek lyric poetry, on the reception and transmission of Greek lyric poetry from 600bc to 400ad, and on the newest Sappho fragments published in 2014 (P. Sapph. Obbink and P. GC inv. 105). The Network was founded in 2007 as a means of facilitating interaction between scholars interested in the study of archaic and classical lyric, elegiac, and iambic poetry. Most of the papers included here were originally presented at the first open conference of the Network, held on 17th–20th July 2009 at the European Cultural Centre of Del- phi. This was funded by the Netherlands Organization for Scientific Research (nwo) and Stanford University, and organised by Anastasia-Erasmia Peponi and Richard Martin. Theirs was the choice of theme, the formulation of the call for papers, and the initial selection of abstracts. The publication of the vol- ume was then planned by them jointly with André Lardinois and the papers underwent a process of peer reviewing at the hands of the ‘core members’ of the network as well as an anonymous reviewer for the Press. The final process of shaping the volume and editing the typescript for submission was under- taken by Vanessa Cazzato and André Lardinois, one of the network’s founders and the initiator of the series. Two students, Hendri Dekker and Marieke Grau- mans, helped with the preparation of the index. We would like to thank the Faculty of Arts of Radboud University for providing the funds which enabled this volume to be made available through Open Access. V.C. A.L. List of Figures 2.1 Reconstruction of the Athenian Treasury by A. Tournaire (1902) 21 2.2 Theseus and Procrustes or Sciron. Metope from the Athenian Treasury at Delphi, South Side, Archaeological Museum of Delphi 25 2.3 Theseus and Cercyon. Metope from the Athenian Treasury at Delphi, South Side, Archaeological Museum of Delphi 26 2.4 Athena and Theseus. Metope from the Athenian Treasury at Delphi. South Side, Archaeological Museum of Delphi 27 2.5 Display of the Metopes in the Delphi Archaeological Museum 28 2.6 Display of the Metopes in the Delphi Archaeological Museum, detail 29 3.1 Hiera, Telephus’ wife, against the Greek warriors, from the Pergamon Great Altar 61 3.2 Hiera’s funeral, from the Pergamon Great Altar 62 3.3 The death of two warriors, from the Pergamon Great Altar 63 3.4 The death of Aktaios, from the Pergamon Great Altar 64 3.5 The wounding of Telephus by Achilles, from the Pergamon Great Altar 65 4.1a Attic oinochoe, c. 740bc, from Dipylon 85 4.1b Inscription on Attic oinochoe, c. 740bc, from Dipylon 86 4.2 Corinthian aryballos, with representation of dance and inscription. c. 590–580bc 87 4.3 Argive crater (Late Geometric), from grave t45 in Argos 88 4.4 Attic crater (lg1b), c. 740bc, from Kerameikos 91 4.5 Attic chest (mg i) with model granaries 92 4.6 Attic pyxis (mg ii), c. 760–50bc 93 4.7 Late Geometric oinochoe, c. 750bc 94 4.8 Euboean lg crater from Cyprus by the Cesnola Painter 95 4.9 Attic crater (LGIb), c. 740b, from Dipylon 97 4.10 Oinochoe, c. 735–720bc. Boston 25.42, Richard Norton Memorial Fund 98 4.11 Kantharos. Boiotian. Late 8th century b.c. 99 4.12 Dancing warriors. lg cup 101 4.13 Boeotian lg pythoid jar, from Thebes 102 4.14 Couples dancing. Neck of Attic (epa) loutrophoros, by the Analatos Painter 103 4.15 Heracles and Triton. Attic Black figure kylix 104 4.16 Attic Red figure kylix 105 5.1 Terracotta kantharos with monkey face 129 5.2a Cup dated to circa 520 130 5.2b Cup dated to circa 520 131 list of figures ix 5.3 Terracotta figure vase of a monkey, ca 565–550 132 5.4a Corinthian oil flask 133 5.4b Corinthian oil flask 134 5.4c Corinthian oil flask 134 5.5 Red-figure hydria 135 5.6a Hydria depicting the Calydonian boar hunt 139 5.6b Hydria depicting the Calydonian boar hunt 140 6.1a Red-figure krater by Euphronios 171 6.1b Detail of red-figure krater by Euphronios 172 6.2a Red-figure kylix by the Epeleios Painter 176 6.2b Tondo of red-figure kylix by the Epeleios Painter (tondo) 178 7.1a Side a of unattributed red-figure kylix 189 7.1b Side b of unattributed red-figure kylix 190 7.1c Tondo of unattributed red-figure kylix 191 List of Contributors Lucia Athanassaki is Professor of Classical Philology at the University of Crete, Rethymnon. Her research interests focus on choral performance, its artistic context and its ideological and political agenda. Anton Bierl is Professor of Greek Literature at the University of Basel. His research inter- ests include Homeric epic, drama, song and performance culture, and the ancient novel. His books include Dionysos und die griechische Tragödie (1991); Die Orestie des Aischylos auf der modernen Bühne (1996); Der Chor in der Alten Komödie (2001; English second ed. Ritual and Performativity 2009). Michel Briand is Professor of Ancient Greek Language and Literature at the University of Poitiers. His research activities focus on archaic (especially melic) poetry, nar- rative fiction (the ancient novel and Lucian), and cultural and aesthetical issues such as the role of dance or the relation of text and image.
Recommended publications
  • Who Freed Athens? J
    Ancient Greek Democracy: Readings and Sources Edited by Eric W. Robinson Copyright © 2004 by Blackwell Publishing Ltd The Beginnings of the Athenian Democracv: Who Freed Athens? J Introduction Though the very earliest democracies lildy took shape elsewhere in Greece, Athens embraced it relatively early and would ultimately become the most famous and powerful democracy the ancient world ever hew. Democracy is usually thought to have taken hold among the Athenians with the constitutional reforms of Cleisthenes, ca. 508/7 BC. The tyrant Peisistratus and later his sons had ruled Athens for decades before they were overthrown; Cleisthenes, rallying the people to his cause, made sweeping changes. These included the creation of a representative council (bode)chosen from among the citizens, new public organizations that more closely tied citizens throughout Attica to the Athenian state, and the populist ostracism law that enabled citizens to exile danger- ous or undesirable politicians by vote. Beginning with these measures, and for the next two centuries or so with only the briefest of interruptions, democracy held sway at Athens. Such is the most common interpretation. But there is, in fact, much room for disagree- ment about when and how democracy came to Athens. Ancient authors sometimes refer to Solon, a lawgiver and mediator of the early sixth century, as the founder of the Athenian constitution. It was also a popular belief among the Athenians that two famous “tyrant-slayers,” Harmodius and Aristogeiton, inaugurated Athenian freedom by assas- sinating one of the sons of Peisistratus a few years before Cleisthenes’ reforms - though ancient writers take pains to point out that only the military intervention of Sparta truly ended the tyranny.
    [Show full text]
  • Online Library of Liberty: the Dialogues of Plato, Vol. 1
    The Online Library of Liberty A Project Of Liberty Fund, Inc. Plato, The Dialogues of Plato, vol. 1 [387 AD] The Online Library Of Liberty This E-Book (PDF format) is published by Liberty Fund, Inc., a private, non-profit, educational foundation established in 1960 to encourage study of the ideal of a society of free and responsible individuals. 2010 was the 50th anniversary year of the founding of Liberty Fund. It is part of the Online Library of Liberty web site http://oll.libertyfund.org, which was established in 2004 in order to further the educational goals of Liberty Fund, Inc. To find out more about the author or title, to use the site's powerful search engine, to see other titles in other formats (HTML, facsimile PDF), or to make use of the hundreds of essays, educational aids, and study guides, please visit the OLL web site. This title is also part of the Portable Library of Liberty DVD which contains over 1,000 books and quotes about liberty and power, and is available free of charge upon request. The cuneiform inscription that appears in the logo and serves as a design element in all Liberty Fund books and web sites is the earliest-known written appearance of the word “freedom” (amagi), or “liberty.” It is taken from a clay document written about 2300 B.C. in the Sumerian city-state of Lagash, in present day Iraq. To find out more about Liberty Fund, Inc., or the Online Library of Liberty Project, please contact the Director at [email protected].
    [Show full text]
  • Glossary Glossary
    Glossary Glossary Albedo A measure of an object’s reflectivity. A pure white reflecting surface has an albedo of 1.0 (100%). A pitch-black, nonreflecting surface has an albedo of 0.0. The Moon is a fairly dark object with a combined albedo of 0.07 (reflecting 7% of the sunlight that falls upon it). The albedo range of the lunar maria is between 0.05 and 0.08. The brighter highlands have an albedo range from 0.09 to 0.15. Anorthosite Rocks rich in the mineral feldspar, making up much of the Moon’s bright highland regions. Aperture The diameter of a telescope’s objective lens or primary mirror. Apogee The point in the Moon’s orbit where it is furthest from the Earth. At apogee, the Moon can reach a maximum distance of 406,700 km from the Earth. Apollo The manned lunar program of the United States. Between July 1969 and December 1972, six Apollo missions landed on the Moon, allowing a total of 12 astronauts to explore its surface. Asteroid A minor planet. A large solid body of rock in orbit around the Sun. Banded crater A crater that displays dusky linear tracts on its inner walls and/or floor. 250 Basalt A dark, fine-grained volcanic rock, low in silicon, with a low viscosity. Basaltic material fills many of the Moon’s major basins, especially on the near side. Glossary Basin A very large circular impact structure (usually comprising multiple concentric rings) that usually displays some degree of flooding with lava. The largest and most conspicuous lava- flooded basins on the Moon are found on the near side, and most are filled to their outer edges with mare basalts.
    [Show full text]
  • Resounding Mysteries: Sound and Silence in the Eleusinian Soundscape
    Body bar (print) issn 2057–5823 and bar (online) issn 2057–5831 Religion Article Resounding mysteries: sound and silence in the Eleusinian soundscape Georgia Petridou Abstract The term ‘soundscape’, as coined by the Canadian composer R. Murray Schafer at the end of the 1960s, refers to the part of the acoustic environment that is per- ceivable by humans. This study attempts to reconstruct roughly the Eleusinian ‘soundscape’ (the words and the sounds made and heard, and those others who remained unheard) as participants in the Great Mysteries of the two Goddesses may have perceived it in the Classical and post-Classical periods. Unlike other mystery cults (e.g. the Cult of Cybele and Attis) whose soundscapes have been meticulously investigated, the soundscape of Eleusis has received relatively little attention, since the visual aspect of the Megala Mysteria of Demeter and Kore has for decades monopolised the scholarly attention. This study aims at putting things right on this front, and simultaneously look closely at the relational dynamic of the acoustic segment of Eleusis as it can be surmised from the work of well-known orators and philosophers of the first and second centuries ce. Keywords: Demeter; Eleusis; Kore; mysteries; silence; sound; soundscape Affiliation University of Liverpool, UK. email: [email protected] bar vol 2.1 2018 68–87 doi: https://doi.org/10.1558/bar.36485 ©2018, equinox publishing RESOUNDING MYSTERIES: SOUND AND SILENCE IN THE ELEUSINIAN SOUNDSCAPE 69 Sound, like breath, is experienced as a movement of coming and going, inspiration and expiration. If that is so, then we should say of the body, as it sings, hums, whistles or speaks, that it is ensounded.
    [Show full text]
  • Tensions in the Greek Symposium Julia Burns Submitted in Fulfillment
    Conflicting Desires and Unstable Identities: Tensions in the Greek Symposium Julia Burns Submitted in Fulfillment of the Prerequisite for Honors in Classical Studies May 2013 ©2013 Julia Burns I. Introduction The Greek symposium, or private drinking party, was a formal context for the consumption of wine, often accompanied by the enactment of ritual activities or other associated forms of entertainment.1 The tradition of symposia seems to have evolved from group feasts in the Archaic period and from the traditional gathering of hetaireiai in the late Archaic period.2 Generally, men would congregate in the andron of a private home and recline on kline for a night of drinking, singing or poetry composition, discussion, or other games.3 While meals that shared aspects of the Archaic symposium were held in public spaces in Athens by the fifth century, symposia remained the preserve of the elites: the aristocracy had a monopoly on sympotic symbolic capital, despite any popularizing elements of polis-wide feasting.4 The term “symposium” is often used synecdochically for the series of ritual activities that takes place over the course of a single gathering; however, it more accurately relates to the time when wine was consumed during a private party. If food was prepared before the drinking began, this meal, the deipnon, was a distinct and separate ritual element of the party.5 After the consumption of food, a hymn was sung in honor of the gods and libations were poured. At this point, the master of ceremonies, called the symposiarch, would decide the proper ratio at which 1 I would like to thank Kate Gilhuly for her support and invaluable comments on drafts of this paper.
    [Show full text]
  • Gender Differences in the Personal Pronouns Usage on the Corpus of Congressional Speeches
    jrds (print) issn 2052-417x jrds (online) issn 2052-4188 Article Gender differences in the personal pronouns usage on the corpus of congressional speeches Dragana Bozic Lenard Abstract Gender differences in language have been extensively investigated by sociolinguists since the 1960s. This paper aimed to study gender differences in the personal pro- nouns usage on the corpus of the 113th United States Congress. All uninterrupted speeches (672 by women and 3,655 by men) whose transcripts were downloaded from the official repository Thomas were analyzed with the text analysis software Linguistic Inquiry and Word Count calculating the degree to which the politicians use personal pronouns. In addition, the computational analysis results were further analyzed with the software for statistical analysis SPSS. The quantitative analysis results pointed to minor statistically significant gender differences in the personal pronouns usage. However, the qualitative analysis showed more subtle gender differ- ences pointing to linguistic changes in stereotypization. Keywords: congressional speeches; gender differences; LIWC; SPSS; personal pronouns 1. Introduction Language is one of the most important means of humans’ expression of thoughts. Guided by thoughts, choices people make in the forms of expres- sion can be paralleled to their perception of things from the real world and consequently the way they express themselves about those things. Hence, two people may be speaking about the same thing with their descriptions being Affiliation University of Osijek, Osijek, Croatia. email: [email protected] jrds vol 3.2 2016 161–188 https://doi.org/10.1558/jrds.30111 ©2017, equinox publishing 162 Gender differences in personal pronouns usage utterly unrelated.
    [Show full text]
  • DMAAC – February 1973
    LUNAR TOPOGRAPHIC ORTHOPHOTOMAP (LTO) AND LUNAR ORTHOPHOTMAP (LO) SERIES (Published by DMATC) Lunar Topographic Orthophotmaps and Lunar Orthophotomaps Scale: 1:250,000 Projection: Transverse Mercator Sheet Size: 25.5”x 26.5” The Lunar Topographic Orthophotmaps and Lunar Orthophotomaps Series are the first comprehensive and continuous mapping to be accomplished from Apollo Mission 15-17 mapping photographs. This series is also the first major effort to apply recent advances in orthophotography to lunar mapping. Presently developed maps of this series were designed to support initial lunar scientific investigations primarily employing results of Apollo Mission 15-17 data. Individual maps of this series cover 4 degrees of lunar latitude and 5 degrees of lunar longitude consisting of 1/16 of the area of a 1:1,000,000 scale Lunar Astronautical Chart (LAC) (Section 4.2.1). Their apha-numeric identification (example – LTO38B1) consists of the designator LTO for topographic orthophoto editions or LO for orthophoto editions followed by the LAC number in which they fall, followed by an A, B, C or D designator defining the pertinent LAC quadrant and a 1, 2, 3, or 4 designator defining the specific sub-quadrant actually covered. The following designation (250) identifies the sheets as being at 1:250,000 scale. The LTO editions display 100-meter contours, 50-meter supplemental contours and spot elevations in a red overprint to the base, which is lithographed in black and white. LO editions are identical except that all relief information is omitted and selenographic graticule is restricted to border ticks, presenting an umencumbered view of lunar features imaged by the photographic base.
    [Show full text]
  • HYPERBOREANS Myth and History in Celtic-Hellenic Contacts Timothy P.Bridgman HYPERBOREANS MYTH and HISTORY in CELTIC-HELLENIC CONTACTS Timothy P.Bridgman
    STUDIES IN CLASSICS Edited by Dirk Obbink & Andrew Dyck Oxford University/The University of California, Los Angeles A ROUTLEDGE SERIES STUDIES IN CLASSICS DIRK OBBINK & ANDREW DYCK, General Editors SINGULAR DEDICATIONS Founders and Innovators of Private Cults in Classical Greece Andrea Purvis EMPEDOCLES An Interpretation Simon Trépanier FOR SALVATION’S SAKE Provincial Loyalty, Personal Religion, and Epigraphic Production in the Roman and Late Antique Near East Jason Moralee APHRODITE AND EROS The Development of Greek Erotic Mythology Barbara Breitenberger A LINGUISTIC COMMENTARY ON LIVIUS ANDRONICUS Ivy Livingston RHETORIC IN CICERO’S PRO BALBO Kimberly Anne Barber AMBITIOSA MORS Suicide and the Self in Roman Thought and Literature Timothy Hill ARISTOXENUS OF TARENTUM AND THE BIRTH OF MUSICOLOGY Sophie Gibson HYPERBOREANS Myth and History in Celtic-Hellenic Contacts Timothy P.Bridgman HYPERBOREANS MYTH AND HISTORY IN CELTIC-HELLENIC CONTACTS Timothy P.Bridgman Routledge New York & London Published in 2005 by Routledge 270 Madison Avenue New York, NY 10016 http://www.routledge-ny.com/ Published in Great Britain by Routledge 2 Park Square Milton Park, Abingdon Oxon OX14 4RN http://www.routledge.co.uk/ Copyright © 2005 by Taylor & Francis Group, a Division of T&F Informa. Routledge is an imprint of the Taylor & Francis Group. This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photo copying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
    [Show full text]
  • The Use of Personal Pronouns in Political Speeches a Comparative Study of the Pronominal Choices of Two American Presidents
    School of Language and Literature G3, Bachelors’ Course English Linguistics Course Code: 2EN10E Supervisor: Ibolya Maricic Credits: 15 Examiner: Charlotte Hommerberg Date: May 28, 2012 The Use of Personal Pronouns in Political Speeches A comparative study of the pronominal choices of two American presidents Jessica Håkansson ! !"#$%&'$( The study investigates the pronominal choices made by George W Bush and Barack Obama in their State of the Union speeches. The main focus of the study is on determining whom the two presidents refer to when they use the pronouns I, you, we and they, and to compare the differences in pronominal usage by the two presidents. The results suggest that the pronominal choices of the presidents do not differ significantly. The results also indicate that the pronoun I is used when the speaker wants to speak as an individual rather than as a representative of a group. You is used both as generic pronoun as well as a way for the President to speak to the Congress, without speaking on their behalf. The pronoun we is used to invoke a sense of collectivity and to share responsibility, in most cases it refers to the President and the Congress. They is used to separate self from other; whom the speaker refers to while using they varied greatly between the speakers. The study also showed that the pronominal choices and whom the pronouns refer to vary greatly depending on the context of the speech. Since a great deal of studies on pronominal choices in political interviews and debates already exist, this study can be regarded as significant because it deals with prepared speeches rather than interviews and debates.
    [Show full text]
  • Determining the Significance of Alliance Athologiesp in Bipolar Systems: a Case of the Peloponnesian War from 431-421 BCE
    Wright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2016 Determining the Significance of Alliance athologiesP in Bipolar Systems: A Case of the Peloponnesian War from 431-421 BCE Anthony Lee Meyer Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the International Relations Commons Repository Citation Meyer, Anthony Lee, "Determining the Significance of Alliance Pathologies in Bipolar Systems: A Case of the Peloponnesian War from 431-421 BCE" (2016). Browse all Theses and Dissertations. 1509. https://corescholar.libraries.wright.edu/etd_all/1509 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. DETERMINING THE SIGNIFICANCE OF ALLIANCE PATHOLOGIES IN BIPOLAR SYSTEMS: A CASE OF THE PELOPONNESIAN WAR FROM 431-421 BCE A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts By ANTHONY LEE ISAAC MEYER Dual B.A., Russian Language & Literature, International Studies, Ohio State University, 2007 2016 Wright State University WRIGHT STATE UNIVERSITY SCHOOL OF GRADUATE STUDIES ___April 29, 2016_________ I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Anthony Meyer ENTITLED Determining the Significance of Alliance Pathologies in Bipolar Systems: A Case of the Peloponnesian War from 431-421 BCE BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts. ____________________________ Liam Anderson, Ph.D.
    [Show full text]
  • The Common Wine Cult of Christ and the Orphic Dionysos: the Wine and Vegetation Saviour Deity Dionysos As Model for the Dying and Rising Christ
    REL 4990, MA thesis. Culture and Ideas, History of Religion. Autumn 2010. Maritha E. Gebhardt. Page: 1 The common wine cult of Christ and the Orphic Dionysos: the wine and vegetation saviour deity Dionysos as model for the dying and rising Christ. MA Thesis, Master's Programme in Culture and Ideas, History of Religion, Department of Culture and Oriental Languages, Autumn 2010, by Maritha Elin Gebhardt. Synopsis: In 2005 the Hebrew University Excavation Project unearthed a small incense burner from the fourth century C.E. in the Jewish capital of the Galilee, Sepphoris, depicting a crucified figure, Bacchic satyrs and maenads, and the Christian representation of the sacrifice of Isaac in symbolic form as a ram caught in the thicket of a bush. Five years later the book Orphism and Christianity in Late Antiquity, by Herrero de Jáuregui, refers to two large funerary cloths, one depicts a Dionysiac scene similar to the murals from the Villa dei Misteri and the other one show scenes from the life of Jesus and Mary, both found in the same tomb in Egypt. Both of these depictions testify to the continued syncretism of the Orphic and the Christian symbols and that people in the Hellenistic era found the figure of Christ similar to the Bacchic Orpheus. In my thesis I claim that the dying and rising saviour deity of Dionysos is the forerunner to the dying and rising saviour deity of Christ. I claim that I will prove this by showing that the cult of Christ is a wine cult. The epiphany of Jesus was as a human guest at a party, turning water into wine at the wedding-feast at Cana in John 2:1-11, likewise the epiphany of the wine-god Dionysos is in a similar scene as the Cana-miracle, where he turns water into wine (Achilleus Tatius' De Leucippes et Clitophontis amoribus 2.2:1-2.3:1).
    [Show full text]
  • From Kottabos to War in Aristophanes' Acharnians Ross Scaife
    SCAIFE, ROSS, From "Kottabos" to War in Aristophanes' "Acharnians" , Greek, Roman and Byzantine Studies, 33:1 (1992:Spring) p.25 From Kottabos to War In Aristophanes' Acharnians Ross Scaife r THE CENTER of a much-discussed speech in Acharnians ~(524-29), Aristophanes makes Dicaeopolis present the fol­ lowing aetiology of the Peloponnesian War: certain young Athenians, who were J.l(81)o01(o't'tu~ol-drunk from playing kottabos at a symposium-went to Megara and stole a whore named Simaitha. Then in turn the Megarians, whom Dicaeopolis describes as 7t£<puoryyroJ.l£vol-inflamed like fighting cocks from eating too much garlic-came to Athens and stole two whores from the brothel of Aspasia. So although there had been tit for tat, it was the Athenians who started the war, and somehow it was a game of kottabos that provoked them to vent their animal instincts so fatefully.l Elsewhere Aristophanes treats this game as just one among the many lighthearted diversions that his characters typically en­ joy, and thus as quite lacking any menacing aspect. At Pax 339-45, Trygaeus tries to restrain the Chorus by reminding them of the pleasures that a little more patience will soon bring them: a'A'A' o'tuv 'Aa~roJ.l£v U'\hftv, 't11VlKUU'tU xuip£'t£ KUt ~u't£ KUt y£'Au't'· 11- 811 yap £~£o'tat 'toe' UJ.ltV 7tAEtV J.l£VElV ~tv£'iv Ku8£1J8Elv, £~ 7tuv11yUPEt~ 8£rop£tv, EO'ttuo8ul Ko't'tu~i~Etv, 1 For Aristophanes' literary debts in this passage see J.
    [Show full text]