All Things to All Men: Representations of the Apostle Paul in Anglo-Saxon Literature
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Saint Patrick: Issues of Translation & His Enduring
SAINT PATRICK: ISSUES OF TRANSLATION & HIS ENDURING PASTORAL MESSAGE A dissertation submitted to the Caspersen School of Graduate Studies Drew University in partial fulfillment of The requirements for the degree, Doctor of Letters Christina Isabella McGrath Drew University Madison, New Jersey May 2021 Copyright © 2021 by Christina Isabella McGrath All Rights Reserved Abstract Saint Patrick: Issues of Translation and His Enduring Pastoral Message Doctor of Letters Dissertation by Christina Isabella McGrath The Caspersen School of Graduate Studies Drew University May 2021 This dissertation attempts to discover the reason(s) for the worldwide interest in Saint Patrick of Ireland by focusing on the numerous translations of his two writings, the Confessio (The Confession of Saint Patrick) and the Epistola (The Letter to the Soldiers of Coroticus). By analyzing seven specific twentieth century translations of the saint’s fifth century writings, the reader will discern subtle differences in each end product, leading to a unique message from Patrick. Working with the assertions that every translation is a political act of some kind and that the translator becomes part of the translation, specific passages from the saint’s writings are examined and discussed through the lens of translation theory along with survey responses from accessible translators. After delving into Patrician scholarship, the historical sources presenting Saint Patrick’s letters have been called into question, due to the personal agendas and biases of his seventh century biographers. Over the past 1500 years, both political and religious factions have usurped him for their own agendas. The end result of this exploration led to the discovery of a man who went to the end of his world to preach the Gospel, to convert the Irish to Christianity, and to share the love of his God with the place and people who once enslaved him. -
Paschasius Radbertus and the Song of Songs
chapter 6 “Love’s Lament”: Paschasius Radbertus and the Song of Songs The Song of Songs was understood by many Carolingian exegetes as the great- est, highest, and most obscure of Solomon’s three books of wisdom. But these Carolingian exegetes would also have understood the Song as a dialogue, a sung exchange between Christ and his church: in fact, as the quintessential spiritual song. Like the liturgy of the Eucharist and the divine office, the Song of Songs would have served as a window into heavenly realities, offering glimpses of a triumphant, spotless Bride and a resurrected, glorified Bridegroom that ninth- century reformers’ grim views of the church in their day would have found all the more tantalizing. For Paschasius Radbertus, abbot of the great Carolingian monastery of Corbie and as warm and passionate a personality as Alcuin, the Song became more than simply a treasury of imagery. In this chapter, I will be examining Paschasius’s use of the Song of Songs throughout his body of work. Although this is necessarily only a preliminary effort in understanding many of the underlying themes at work in Paschasius’s biblical exegesis, I argue that the Song of Songs played a central, formative role in his exegetical imagina- tion and a structural role in many of his major exegetical works. If Paschasius wrote a Song commentary, it has not survived; nevertheless, the Song of Songs is ubiquitous in the rest of his exegesis, and I would suggest that Paschasius’s love for the Song and its rich imagery formed a prism through which the rest of his work was refracted. -
Outlaw: Wilderness and Exile in Old and Middle
THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Sarah Michelle Haughey August 2011 © 2011 Sarah Michelle Haughey THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE Sarah Michelle Haughey, Ph. D. Cornell University 2011 This dissertation, The ‘Bestli’ Outlaw: Wilderness and Exile in Old and Middle English Literature explores the reasons for the survival of the beast-like outlaw, a transgressive figure who highlights tensions in normative definitions of human and natural, which came to represent both the fears and the desires of a people in a state of constant negotiation with the land they inhabited. Although the outlaw’s shelter in the wilderness changed dramatically from the dense and menacing forests of Anglo-Saxon England to the bright, known, and mapped greenwood of the late outlaw romances and ballads, the outlaw remained strongly animalistic, other, and liminal, in strong contrast to premodern notions of what it meant to be human and civilized. I argue that outlaw narratives become particularly popular and poignant at moments of national political and ecological crisis—as they did during the Viking attacks of the Anglo-Saxon period, the epoch of intense natural change following the Norman Conquest, and the beginning of the market revolution at the end of the Middle Ages. Figures like the Anglo-Saxon resistance fighter Hereward, the exiled Marcher lord Fulk Fitz Waryn, and the brutal yet courtly Gamelyn and Robin Hood, represent a lost England imagined as pristine and forested. -
Mapping Mission As Translation with Reference to Michael Polanyi's
Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk Haney, Richard L. (2014) Mapping mission as translation with reference to Michael Polanyi’s heuristic philosophy. PhD thesis, Middlesex University. [Thesis] Final accepted version (with author’s formatting) This version is available at: https://eprints.mdx.ac.uk/13666/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated. -
Breaking Bad and Cinematic Television
temp Breaking Bad and Cinematic Television ANGELO RESTIVO Breaking Bad and Cinematic Television A production of the Console- ing Passions book series Edited by Lynn Spigel Breaking Bad and Cinematic Television ANGELO RESTIVO DUKE UNIVERSITY PRESS Durham and London 2019 © 2019 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Typeset in Warnock and News Gothic by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data Names: Restivo, Angelo, [date] author. Title: Breaking bad and cinematic television / Angelo Restivo. Description: Durham : Duke University Press, 2019. | Series: Spin offs : a production of the Console-ing Passions book series | Includes bibliographical references and index. Identifiers: LCCN 2018033898 (print) LCCN 2018043471 (ebook) ISBN 9781478003441 (ebook) ISBN 9781478001935 (hardcover : alk. paper) ISBN 9781478003083 (pbk. : alk. paper) Subjects: LCSH: Breaking bad (Television program : 2008–2013) | Television series— Social aspects—United States. | Television series—United States—History and criticism. | Popular culture—United States—History—21st century. Classification: LCC PN1992.77.B74 (ebook) | LCC PN1992.77.B74 R47 2019 (print) | DDC 791.45/72—dc23 LC record available at https: // lccn.loc.gov/2018033898 Cover art: Breaking Bad, episode 103 (2008). Duke University Press gratefully acknowledges the support of Georgia State University’s College of the Arts, School of Film, Media, and Theatre, and Creative Media Industries Institute, which provided funds toward the publication of this book. Not to mention that most terrible drug—ourselves— which we take in solitude. —WALTER BENJAMIN Contents note to the reader ix acknowledgments xi Introduction 1 1 The Cinematic 25 2 The House 54 3 The Puzzle 81 4 Just Gaming 116 5 Immanence: A Life 137 notes 159 bibliography 171 index 179 Note to the Reader While this is an academic study, I have tried to write the book in such a way that it will be accessible to the generally educated reader. -
Acknowledgements There Are a Number Ofpeople Whose Assistance
Acknowledgements There are a number ofpeople whose assistance and encouragement I must acknowledge with the sincerest gratitude and thanks: Professor C. Abbott Conway, McGill University provided me with guidance and encouragement over the past year and was exceedingly generous with his time, advice, and support regarding scholarship and career direction; he also taught me the true importance of primary sources. Professor Dorothy A. Bray, McGill University, for a gentle and finn guiding hand during my time at McGill, and for telling me when to stop reading and start writing. Ruth Wehlau, PhD. (T('ronto) whose work provided the basis for so much of my own. My parents and my parents-in law: Victor and Jacqueline Solomon and Robert and Esther Luchinger whose material support allowed me to invest the time to devote myself to my studies. Liisa Stephenson whose friendship helped to keep me on an even keel through the difficult stages ofthe creative process. Jason Polley whose editorial advice was of timely assistance. This work and all else of value that I ever do I dedicate to my blessed and beloved wife Martina. John-Christian Solomon M.A. Thesis - Abstract Department of English McGill University August 2002 Thesis Title: Healdeo Trywa Wel: The English Christ Abstract: An exan1ination of extant historical and literary evidence for the purpose of questioning the standard paradigm of the "Germanization of Christianity". While the melding and inclusion of both Mediterranean and Teutonic elements in Anglo-Saxon poetry has been the subject of extensive research, until relatively recently, scholars have attributed this dynamic largely to a central manipulation of the Christian message by the Roman church with a view towards making it compatible with the societal mores of the (relatively) newly convt..rted Northern Europeans. -
© in This Web Service Cambridge University
Cambridge University Press 978-0-521-89754-9 - An Introduction to Medieval Theology Rik Van Nieuwenhove Index More information Index Abelard, Peter, 82, 84, 99–111, 116, 120 beatific vision, 41, 62, 191 Alain of Lille, 71 beatitude, 172, 195–96 Albert the Great, 171, 264 Beatrijs van Nazareth, 170 Alexander of Hales, 147, 211, 227 beguine movement, 170 allegory, 15, 43, 45, 47, 177 Benedict XII, Pope, 265 Amaury of Bène, 71 Benedict, St., 28–29, 42 Ambrose, 7, 10, 149 Berengar of Tours, 60, 83, 129, 160, see also amor ipse notitia est 51, 117, see love and knowledge Eucharist anagogy, 47 Bernard of Clairvaux, 79, 82, 100, 104, 110, 112–15, analogy, see univocity 147, 251 analogy in Aquinas, 182–85, 234, 235 critique of Abelard, 110–11 Anselm of Canterbury, 16, 30, 71, 78, 81, 83–98, on loving God, 112–14 204, 236 Boccaccio, Giovanni, 251 Anselm of Laon, 72, 99 Boethius, 29–33, 125, 137 Anthony, St., 27 Bonaventure, 34, 47, 123, 141, 146, 148, 170, 173, apophaticism, 8, 34, 271 176, 179, 211–24, 227, 228, 230, 232, 242, 243, Aquinas, 182–83 245, 254 Aquinas, 22, 24, 34, 47, 51, 72, 87, 89, 90, 133, 146, Boniface, Pope, 249 148, 151, 154, 164, 169, 171–210, 214, 225, 227, 230, 235, 236, 237, 238, 240, 241, 244, 246, Calvin, 14 254, 255, 257, 266 Carabine, Deirdre, 65 Arianism, 20, 21 Carthusians, 79 Aristotle, 9, 20, 29, 78, 84, 179, 181, 192, 195, 212, Cassian, John, 27–29, 47 213, 216, 223, 225, 226, 227, 229, 237, 254, Cassidorius, 124 267, 268 cathedral schools, 82, 169 Arts, 124, 222 Catherine of Siena, 251 and pedagogy (Hugh), 124–28 -
Saint Jordan of Bristol: from the Catacombs of Rome to College
THE BRISTOL BRANCH OF THE HISTORICAL ASSOCIATION LOCAL HISTORY PAMPHLETS SAINT JORDAN OF B�ISTOL: FROM THE CATACOMBS OF ROME Hon. General Editor: PETER HARRIS TO COLLEGE GREEN AT BRISTOL Assistant General Editor: NORMA KNIGHT Editorial Advisor: JOSEPH BETTEY THE CHAPEL OF ST JORDAN ON COLLEGE GREEN Intercessions at daily services in Bristol Cathedral conclude with the Saint Jordan of Bristol: from the Cataconibs of Rome to College Green at following act of commitment and memorial: Bristol is the one hundred and twentieth pamphlet in this series. We commit ourselves, one another and our whole life to Christ David Higgins was Head of the Department of Italian Studies at the our God ... remembering all who have gone before us in faith, and University of Bristol until retirement in 1995. His teaching and research in communion with Mary, the Apostles Peter and Paul, Augustine embraced the political, cultural and linguistic history of Italy in its and Jordan and all the Saints. Mediterranean and European contexts from the Late Roman Period to the Patron Saints of a city, as opposed to a country, are a matter of local Middle Ages, while his publications include Dante: The Divine Comedy choice and tradition - in England he or she is normally the patron saint (Oxford World's Classics 1993) as well as articles in archaeological journals of the city's Cathedral: St Paul (London), St Augustine (Canterbury), St Mary on the Roman and Anglo-Saxon periods of the Bristol area, and in this and St Ethelbert (Hereford); while St David of Wales and St Andrew of series The History of the Bristol Region in the Roman Period and The· Scotland gave their names to the cities in question. -
The Eccesiastical History of the English Nation (And Lives of Saints and Bishops) [1916]
The Online Library of Liberty A Project Of Liberty Fund, Inc. Saint Bede, The Eccesiastical History of the English Nation (and Lives of Saints and Bishops) [1916] The Online Library Of Liberty This E-Book (PDF format) is published by Liberty Fund, Inc., a private, non-profit, educational foundation established in 1960 to encourage study of the ideal of a society of free and responsible individuals. 2010 was the 50th anniversary year of the founding of Liberty Fund. It is part of the Online Library of Liberty web site http://oll.libertyfund.org, which was established in 2004 in order to further the educational goals of Liberty Fund, Inc. To find out more about the author or title, to use the site's powerful search engine, to see other titles in other formats (HTML, facsimile PDF), or to make use of the hundreds of essays, educational aids, and study guides, please visit the OLL web site. This title is also part of the Portable Library of Liberty DVD which contains over 1,000 books and quotes about liberty and power, and is available free of charge upon request. The cuneiform inscription that appears in the logo and serves as a design element in all Liberty Fund books and web sites is the earliest-known written appearance of the word “freedom” (amagi), or “liberty.” It is taken from a clay document written about 2300 B.C. in the Sumerian city-state of Lagash, in present day Iraq. To find out more about Liberty Fund, Inc., or the Online Library of Liberty Project, please contact the Director at [email protected]. -
Modus Operandi Films and High Point Media Group Present
Modus Operandi Films and High Point Media Group Present A film by Craig McCall Worldwide Sales: High Point Media Group Contact in Cannes: Residences du Grand Hotel, Cormoran II, 3 rd Floor: Tel: +33 (0) 4 93 38 05 87 London Contact: Tel: +44 20 7424 6870. Fax +44 20 7435 3281 [email protected] CAMERAMAN: The Life & Work of Jack Cardiff page 1 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN: The Life and Work of Jack Cardiff www.jackcardiff.com Contents: - Film Synopsis p 3 - 10 Facts About Jack p 4 - Jack Cardiff Filmography p 5 - Quotes about Jack p 6 - Director’s Notes p 7 - Interviewee’s p 8 - Bio’s of Key Crew p10 - Director's Q&A p14 - Credits p 19 CAMERAMAN: The Life & Work of Jack Cardiff page 2 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN : The Life and Work of Jack Cardiff A Documentary Feature Film Logline: Celebrating the remarkable nine decade career of legendary cinematographer, Jack Cardiff, who provided the canvas for classics like The Red Shoes and The African Queen . Short Synopsis: Jack Cardiff’s career spanned an incredible nine of moving picture’s first ten decades and his work behind the camera altered the look of films forever through his use of Technicolor photography. Craig McCall’s passionate film about the legendary cinematographer reveals a unique figure in British and international cinema. Long Synopsis: Cameraman illuminates a unique figure in British and international cinema, Jack Cardiff, a man whose life and career are inextricably interwoven with the history of cinema spanning nine decades of moving pictures' ten. -
The Alfred Jewel, an Historical Essay, Earle John, 1901
F — — ALFEED JEWEL. tAv£S 3JD-6/. THE — THJ!; ALFIiED JEWEL. TIMES. TO THE EDITOR OF THE TO THE EDITOR OF THE TIMES. have been treading it is oir -Where so many angels Sir, —Mr. Elworthy would appear to be incapable of hnmble student to ventnre in. &tm, apprehending " perhaps rmwise for a my particular predicament in this Five another guess at the \"^^he worth whUe to make o'clock tea" controversy over the " Al frcd Jewel " jewel. which simply is that the traces of Oriental truth about the Alfred influence to be Musgrave, a Fellow of the Royal observed in its form and decoration support Professor Since 1698, when Dr. the the first notice of the jewel m Earle's contention that it was meant to be worn on a Society, published Tnmsactions"(No 247) It has been helmet. Surely this very humble suggestion is deserving f< Sophi-l " have been (1) an amulet of some consideration, especially as the " Alfred Jewel en^.ested that the jewel may a pendant to a chaan or was fastened to whatever it was attached in the same Musgrave's suggestion) ; (2) mT " " " of a roller for a M.S. ; manner as the two parts—the knop" and the flower • or head (3) an umbilicus, collar book-pomter (5) the head of a ; —of the Mo(n)gol torn were, and are, fastened together. the' top of a stilus ; U) sceptre standard; (7) the head of a ; After Professor Earle's suggestion of the purpose of 6 the top of a xs tbe " for .Alfred's helmet. -
Saint Alban and the Cult of Saints in Late Antique Britain
Saint Alban and the Cult of Saints in Late Antique Britain Michael Moises Garcia Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Institute for Medieval Studies August, 2010 ii The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of Michael Moises Garcia to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. © 2010 The University of Leeds and Michael Moises Garcia iii Acknowledgements First and foremost, I must thank my amazing wife Kat, without whom I would not have been able to accomplish this work. I am also grateful to the rest of my family: my mother Peggy, and my sisters Jolie, Julie and Joelle. Their encouragement was invaluable. No less important was the support from my supervisors, Ian Wood, Richard Morris, and Mary Swan, as well as my advising tutor, Roger Martlew. They have demonstrated remarkable patience and provided assistance above and beyond the call of duty. Many of my colleagues at the University of Leeds provided generous aid throughout the past few years. Among them I must especially thcmk Thom Gobbitt, Lauren Moreau, Zsuzsanna Papp Reed, Alex Domingue, Meritxell Perez-Martinez, Erin Thomas Daily, Mark Tizzoni, and all denizens of the Le Patourel room, past and present.