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Hermitage celebrates their visual or other similarities and differences tenth anniversary with two grand in culture and period. The experience will incite visitors to adopt a more open-minded and attentive jubilee exhibitions attitude to art. The second part of the exhibition De schatkamer! 2 February – 25 August 2019 will be a fascinating peregrination through all the Jewels! 14 September 2019 – 15 March 2020 departments and collections of the State Hermitage. Treasury! is scheduled to run from 2 February to 25 In 2019 Hermitage Amsterdam celebrates the August 2019. tenth anniversary of its opening. The anniversary will be marked by a whole year of special events and activities, including not just one, but two major jubilee exhibitions: Treasury! and Jewels! Jewels! The Hermitage’s fabulous jewellery collection is one of its greatest treasures. Over the centuries it has become the repository of thousands of precious Treasury! pieces. In the autumn of 2019, hundreds of them Masterpieces from the Hermitage will travel to the to feature in Jewels! The jubilee year will start with Treasury! – a wide- Visitors will encounter flamboyant female rulers like ranging, kaleidoscopic overview of top pieces Elizabeth of and Catherine the Great, but also from the many different collections of the State grand dukes and noble families of the nineteenth Hermitage. The show is the result of meticulous and early twentieth century. They had their portraits preparation over a long period and will be a painted by leading artists and on special occasions glittering feast of 25,000 years of art history. they wore dazzling gowns and ensembles set off by The masterpieces on show will represent cultures carefully selected bijoux. Jewels were a statement of and movements extending in time from earliest identity and a demonstration of taste, breeding and prehistory right through to the 21st century. wealth. Occasionally, they might also be designed to provoke or contain hidden symbolism. They Visitors will experience an amazing journey through were ordered from European jewellery firms like time and space, covering half the planet, from the Boucheron or Cartier, master goldsmiths like Claude Netherlands to China and from northern Siberia Ballin or, of course, from Fabergé, Goldsmith by to Egypt. Hermitage Amsterdam is able to present Special Appointment to the Imperial Crown. The an exhibition of such wide geographical and art- exhibits will reflect the fashions of four centuries: historical scope thanks to its partnership with the baroque, rococo, neoclassical, empire and art State in St Petersburg. With nouveau. holdings of over three million objects, the State Hermitage is one of the few truly encyclopaedic Jewels! is scheduled to run from 14 September 2019 museums in the world. to 15 March 2020.

The over 250 exhibits will include masterpieces by big names like Bernini, Da Vinci, Dürer, Van Dyck, Fabre, Matisse, Rembrandt, Thorvaldsen, Tintoretto, Velázquez and Van der Weyden, but also works by lesser-known artists of startling talent. Visitors will experience an unique tour of art history that will Hermitage Amsterdam not only include items from prehistory, the Greco- Communication, Education & Marketing Department Roman world and the art of both Western Europe Martijn van Schieveen, Madeline van Vliet and the Orient, but will even encompass arms +31 (0)20 530 87 55 and armour, ancient books and manuscripts, the [email protected] decorative arts and contemporary art. Adopting an hermitage.nl/en/press innovative approach, the exhibition will present art objects from a wide range of periods and cultures Hires images are downloadable via in playful pairings that will surprise and delight by hermitage.nl/en/press/images-exhibitions/ Background story Treasury! Masterpieces from the Hermitage Jubilee Exhibition #1 2 Feb | 25 Aug 2019 Background story | 1

‘A crazy, but fantastic idea’ The Hermitage Amsterdam has also used its extensive Back in the late nineties, Ernst Veen, the then director premises to accommodate the collections of other of De Nieuwe Kerk Amsterdam, came up with the museums, for example during the Vincent. The Van notion of establishing a branch of St Petersburg’s Gogh Museum in the Hermitage Amsterdam show in State Hermitage Museum in Amsterdam. Michail 2012–13 and the Russian Atelier on the Amstel event Piotrovsky, the director of the State Hermitage, said in 2013–14. In addition, the Amsterdam Museum’s it was ‘a crazy, but fantastic idea’ and together they semi-permanent Portrait Gallery of the Golden Age went ahead and developed the project. As early as presentation (2014 – present), temporary exhibitions 2004 a pilot was launched in the Neerlandia building by the Outsider Art Museum (2016 – present) and on the , where the first ten annual shows of work by the winner of the ABN exhibitions would take place. In 2007 the dream finally AMRO Art Award have become regular features of life came true: the nursing home occupying the historic in the former nursing home on the Amstel. seventeenth-century Amstelhof building moved to more appropriate modern premises outside the Two jubilee exhibitions city centre. The conversion of the Amstelhof into a This decade-long voyage through art history has now state-of-the-art museum could go ahead. The work inspired the idea of presenting a unique, kaleidoscopic was done to designs by architect Hans van Heeswijk survey of highlights from the many different (building), Merkx+Girod architects (interior) and collections of the State Hermitage. Treasury! – a Michael van Gessel (gardens). Two years later, on 20 light-hearted presentation of alluring masterpieces June 2009, the Netherlands’ newest museum opened drawn from all the collections – is the first of two exactly on time and on budget: Hermitage Amsterdam special jubilee exhibitions to be held in Amsterdam was a fact. next year. In the second half of the jubilee year, the State Hermitage will throw open its treasure chests 10 years at Hermitage Amsterdam: for an exhibition entitled Jewels! The museum has a fascinating voyage through art a vast jewellery collection including thousands of history pieces once worn by tsars and tsarinas, kings and Since the opening in 2009, sixteen major exhibitions princes, countesses and well-heeled commoners. They have been held at Hermitage Amsterdam using works reflect the fashions of four centuries and encompass of art from the collections in St Petersburg. With baroque, rococo, neoclassical, empire, art nouveau, twelve different departments and vast collections modern styles and contemporary (21st-century) art. numbering over three million items, the State Hermitage is an encyclopaedic museum of world art. It has provided material for fascinating journeys through the history of art, including exhibitions about the tsarist courts (At the Russian Court; Dining with the Tsars), biographical exhibitions (Peter the Great; Alexander, Napoleon & Josephine; Catherine, the Greatest; 1917. Romanovs and Revolution), and shows devoted to archaeology (Alexander the Great; Expedition Silk Road), great art of the past (Splendour & Glory; Rubens, Van Dyck & Jordaens; Spanish Masters; Dutch Masters; Classic Beauties) and modern art (Matisse to Malevich; Impressionism; Gauguin, Bonnard, Denis). In all, over 6,000 items have come to Amsterdam and over 3.5 million visitors have attended the exhibitions. Background story | 2

Treasury! First section: open-mindedness Masterpieces from the Hermitage The first part of the exhibition, in the main gallery, The exhibition Treasury! will be a celebration of art will present visitors with paired works of art from throughout history. Over 250 works of art – from many different periods and cultures. Chosen for outstanding archaeological finds to top works by their surprising similarities, visual or otherwise, these both great and lesser-known artists and exquisite playful and exciting pairings will reveal similarities examples of the decorative arts – will offer the visitor and differences between cultures and over time that on an amazing 25,000-year journey through time and will encourage visitors to adopt a more open and space. A historical and geographical cross-section attentive attitude. Art is exciting and stimulating, encompassing a host of different cultures, from West offering many new discoveries, even in works that to East, and from Egypt to Siberia. have long been familiar.

However, the exhibition will start with a single object: Art history is not a matter of degrees of authenticity the oldest in the entire Hermitage collection. The or originality; it is about the narratives and meanings ‘Venus of Kostenki’ is a 25,000-year-old fertility that underlie art objects. One of the interesting symbol made of limestone and next of kin to the aspects of the Hermitage Museum in St Petersburg famous, more or less contemporary, Venus of is that it stands literally on the dividing line between Willendorf. East and West. This is evident in its collections, which display stylistic features and reciprocal influences from all directions. The history of art is not unitary. Every culture, every period, even every individual art historian writes a different art history. Sometimes there are what you might call ‘blanks’. And the collection of the Hermitage is particularly well equipped to hold up a mirror to us, enabling us to understand the history of art just that little bit better. That is what makes this exhibition so unique.

The displays will also reveal that the interpretation of a work of art is not set in stone. One man’s ‘Late Gothic’ is another man’s ‘Early Renaissance’. What one historian regards as Byzantine, another may call Eastern Roman. We do well to realise this, so that we can approach art with an open mind and perhaps try to look at it as children do, without preconceptions and with new eyes.

Actual size

Female figure, Russia, Voronezh Region, Kostyonki, c. 23,000–21,000 BC Lucas Cranach I Background story | 3 Madonna and Child underneath an Apple Tree 1525–30 Confrontations Exciting encounters of various times and cultures

Swan, Russia, Altay, Pazyryk, burial Lorenzo Lotto mound nr. 5 Madonna and 3rd century BC Child with Angels (Madonna delle grazie) 1542

Jan Fabre Stupidity standing on Death 2016

Incense burner, Iran 11th century

Leonardo da Vinci (School of) Nude Woman (Donna nuda) 16th century

Water jug, Germany, Lower Saxony late 13th–14th century

Hires images are downloadable via Nude hermitage.nl/en/press/ 1908 images-exhibitions/ Background story | 4

Confrontations the Great in the fourth century BC, the style two were produced only fifty years apart spread to the Orient, a fact demonstrated but represent two entirely different worlds. Swans here by a sixth-century Buddhist sculpture The early twentieth-century service shows A felt swan excavated in the fourth century from the Karashar area, now in the Xinjiang how fast society was changing. The arbiters BC Siberian tomb of the Pazyryk Culture region of north-western China. of taste were no longer the royal elite, but and an installation, Stupidity standing on (wealthy) commoners. Death (2016), by Belgian artist Jan Fabre. Fragmentary beauty The ancient swan once adorned a ceremonial An incomplete torso of a second-century Women chariot belonging to a tribal chieftain of the Roman Venus paired with Spring (1910–11), George Romney’s portrait of Harriet Greer Pazyryk Culture (which is akin to that of the a bronze by French artist Aristide Maillol. (c. 1786) obeys all the rules: every detail is Scythians). He and his contemporaries pointed to clearly shown, the textures are perfectly archaeology to demonstrate that a work of rendered and Greer’s facial expression is Ceremonial vases art need not always be perfect and complete dignified. Valentin Serov’s Portrait of Princess A Greek volute krater dating from the fourth in order to be beautiful. Zinaida Yusupova of circa 1902 is also an century BC and decorated with a sacrificial academic work in the tradition of Russian scene, paired with a Russian porcelain calyx Royal portraits portraiture. But Serov has permitted himself krater made in 1831 and depicting a cavalry Official portraits often depict monarchs as a degree of Impressionist freedom and the regiment. The shape of the Russian vase is eternally youthful. Rulers are portrayed at princess’s clothing is only sketchily painted. based on that of Ancient Greek examples. their peak of physical beauty and power. The The emphasis is on her fine features and Egyptian pharaoh Amenemhet III (nineteenth expressive eyes. Yusupova was a member of Mothers century BC) is shown in a dignified pose, one of the oldest and wealthiest aristocratic A Protestant concept by Lucas Cranach the seated on his throne and wearing the royal families in Russia. Elder and a Catholic work by Lorenzo Lotto. ‘nemes’ headcloth so familiar to us from the Cranach’s Virgin (late 1520s) is replete with mask of Tutankhamun. Catherine the Great Self-confident nudity symbolism: in one hand, the Christ Child is portrayed by the French sculptor Houdon Donna nuda by (the school of?) Leonardo da holds an apple, a reference to the original sin (1773) as a wise ruler, adorned with a tiara Vinci (sixteenth century) and Henri Matisse’s of Adam and Eve and the Fall of Man. In the and the chain of the Order of St Andrew the Nude (1908) both show a woman proudly other, he holds a piece of bread, referring to Apostle. Catherine actually demanded to parading her nudity. The character of the two the Last Supper, the symbols of which (the be shown as she really was, without spurious pictures is the same, despite the difference sacraments) were to relieve Christians of embellishment. The face of Amenemhet in date. The comparison also shows that original sin and grant them life everlasting. III is likewise a true-to-life depiction, not Leonardo was as much an autonomous artist Lotto’s Madonna (1542), by contrast, is a an idealised portrait of the kind so often as Matisse. tender depiction of a mother and child. encountered in Ancient Egyptian art. Only the angels hovering overhead reveal Official portraits them to be the Virgin and Child. The three Hunting scenes A portrait of Margaret of Savoy, Duchess angels symbolize Faith, Hope and Charity A fourth-century Sassanid Dynasty silver of Mantua and daughter of the King of (1 Corinthians 13:13) and were discovered in dish showing King Shapur seated on his Spain, painted by Frans Pourbus the Younger 2014, when the painting was restored. horse and hunting a lion, paired with an early in 1608, paired with a portrait of a noble seventeenth-century Italian maiolica plate Chinese courtier also dating from the early Golden panthers depicting a huntsman on horseback. The two nineteenth century. In both cases, the A small, solid gold, Siberian plaque (late compositions display subject’s rank and social position is indicated seventh century) showing a panther lying on striking similarities. by the motifs on the clothing. its side, paired with a flamboyant Russian vase (1802) made of red jasper with gilded bronze Patrons St George handles in the shape of panthers. In both Two paintings that include peripheral The dragon-slayer soldier saint enjoyed cases, the panthers are symbols of power. depictions of religious followers and of their unparalleled popularity in both Catholic donors: in a Buddhist painting from Western Europe and Orthodox Russia. The stylised Lions China (twelfth or thirteenth century) they are sixteenth-century Russian icon is less A bronze incense-burner from eleventh- shown in the bottom left-hand corner, and in dynamic than its Italian counterpart by century Iran and a thirteenth- of fourteenth- Maarten van Heemskerck’s sixteenth-century Tintoretto (1555–58) but the compositions century bronze ewer or ‘aquamanile’ from crucifixion triptych at bottom left and right. are very much alike. Germany. You might almost think the German artist had seen the Iranian example at some Breakfast Warhorses time. Could such a thing have happened Velázquez’s scene of men at a breakfast Horse armour from the Pazyryk Culture (third during the Crusades? After all, many kinds of table (Breakfast, c. 1617) is almost identical to century BC) paired with a suit of Turkish craftsmen participated in them. Might they another famous mealtime painting, The Supper Ottoman horse armour, with rider, dating have remembered the new styles they had at Emmaus by Jacopo Chimenti (c. 1600). The from the fifteenth or sixteenth century. Both seen after they returned home and passed figure of Christ, identified by a halo in the suits had a protective as well as decorative the ideas down to future generations? painting by Chimenti, is absent in Velázquez’s function. The Pazyryk burial gear, made of picture. The two artists were contemporaries. organic materials, expresses the grief felt at Wet style In a striking similarity, the man on the right is funeral processions. Turkish silver weapons The sculpture of Aphrodite (Roman work identically dressed in both paintings. accentuate the warlike spirit of the battles. after a Greek example) was produced in the third or fourth century BC in the so-called Tea services ‘wet style’, where the body is clearly visible The Romanov Portrait Service was made beneath the clothing. As if the subject has in 1862 by the Russian Imperial Porcelain just walked out of the sea fully dressed. Factory, which also produced the Suprematist Thanks to the military campaign of Alexander service (1923) with which it is paired. The Background story | 5 Female figure, Russia, Voronezh Timeline Region, Kostyonki A journey of discovery c. 23,000–21,000 BC through 25,000 years of art history Statue of Amenemhat III, Egypt, Middle Kingdom 12th Dynasty, 1853–1806 BC

Portrait of a Roman, Rome 50–40 BC

Amphoriskos with an allegory on the Power of Love, Rome 1st century AD

Beaker, South Russia, Khokhlach burial mound 1st century AD

Bodhisattvas and Monks China, Xinjiang, Shiksha Monastery 8th century

Freiburg Processional Cross, Strasbourg (?), with gems from the 1st century BC 1275–1300

Rogier van der Weyden Saint Lucas painting the Madonna 1435–36

Tintoretto St George killing the Dragon c. 1555–58

Gian Lorenzo Bernini Male Portrait 1610–20

Rembrandt Study of a Youth in Polish Clothing c. 1631

Bureau with an image of Apollo, Germany, Neuwied, workshop of David Röntgen before 1784

Caspar David Friedrich Sunset (Brothers) c. 1835

Aristide Maillol Printemps (sans bras) 1910–11

Dmitry Prigov Untitled 1970–80

Hires images are downloadable via hermitage.nl/en/press/ images-exhibitions/ Background story | 6

Second section: a wander around the Finally, the exhibition will touch on the State departments of the Hermitage Hermitage’s latest projects, showing the kind of The scope of the State Hermitage’s collections museum it intends to be in the 21st century. Branch makes the museum one of the most encyclopaedic museums now exist both in Russia and elsewhere. on Earth in its coverage of world art and creates The oldest and greatest of them is Hermitage the opportunity for a presentation like that in the Amsterdam. Within Russia, there are branches in first part of Treasury! Almost no other museum in Kazan, Omsk and Vyborg. Hermitage Barcelona is the world could do so. The comprehensiveness of expected to open in 2019. The State Hermitage has the collections will be equally evident in the second recently launched its own Outsider Art Project, in part of the exhibition, where – as in the Hermitage partnership with Hermitage Amsterdam and the itself – visitors will find themselves skipping Outsider Art Museum previously mentioned in this randomly from one cultures or art form to another. document. In St Petersburg, the museum complex They will encounter art from Siberia, Ancient Greece is to be expanded through the addition of new and Rome, Western Europe and the Orient, Russian buildings and historic palaces: the Menshikov Palace, art, as well as arms and armour, ancient books and the Museum of the Imperial Porcelain Factory, the manuscripts, contemporary (21st-century) art, and General Staff Building, and the new restoration and the decorative arts. storage centre at Staraya Derevnya.

Each room will feature rare objects and outstanding works from all the cultural regions represented in the collections of the Hermitage. The rooms focusing on Western European art, for example, will present not only Rogier van der Weyden’s masterpiece Saint Lucus Painting the Madonna, but fine portraits by Moroni and Van Dyck, a marble bust by Bernini and works by a wide range of major artists like Dürer, Fragonard, Rembrandt, Thorvaldsen and Zurbarán. In the rooms displaying oriental art, exhibits will include early Islamic art from Syria, Iran and Central Asia and a Sogdic wall painting from Penjikent.

There will also be a room devoted to one of the Winter Palace’s most extraordinary interiors: the nineteenth-century Malachite Room. This was once the anteroom to the tsar’s audience chamber, St George’s Hall, and its interior is a reminder of the imperial character of the Romanovs’ Winter Palace – now the most important edifice in the State Hermitage complex. Exhibits will include outstanding examples of the decorative arts, such as the renowned thirteenth-century Processional Cross of St Trudberg (the ‘Freiburg Cross’), while Russian contemporary art will be represented by an installation by Dmitry Prigov (1940–2007). Further information creative sheet De schatkamer! Treasury! Who is who?

De Hermitage Amsterdam maakt deze tentoonstelling samen met de collega’s uit de Hermitage in St.‑Petersburg en een team van ontwerpers en kunstenaars. The Hermitage Amsterdam produces this exhibition in collaboration with the colleagues from the State Hermitage Museum in St Petersburg and a team of designers and artists.

Lichtkunstwerk Tentoonstellingsontwerp 2D en 3D | Ontwerp catalogus Light Art Projection 2D and 3D Exhibition design | Design of catalogue

Teresa Mar | Wenen Vienna | teresamar.com gebr. Silvestri | Amsterdam | gebr.silvestri.nl

Teresa Mar Adrian Silvestri Chyle Stefan Silvestri Marjolein Annegarn Marjolein

Photos oto’s F

Ontwerp publiciteitscampagne Conservatoren Design of publicity campaign Curators

UNA designers | Amsterdam | unadesigners.nl State Hermitage Museum | St Petersburg Mikhail Piotrovsky Algemeen Directeur | Commissaris tentoonstelling General Director | Exhibition Commissar Irina Bagdasarova André Cremer Tentoonstellingsconservator Exhibition Curator

Hermitage Amsterdam | Amsterdam Vincent Boele Tentoonstellingsconservator Curator of Exhibitions Factsheet

Exhibition guided tours Treasury! On request for groups of max. 15 people Masterpieces from the Hermitage € 90 per hour [email protected] Location Hermitage Amsterdam lectures Amstel 51 Amsterdam To book in a meeting room € 175 per lecture (plus admission charges and room hire) Dates [email protected] 2 February – 25 August 2019 Open daily, 10.00–17.00 Activities For current opening dates and times visit Various activities will be organized in relation to the exhibition. hermitage.nl/en For current programme visit hermitage.nl/en

Website schools hermitage.nl/en Primary (greater Amsterdam) Lesson package for groups 4, 5 and 6 facebook.com/hermitage.amsterdam Preparation in school, exhibition visit and workshop at Hermitage for Children admission charges Secondary Programmes for various levels Adults € 18 Introduction followed by exhibition visit CJP | Stadspas € 14.40 with activity cards Museumkaart € 3 hermitage.nl/en/education BankGiro Loterij VIP-KAART € 3 I Amsterdam City Card free Museum shop Vrienden van de Hermitage free Daily 10.30–17.30, no ticket required Children aged 11 or under free Groups > 15 people € 16 Café restaurant Hermitage all-in ticket* € 25 On the first floor, east side of the building. *3 exhibitions: Treasury!, Portrait Gallery of the Golden Age and Outsider Art Open daily 10.00–17.30 Museum Courtyard terrace open from April In fine weather 10.00–17.30 Catalogue Treasury! Auditorium Masterpieces from the Hermitage Above the café-restaurant, suitable for many purposes ISBN/EAN 978-90-78653-78-3 [email protected] € 29.95 Published by De Nieuwe Kerk / Hermitage Amsterdam meeting rooms Three rooms, perfect for lectures and meetings of relatively small groups of people [email protected]

Accessibility Coaches Passengers board and alight in Weesperstraat for group entrance on Nieuwe Keizersgracht Boats Stop at main entrance on the Amstel (also Museum Boat stop), Nieuwe Keizersgracht Cars Multistorey car parks at National Opera & Ballet, Waterlooplein, Markenhoven and The Bank Public transport Tram 14 (Waterlooplein stop), Metro 51, 53 & 54 (Waterlooplein stop, Nieuwe Herengracht exit)

Disabled access The whole building is wheelchair-friendly. Wheelchairs and for further information and images walkers available on loan, advance reservation recommended: Hermitage Amsterdam +31 (0)20 530 87 55 or [email protected] Martijn van Schieveen and Madeline van Vliet Two disabled parking spaces, advance reservation required Press Office +31 (0)20 530 87 55 [email protected] hermitage.nl/en/press In 2019 Hermitage Amsterdam celebrates FOUNDER REGENTEN PARTNERS HERMITAGE VOOR KINDEREN REGENTS HERMITAGE FOR CHILDREN PARTNERS the tenth anniversary of its opening. The De Nederlandsche Bank AMVJ Fonds Stichting Kramer-Lems Beljon + Westerterp anniversary will be marked by a whole Zweegers Foundation Dutch Flower Group W.E. Jansen Fonds Freek en Hella de Jonge Stichting year of special events and activities, HOOFDSPONSORS MAIN SPONSORS Stichting Virtitus Opus Riki Stichting including not just one, but two major jubilee Stichting Tull Universal exhibitions. Spencer Stuart PARTNERS HERMITAGE AMSTERDAM Stichting Dorodarte HERMITAGE AMSTERDAM PARTNERS Stichting RCOAK 1nergiek Stichting Zabawas AVROTROS Vanden Ende Foundation Bosch Bain & Company SPONSOR Treasury! Forbo Flooring Systems MET DANK AAN Meijburg & Co Belastingadviseurs WITH THANKS TO Masterpieces from the Hermitage SRC Reizen Stichting Vrienden van de Hermitage Nederland Jubilee Exhibition #1 Van Oord Particuliere donateurs | Private donors 2 Feb | 25 Aug 2019 FOUNDER REGENTEN PARTNERS HERMITAGE VOOR KINDEREN REGENTS HERMITAGE FOR CHILDREN PARTNERS De Nederlandsche Bank AMVJ Fonds Stichting Kramer-Lems Beljon + Westerterp Zweegers Foundation Dutch Flower Group W.E. Jansen Fonds Freek en Hella de Jonge Stichting HOOFDSPONSORS Jewels! MAIN SPONSORS Stichting Virtitus Opus Riki Stichting Jubilee Exhibition #2 Stichting Tull Universal Spencer Stuart | PARTNERS HERMITAGE AMSTERDAM Stichting Dorodarte 14 Sept 2019 15 Aug 2020 HERMITAGE AMSTERDAM PARTNERS Stichting RCOAK 1nergiek Stichting Zabawas AVROTROS Vanden Ende Foundation Bosch Bain & Company SPONSOR Forbo Flooring Systems MET DANK AAN Meijburg & Co Belastingadviseurs WITH THANKS TO SRC Reizen Stichting Vrienden van de Hermitage Nederland Van Oord Particuliere donateurs | Private donors

FOUNDER REGENTEN PARTNERS HERMITAGE VOOR KINDEREN Hermitage Amsterdam REGENTS HERMITAGE FOR CHILDREN PARTNERS Communication, Education & Marketing DepartmentDe Nederlandsche Bank AMVJ Fonds Martijn van Schieveen, Madeline van VlietStichting Kramer-Lems Beljon + Westerterp Zweegers Foundation Dutch Flower Group +31 (0)20 530 87 55 W.E. Jansen Fonds Freek en Hella de Jonge Stichting HOOFDSPONSORS [email protected] SPONSORS Stichting Virtitus Opus Riki Stichting hermitage.nl/en/press Stichting Tull Universal Spencer Stuart PARTNERS HERMITAGE AMSTERDAM Stichting Dorodarte HERMITAGE AMSTERDAM PARTNERS Stichting RCOAK 1nergiek Stichting Zabawas AVROTROS Vanden Ende Foundation Bosch Bain & Company SPONSOR Forbo Flooring Systems MET DANK AAN Meijburg & Co Belastingadviseurs WITH THANKS TO SRC Reizen Stichting Vrienden van de Hermitage Nederland Van Oord Particuliere donateurs | Private donors

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