DOCSLIB.ORG

Press Information Press Release

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Press Information Press Release PRESS INFORMATION PRESS RELEASE Hermitage Amsterdam celebrates their visual or other similarities and differences tenth anniversary with two grand in culture and period. The experience will incite visitors to adopt a more open-minded and attentive jubilee exhibitions attitude to art. The second part of the exhibition De schatkamer! 2 February – 25 August 2019 will be a fascinating peregrination through all the Jewels! 14 September 2019 – 15 March 2020 departments and collections of the State Hermitage. Treasury! is scheduled to run from 2 February to 25 In 2019 Hermitage Amsterdam celebrates the August 2019. tenth anniversary of its opening. The anniversary will be marked by a whole year of special events and activities, including not just one, but two major jubilee exhibitions: Treasury! and Jewels! Jewels! The Hermitage’s fabulous jewellery collection is one of its greatest treasures. Over the centuries it has become the repository of thousands of precious Treasury! pieces. In the autumn of 2019, hundreds of them Masterpieces from the Hermitage will travel to the Netherlands to feature in Jewels! The jubilee year will start with Treasury! – a wide- Visitors will encounter flamboyant female rulers like ranging, kaleidoscopic overview of top pieces Elizabeth of Russia and Catherine the Great, but also from the many different collections of the State grand dukes and noble families of the nineteenth Hermitage. The show is the result of meticulous and early twentieth century. They had their portraits preparation over a long period and will be a painted by leading artists and on special occasions glittering feast of 25,000 years of art history. they wore dazzling gowns and ensembles set off by The masterpieces on show will represent cultures carefully selected bijoux. Jewels were a statement of and movements extending in time from earliest identity and a demonstration of taste, breeding and prehistory right through to the 21st century. wealth. Occasionally, they might also be designed to provoke or contain hidden symbolism. They Visitors will experience an amazing journey through were ordered from European jewellery firms like time and space, covering half the planet, from the Boucheron or Cartier, master goldsmiths like Claude Netherlands to China and from northern Siberia Ballin or, of course, from Fabergé, Goldsmith by to Egypt. Hermitage Amsterdam is able to present Special Appointment to the Imperial Crown. The an exhibition of such wide geographical and art- exhibits will reflect the fashions of four centuries: historical scope thanks to its partnership with the baroque, rococo, neoclassical, empire and art State Hermitage Museum in St Petersburg. With nouveau. holdings of over three million objects, the State Hermitage is one of the few truly encyclopaedic Jewels! is scheduled to run from 14 September 2019 museums in the world. to 15 March 2020. The over 250 exhibits will include masterpieces by big names like Bernini, Da Vinci, Dürer, Van Dyck, Fabre, Matisse, Rembrandt, Thorvaldsen, Tintoretto, Velázquez and Van der Weyden, but also works by lesser-known artists of startling talent. Visitors will experience an unique tour of art history that will HERMITAGE AMSTERDAM not only include items from prehistory, the Greco- Communication, Education & Marketing Department Roman world and the art of both Western Europe Martijn van Schieveen, Madeline van Vliet and the Orient, but will even encompass arms +31 (0)20 530 87 55 and armour, ancient books and manuscripts, the [email protected] decorative arts and contemporary art. Adopting an hermitage.nl/en/press innovative approach, the exhibition will present art objects from a wide range of periods and cultures Hires images are downloadable via in playful pairings that will surprise and delight by hermitage.nl/en/press/images-exhibitions/ BACKGROUND STORY Treasury! Masterpieces from the Hermitage Jubilee Exhibition #1 2 Feb | 25 Aug 2019 BACKGROUND STORY | 1 ‘A crazy, but fantastic idea’ The Hermitage Amsterdam has also used its extensive Back in the late nineties, Ernst Veen, the then director premises to accommodate the collections of other of De Nieuwe Kerk Amsterdam, came up with the museums, for example during the Vincent. The Van notion of establishing a branch of St Petersburg’s Gogh Museum in the Hermitage Amsterdam show in State Hermitage Museum in Amsterdam. Michail 2012–13 and the Russian Atelier on the Amstel event Piotrovsky, the director of the State Hermitage, said in 2013–14. In addition, the Amsterdam Museum’s it was ‘a crazy, but fantastic idea’ and together they semi-permanent Portrait Gallery of the Golden Age went ahead and developed the project. As early as presentation (2014 – present), temporary exhibitions 2004 a pilot was launched in the Neerlandia building by the Outsider Art Museum (2016 – present) and on the Nieuwe Herengracht, where the first ten annual shows of work by the winner of the ABN exhibitions would take place. In 2007 the dream finally AMRO Art Award have become regular features of life came true: the nursing home occupying the historic in the former nursing home on the Amstel. seventeenth-century Amstelhof building moved to more appropriate modern premises outside the Two jubilee exhibitions city centre. The conversion of the Amstelhof into a This decade-long voyage through art history has now state-of-the-art museum could go ahead. The work inspired the idea of presenting a unique, kaleidoscopic was done to designs by architect Hans van Heeswijk survey of highlights from the many different (building), Merkx+Girod architects (interior) and collections of the State Hermitage. Treasury! – a Michael van Gessel (gardens). Two years later, on 20 light-hearted presentation of alluring masterpieces June 2009, the Netherlands’ newest museum opened drawn from all the collections – is the first of two exactly on time and on budget: Hermitage Amsterdam special jubilee exhibitions to be held in Amsterdam was a fact. next year. In the second half of the jubilee year, the State Hermitage will throw open its treasure chests 10 years at Hermitage Amsterdam: for an exhibition entitled Jewels! The museum has a fascinating voyage through art a vast jewellery collection including thousands of history pieces once worn by tsars and tsarinas, kings and Since the opening in 2009, sixteen major exhibitions princes, countesses and well-heeled commoners. They have been held at Hermitage Amsterdam using works reflect the fashions of four centuries and encompass of art from the collections in St Petersburg. With baroque, rococo, neoclassical, empire, art nouveau, twelve different departments and vast collections modern styles and contemporary (21st-century) art. numbering over three million items, the State Hermitage is an encyclopaedic museum of world art. It has provided material for fascinating journeys through the history of art, including exhibitions about the tsarist courts (At the Russian Court; Dining with the Tsars), biographical exhibitions (Peter the Great; Alexander, Napoleon & Josephine; Catherine, the Greatest; 1917. Romanovs and Revolution), and shows devoted to archaeology (Alexander the Great; Expedition Silk Road), great art of the past (Splendour & Glory; Rubens, Van Dyck & Jordaens; Spanish Masters; Dutch Masters; Classic Beauties) and modern art (Matisse to Malevich; Impressionism; Gauguin, Bonnard, Denis). In all, over 6,000 items have come to Amsterdam and over 3.5 million visitors have attended the exhibitions. BACKGROUND STORY | 2 Treasury! First section: open-mindedness Masterpieces from the Hermitage The first part of the exhibition, in the main gallery, The exhibition Treasury! will be a celebration of art will present visitors with paired works of art from throughout history. Over 250 works of art – from many different periods and cultures. Chosen for outstanding archaeological finds to top works by their surprising similarities, visual or otherwise, these both great and lesser-known artists and exquisite playful and exciting pairings will reveal similarities examples of the decorative arts – will offer the visitor and differences between cultures and over time that on an amazing 25,000-year journey through time and will encourage visitors to adopt a more open and space. A historical and geographical cross-section attentive attitude. Art is exciting and stimulating, encompassing a host of different cultures, from West offering many new discoveries, even in works that to East, and from Egypt to Siberia. have long been familiar. However, the exhibition will start with a single object: Art history is not a matter of degrees of authenticity the oldest in the entire Hermitage collection. The or originality; it is about the narratives and meanings ‘Venus of Kostenki’ is a 25,000-year-old fertility that underlie art objects. One of the interesting symbol made of limestone and next of kin to the aspects of the Hermitage Museum in St Petersburg famous, more or less contemporary, Venus of is that it stands literally on the dividing line between Willendorf. East and West. This is evident in its collections, which display stylistic features and reciprocal influences from all directions. The history of art is not unitary. Every culture, every period, even every individual art historian writes a different art history. Sometimes there are what you might call ‘blanks’. And the collection of the Hermitage is particularly well equipped to hold up a mirror to us, enabling us to understand the history of art just that little bit better. That is what
Load more

Recommended publications
  • Annual Report 2010 Kröller-Müller Museum Introduction Mission and History Foreword Board of Trustees Mission and Historical Perspective
    Annual report 2010 Kröller-Müller Museum Introduction Mission and history Foreword Board of Trustees Mission and historical perspective The Kröller-Müller Museum is a museum for the visual arts in the midst of peace, space and nature. When the museum opened its doors in 1938 its success was based upon the high quality of three factors: visual art, architecture and nature. This combination continues to define its unique character today. It is of essential importance for the museum’s future that we continue to make connections between these three elements. The museum offers visitors the opportunity to come eye-to-eye with works of art and to concentrate on the non-material side of existence. Its paradise-like setting and famous collection offer an escape from the hectic nature of daily life, while its displays and exhibitions promote an awareness of visual art’s importance in modern society. The collection has a history of almost a hundred years. The museum’s founders, Helene and Anton Kröller-Müller, were convinced early on that the collection should have an idealistic purpose and should be accessible to the public. Helene Kröller-Müller, advised by the writer and educator H.P. Bremmer and later by the entrance Kröller-Müller Museum architect and designer Henry van de Velde, cultivated an understanding of the abstract, ‘idealistic’ tendencies of the art of her time by exhibiting historical and contemporary art together. Whereas she emphasised the development of painting, in building a post-war collection, her successors have focussed upon sculpture and three-dimensional works, centred on the sculpture garden.
    [Show full text]
  • JOURNAL of EURASIAN STUDIES Volume V., Issue 3
    July-September 2013 JOURNAL OF EURASIAN STUDIES Volume V., Issue 3. _____________________________________________________________________________________ MURAKEÖZY, Éva Patrícia Peter the Great, an Inspired Tsar Review on the exhibition devoted to Peter the Great (1672–1725) at the Hermitage Amsterdam between 9 March and 13 September 2013 1. Two Pine Trunks Joined with a Bough Grown from One Trunk into the Other, on a Stand. Russia, St Petersburg. First half of the 18th century. Wood (pine); turned. 64.5x99x31.5 cm. Image is used from www.hermitagemusum.org, courtesy of The State Hermitage Museum, St. Petersburg, Russia. The above object, rather sombre at the first glance (it may evoke the combined images of a guillotine and a coffin in sensitive souls), represents a rare natural phenomenon: the two tree trunks are joined through a bough which grew from one trunk into the other. This piece stood surprisingly unnoticed1 among the items of Peter the Great’s Cabinet of Curiosities but for me it had an obvious symbolic value: the two pine trunks that grew together through a common branch stood for a natural analogue to the growing together of the Russian Empire and the Dutch Republic, through the person of Peter the Great. The strength of the relationship between the Dutch and the Russian nations in the course of the 17th and 18th centuries becomes evident in this brilliant show, as well as the hard-working and stormy character of this Russian emperor who well merits the epithets «great» and «inspired». The exhibition was jointly 1 It took me quite an effort to get an authorized picture of this object since it is featured neither in the exhibition catalogue nor on the website of the Hermitage Amsterdam.
    [Show full text]
  • 201876 L99 CROUWEL BW DEF.Indd
    _wim crouwel modernist _wim crouwel modernist Frederike Huygen _Lecturis Publishers CROUWEL_omslag_TEST_23092015.indd 2 15-11-15 13:37 . CROUWEL_omslag_TEST_23092015.indd 2 15-11-15 13:37 _contents 8_preface 154_04 _constructivist: liga, 14 _01 switzerland and ulm _wim crouwel: 170_company printing modish, modern, modernist 176 _05 33_biography in pictures _total design 1963-1972 196_calendars 58_02 _the third dimension 204 _06 112 _signs and elements _the stedelijk museum 118 _03 308_07 _1956-1964: _technology, systems and the van abbe museum patterns and nks 350 148 _circles and spirals _08 _TD 1973-1985: crouwel criticized 378_postage stamps 382_09 _crouwel in the media: a dogmatist full of contradictions 392_10 _museum director, design commissioner and museum designer 410_11 _comeback and revival 433_texts by crouwel 438_cv crouwel 441_bibliography and sources 456_index a graphic designer, but at the same time he is an _preface interdisciplinary designer, a member of a team, and active in and for the whole of our culture. _This book is – naturally enough – based on the earlier book in Dutch, Wim Crouwel, mode en module (1997), of which Hugues Boekraad and I were the authors. It is, however, a different book. Not only has Crouwel done a lot more work since 1997, but new insights about and further research into the profession have led to new texts and chapters. Thus the book now contains the first account of the genesis and development This book is a monographic study of a designer: of the famous New Alphabet and there is exten- Wim Crouwel. The primary object is to give a sive examination of Crouwel’s sources, examples broad picture of his work and activities.
    [Show full text]
  • The State Hermitage Museum Annual Report 2010 the State Hermitage Museum Annual Report 2010 Contents
    The STaTe hermiTage muSeum annual reporT 2010 The STaTe hermiTage muSeum annual reporT 2010 conTenTS General Editor a year of two staircases ............................................................. 4 Mikhail Piotrovsky, Director of the state Hermitage Museum, The State Hermitage Museum. General Information ............... 6 Corresponding Member of the Russian academy of sciences, Full Member of the Russian academy of arts, Awards .......................................................................................... 12 Professor of st. Petersburg state University, Doctor of sciences (History) Composition of the Hermitage Collections as of 1 January 2011 .................................................................... 14 ediTorial Board: Permanent Exhibitions ............................................................... 27 Mikhail Piotrovsky, temporary Exhibitions ............................................................... 30 Director of the state Hermitage Museum Georgy Vilinbakhov, Restoration and Conservation .................................................... 70 Deputy Director for Research Publications ................................................................................. 85 Svetlana Adaksina, Conferences ................................................................................. 96 Deputy Director, Chief Curator Marina Antipova, Dissertations ................................................................................ 99 Deputy Director for Finance and Planning Archaeological Expeditions ......................................................
    [Show full text]
  • The Hermitage Amsterdam
    The Hermitage Amsterdam Information Accreditation Accreditation is requested by the NVK and NIP. Information Liesbeth Osterop, Communication & Public Relations Emma Children’s Hospital AMC Meibergdreef 9, Postbus 22660, 1100 DD Amsterdam Tel. + 31 20 – 566 7987 / [email protected] www.amc.nl/ekz The Dutch Neonatal Follow-Up Work Group celebrates her 20th anniversary by organising an exquisite congress on obstetric, neonatal, and long-term aspects of preterm birth. The last 20 years have shown a decrease in perinatal mortality and neonatal mortality. This improvement has led to treatment of more immature infants with lower birth weights. Evaluating perinatal and neonatal care is therefore more and more important. Although major improvements have been made to optimize preterm children's outcomes at the long-term, preterm birth is still associated with neurodevelopmental disabilities. In the morning, lectures to be given will point out the importance of long-term follow- up for obstetric care, the impact of neonatal care on long-term follow-up, important neurobehavioural interventions as well as the current state of the art on long-term outcomes of NICU graduates. In the afternoon, diverse interactive workshops offer the opportunity to increase knowledge and skills on developmental and school age assessments as well as on intervention programs designed to protect the preterm infant's brain at the neonatal ward or post discharge. Aleid van Wassenaer-Leemhuis, MD, PhD (president) Corine Koopman-Esseboom, MD, PhD Jeroen Vermeulen, MD, PhD Ria Nijhuis-van der Sanden, PPT, PhD Anneloes van Baar, PhD Nynke Weisglas-Kuperus, MD, PhD Cornelieke Aarnoudse-Moens, PhD Programme 9.00 - 9.30 hr Registration Chair: Arend Bos 9.30 - 9.45 hr ‘On 20 years follow up of very low birthweight infants in the Netherlands’ Aleid van Wassenaer-Leemhuis 9.45 - 10.25 hr ‘On the importance of child follow up in decision making in obstetrical care of high risk pregnancies’ Dwight Rouse 10.25 - 11.05 hr ‘How neonatal care has altered long term child outcome.
    [Show full text]
  • Portrait of a Gentleman with a Tall Hat and Gloves C
    National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS Dutch Paintings of the Seventeenth Century Rembrandt van Rijn Dutch, 1606 - 1669 Portrait of a Gentleman with a Tall Hat and Gloves c. 1656/1658 oil on canvas transferred to canvas overall: 99.5 × 82.5 cm (39 3/16 × 32 1/2 in.) framed: 132.08 × 114.94 × 13.97 cm (52 × 45 1/4 × 5 1/2 in.) Widener Collection 1942.9.67 ENTRY The early history of Portrait of a Gentleman with a Tall Hat and Gloves and Portrait of a Lady with an Ostrich-Feather Fan [fig. 1] is shrouded in mystery, although it seems likely that they were the pair of portraits by Rembrandt listed in the Gerard Hoet sale in The Hague in 1760. [1] They had entered the Yusupov collection by 1803, when the German traveler Heinrich von Reimers saw them during his visit to the family’s palace in Saint Petersburg, then located on the Fontanka River. [2] Prince Nicolai Borisovich Yusupov (1751–1831) acquired the core of this collection on three extended trips to Europe during the late eighteenth century. In 1827 he commissioned an unpublished five-volume catalog of the paintings, sculptures, and other treasures (still in the family archives at the Arkhangelskoye State Museum & Estate outside Moscow) that included a description as well as a pen-and-ink sketch of each object. The portraits hung in the “Salon des Antiques.” His only son and heir, Prince Boris Nicolaievich Yusupov (1794–1849), published a catalog of the collection in French in 1839.
    [Show full text]
  • PB VGM UK 1 Sept 2015
    FOR IMMEDIATE RELEASE Amsterdam, 1 September 2015 Eye-catching entrance hall Van Gogh Museum delivered on time and on budget New entrance building (photo Luuk Kramer) Central hall (photos Ronald Tilleman) Amsterdam’s Van Gogh Museum has a new entrance on Museumplein, Following in the steps oF its neighbouring Rijksmuseum and Stedelijk Museum. For the new entrance building, Kisho Kurokawa Architect & Associates made a sketch that was further developed, materialized, and realized in a record speed of 18 months by Hans van Heeswijk Architects. This Amsterdam based architecture Firm had earlier completed Museum Hermitage Amsterdam, the Royal Picture Gallery Mauritshuis and Museum MORE on schedule and within budget. Van Gogh Museum: one of the Netherlands’ most popular museums The Van Gogh Museum in Amsterdam is one of the Netherlands’ most popular museums. The ever-growing stream of visitors required intelligent solutions for these buildings, which were designed by Rietveld (1973) and Kurokawa (1999). The design consists in broad outlines of a further elaboration of the elliptical wing of the building that Kurokawa had built in Amsterdam in 1999. Kisho Kurokawa Architect and Associates, the firm founded by the late Kisho Kurokawa and designer of the temporary exhibitions wing opened in 1999, prepared the draft design for the new entrance hall. Hans van Heeswijk Architects then elaborated on this to create a solution in which the existing wing and the new structure form a surprising new whole. “Work to move our main entrance to Museumplein has gone very well,” says museum director Axel Rüger. “It has been delivered within the tight eighteen-month deadline, and on budget.
    [Show full text]
  • Art's Most Popular: Exhibition and Museum Visitor Figures 2018
    THE ART NEWSPAPER SPECIAL REPORT: The defi nitive guide to the world's most-visited museums and ART’S shows MOST POPULAR Exhibition and museum visitor figures 2018 U. ALLEMANDI & CO. PUBLISHING LTD. EST. 1983, VOL. XXVIII, NO . 311, APRIL 2019 II THE ART NEWSPAPER SPECIAL REPORT Number 311, April 2019 Art’s most popular The results are in… show since 1944 and its most popular exhibition of 2018 (4,987). The Sorolla and Fashion show (1,418) at the Museo Nacional Thyssen-Bornemisza in Madrid, which paired portraits by the Spanish artist with period-appropriate clothing, was the institution’s third most popular exhibition. The Spanish museum is putting this winning formula to the test again with its forthcoming exhibition Balenciaga and Spanish Painting, which is due to open in June. The Wallace Collection in London is also preparing to capitalise on the public’s interest in fashion with an exhibition, due to open in June, on the shoe designer Manolo Blahnik. APESHIT AT THE LOUVRE It was a record year for the Musée du Louvre in Paris, both in terms of its overall attendance and its staging of the most popular exhibition in its history. With a whopping 10.2 million visitors in 2018, the 226-year-old French institution comfortably retains its title Fashion provides winning formula as the most popular art museum in our survey. Its major show on the quintes- sential 19th-century French Romantic Eugène Delacroix was seen by record Met tops the charts with a heady mix of religion and None of the exhibitions mounted by museums respectively.
    [Show full text]
  • Remarkable Rhine
    2018 Gala Luncheon REMARKABLE RHINE BASEL to AMSTERDAM · 9 DAYS · FRANCE, GERMANY, THE NETHERLANDS, SWITZERLAND THE CELTIC ORIGIN OF THE RHINE’S NAME MEANS RAGING FLOW, AND WE ALWAYS CHOOSE TO GO WITH THE FLOW. On your journey up or down this majestic river, you’ll pass by many Gothic cathedrals, the ruins of castles and tiny hamlets occupied by warm and inviting locals. On one of our most active itineraries, you’ll have many opportunities to get out and get moving like the locals. Basel features one such occasion, where you can embark upon a guided “Let’s Go” bicycle ride, including a visit LITHUANIAto the Fondation Beyeler Museum, which houses more than 200 works of classic modernism. UNESCO WALES North Sea ENGLAND World Heritage sites will be in prime form along the THE NETHERLANDS way. Cologne’s Gothic-masterpiece cathedral is not Atlantic Amsterdam Ocean Rhine River to be missed. All of our “Remarkable Rhine” sailings BELARUS feature our one-and-onlyPOLAND Jewish Heritage–themed English Channel Cologne BELGIUM GERMANY cruises, with excursions and onboard activities showcasing the rich Jewish legacy of Germany, Oberwesel Frankfurt The Netherlands and Switzerland. These themed Bacharach CZECH LUXEMBOURG cruisesREPUBLIC are open to all guests as a complimentary UKRAINE Speyer alternative to the standard itinerary. Strasbourg FRANCE SLOVAKIA See whу the Rhine isn’t just remarkable—it’s Basel AUSTRIA SWITZERLAND extraordinarу, mesmerizing and astonishing, too. Bay of HUNGARY Biscay ROMANIA SLOVENIA SPAIN CROATIA 73 ITALY e Embark/Disembark UNESCOSERBIA Site b Motorcoach DAY 01 Basel (Embark) b e D DAY 08 Amsterdam BB L D Arrive at EuroAirport Basel-Mulhouse-Freiburg and be Featured Excursions: Exclusive “Morning with the transferred to the ship.
    [Show full text]
  • Russia in Amsterdam
    PRESS FEATURE Russia in Amsterdam Amsterdam has age-old ties with Russia, both in the fields of trade, shipping, science, technology and culture. An important impulse was given by Tsar Peter the Great (1672-1725), who resided in Amsterdam for some years. He was very interested in western technology and did not only come to Western Europe to establish diplomatic contacts, but also to study the latest technologies. Many locations around Amsterdam are testament to these ties between Russia and the Dutch capital. Tsar Peter the Great as Amsterdam shipbuilder Peter the Great stayed in Amsterdam in the years 1697-98 and 1716-17, and particularly wanted to learn shipbuilding. He was incognito, but the city council organized various festivities in his honour. In 1697, they for instance offered him a festive dinner at the Hortus Botanicus and a spectacular Spiegelgevecht (or show battle) on IJmeer. Using the pseudonym 'Pieter Migaylof', the tsar worked as a ship’s carpenter for half a year, on the wharf of the Dutch East India Company at the Wittenburgergracht, from August 1697, where at the time the frigate Pieter en Paul was being built. He mastered the Dutch language and regularly acted as an interpreter between Russians and the Dutch. In 1698 the tsar took 640 Dutch engineers, craftsmen and artists to Russia to build a new Russian fleet. Peter the Great admired the way in which Amsterdam had developed into one of the richest cities in Europe within a short period of time and the city served as inspiration in his construction of Saint Petersburg.
    [Show full text]
  • Museums Going Global
    Museums Going Global International museum expansion as a tool of soft power for western universalism Demi Falkmann S1403168 [email protected] Thesis supervisor: Dr. M.H.E. Hoijtink Second reader: Dr. M. Keblusek Faculty of Humanities of Leiden University MA Arts and Culture: Museums and Collections 2018 – 2019 Table of contents Introduction 1 Chapter 1. The globalization of the art market & museums 5 1.1 Museums and the art market 5 1.2 The Solomon R. Guggenheim Foundation 7 1.3 The State Hermitage Museum 10 1.4 Musée du Louvre 13 1.5 Concluding remarks 15 Chapter 2. International dynamics 18 2.1 Introduction 18 2.2 The Guggenheim and Bilbao 19 2.3 Saint Petersburg and Amsterdam 23 2.4 France and the Emirates 26 2.5 Concluding remarks 28 Chapter 3. Collections, contents and developments 30 3.1 Introduction 30 3.2 The Guggenheim 32 3.3 The Hermitage 36 3.4 The Louvre 38 3.5 Concluding remarks 40 Conclusion 43 Illustrations 46 Credits illustrations 48 Bibliography 49 Literature 49 Web sources 56 Introduction The International Council of Museums (ICOM) is in need of a new museum definition. The current definition of a museum that was made in 2007 is: “A museum is a non-profit, permanent institution in the service of society and its development open to the public, which acquires, conserves, researches, communicates and exhibits the tangible and intangible heritage of humanity and its environment for the purposes of education, study and enjoyment.”1 ICOM is trying to come up with a new definition and are inviting people to submit a proposal.2 This shows that the museum as an institution is constantly subject to change from within as well as from the outside world.
    [Show full text]
  • Uva-DARE (Digital Academic Repository)
    UvA-DARE (Digital Academic Repository) State immunity and cultural objects on loan van Woudenberg, N. Publication date 2011 Link to publication Citation for published version (APA): van Woudenberg, N. (2011). State immunity and cultural objects on loan. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:25 Sep 2021 Chapter 9 Situation in various other European States “Art works are now being used as hostages in trading disputes.”1 The number of European States with immunity from seizure legislation is slowly growing, although the majority of States does not have such legislation (yet). As the country reports of the United Kingdom and the Netherlands have been dealt with in separate chapters, infra an overview can be found of the situation in France, Germany, Austria, Belgium, Switzerland, Liechtenstein, Finland and the Czech Republic.
    [Show full text]