Seneca Glass Company HAER WV-6 Beechurst Ave. Between 6Th & 8Th
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A Multi-Media Guide to Shopping, Dining, Lodging, Recreation, Entertainment, Art & Historic Points of Interest for The American Heritage Tourist EVENTS... 4 INDEX OF CITIES... 6-7 ON THE ROAD... 27 Establish Your Community as a GREAT AMERICAN DESTINATION FALL / WINTER 2017-2018 (for less than a dime a day per lister) www.AmericanAntiquities.com See inside front cover 2 / AMERICAN JOURNAL Volume 25, FALL/WINTER 2017-18 AMERICAN ANTIQUITIES JOURNAL Volume 25, FALL/WINTER 2017-18/ 3 Enjoy your next road trip to one of our 500+ client cities. Let this be your guide for AboutAbout thethe CoCovverer shopping, dining, lodging, recreation, entertainment & historic points of interest for the AMERICAN HERITAGE TOURIST www.AmericanAntiquities.com Depression glass is clear or a specified number of colored translucent magazine subscriptions, thus glassware. It was produced in making its way into almost a multitude of colors, ranging every American home. from the deep colors of purple, Depression glass started one black, cobalt, and red to the of the largest collecting trends pastels of pink, yellow, green, ever, from collectors to amber, and blue which nostalgia hunters. Over created to bring a bright note 100,000 eager collectors now into the otherwise drab times seek this prized glass, of the depression. Most of this whether to complete a glassware was made in the handed-down family set of Ohio River Valley of the United dishes, or to find the highly States, where access to raw sought and elusive rare materials and power made pieces. manufacturing inexpensive. Depression glass is More than twenty becoming more scarce on the manufacturers made more open market. -
Quarterly Journal of the All India Glass Manufacturers' Federation
Vol. 3 | No. 4 | January - March 2016 Quarterly Journal of The All India Glass Manufacturers’ Federation Bi-lingual www.aigmf.com Technical Articles Prof. (Dr.) A. K. Bandyopadhyay Prof. (Dr.) A Sustainable 50 for postage postage for 50 ` ASS ASS www.aigmf.com Building and Packaging material An Publication - GlASS Gl Gl 500 (within India) + + India) (within 500 ` ` Kanch | Vol. 3 | No. 4 | January-March 2016 2 Overseas: US$ 60 (including postage and bank charges) bank and postage (including 60 US$ Overseas: Order Print Copies: Print Order Price: Price: www.aigmf.com President SANJAY GANJOO Sr. Vice President ARUN KUMAR DUKKIPATI Vice President RAJ KUMAR MITTAL Hon. General Secretary BHARAT SOMANY Hon. Treasurer SANJAY AGARWAL Member Editorial Board A K Bandyopadhyay Quarterly Journal of THE ALL INDIA GLASS MANUFACTURERS’ FEDERATION Former Principal, Govt. College of Engineering & Ceramic Technology-GCECT, Kolkata DEVENDRA KUMAR Prof. & HOD, Dept. of Ceramic, Indian Institute of Technology (Banaras Hindu University) Vol. 3 | No. 4 | January-March 2016 K K SHARMA President, NIGMA and Plant Head, HNG Neemrana, Rajasthan MEMBER ASSOCIatIONS EASTERN INDIA GLASS MANUFACTURERS’ ASSOCIATION (EIGMA) Contents c/o La Opala RG Ltd. Chitrakoot, 10th Floor, 230 A, A.J.C. Bose Road From President's Desk 5 Kolkata - 700 020 President - Sushil Jhunjhunwala Glass as Vital Building Material for Smart / Solar Cities NORTHERN INDIA GLASS MANUFACTURERS’ ASSOCIATION (NIGMA) & c/o Hindustan National Glass & Industries Limited 6 Post Office - Bahadurgarh, Jhajjar, Haryana-124 507 Book Launch: “Glass - A Sustainable Building and Packaging President - KK Sharma Material” Vice President - Jimmy Tyagi Honorary General Secretary - NN Goyal Glass News 13 Secretary & Treasurer - JB Bhardwaj SOUTH INDIA GLASS MANUFACTURERS’ ASSOCIATION (SIGMA) Smart City and Glasses for Flat-Screen Products – Part II 21 c/o AGI Glasspac (An SBU of HSIL Ltd.) Glass Factory Road, Off. -
Jack Paquette Collection on Northwest Ohio's Glass Industry, 1885-2003
The Ward M. Canaday Center for Special Collections The University of Toledo Finding Aid Jack Paquette Collection on Northwest Ohio's Glass Industry, 1885-2003 MSS-169 Size: 11.5 Linear Feet Provenance: Jack K. Paquette, Toledo, OH Access: Open Collection Summary: This collection contains material that Paquette accumulated over the course of his career, as well as material he collected while researching and writing three books-- two on the history of Owens-Illinois and one on the glass-making industry in Northwest Ohio. Subjects: Business and Commerce, Glass Industry. Related Collections: Libbey-Owens-Ford Glass Company Records, MSS-066 Processing Note: None Copyright: The literary rights to this collection are assumed to rest with the person(s) responsible for the production of the particular items within the collection, or with their heirs or assigns. Researchers bear full legal responsibility for the acquisition to publish from any part of said collection per Title 17, United States Code. The Ward M. Canaday Center for Special Collections may reserve the right to intervene as intermediary at its own discretion. Completed by: Kathy Warnes, July 2003 and Mary Koslovsky, October 2005; June 2014; Tom Smith, November 2016 Jack Paquette Collection on Northwest Ohio's Glass Industry, 1885-2003 Biographical Outline: Jack K. Paquette 1925 Born in Toledo, Ohio 1943 Graduated from Ross High School, Fremont, Ohio 1943-1946 Served in the U.S. Naval Reserve on active duty for three years during World War II. 1949 Graduated from The Ohio State University with a B.A. in Journalism. 1951 Graduated from The Ohio State University with an M.A. -
West Virginia and Regional History Collection Newsletter Twenty-Year Index, Volume 1-Volume 20, Spring 1985-Spring 2005 Anna M
West Virginia & Regional History Center University Libraries Newsletters 2012 West Virginia and Regional History Collection Newsletter Twenty-Year Index, Volume 1-Volume 20, Spring 1985-Spring 2005 Anna M. Schein Follow this and additional works at: https://researchrepository.wvu.edu/wvrhc-newsletters Part of the History Commons West Virginia and Regional History Collection Newsletter Twenty-Year Index Volume 1-Volume 20 Spring 1985-Spring 2005 Compiled by Anna M. Schein Morgantown, WV West Virginia and Regional History Collection West Virginia University Libraries 2012 1 Compiler’s Notes: Scope Note: This index includes articles and photographs only; listings of WVRHC staff, WVU Libraries Visiting Committee members, and selected new accessions have not been indexed. Publication and numbering notes: Vol. 12-v. 13, no. 1 not published. Issues for summer 1985 and fall 1985 lack volume numbering and are called: no. 2 and no.3 respectively. Citation Key: The volume designation ,“v.”, and the issue designation, “no.”, which appear on each issue of the Newsletter have been omitted from the index. 5:2(1989:summer)9 For issues which have a volume number and an issue number, the volume number appears to left of colon; the issue number appears to right of colon; the date of the issue appears in parentheses with the year separated from the season by a colon); the issue page number(s) appear to the right of the date of the issue. 2(1985:summer)1 For issues which lack volume numbering, the issue number appears alone to the left of the date of the issue. Abbreviations: COMER= College of Mineral and Energy Resources, West Virginia University HRS=Historical Records Survey US=United States WV=West Virginia WVRHC=West Virginia and Regional History Collection, West Virginia University Libraries WVU=West Virginia University 2 West Virginia and Regional History Collection Newsletter Index Volume 1-Volume 20 Spring 1985-Spring 2005 Compiled by Anna M. -
Bullseye Glass Catalog
CATALOG BULLSEYE GLASS For Art and Architecture IMPOSSIBLE THINGS The best distinction between art and craft • A quilt of color onto which children have that I’ve ever heard came from artist John “stitched” their stories of plants and Torreano at a panel discussion I attended a animals (page 5) few years ago: • A 500-year-old street in Spain that “Craft is what we know; art is what we don’t suddenly disappears and then reappears know. Craft is knowledge; art is mystery.” in a gallery in Portland, Oregon (page 10) (Or something like that—John was talking • The infinite stories of seamstresses faster than I could write). preserved in cast-glass ghosts (page 25) The craft of glass involves a lifetime of • A tapestry of crystalline glass particles learning, but the stories that arise from that floating in space, as ethereal as the craft are what propel us into the unknown. shadows it casts (page 28) At Bullseye, the unknown and oftentimes • A magic carpet of millions of particles of alchemical aspects of glass continually push crushed glass with the artists footprints us into new territory: to powders, to strikers, fired into eternity (page 31) to reactive glasses, to developing methods • A gravity-defying vortex of glass finding like the vitrigraph and flow techniques. its way across the Pacific Ocean to Similarly, we're drawn to artists who captivate Emerge jurors (and land on the tell their stories in glass based on their cover of this catalog) exceptional skills, but even more on their We hope this catalog does more than point boundless imaginations. -
The Gothic Revival Character of Ecclesiastical Stained Glass in Britain
Folia Historiae Artium Seria Nowa, t. 17: 2019 / PL ISSN 0071-6723 MARTIN CRAMPIN University of Wales THE GOTHIC REVIVAL CHARACTER OF ECCLESIASTICAL STAINED GLASS IN BRITAIN At the outset of the nineteenth century, commissions for (1637), which has caused some confusion over the subject new pictorial windows for cathedrals, churches and sec- of the window [Fig. 1].3 ular settings in Britain were few and were usually char- The scene at Shrewsbury is painted on rectangular acterised by the practice of painting on glass in enamels. sheets of glass, although the large window is arched and Skilful use of the technique made it possible to achieve an its framework is subdivided into lancets. The shape of the effect that was similar to oil painting, and had dispensed window demonstrates the influence of the Gothic Revival with the need for leading coloured glass together in the for the design of the new Church of St Alkmund, which medieval manner. In the eighteenth century, exponents was a Georgian building of 1793–1795 built to replace the of the technique included William Price, William Peckitt, medieval church that had been pulled down. The Gothic Thomas Jervais and Francis Eginton, and although the ex- Revival was well underway in Britain by the second half quisite painterly qualities of the best of their windows are of the eighteenth century, particularly among aristocratic sometimes exceptional, their reputation was tarnished for patrons who built and re-fashioned their country homes many years following the rejection of the style in Britain with Gothic features, complete with furniture and stained during the mid-nineteenth century.1 glass inspired by the Middle Ages. -
XIX Century Murano Glass Tableware Kindle
GLASS FOR THE TABLE : XIX CENTURY MURANO GLASS TABLEWARE PDF, EPUB, EBOOK Andrea Morucchio | 51 pages | 01 Jan 2000 | Arsenale | 9788877432131 | English, Italian | San Giovanni Lupatoto, United States Glass for the Table : XIX Century Murano Glass Tableware PDF Book Sort By:. Item Location see all. Fusing The process of founding or melting the batch. Heating pieces of glass in a kiln or furnace until they bond. The unofficial capital of glassmaking is perhaps known best for their dazzling chandeliers and opulent vases, which add a pop of color and sophistication to any room. Mentioned for accuracy Sign In Register. Cart 0. Originally established in in Pittsburgh , the first city to use coal for fuel in glassmaking, the company survived under several different firms until Much modern glass must be heated to about 2, degrees Farenheit, followed by a maturing period when the molten glass cools to a working temperature of about 2, degrees Farenheit. For a downloadable PDF, click here 27 pages. Since childhood he has shown great interest in art. Attributed to Salviati Dott. After annealing, the disk is cut into panes. In the master suite of a Long Island home, a motorized cabinet containing a Samsung television stands at the foot of the bed. Result is a polychrome design that is visible only when seen in cross section. So called because one surviving example is said to have belonged to Saint Hedwig of Silesia. Made by inflating a large gather, swinging it until it forms a cylinder, detaching it from the blowpipe, cutting it lengthwise, reheating it, and allowing it to slump to the form of a flat sheet. -
Bottles and Extras Fall 2004 42 It Doesn't Take Pre-Pro Collectors Very
42 Fall 2004 Bottles and Extras Fig. 1 Fig. 2 It doesn’t take pre-pro collectors very James Bishop tells us that George Truog discovery of a tiny “GT” hidden in one of long before they start wondering from established the Maryland Glass Etching the details at the right of the design. where their treasured glasses originated Works in 1893 and it quickly became [Fgure 2] It’s the presence of a signature and who made them. Answering the first renowned for producing etched glassware that first identified Truog as being question is relatively easy given that brand of supreme quality that equaled or bettered involved in shot-glass production, and owner information is often included that being imported from Europe. The although until recently his output was on the label. The second question proves techniques available for decorating glass considered to be very limited. to be much more of a challenge but, as were at the time fairly limited but the Among the first Truog shots to be discussed below, a sizable proportion of Maryland Glass Etching Works identified as such were a series of them apparently were designed and distinguished itself by producing acid- “Souvenir” glasses featuring a pair of produced by George Truog, owner and etched designs that both had a high degree clasped hands. A GT signature can founder of the Maryland Glass Etching of artistry and would withstand fading usually be found on the cuff of the hand Works of Cumberland, Maryland. through continued use. Popular Truog on the right, although not all glasses bear Shot-glass blanks were manufactured designs included storks, flowers, and one. -
“A People Who Have Not the Pride to Record Their History Will Not Long
STATE HISTORIC PRESERVATION OFFICE i “A people who have not the pride to record their History will not long have virtues to make History worth recording; and Introduction no people who At the rear of Old Main at Bethany College, the sun shines through are indifferent an arcade. This passageway is filled with students today, just as it was more than a hundred years ago, as shown in a c.1885 photograph. to their past During my several visits to this college, I have lingered here enjoying the light and the student activity. It reminds me that we are part of the past need hope to as well as today. People can connect to historic resources through their make their character and setting as well as the stories they tell and the memories they make. future great.” The National Register of Historic Places recognizes historic re- sources such as Old Main. In 2000, the State Historic Preservation Office Virgil A. Lewis, first published Historic West Virginia which provided brief descriptions noted historian of our state’s National Register listings. This second edition adds approx- Mason County, imately 265 new listings, including the Huntington home of Civil Rights West Virginia activist Memphis Tennessee Garrison, the New River Gorge Bridge, Camp Caesar in Webster County, Fort Mill Ridge in Hampshire County, the Ananias Pitsenbarger Farm in Pendleton County and the Nuttallburg Coal Mining Complex in Fayette County. Each reveals the richness of our past and celebrates the stories and accomplishments of our citizens. I hope you enjoy and learn from Historic West Virginia. -
Quarterly Journal of the All India Glass Manufacturers' Federation Inside
Vol. 4 | No. 1 | April - June 2016 www.aigmf.com Quarterly Journal of The All India Glass Manufacturers’ Federation Bi-lingual Inside Interview Special Feature Yoshihiko Sano • Sustainability in Glass President of Nipro Corporation • A Note on Closed Glass Companies in the USA • Nipro Injects Innovation into Pre- for Artistic Appreciation filled Syringes and Targets US Expansion • Efficient Workflow: Automation and Digitisation Reduce Production and Handling Costs Upcoming Events (Sept 2, 2016) • FEA Studies of Impact Loads on NNPB Refillable • Enhancing Profitability by Empowering Workforce Bottles • Business Opportunities for Indian Glass Companies at Port of Duqm, • Energy Efficient Renovation Boost for Added- Sultanate of Oman Value Glazing • AIGMF Executive Committee Meeting / AGM Main Story Glass Packaging Supporting Swachh Bharat Abhiyaan (Clean India Campaign) event at Central Glass and Ceramic Research Institute (CSIR-CGCRI), Kolkata Page No. 6 Technical Articles Prof. (Dr.) A. K. Bandyopadhyay Prof. (Dr.) A Sustainable 50 for postage postage for 50 ` ASS ASS www.aigmf.com Building and Packaging material - An Publication GlASS Gl Gl 500 (within India) + + India) (within 500 ` ` Overseas: US$ 60 (including postage and bank charges) bank and postage (including 60 US$ Overseas: Order Print Copies: Print Order Price: Price: PORT OF DUQM Duqm, 100% Foreign Ownership the preferred Tax -exemption for 30 years Free Repatriation of Capital Special Economic & profi ts No minimum capital requirement No currency restrictions Zone for your No personal income tax Exemption from import & overseas export duties Usufruct agreements up to 50 years renewable investment One-stop station service For more information, contact: Port of Duqm Company SAOC Tel: (+968) 24342800 | Fax: (+968) 24587343 | [email protected] | www.portduqm.com 2 Kanch | Vol. -
Les Verres Opalins D'époque Contemporaine Issus Du Site Du
Revue archéologique de l’Est Tome 68 | 2019 n° 191 Les verres opalins d’époque contemporaine issus du site du Puisoz à Vénissieux (Rhône) Stéphane Brouillaud Édition électronique URL : http://journals.openedition.org/rae/13262 ISSN : 1760-7264 Éditeur Société archéologique de l’Est Édition imprimée Date de publication : 1 décembre 2019 Pagination : 355-366 ISSN : 1266-7706 Référence électronique Stéphane Brouillaud, « Les verres opalins d’époque contemporaine issus du site du Puisoz à Vénissieux (Rhône) », Revue archéologique de l’Est [En ligne], Tome 68 | 2019, mis en ligne le 11 décembre 2020, consulté le 25 janvier 2021. URL : http://journals.openedition.org/rae/13262 © Tous droits réservés LES VERRES opalins D’Époque CONTEMPORAINE ISSUS DU SITE DU PUISOZ À VÉNISSIEUX (RHÔNE) Stéphane BROUILLAUD* Mots-clés Vénissieux, dépotoir, production, consommation, verre opalin, opaline, époque contemporaine. Keywords Vénissieux, waste zone, production, consumption, opaline glass, opaline, contemporary era. Schlagwörter Vénissieux, Abfallgrube, Produktion, Konsum, getrübtes Glas, Milchglas, Moderne. Résumé Une campagne de fouille archéologique préalable à un projet d’urbanisme a été menée en août 2015 au lieu-dit Le Puisoz à Vénissieux (Rhône). Cette opération a permis de mettre au jour un dépotoir de 400 m², découvert dans le fossé défensif de la seconde enceinte de fortifications de la ville de Lyon. Daté de la fin du premier quart du XXe s., son comblement est composé dans sa quasi- totalité de céramiques et de verres. Il témoigne ainsi de la politique de tri sélectif mise en place à Lyon à cette époque. Le mobilier en verre se distingue d’une part par des rejets d’une production industrielle et d’autre part, par de la verrerie domestique. -
Pennsylvania Folklife Vol. 29, No. 2 Ivy Kemp Yost
Ursinus College Digital Commons @ Ursinus College Pennsylvania Folklife Magazine Pennsylvania Folklife Society Collection Winter 1980 Pennsylvania Folklife Vol. 29, No. 2 Ivy Kemp Yost John D. Kendig William Munro Howell J. Heaney Carter W. Craigie See next page for additional authors Follow this and additional works at: https://digitalcommons.ursinus.edu/pafolklifemag Part of the American Art and Architecture Commons, American Material Culture Commons, Christian Denominations and Sects Commons, Cultural History Commons, Ethnic Studies Commons, Fiber, Textile, and Weaving Arts Commons, Folklore Commons, Genealogy Commons, German Language and Literature Commons, Historic Preservation and Conservation Commons, History of Religion Commons, Linguistics Commons, and the Social and Cultural Anthropology Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Yost, Ivy Kemp; Kendig, John D.; Munro, William; Heaney, Howell J.; Craigie, Carter W.; and Twiss, Beth Ann, "Pennsylvania Folklife Vol. 29, No. 2" (1980). Pennsylvania Folklife Magazine. 87. https://digitalcommons.ursinus.edu/pafolklifemag/87 This Book is brought to you for free and open access by the Pennsylvania Folklife Society Collection at Digital Commons @ Ursinus College. It has been accepted for inclusion in Pennsylvania Folklife Magazine by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Authors Ivy Kemp Yost, John D. Kendig, William Munro, Howell J. Heaney, Carter W. Craigie, and Beth Ann Twiss This book is available at Digital Commons @ Ursinus College: https://digitalcommons.ursinus.edu/pafolklifemag/87 ~ontril1utor~ . IVY KEMP YOST has written a number of accounts of the local history of Eastern Berks County.